Artistic Religious Figures

Elegant sketches and engravings of male and female figures in religious attire. The artworks depict solemnity and traditional styles.

Mary at the foot of the cross, anonymous, c. 1425 - 1440, draughtsman: anonymous, Southern Netherlands, c. 1425 - 1440, prepared paper, pen, brush, h 175 mm × w 125 mm

Three-Quarter View of a Standing Male Robed Figure François-Claudius Compte-Calix French. Three-Quarter View of a Standing Male Robed Figure 343522

Lady with funeral veil and sleeve, right; La Noblesse de Lorraine.

Bellange, Jacques, Christ and the Apostles, Apostle James Major, verso center bottom - stamped, The apostle James Major seen from the back, wearing a pilgrim's cloak with a scallop shell on the sleeve., print, prints, verso bottom center - stamped, height 292 mm, width 173 mm, 1575 - 1616, print maker, printmaker, 1602 - 1616, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, after own design by

Bliżej Kultury unknown

Jean Leonard Lugardon, A Young Priest Kneeling A Young Priest Kneeling

Maria by a wall with Christ shown to the people in the background, Claude Mellan, 1685 print France paper engraving Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6) (+ Mary)

St Ludmila of Prague N Me Ek, Emil (1846 1902)

Mary at the foot of the cross, anonymous, c. 1425 - 1440, draughtsman: anonymous, Southern Netherlands, c. 1425 - 1440, prepared paper, pen, brush, h 175 mm × w 125 mm

Madonna with child of Michelangelo in the Onze-Lieve-Vrouwekerk in Bruges, Adolphe Giraudon, 1850-1900 photograph Used photographic support. cardboard albumen print Mary sitting or enthroned, the Christ-child in front of her in her lap (or in front of her bosom) Onze-Lieve-Vrouwekerk

King Caspar; The three kings. The oldest of the three kings, seen from the front, with a turban on the head. In his hands the gold as a gift for the Christ child.

Maria at the foot of the cross with the thorn crown next to her, Auguste Danse, After Alexandre Thomas, 1863 print paper etching / engraving Mary with the instruments of the Passion Golgotha

Sint Dominicus.Image of Saint Dominicus on a globe with a cherub, a dog with a torch and a banderole. In the undermaster the text Dees Bol will be big.

Harmensz van Rijn Rembrandt (1606-1669). "The large resurrection of Lazarus (B 73 - 10th state), around 1632". Museum of Fine Arts of the City of Paris, Petit Palais. 27006-4 Bible, Catholic, Chretian Christian, Christ, Miracle, New Testament, Rentile, Resurrection, Biblical Scene, Tomp

Late 15th-century copper engraving by Israhel van Meckenem depicting the fourth foolish virgin, including figures, gestures, and composition details on paper.

Sitting woman in a long cloak, Jacob Christof Le Blon (attributed to), 1677 - 1741 print paper sitting figure

St. Claire. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: sheet: 17 5/16 x 11 5/16 in. (44 x 28.8 cm). Date: 1667. Museum: Metropolitan Museum of Art, New York, USA.

Doodsporter van H. Franciscus van Paola (Francesco da Paola), Claude between, 1608 - 1688 print paper engraving historical persons. the hermit and founder of the (Franciscan) Minim Friars, Francis of Paola; possible attributes: inscription 'Charitas' on breast, discipline, skull, staff. coffin

Holy woman, anonymous, 1800 - 1886 print paper female saints

Saint Margaret by Bohemian Master (active 1410-1420) Szepmuveszeti Muzeum, Budapest c.1410 Pen, brush, grey and brown colour, watercolour on paper 21,4x14 Bohemian school Gothic Bible Graphic arts

'HAIL, MARY !'

Exempted to surgical pole; El Agrotado. A man dressed in a horns of the Carmelite order, to the Surgical. In his hands he holds a crucifix.

Early photograph of an Orthodox Serbian woman. Dated 19th Century

Lord Jesus Antokolski; Unknown, Wilcza Ski, Jan Kazimierz (1806-1885); after 1857 (1857-00-00-1882-00-00);

A believing woman holding a rosary is surrounded by wolves and sheep. (dummy title)

Saint Francis of Assisi kneeling in prayer, holding a skull. Engraving by Alphonse Charles Masson, 1849, after Francisco Zurbarán.

Saint Agnes, Leon Dabo, American, 1868-1960, Charcoal on cream wove paper, Within oval format, saint is seen facing half-right, holding a lamb in her arms and the palm of her martyrdom in her left hand. Halo over her head, and gaze is directed downward., USA, 1892, figures, Drawing, Drawing

Apostle Simon.

Apostle Peter; S. Petrus; The Apostles Petrus and Paul. The apostle Peter, for feet, seen on the left, sitting with a key in the hands. Links in the foreground are two books. At the bottom of the show on a banderole 'S. Peter'. Under the show a two-legged caption in Latin. This print has a print of the apostle Paul as a pendant.

Lithograph by Giovanni Battista Salvi (Sassoferrato) showing the Virgin Mary, created between 1801 and 1844, depicting a serene female figure with religious significance.

Pietà by Michelangelo in the Sint -Pietersbasiliek in Vatican City, Anonymous, 1870 - c. 1895 photograph This photo is part of an album. St. Peter's basilica cardboard. photographic support albumen print piece of sculpture, reproduction of a piece of sculpture. the dead Christ in Mary's lap. interior of church St. Peter's basilica

Saint's head; 1880-1890 (1880-00-00-1890-00-00);

Mary Magdalene as a rich woman for conversion; S. Maria Magdalena.

Pencil sketch by Anton Romako showing a female figure in a praying pose with hands together.

Copper engraving from the late 15th century by Israhel van Meckenem showing the fourth foolish virgin, with figures, gestures, and composition details.

Europe. West Francia. 8th century. Churchman.

Standing Christ figure, Johan Hendrik Koelman, 1830 - 1887 drawing paper. pencil. chalk

Angel of the Lord on the stone of the sepulchre. 'His countenance was like lightning and his raiment white as snow'. Illustration by JJ Tissot for his 'Life of Our Saviour Jesus Christ' 1897. Oleograph.

A woman from Constantinople. .

Monnik with a fox like Stola, Jacob Gole (attributed to), after Cornelis Dusart, 1724 print Standing monk. He has a living fox like Stola around his neck and a snake on his beret. He grins. The print is part of a 50-part series on the subject of the abuses of the Catholic clergy. paper etching monk(s), friar(s). (aspects of) Christian Religion or the Church (as institution) ridiculed, criticized, or caricaturized. beasts of prey, predatory animals: fox. stole. snakes. mouth wide open, teeth pressed together

Saint. Augustine from Hippo (354 Return 430 Hippo) and His Mother St. Monika (332 Return 387 Ostii) Mayer, Carl (1798 1868), Scheffer, Ary (1795 1858)

Jacques Callot, The Virgin, published 1631 The Virgin

Lady in the morning of the morning, God of Saint John (Copy After), c. 1676 - C. 1683 Standing lady, dressed in a morning gown according to the fashion of around 1675, veil over the head, dog on the right arm. France paper engraving dress, gown (+ women's clothes). veil. dog

Maria, Jacques Callot, 1631 print Maria, in full, hands together as in prayer. In the background on the right the flight to Egypt and left Maria's Ascension. This print is part of a series of 16 prints, consisting of a title page and 15 portraits, representing Christ, Mary and the Apostles. print maker: Nancypublisher: Paris paper etching Mary as orante (sometimes called 'Blacherniotissa'). the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass. the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Die betende Rœmerin. The praying Roman woman.. Maes. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Prayer, Flowers

Little Pilgrim; 1865 - 1870; Albumen silver print

Bust of Mary with Crossed Hands n.d. Wilhelm Traut German. Bust of Mary with Crossed Hands 395045

Image of Maria with child, c. 1875 - c. 1900 photograph Paris cardboard. photographic support albumen print sculpture. Madonna: i.e. Mary with the Christ-child

Büsserin Nonne. Felsing, Kupferdruckerei (Darmstadt, Monachium, Berlin ; dom wydawniczy, drukarnia ; 1797-1965), publishing house, Thedy, Max (1858-1924), graphic artist

Detail from Christ on the cross, with Mary, John, Mary Magdalena and soldiers, Schelte Adamsz. Bolswert, After Anthony Van Dyck, 1596 - 1659 print Detail from Christ on the cross, with Mary, John, Mary Magdalena and soldiers on which only Mary and John are partially displayed. The hand of John resting comfortably on the shoulder of Maria. Netherlands paper engraving crucified Christ with Mary, John, and Mary Magdalene

A London prostitute of the 18th century - 'A Mother Abbess of the last class' (i.e. a brothel-keeper) (one of a series) Date: 1773

The book; Le Livre (Sainte-Thérèse). Saint Theresa with a book in her hands.

Mary Magdalene. Maria Magdalena kneeling at the foot of the cross. Fragment from a greater crucifixion performance.

Copper engraving by Adrian van Melar from 1633-1667 depicting the Mother of the Savior, showing Mary, Christ, figures, gestures, and religious symbolism.

Saint Anne educates Mary while Joachim watches. Engraving attributed to M. Dossier and P. Drevet after J. Jouvenet.

MAAGD Mary, Elisabeth Alida Not, 1819 - print The Virgin Mary keeps her right hand at her heart, looking at heaven. She wears a veil and has a belt around her waist. paper etching 'portraits' of Mary

François Bonvin, A Nun Holding a Book and Pen, 1827-1887, black and red chalk on paper.

A grisaille oil painting on white primed paper showing two standing saints, one reading a book, featuring a cross, executed in gray tones.

Copper engraving by Jean Boulanger created between 1660 and 1703 depicting a loving mother.

Christ praying Olive garden; Thoma, Hans (1839-1924); 1894 (1894-00-00-1894-00-00);

Study for stained glass windows of Saint-Fran�ois Church. Saint Mary of the Incarnation Emile Charles Hirsch (1832-1904). Study for stained glass windows of Saint-Fran�ois Church. Saint Mary of the Incarnation, 1873.

Abruzzo Teramo Teramo S. Berardo, Cathedral2. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Maria with child; Madonna di Foligno. Numbered at the top right: No. 14.

High-pressure fotogal vanography by Paul Pretsch depicting St. Augustin with his mother, highlighting religious figures and garments, circa 1861.

"Anglo Saxon woman depicted in her grand finery." Purple veil, green mantle, crimson tunic.. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1796).

H. Benedict Praying in a cave. H. Benedict, kneeling and praying for a cross in a cave. Design for a print.

The penance of Maria Magdalena, Joannes Bemme, after Abraham Teerlink, after Titiaan, in or before 1805 print Maria Magdalena looks at heaven in a penalty. She is only dressed with a cloth. Next to her is a jar for ointment, with which she would have anointed the feet of Christ. paper etching / engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Photographische Gesellschaft, Photo reproduction painting by P. Rotari: St. Magdalena, photograph, foto, foto's, height mm, width mm, photographer, 1860 - 1880, third quarter 19th century, fourth quarter 19th century, albumen print

Greatest Mother in the World, Medical - American Red Cross

Dihm Ludwig (1849-1928), St. Gotthardkirche, Brandenburg/Havel (without dat.): Remains from the Gothic high altar: sculpture of the Apostle Mathias. Photo on paper, 24.7 x 19.1 cm (including scan edges)

H. Benedict, kneeling and praying for a cross in a cave. Design for a print, Saint Benedict praying in a cave., draughtsman: Laurent de La Hire, 1616 - 1656, paper, h 357 mm × w 240 mm

Mary with Child and young John the Baptist in a landscape Madonna del Velo, Mary and the Christ-child with John the Baptist (as child), Giuseppe Longhi, Italy, 1776 - 1831, paper, engraving, h 474 mm × w 357 mm

Woman with long veil, Frederick Bloemaert, After Abraham Bloemaert, After 1635 - 1669 print Seen a standing woman with loose clothing on the back. Her face is not visible, her hair is covered with a veil. paper engraving adult woman

Photo production of (probably) a print of two angels. Part of album with pictures of sights and landscapes in England and of art.

Maria statue in the Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print church (exterior) Bamberg stupid

Saint Mary Magdalen. Line engraving by L. Boscolo after N. Schiavoni.

Old begging woman sitting for the basilica of Our Lady of Scherpenheuvel, Charles Mertens, 1883 print paper etching / drypoint beggar. old woman. place of pilgrimage, sacred place Basilica of Onze-Lieve-Vrouw van Scherpenheuvel

Saint Cecilia. Line engraving V. Biondi after C. Dolci.

Imagen de la Virgen del Carmen con exvotos a sus pies.

Half-length chalk portrait of the Holy Teresa with her head inclined and eyes closed, showing facial features, posture, and upper body, whitewashed areas included.

Hispanic woman with child; Hispania M Ulier; Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti. A Hispanic woman with a child walking on tripping (wooden units), with a wide hat to which a veil hangs. Part of the costume book entitled 'Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti', Venice 1569. Reference from 1569 from the first edition from 1563.

Woman in nuns veil reading a fashion magazine, 1801. She wears a low-cut dress with a snake necklace, nuns veil and gloves. 20 or 25 May 1801. Collier en Serpent. Voile a la Religieuse. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1801. The illustrations in volume 4 were by Carle Vernet, Bosio, Dutailly and Philibert Louis Debucourt.

Saint Mary (the Blessed Virgin). Lithograph after Raphael.

Saint John the Evangelist. Lithograph by J.G. Schreiner.

A copper engraving and etching by Jean Boulanger from 1652 depicting Saint Veronica holding or wiping her veil, showing a religious figure and gesture associated with the Passion of Christ.

Madhav Rao Tribal Chief from India 1860

Kneeling Woman in Prayer, Willem Hendrik Schmidt, 1847 - 1849 print A young woman kneeling in front of a pulpit with a prayer book. The Hague paper one person praying

Christ as the Good Shepherd with the Sacred Heart. Process print after G. Grosoli-Pironi ().

Saint Catharina with sword and palm branch.

Christ with stars in hand; Et il avait dans sa main droite sept étoiles, et de sa bouche sortait une épée aiguë a deux tranchants; Apocalypse the Saint-Jean; Revelation of John. Imagination of bible verse at 1:16, "In his right hand he had Christ seven stars and from his mouth had a sharp, double-edged sword." Protection for the first print from a series of twelve, made for an album.

John the Baptist.John the Baptist, standing in a rocky landscape at a waterfall. He points up with his right hand, in the left hand he holds a staff with a banderole.

Die heil. Magdelena. Saint Mary Magdelene.. Dolci, Carlo, 1616-1686. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Books, Mary Magdalene, Saint, Urns

Maid with candlestick.

. God appears for Moses in the form of an angel in a burning bramble bush. He tells Moses that he is destined to redeem the Israelites from the hands of the Egyptians. Illustration for the Old Testament, Exod. 3: 2-10. Under the show a title in Hebrew, English, German, Latin, French and Dutch.

Maria Als Mater Dolorosa, Bernard Vaillant, 1642 - 1698 print paper 'Painful Mater'

Parody of a daimyo procession 1800-1812 Japan. Color woodblock print; 1 of 12 sheets (see 1928.391-402) . Utagawa Toyohiro

OPENING OF THE NEW PARLIAMENT ON TUESDAY LAST, HER MAJESTY READING THE ROYAL SPEECH

Ace of Spades, E. Le Tellier, French, active late 19th century, B.P. Grimaud, Paris, France, Lithograph on paper, One of Spades playing card from a pack of transformation playing cards. Female figure depicted in outline in a church interior, wearing a nun's habit with a rosary hanging from her waist. She kneels and clasps her hands in prayer, her eyes cast down; an open book and crucifix at left. The black spade symbol is depicted upside down, occupying the space of her neck and chest. Within it, a small white cross., Paris, France, late 19th century, toys & games, Playing card, Playing card

Dihm Ludwig (1849-1928), St. Gotthardkirche, Brandenburg/Havel (without dat.): Remains of the Gothic high altar: sculpture of John. Photo on paper, 24.7 x 19.1 cm (including scan edges)

The chief at Santa Christina, circa 1777, London, by John Hall, William Hodges. Bequest of Charles Rooking Carter, 1896.

Experience Byzantine costumes Teodora, wife of Emperor Justinian and Wielki unknown

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