Artistic Self-Portraits

Etchings and sketches of artists themselves, showcasing distinctive styles, character features, and the introspective nature of self-representation.

Portrait of Jan Evert Grave, draughtsman: Anthonie van den Bos, 1773 - 1838, paper, brush, h 114 mm × w 96 mm

Garofalo .

Rembrandt van Rijn (1606-1669), Selvportraet, 1631

To the left viewing man, with spread arms.

Rijn, Rembrandt van, London, Worlidge, Thomas, Portrait of Rembrandt van Rijn with beret and wide-open eyes, verso - stamped, print, prent, prints, height 81 mm, width 64 mm, English, 1700 - 1766-09-23, print maker, printmaker, 1758 - 1758, paper, papier, etching, etchings, drypoint, dry needle, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

The Persian, Rembrandt van Rijn, 1632 print paper etching

Self Portrait with Cap Pulled Forward, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on laid paper, Bust-length portrait of the artist, turned toward the right, the head shown in three-quarter view. He wears a cap pulled forward., Netherlands, 1630, portraits, Print, Print

Ruyter, French.

The Earth Stopper. Dated: 1794 or shortly thereafter. Dimensions: overall: 20.5 x 14.7 cm (8 1/16 x 5 13/16 in.). Medium: black chalk heightened with white on brown laid paper. Museum: National Gallery of Art, Washington DC. Author: James Ward.

Portrait of Aechje Claesdr .. Bust of Aechje Claesdr, widow of the Rotterdam Brouwer Jan Dammaszn. Pesser.

Bust of a man.

Print made by John James Chalon, 1778-1854, French, active in Britain, Portrait of a Man with Hat, 1792. Etching on medium, slightly textured, gray laid paper.

Bust of a Man, His Gaze Directed Toward the Spectator ca. 1500 () Anonymous, Italian, 16th century Italian. Bust of a Man, His Gaze Directed Toward the Spectator 340988

A man whose face exemplifies the melancholy temperament. Drawing, c. 1789.

Portrait of Rembrandt, William Unger, after Rembrandt van Rijn, 1857 - 1906 print With a uniform caption in German. print maker: Germanyafter painting by: Amsterdampublisher: Viennaprinter: Vienna paper. ETCHING / ROUCH historical persons

Italian 17th Century, Head of a Man, c 1600 Head of a Man

Portretus Van Keizer Sulpicius Galba, Jan de Bisschop, after Anonymous, 1666 - 1671 print Northern Netherlands paper etching

The port Van Johann Kaspar Lavater, Johann Hegi (I), After Cöla, 1757 - 1799 print paper historical persons

Paysan avec chapeau rond , Peasants, Alphonse Legros (1837-1911)

Self-Portrait, draughtsman: Cornelis Pronk, 1735, paper, brush, h 226 mm × w 178 mm

Portrait of Johannes Jacobus Vitriarius. Johannes Jacobus Vitririus, professor to lead rights.

Buste of a boy, Dirk van der Toorn, 1788 - 1811 print The Hague (possibly) paper

Melanchthon, Philipp.

Rijn, Rembrandt van, Man with skullcap: bust; Rembrandt's father (), verso lower left - stamped, print, prints, RHL 1630, upper left, height 76 mm, width 60 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1630, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Bust of a man with a hat, Michiel van Musscher, After Adriaen van Ostade, 1655 - 1705 print Northern Netherlands paper head-gear: cap (+ men's clothes)

Bust of a woman with a pearl necklace in her hair. .

A drawing by Nicolas Lagneau showing a warrior bust with helmet and ring collar, in side view with head turned three-quarters en face, executed in charcoal, black chalk, and pastel.

Bust of an Old Man, Frontal 17th century Jan Lievens Dutch. Bust of an Old Man, Frontal. Jan Lievens (Dutch, Leiden 1607-1674 Amsterdam). 17th century. Etching; first state. Prints

Feeling, Anonymous, After David Teniers (II), 1626 - 1740 print A man makes a shout because he has cut his finger with a knife. Personification of the feeling. Print is part of a series of the five senses. Low Countries paper etching feeling (one of the five senses)

Yawning farmer. Bust of a gaping farmer.

Rijn, Rembrandt van, Self-portrait() with plumed beret, in oval frame: bust, verso lower left - stamped, print, prints, Rembrandt f. 1634, lower right, height 130 mm, width 108 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1634 - 1634, second quarter 17th century, paper, papier, etching, etchings, burin, Work conception, after own design by

Bust of the church dignitary; Norblin de la Gourdaine, Jean Pierre (1745-1830); 1784 (1784-00-00-1784-00-00);

Bust of a man with hat in a circle. Draughtsman: anonymous. Dating: c. 1700 - c. 1799. Place: Netherlands. Measurements: h 56 mm × w 52 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of Jan Steen. Portrait of the painter Jan Steen. Stone wears a hat and has a pipe in hand. Bust to the right.

Two men, with hat and turban. The left portrait is from an unknown mature man with a hat. Bust Frontal. The right portrait is from an old man with a beard and a turban. Bust to the right.

Self-portrait with curly hair and white collar: buste.copy to the print of the same name by Rembrandt.

Adult male, Jan Chalon, 1778

Study of a woman's head. Draughtsman: Moses ter Borch. Dating: c. 1660. Place: Zwolle. Measurements: h 90 mm × w 72 mm. Museum: Rijksmuseum, Amsterdam.

Bust of a young girl with loose hanging hair.

Portret van Gerard de Lairesse, Dominique Vivant Denon (Baron), 1757 - 1825 print paper etching historical persons. portrait, self-portrait of painter

Mans head with hat, Caspar Jacobsz. Philips, 1752 - 1789.

Portrait Nicolaas Natter. .

Robert Herrick, 1591-1674. Seventeenth century cavalier poet. From an illustration by A.S. Hartrick

Portrait of Job Adriaensz Berckheyde, draughtsman: anonymous, 1690, parchment (animal material), h 100 mm × w 80 mm

Prof. John Wilson 1843-47 Hill and Adamson British, Scottish. Prof. John Wilson 268523

Rembrandt, Self-Portrait. Dated: 1767. Medium: mezzotint. Museum: National Gallery of Art, Washington DC. Author: Richard Earlom after Rembrandt van Rijn.

Portrait of a Man 1720-1754 Italy. Black chalk with stumping, with traces of charcoal, heightened with touches of white chalk, on blue-gray laid paper, discolored to cream, laid down on cream wood pulp board . Giovanni Battista Piazzetta

Kannekijker; Mirror of vanity; Spigel, Onde Theater Der Ydelheyd and the unbound Heyd Onser Elegen. A drunk man looks into an empty can ("kannekijker"). Fourteenth print from a series of eighteen.

Face of an Old Man with Eyes Closed. Pietro Dandini; Italian, 1646-1712. Date: 1666-1712. Dimensions: 257 x 173 mm. Red and black chalk on ivory laid paper, tipped onto ivory wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

A man sits smiling smoking a pipe. He has a pulp pressed against his chest., Smoker's Laughter, print maker: Abraham Bloteling, (mentioned on object), Frans Hals, (mentioned on object), publisher: Abraham Bloteling, (mentioned on object), Amsterdam, 1652 - 1690, paper, engraving, h 123 mm × w 93 mm

Self-Portrait. Anthony van Dyck; Flemish, 1599-1641. Date: 1630-1633. Dimensions: 246 × 157 mm (image/plate); 257 × 169 mm (sheet). Etching in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

Portrait of balzac Malpertuy, Etienne. "Portrait of Balzac". Balzac, honored by (1799-1850). drawing. Paris, House of Balzac.

Head of the young Christ 1779 Heinrich Sintzenich. Head of the young Christ. Heinrich Sintzenich (German, Mannheim 1752-1812 Munich). 1779. Etching printed in brown ink. Prints

Christopher Columbus (1451-1506) gained royal support from King Ferdinand and Queen Isabella of Spain and sailed west in three ships (Santa Maria, Pinta, and Nina), hoping to reach the Orient. He landed on San Salvador Island on October 12, 1492. He made three more voyages to the New World. This illustrations dates to 1896.

The Artist's Mother with Her Hand on Her Chest. Dated: 1631. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

John the Evangelist. Young man with a cup shot from a viper.

A Drinker, Print made by John Smith, 1652-1743, British, after Lorenzo A. Castro, 17th century, undated, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 6 3/4 × 4 13/16 inches (17.1 × 12.2 cm) and Image: 6 1/16 × 4 3/4 inches (15.4 × 12.1 cm)

Pencil self-portrait by Hans Gasser showing the artist's facial features, expression, and upper body posture.

Portrait van Willibald Pirckheimer, Anonymous, Albrecht Dürer, 1600 - 1649 print With caption in Latin. France paper engraving historical persons

Netherlands, Kouwels, Arnoldus Jacobus, Portrait of a man with cap, verso - stamped, print, prints, height 162 mm, width 130 mm, 1824 - 1888-01-21, print maker, printmaker, 1834 - 1888, paper, papier, lithografie (technique), Work conception

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Copper engraving portrait of Carl Philipp Fohr by Samuel Amsler, 1818, depicting the figure with detailed facial features and compositional elements.

Bliżej Kultury H. Kleinmann & Co Haarlem, Dusart, Cornélis (1660 1704)

Lapland, from the Races of Mankind series (T181) issued by Abdul Cigarettes 1881 Issued by Abdul Cigarettes Trade cards from the "Races of Mankind" series (T181), issued in 1881 to promote Abdul Cigarettes.. Lapland, from the Races of Mankind series (T181) issued by Abdul Cigarettes 631454

Lenoir, actor

Sand, Karl .

Amsterdam, Visscher, Claes Jansz. (II), Ampzing, Samuel, Velde, Jan van de (II), Mirror of vanity, Spigel, or Theatre of vanity and freedom of our age, Drunkard with a knife in his hand, verso lower left - stamped, A drunken man with a hat in one hand and a knife in the other. Tenth print from a series of eighteen., print, prints, height 170 mm, width 117 mm, Northern Netherlands, 1593 - 1641-11-04, print maker, printmaker, 1633 - 1633, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Dutch, 1594-06-24 - 1632-07-29, writer, Publication (Event), Publication, 1586 - 1652-06-19, publisher

García II (ca.1041-1090). King of Galicia (1065-1071) and (1072-1073). Portrait. Engraving. Las Glorias Nacionales. Volume II, Madrid-Barcelona edition, 1853.

Tête de buveur.. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Portrait of Bartholomeus van der Helst, Abraham BLOTELING, After Bartholomeus van der Helst, 1652 - 1690 print Portrait of the painter Bartholomeus van der Helst, with a miniature portrait of his wife Constantia Reynst in his right hand. paper portrait, self-portrait of painter. palette

Young standard bearer, Wallerant Vaillant, 1658 - 1706 print paper standard-bearer, flag-bearer

Portrait of Paulus van Vianen sr., Silver driver (silversmith) in Utrecht, died 1613. Bust on the right, with a venus statue in hand.

Head of a Bearded Man in a Hat. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 3 3/4 x 3 1/2 in. (9.6 x 8.9 cm). Date: ca. 1650.One of the emblematic painters of seventeenth-century Holland, Adriaen van Ostade was also a prolific draftsman. This sensitive drawing is arguably the best of a small group of head studies by him. Three of those, all in the British Museum, London, also depict an old peasant in a hat, possibly the same model. All four studies may have been done from life. Because this drawing represents its subject not as a type or caricature but as a stern-looking, even melancholy human marked by life, it can be called an exception in the oeuvre of Van Ostade, whose figures are usually seen laughing, drinking, smoking and dancing--or worse. The modest subject of the drawing contrasts with its refined technique. In addition to red and black chalk, Van Ostade used blue pastel to subtly color the hat and the man's jerkin. Museum: Metropolitan

Head of a Bearded Man in a Hat ca. 1650 Adriaen van Ostade Dutch One of the emblematic painters of seventeenth-century Holland, Adriaen van Ostade was also a prolific draftsman. This sensitive drawing is arguably the best of a small group of head studies by him. Three of those, all in the British Museum, London, also depict an old peasant in a hat, possibly the same model. All four studies may have been done from life. Because this drawing represents its subject not as a type or caricature but as a stern-looking, even melancholy human marked by life, it can be called an exception in the oeuvre of Van Ostade, whose figures are usually seen laughing, drinking, smoking and dancingor worse. The modest subject of the drawing contrasts with its refined technique. In addition to red and black chalk, Van Ostade used blue pastel to subtly color the hat and the man's jerkin.. Head of a Bearded Man in a Hat 395060

Portrait of Peder Hjort. Carl Barth (German, 1787 - 1853)

The Melancholic Man ca. 1800 Chevalier Ignace Joseph de Claussin French. The Melancholic Man. Chevalier Ignace Joseph de Claussin (French, 1766-1844) (). ca. 1800. Etching. Prints

Portrait of Willem van Mieris. Draughtsman: Frans van Mieris (II). Dating: 1699 - 1763. Measurements: h 237 mm × w 166 mm. Museum: Rijksmuseum, Amsterdam.

Skanderbeg .

Jean-Baptiste Greuze, Bust of an Old Man, French, 1725-1805, probably 1763, red, black, and white chalks with stumping and erasure on light brown laid paper, with later framing line in dark brown ink

Insurgent Grottger, Artur (1837 1867)

Pie-Us Ecstacy - or Godliness (the Itinerant Preachers) Great Gain. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Plate: 11 1/4 x 8 3/4 in. (28.5 x 22.3 cm)Sheet: 11 13/16 x 9 1/4 in. (30 x 23.5 cm). Publisher: Published by Alexander Beugo (British, active 1801-25) , London. Date: November 19, 1825.Rowlandson created this grotesque image of greed to condemn false piety. It portrays William Huntington, a wealthy, eccentric Nonconformist preacher who began life as a coal-heaver. He is shown in a state of ecstasy brought on not by a heavenly vision but by thoughts of venison and mulligatawny soup. Verses below parody an epitaph that Huntington wrote in anticipation of his own demise, in which he declared himself to be an unrecognized prophet. Rowlandson's less complimentary version states: "Here lies W. H. once a heaver of Coals/ but he left his employ, and turned saver of Souls/ And he changed for the better too, fifty times o'er/ For instead of a Coal-cart-he

Gustave Doré (1832-1883), designer and Gérard (19th century), engraver. "Master Anseau, proud piece of man." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101789-5 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Charles Mouton, 1617 - circa 1699. French lutenist and composer. After an engraving by Gerard Edelinck from the painting by François de Troy.

Christoph Kolumbus, ca. 1451 bis 1506. Genuesischer Seefahrer, Kolonisator und Entdecker. Aus dem Buch A Brief History of the United States, herausgegeben von AS Barnes and Company, ca. 1885., Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated

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