Artistic Sketches

A series of sketches depicting male figures and body studies, showcasing artists' exploration of form and anatomy through light pencil work.

Deraisme, Pierre -Georges (n.1859 - D.1932), floral motif, raspberries (main title), 1910, rhodoïd. Petit Palais, Museum of Fine Arts of the City of Paris.

Sketches of Male Bodies, possibly after Michelangeolo (Smaller Italian Sketchbook, leaf 18 recto) 1774-75 () Joseph Wright (Wright of Derby) British. Sketches of Male Bodies, possibly after Michelangeolo (Smaller Italian Sketchbook, leaf 18 recto) 405740

Figure studies. Page 48 from a sketchbook with 30 sheets manufactured in Amsterdam.

Abklatsch of the chalk drawing on page 10. Page 11 from sketchbook XXIX with 44 pages.

Abklatsch of the chalk drawing on page 18, c. 1886 - c. 1903 Page 19 from sketchbook XLVII with 52 pages. Amsterdam paper

Abklatsch van de Krijts drawing on page 16 Recto, 1874 - 1925 Leaf 15 Verso from a sketchbook with 42 sheets. paper

Mars and Cupid 1545-1555 Italy. Pen and brown ink with brush and brown wash, over traces of black chalk, on buff laid paper, laid down on ivory laid card . Luca Cambiaso

Deraisme, Pierre -Georges (n.1859 - D.1932), floral motif, raspberries (main title), 1910, rhodoïd. Petit Palais, Museum of Fine Arts of the City of Paris.

Figures on the beach of Zandvoort, c. 1855 - c. 1859 A fishing boat in the background. Page 21 Recto from a sketchbook with 22 sheets. Zandvoort paper. pencil beach (+ landscape with figures, staffage)

Mars and Cupid. Luca Cambiaso; Italian, 1527-1585. Date: 1548-1552. Dimensions: 264 x 138 mm (max.). Pen and brown ink with brush and brown wash, over traces of black chalk, on buff laid paper, laid down on ivory laid card. Origin: Italy. Museum: The Chicago Art Institute, USA.

A sketch sheet by Stefano della Bella containing detailed studies of figures, animals, and objects, emphasizing careful observation and line work.

Abklatsch of the chalk drawing on page 7, 1906 - 1907 Page 6 from a sketchbook with 43 sheets. paper

Enckell, Magnus, work, Sketch book, 1891, pencil, marker, crayon, etc., drawing, 22 cm x 30 cm, Enckell, Magnus, 1891, pencil, marker, crayon, etc., Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Woman head with hat. Page 5 from Sketchbook XLVI with 32 pages.

Study, possibly a figure study, 1875 - 1934 Page 7 Recto from sketchbook LXV with 27 sheets. The Hague (possibly) paper. chalk the (nude) human figure; 'Corpo humano' (Ripa)

Two women's heads. .

Thomas Girtin, 1775-1802, British, View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prion, etc., taken from Pont Notre Dame, 1803. Graphite tracing on laid paper.

Abklatsch of the drawing on page 60. Page 61 from a sketchbook with 60 sheets.

Coal and pencil sketch by Leopold Carl Müller showing fig studies, focusing on poses, anatomy, and proportion.

Michael Lauretano, Fragment of Wall Decoration, c 1940 Fragment of Wall Decoration

Abklatsch of the chalk drawing on page 49, 1887 - 1934 Page 50 from sketchbook XXXIX with 51 pages. Paris paper

Temploon, Cornelis Ploos van Amstel (Possible), 1736 - 1798 drawing The template is loose in the back of an album. Amsterdam paper snipping

Tissue fragment in tapestry, anonymous, c. 200 - c. 999 Natural linen tissue with a wide horizontal tire in dark blue wool at the top with Natural Stippel edges on both sides. At the bottom of a fringe-on, a narrow blue-woven horizontal line and after a strip of non-woven chain threads at the same distance, two blue horizontal lines. Egypt Ketting an element: Linen (material). Entry: Wool tapestry Natural linen tissue with a wide horizontal tire in dark blue wool at the top with Natural Stippel edges on both sides. At the bottom of a fringe-on, a narrow blue-woven horizontal line and after a strip of non-woven chain threads at the same distance, two blue horizontal lines. Egypt Ketting an element: Linen (material). Entry: Wool tapestry

Daguerreotype plate with no image. Unknown

Drawing, Study for standing boy with kid, Vintage Festival,” Mendelssohn Glee Club, New York, NY; Robert Frederick Blum (American, 1857-1903); USA; brown, black pastel crayon on tracing paper; 42.6 × 17.7 cm (16 3/4 × 6 15/16 in.)

Figures, 1854 - 1914 Leaf 35 Verso from a sketchbook with 53 sheets. paper. anatomy (non-medical)

Study of flagellated Christ - for the Flagellation of Christ. Procaccini, Camillo (1561-1629), painter

Sketchbook Page: Seated Figure, Kenyon Cox, American, 1856-1919, Graphite on blue-grey laid paper, Sketch of a young man seated on a stool., Paris, France, 1877-78, albums (bound) & books, Sketchbook folio, Sketchbook folio

Allegorical representation with figures and a peacock in a garden, Karel de Nerée to Babberich, 1890 - 1909 drawing paper. deck paint. ink. paint (coating). pencil. chalk pen / brush garden. ornamental birds: peacock

Abklatsch of the chalk drawing on page 43, c. 1887 - c. 1888 Page 42 from a sketchbook with 43 sheets. paper

Leaf from Ms. Ludwig II 7. Date/Period: 1615. Detached leaf. Tempera on glazed paper. Height: 229 mm (9.01 in); Width: 171 mm (6.73 in). Author: Mesrop of Khizan.

The draped figure, seated. prints, lithographs, works on paper

Study sheet with hands. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 163 mm × w 212 mm. Museum: Rijksmuseum, Amsterdam.

Umbria Perugia Schifanoia S. Michele Arcangelo4. Hutzel, Max 1960-1990 Medieval: Architecture (14th century); pavement. Post-medieval: Frescos (14th-16th centuries) Object Notes: Undocumented Hutzel name. According to his notes, Schifanoia is a part of Narni. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A pencil drawing book by Josef von Führich created in Cratzau starting February 2, 1806, including sketches of people, objects, and landscape studies.

Abklatsch of the chalk drawing on page 79. Page 78 from a sketchbook with 49 sheets.

Abklatsch of the drawing on page 10 recto.leaf 9 verso from a sketchbook with 39 sheets.

Study, George Hendrik Breitner, 1886 - c. 1890 Page 31 from a sketchbook with 32 sheets. Amsterdam (possibly) paper. chalk. pencil

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 13 7/16 x 11 5/16 in. (34.1 x 28.7 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Study. Page 7 From sketchbook XXIX with 44 pages.

Blank page. From: An 1876 sketchbook. sketchbooks, works on paper

Face in the Colosseum in Rome, Bartholomeus Breenbergh, 1627 drawing paper. chalk. graphite (mineral). ink pen / brush Colosseum

Female lying nude, Jan Mankes, 1912 drawing parchment (animal material). pencil lying figure - AA - female human figure. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure

Lower Half of Skeleton from the Front, early 1540s. Battista Franco (Italian, c. 1510-1561). Pen and brown ink with incised lines; sheet: 28.3 x 12.6 cm (11 1/8 x 4 15/16 in.); secondary support: 28.3 x 12.6 cm (11 1/8 x 4 15/16 in.).

Lazio Roma Rome SS. Giovanni e Paolo9. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Me

Study, 1875 - 1934 Leaf 6 Recto from sketchbook XXXI with 10 sheets. Amsterdam (possibly) paper. chalk

Landscape with scrub. Page 1 from a sketchbook with 42 sheets made around the Ewijkshoeve.

Losse fragmenten van een prent van Acis en Galatea.Above fragments of Galatea. Right under a fragment of a margin, presumably from the same print.

Edward Goodall, 1795-1870, British, A Tempest-Voyage of Columbus, 1834. Line engraving, 1st state on moderately thick, slightly textured, cream, wove paper.

Auditorium Building, Chicago, Illinois, Plaster Arch Details. Adler and Sullivan; American, 1883-1895. Date: 1886-1889. Dimensions: 62.6 × 87 cm (24 5/8 × 34 1/4 in.). Hectograph print on paper mounted on board. Origin: Chicago. Museum: The Chicago Art Institute, USA. Author: Architects Adler & Sullivan.

Lying sheep. Page 18 From a sketchbook with 45 sheets made around the Ewijkshoeve.

Drawing (Italy)

Double portrait of a baby. Jacob Byerly (American, 1807 - 1883)

Study, 1875 - 1934 Page 17 from sketchbook XLIV with 43 pages. The Hague (possibly) paper. chalk

Head of a man, Sketch of a head of a young man seen from the left side. In place of ear an oval. Signed on the back of the print., drawing, teken, prints, prenten, height 69 mm, width 190 mm, draughtsman, tekenaar, 1500 - 1700, 16th century, 16e eeuw, 17th century, 17e eeuw, paper, papier

William Miller, 1796-1882, British, A Garden, 1834. Etching and engraving, 1st state on moderately thick, slightly textured, beige, wove paper.

Tree study, after: Nicolas Poussin, draughtsman: anonymous, Italy, 1630 - 1670, paper, pen, h 253 mm × w 163 mm

Assorted pencil sketches by Anton Romako showing a range of subjects and artistic studies on paper.

Right under corner of a print of the scene of Cebes, Philips Galle, After Frans Floris (I), 1561 - 1596 print Allegory about the salvation road of man. Life as a city with three walled sites, with a temple in the middle. At the outer gate the souls of children are waiting, ready to enter adult life. Before entering, they get something to drink from temptation (seductio), which makes them ignorant. The first walled site shows all kinds of transfers and distractions, such as prejudice (opinion), desire (cupiduas), doubt (error) and ignorance (ignorantia). They prevent the youthful person from penetrating further to the next circle. Only by following the personifications of repentance (Poenitentia), Hope (Spes) and Good desire (Bonnnem Desiderium) can people gain access to the second circle. There he is taught in all forms of worldly knowledge. On the left are the seven Artes Liberales and on the right various scholars debate. Man is put to the test in this circle and confronted with fals

Dorothy, the Last Day. June Wayne (American, 1918-2011); printed by Garo Antreasian (American, born 1922); published by Tamarind Lithography Workshop (American, founded 1960). Date: 1960. Dimensions: 570 x 770 mm (sheet). Color lithograph on white Nacre paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

esbozo de figuras femeninas, Narcís Puget Riquer, Charcoal drawing, Puget Museum, casa noble de Can LLaudis , Dalt Vila, Ibiza, Balearic Islands, Spai...

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Abkatsch of the chalk drawing on leaf 6 recto. Leaf 5 Verso from a sketchbook with 53 sheets.

Drapery, a flying putto and breasts. Page 135 from a sketchbook with 158 pages.

Artist: Auguste Rodin, French, 1840-1917, Standing Female Nude, Left ArmExtended, Graphite and Watercolor, sheet: 34.5 × 21.3 cm (13 9/16 × 8 3/8in.), Made in France, French, 19thcentury, Works on Paper - Drawings andWatercolors

Rectangular purple border tile on white ground with sling-like decoration, border tile wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Four rectangular purple border tiles on white fond with garland decor center carnation flower leaves (1-2) tulip and other winding leaves (3-4) yellow pottery.

Tile with blue painting, tile pilaster footage fragment ceramic pottery glaze, d 1.4

Sketchbook Peter Frederick Rothermel (American, 1817-1895). Sketchbook, 1857. Graphite with ink and watercolor on cream, medium-weight, slightly textured wove paper, 5 11/16 x 8 5/8 x 3/8 in. (14.4 x 21.9 x 1 cm). This forty-two-page sketchbook contains drawings by the history painter Peter Frederick Rothermel of scenes in Genazzano, Italy, forty miles east of Rome. He documented the local architecture, sculpture, landscape, and people, while also including sketches for narrative subjects. The costumes and daily life of the townfolk are captured in several skillful figure studies, including this image of a man leaning against a stone wall. American Art 1857

Sketchbook from Calcutta to Peshawar, William Simpson, 1823-1899, British, 1859, Sketchbook with fifty-six graphite drawings, some in watercolor on medium, smooth, cream wove paper, Spine: 4 1/4 inches (10.8 cm), Sheet: 3 15/16 × 5 7/8 inches (10 × 14.9 cm), and Overall: 4 1/4 × 6 1/8 × 3/8 inches (10.8 × 15.5 × 0.9 cm), animal art, camel (mammal), carriage, figure study, genre subject, horse (animal), India

Head of a man with a top hat, c. 1794 - c. 1799 Page 42 from a sketchbook with 78 pages. paper. chalk head (human).

Lion. Oval presentation of a lion lying in a skull. To the show a Latin peripheral. Reconstructed from five fragments.

Death of the Woman of Sestos, from Pliny's Natural History, Book 10, ch. 6; below: inscription listing animals featured in a series of hunting images, and list of clothing items, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Pen and ink, brush and brown wash on laid paper, Cremation taking place in the center of the composition. Figures seated and standing in foreground. The eagle that has been reared by the dead Woman of Sestos throws itself on her funeral pyre and is consumed with her body. From Pliny the Elder, Natural History Book X, ch 6., Italy, ca. 1600, figures, Drawing, Drawing

Sketchbook Peter Frederick Rothermel (American, 1817-1895). Sketchbook, 1857. Graphite with ink and watercolor on cream, medium-weight, slightly textured wove paper, 5 11/16 x 8 5/8 x 3/8 in. (14.4 x 21.9 x 1 cm). This forty-two-page sketchbook contains drawings by the history painter Peter Frederick Rothermel of scenes in Genazzano, Italy, forty miles east of Rome. He documented the local architecture, sculpture, landscape, and people, while also including sketches for narrative subjects. The costumes and daily life of the townfolk are captured in several skillful figure studies, including this image of a man leaning against a stone wall. American Art 1857

Schut, Cornelis (I), Head of Christ, verso lower left - stamped, print, prints, height 38 mm, width 73 mm, South Netherlandish, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings

Fireplace Toaster. Dated: c. 1939. Dimensions: overall: 35.7 x 53 cm (14 1/16 x 20 7/8 in.) Original IAD Object: 16" long; 8" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Walter L. Webster.

Figure sketch. Draughtsman: Moses ter Borch (mentioned on object). Dating: 8-Apr-1653. Place: Zwolle. Measurements: h 110 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

Baptistery wall painting: Christ Healing theParalytic, ca. A.D.232, Paint on plaster, 145 × 88 cm (57 1/16 × 34 5/8in.), Yale-French Excavations atDura-Europos, Excavated in Dura-Europos, Syria, Syrian,Dura-Europos, Roman (3rd century A.D.), Paintings

'Eclipses', 2006, Wax and oil on wood, 185 x 157 cm. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

View of Venice, Italy, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Sketch of gondolas and sailboats in Venice., Venice, Italy, 1880, seascapes, Drawing, Drawing

No image. Jacob Byerly (American, 1807 - 1883)

Abklatsch of the chalk drawing on page 48, 1875 - 1934 Page 47 from sketchbook XLV with 85 pages. Paris (possibly) paper

Drawing, Study of Left Hand; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on blue-grey paper; 23.2 × 31.1 cm (9 1/8 × 12 1/4 in.); 1914-38-22

Study for a figure in the clouds and a hand, Anonymous, 1610 - 1630 drawing Verona paper. chalk hand. male sex; man

Figure studies, among other things of a seated woman.Page 83, free press sheet, from a sketchbook with 42 sheets.

Fragment of Wall Decoration. Dated: c. 1940. Dimensions: overall: 71.5 x 54.4 cm (28 1/8 x 21 7/16 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Michael Lauretano.

Bliżej Kultury Stanisławski, Jan (1860 1907)

Study, George Hendrik Breitner, 1886 - c. 1890 Page 60 from a sketchbook with 32 sheets. Amsterdam (possibly) paper. pencil

NAIPE DECORADO CON UNA FIGURA ANTROPOMORFA DE COLOR ROJO - CUERO Y PIGMENTO - SIGLO XVIII - PROCEDENTE DE CHILE - ESTILO MAPUCHE - 10,8x7,8 CM. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPANIEN.

Muscles, tendons and bones of the elbow and hand: three figures. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.

Jo's Bent Head. James Abbott McNeill Whistler (United States, 1834-1903). 1861. Prints. Drypoint

Westerwijtwerd, anonymous (Monumentenzorg), Mural in the Reformed Church in Westerwijtwerd, verso - handwritten, photograph, photo, photos, topography, Mural in the Dutch Reformed Church in Westerwijtwerd, Found and whitewashed again in 1897, See Hoogewerff I, p 46-50, photo July 1897, Westerwijtwerd, municipality of Middelstum, recto - handwritten, Church in Westerwijtwerd, NW view July 1897, municipality of Middelstum, height 163 mm, width 222 mm, photographer, 1897 - 1897, photographic paper, photo paper, cardboard, albumen print, albumine print

Francisco Bayeu / 'Four Hands and a Cloth Study'. Last third of the XVIII century. White chalk, Red chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Right femur (thigh-bone), front view: two figures. Pencil drawing, ca. 1804.

Artist, formerly attributed to: Auguste Rodin, French, 1840-1917, Nude,Standing, Watercolor and graphite, sheet: 31 × 20 cm (12 3/16 × 7 7/8in.), French, 19thcentury, Works on Paper - Drawings andWatercolors

The Last Man (vignette), Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1837, Line engraving, engraver's proof

Jug. Dated: probably 1937/1938. Dimensions: overall: 29.2 x 22.9 cm (11 1/2 x 9 in.) Original IAD Object: 18 1/2" High. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Loughridge.

PYRAMUS en Thisbe Anonymous, 1580 - 1596 print Two fragmentary prints with a landscape with fountain. Thisbe discovers her dying beloved Pyramus, on which she commits suicide with his sword. Pyramus stabbed himself because he thought this was killed by a lion. De Leeuw runs in the background. A Latin text in the lower margin. The fragment with the dying pyramus is missing. Northern Netherlands paper engraving Thisbe kills herself with Pyramus' sword (the scene may be represented near a fountain)

Study for San Francisco. Charles Meryon; French, 1821-1868. Date: 1855-1856. Dimensions: 106 × 68 mm. Graphite and incising on cream wove tracing paper (discolored to tan), tipped on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

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