Artistic Sketches

Various pencil sketches featuring figures, acrobatics, and head studies, highlighting the fluidity of form in simple linework.

Drawing, Woman; Robert Frederick Blum (American, 1857-1903); USA; ink on laid paper; 33 × 27.5 cm (13 in. × 10 13/16 in.)

Girl with Bowl. James McNeill Whistler; American, 1834-1903. Date: 1895. Dimensions: 136 x 67 mm (image); 303 x 222 mm (sheet). Transfer lithograph in gray on orange wove Japanese vellum. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Vlinder, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing tracing paper. pencil insects: butterfly

Rocky Landscape with Figures ca. 1752-56 Augustin Pajou This sheet was made by the French sculptor Augustin Pajou while he was a pensionnaire at the French Academy in Rome between 1752 and 1756. On the recto, he sketched (or copied) a rocky landscape with figures. On the verso, he sketched two quick designs for a cartouche with the king’s arms intended for the façade of the Palazzo Mancini in Rome, home of the French Academy. The cartouche, commissioned in 1753, was never realized.. Rocky Landscape with Figures. Augustin Pajou (French, Paris 1730-1809 Paris). ca. 1752-56. Black chalk. Drawings

Crock. Dated: c. 1936. Dimensions: overall: 29 x 22.7 cm (11 7/16 x 8 15/16 in.) Original IAD Object: 11" High 8" Dia(top) 5 3/4" Dia(bot). Medium: watercolor and pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Yolande Delasser.

A 1921 pen drawing by Paul Klee depicting a rider before an obstacle, executed on paper mounted on cardboard, showing figure and motion details.

Drawing, Study of Bamboo; Frederic Edwin Church (American, 1826-1900); USA; graphite, white gouache support: gray paper; 10.9 x 17.9 cm (4 5/16 x 7 1/16 in.)

Wrought Metal Foliate Ornament with Grotesque Masks. Artist: Anonymous, British, 19th century. Dimensions: sheet: 4 5/16 x 6 9/16 in. (11 x 16.7 cm). Date: 1870-90. Museum: Metropolitan Museum of Art, New York, USA.

Le photographe-amateur , Photographers. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Another pencil drawing by Wilhelm Busch showing a different scene from 'Adventure on New Year's Night', created in 1863.

Sketch book of drawings: sailboat, red stamp sales COROT (page 22); Camille-Jean-Baptiste Corot (1796-1875). Drawings Sketch Book: Sailboat, Red Stamp Sale Corot (page 22). Pencil.

Inferno XXXIVa, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Hôtel Colbert, Windows. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 6 5/8 × 5 1/16 in. (16.9 × 12.8 cm)Sheet: 12 5/8 × 9 3/16 in. (32 × 23.4 cm). Date: 1891. Museum: Metropolitan Museum of Art, New York, USA.

Mortuary Design - Gravestone and Plot, 1887-98. Pencil on paper. Attributed to: Edward Burne-Jones

Wall" reconstruction projects in Bohdanów - a window decoration design in a children's bedroom; Ruszczyc, Ferdynand (1870-1936); 1916 (1916-00-00-1916-00-00);Bohdanów (Belarus), Partage Plus, decoration designs, interior, purchase (provenance)

Design for a sofa. Leaf 12 Recto from a sketchbook with 27 sheets.

Study of Moldings. Dated: c. 1896. Dimensions: overall: 48.7 x 33.1 cm (19 3/16 x 13 1/16 in.). Medium: graphite. Museum: National Gallery of Art, Washington DC. Author: JOHN RUSSELL POPE.

Deraisme, Pierre -Georges (n.1859 - D.1932), brooch (main title), 1900. Graphite. Ink on block sheet. Petit Palais, Museum of Fine Arts of the City of Paris.

Henri Gaudier-Brzeska, 1891-1915, French, Two Figure Studies, between 1910 and 1915. Brushed black ink on thin, smooth, cream wove paper.

Design for a monumental bank, c. 1930 Page 2 Verso from a sketchbook with 9 sheets. paper. pencil bench

Sketchbook of Byzantine and Romanesque Decoration, 1887-1894. Studies of tents. Sir Edward Burne-Jones. 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co.

Autografi delle tavole della prima edizione dell' opera, degli Elementi della architettura civile, Vannini, Giuseppe, pen and ink, some with sepia wash, ca. 1818-1850, Original drawings by Vannini used in his Elementi d'architettura civile of 1818, here bound for reuse in the preparation of the second edition of 1850. All drawings are signed by Vannini.

Quast Ferdinand von (1807-1877), niches or tombs with adler ornament (without date): three views, detail (ornamental sketch with an eagle attachment). Pencil on paper, 10.8 x 18.4 cm (including scan edges) Quast Ferdinand von (1807-1877): Nischen oder Grabmäler mit Adlerornament

Face of a Man; Théodore Géricault (French, 1791 - 1824); 1812 - 1814; Graphite; 15.2 x 10.6 cm (6 x 4 3,16 in.)

Scheppig Carl (1803-1885), sketchbook "Travel notes collected on the Rhine in France and Italy" (1833-1835): Pencil on paper, 10.1 x 16.5 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch »Reisenotizen gesammelt am Rhein in Frankreich und Italien«: Schale, Neapel

Sketch leaf for the festival decoration for the move of Princess Stephanie , Verso, Festival decoration, abutment, womens dress, Otto Wagner -, architect

Drawing, Design for a Round Table on Scrolling Base; Designed by A.N. Davenport Co.; pen and black ink on thin, cream paper; 21.3 x 27.9 cm (8 3/8 x 11 in. )

Sketchbook of Byzantine and Romanesque Decoration, 1887-1894. Studies of French statue of a female figure and two harps. Artist: Sir Edward Burne-Jones. 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co.

Woman and Sater. Sketch of a Sater and a woman with their arms up.

Bust of a man with shield and on the right a closed eye, Stefano della Bella, 1620 - 1657 print paper etching eyes closed. eyes. adult man. protective weapons: shield

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Men chopping or sawing wood. Morland, George, 1763-1804. Pyne, W. H. (William Henry), 1769-1843. Prints, Drawings. 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress , British, Figure drawing , Technique, Landscape painting , Technique, Country life in art, Rural population , Great Britain , Clothing

Anatomy Sketchbook Eastman Johnson (American, 1824-1906). Anatomy Sketchbook, 1849. Graphite on beige, medium weight, slightly textured laid paper, Sketchbook: 17 1/8 x 11 1/16 x 3/8 in. (43.5 x 28.1 x 1 cm). Eastman Johnson used this sketchbook while enrolled in an anatomy class at the Düsseldorf Royal Academy in Germany. The meticulous, almost scientific precision of his skeleton studies reveals the schools emphasis on draftsmanship and anatomical knowledge as fundamental tools for the artist. Many of the drawings include grids and other geometric guidelines, as well as notations about ideal proportions of the human body. Johnson parlayed his academic training into a successful career as a painter of American genre subjects. American Art 1849

Godtamps, 1857 Leaf 10 Recto from a sketchbook with 77 sheets. paper. pencil lighting; lamps

Eight studies for the Cappella Barberini at San Carlo all Quattro Fontane in Rome by Francesco Borromini, executed on fine paper with pen and feather in brown, showing architectural details, 1638.

Drawing, Snaphunce long gun; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 17.5 × 10.3 cm (6 7/8 × 4 1/16 in.)

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!". Date/Period: 1826. Print. Etching and line engraving on cream-colored paper (Etching and line engraving on moderately thick, slightly textured, cream wove paper). Height: 349 mm (13.74 in); Width: 238 mm (9.37 in). Author: William Blake.

Chairs from the court in the drawing according to the drawing in the notebook of Julian Maszyn from 1892 - view from you; Masha, Mariusz (1888-1944); 1916 (not after 19.04.1916) (1916-00-00-1916-00-00);

Drawing, Design for Sideboard with Brass Rail and Rounded Corners; Designed by A.N. Davenport Co.; graphite on thin cream paper; 27.9 x 21.3 cm (11 x 8 3/8 in. )

Speculum Romanae Magnificentiae: The Vatican Obelisque 1550 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients compose

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Simberg, Hugo, Sketch book (52 pages + covers), 1905-06, drawing, 21 cm x 17 cm, Simberg, Hugo, 1905-06

Schmalz Otto (1861-1915), commemorative publication for the 100th anniversary of the Technical University of Berlin-Charlottenburg. Dilment designs (1899): Book decoration. Ink, pencil on paper, 20.4 x 21.3 cm (including scan edges)

Netherlands, Weissenbruch, Isaac, Morsetelegraaf, print, prent, prints, prenten, height 62 mm, width 77 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Design for a stained glass window with a cartouche with a soldier with raised sword and shield, lower weaponry, Design for a stained glass window with a cartouche, draughtsman: Pieter Jansz., draughtsman: Jan de Bray, (rejected attribution), 1632, paper, pen, brush, h 307 mm × w 168 mm

Design for Two Vases. Artist: Anonymous, French, 18th century. Dimensions: 14 3/4 x 8 15/16 in. (37.5 x 22.7 cm). Date: ca. 1770-85. Museum: Metropolitan Museum of Art, New York, USA.

Bokkende figure on a sailing ship. Leaf 22 Recto from a sketchbook with out of 75 sheets.

Breech Loading Falconet (from Sketchbook). Artist: Albert Bierstadt (American, Solingen 1830-1902 New York). Dimensions: 4 3/4 x 7 3/4 x 7/16 in. (12.1 x 19.7 x 1.1 cm). Date: ca. 1891. Museum: Metropolitan Museum of Art, New York, USA.

Henri Gaudier-Brzeska, 1891-1915, French, Figure Study for a Relief Design, between 1910 and 1915. Pen and black ink on medium, smooth, cream wove paper.

Michel Paul sen. (1877-1938), sketchbook. 1899 (1898-1898): Folding. Pencil on paper, 25.3 x 18.5 cm (including scan edges) Michel Paul sen. (1877-1938): Skizzenbuch. 1899

Sketch of two fencers who attack each other with swords. Draughtsman: anonymous. Dating: 1740 - 1760. Place: Jammu. Measurements: h 244 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

Holger Hansen, Trivet, c 1938 Trivet

Ekart, Princely Park, Sondershausen. (From: Architectural album, Vol. 1, H.6, ed. Stüler, Knoblauch, Salzenberg, Strack, Runge, Potsdam 1840.) (1840-1840): map. Stitch on paper, 34.4 x 48.4 cm (including scan edges)

Design for Writing Table with Carved Floral Decoration on Center Front Panel, A.N. Davenport Co., Graphite on thin cream paper, 1900-05, furniture, Drawing, Drawing

Enckell, Magnus, Sketch book, drawing, Enckell, Magnus, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Pencil sketches by Emerich Alexius Swoboda depicting an ornament and a ruling crown, created in 1892.

Edelfelt, Albert, work, Sketch book, drawing, 12.5 cm x 21.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Sievers Carl (1834-1891), ornamental studies (1854-1854): Ornament details. Pencil on paper, 30.3 x 21.5 cm (including scan edges) Sievers Carl (1834-1891): Ornamentstudien

Drawing, Design for an over door; Carlo Marchionni (Italian, 1702-1786); Italy; graphite, pen and sepia ink, brush and gray watercolor on cardboard; 12.1 x 36.9 cm (4 3/4 x 14 1/2 in.)

Diebitsch Carl von (1819-1869), Alhambra, Granada. () (Without Dat.): Details of geometric and floral ornaments. Pencil on cardboard, 34.3 x 24.4 cm (including scan edges) Diebitsch Carl von (1819-1869): Alhambra, Granada ()

Thirty -six acrobats in six groups, Stefano della Bella, 1652 print Italy paper etching festivities. acrobat ~ circus. trapeze acrobat Modena

Two Whatnots. Artist: Anonymous, British, 19th century. Dimensions: sheet: 9 7/16 x 11 7/8 in. (24 x 30.2 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for Round Table on Clustered-Column Support, A.N. Davenport Co., Pen and black ink on thin cream paper, Round top with egg-and-dart molding around edge, raised on support consisting of clustered columns, raised on molded rectangular base terminating in 4 three shown scroll-like feet with carved floral rosettes., 1900-05, furniture, Drawing, Drawing

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

View of a city on the water.Leaf 5 recto from a sketchbook with 45 sheets.

Sheet 19(Blatt19). Artist: Oskar Fischer, 1892-1956

Design for a cover with the standard of the 22nd Infantry Regiment: `Jednodniówka 22 PP 1919-1920` (one-day bulletin of the 22nd IR 1919-1920). Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Böhmer Franz (1907-1943), Park Hotel in Posen (September 24, 1940): Type B 1:10 chair. Pencil on transparent, 30.3 x 38 cm (including scan edges)

Design for Round Bottom Victoria Sleigh, no. 3482 1879 Brewster & Co. American Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable cliente

Architectural design, Construction drawing for a bridge, draughtsman: Carlo Maratti, 1635 - 1713, paper, pen, h 410 mm × w 280 mm

Print, Ornamental Medallion Designs; Designed by Théodore Bertren (active in France, 18th century), P. J. Bertren (active 18th century); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on paper

Design for a Vessel 18th century Attributed to Anonymous, French, 18th century French. Design for a Vessel 388085

Designs for a brooch, Mathieu Lauweriks, c. 1874 - c. 1932 drawing Design for a piece of jewelry. pencil brooch, agraffe, clasp

Studies of Female Tomb Sculpture, a Collar and Crown, 1890 William Holman Hunt, Drawing, Ink, Pencil, Collar, Sculpture, Sketch, Pre-Raphaelite, Female, crown, Funeral

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Two sketches of abust, Pen and ink, Wove (letter from Harper & Brothers), 21 × 26.3 cm (8 1/4 × 10 3/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Maurice Van Felix, Andiron (one of pair), c 1938 Andiron (one of pair)

Five Feet, Stefano della Bella, 1620 - 1664 print print maker: Francepublisher: ParisFranceFrance paper etching foot

Studies of a lobster, with color notes. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 214 mm × w 167 mm. Museum: Rijksmuseum, Amsterdam.

Half Panel Sleigh #3806 1883 Brewster & Co. American Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne

Bliżej Kultury Stanisławski, Jan (1860 1907)

Design for an advertisement of the fashion house in Soest, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing Head and shoulders of a woman with lit her with a decorative pattern underneath. paper. pencil head (human) - AA - female human figure

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