Artistic Sketches and Prints

A collection of various artworks, featuring sketches of figures, a photolithograph, and a pencil drawing of ruins, showcasing diverse styles and themes.

Edelfelt, Albert, work, Sketch book, drawing, 14.5 cm x 8 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

(LE PINCE-NEZ.). Artist: Paul Gavarni, French, 1804-1866

Diane Raised III. Larry Rivers (American, 1923-2002); printed by Frank Akers (American, born 1936); published by Universal Limited Art Editions (American, founded 1955). Date: 1970-1971. Dimensions: 321 x 254 mm (image); 433 x 320 mm (stone); 754 x 532 mm (sheet). Photolithograph in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

(LE PINCE-NEZ.). Artist: Paul Gavarni, French, 1804-1866

Diebitsch Carl von (1819-1869), ruin on a mountain (without date): View of a ruin on a mountain. Pencil on paper, 17.2 x 26.4 cm (including scan edges) Diebitsch Carl von (1819-1869): Ruine auf einem Berg

Fan with performances from the Poem La Gerusalemme Liberata by Torquato Tasso, prepared during the exhibition Rétrospective of 1873 in Tours, France, Gabriel Blaise, 1873 photomechanical print Tours paper fan. militant proselytizing: religious war, crusade, etc.. temporary exhibition, 'Salon' Tours

Edelfelt, Albert, work, Sketch book, drawing, 14.5 cm x 8 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Gobelin () with scene of Adoration of the Three Wise Men () from the collection of the Minutoli Institut, Liegnitz (now Legnica, Poland). Belitski, Ludwig (1830-1902), photographer

Servitude and military magnitude. The peace Alfred de Vigny (1797-1963), French writers, Louis Dunki, illustrator and Clément Bellenger (1851-1898), wood burner. Servitude and military magnitude. "The peace". Woodcut. 1897-1898. Paris, museum of romantic life.

Stiehl Otto (1860-1940): sketch and photo album 10: grave slabs

Diebitsch Carl von (1819-1869), travel scene (without date): travel scene. Pencil on paper, 27.1 x 41 cm (including scan edges) Diebitsch Carl von (1819-1869): Reiseszene

Untitled 12. Andy Warhol (American, 1928-1987); printed by Alexander Heinrici (American, 20th -21st century); published by The Committee to Endow a Chair in honor of Meyer Schapiro at Columbia University, New York. Date: 1974. Dimensions: 484 x 407 mm (image); 758 x 561 mm (sheet). Screenprint on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

La mise au sépulcre. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Mantegna, Andrea (ca 1431-1506), painter, Porcabeuf, Alfred (1867-ca 1946), printer of graphic prints

Standard bearer, Anonymous, After Hendrick Goltzius, 1587 - 1596 print In the foreground the standard bearer, in the background the city of Haarlem can be seen. In the lower margin a two -line Latin text. Pendant of the print of the infantry captain. Copy in mirror image to engraving by Hendrick Goltzius from 1587. Reconstructed from three fragments. Northern Netherlands paper engraving (military) standard-bearer

Vogel E., Acanthus ornamental (without date): View. Pencil on cardboard, 50.3 x 39.1 cm (including scan edges) Vogel E. : Akanthusornament

Water Stop. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 160 x 306 mm (image); 370 x 515 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study of a mans back, Pen and ink, graphite, Composition board, 30.3 × 26.4 cm (11 15/16 × 10 3/8 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors

La mise au sépulcre. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Mantegna, Andrea (ca 1431-1506), painter, Porcabeuf, Alfred (1867-ca 1946), printer of graphic prints

Astray; Verirrte. Paul Klee (1879-1940). Ink transfer and brush and black ink on paper, 1925.

Standard bearer, Anonymous, After Hendrick Goltzius, 1587 - 1596 print In the foreground the standard bearer, in the background the city of Haarlem can be seen. In the lower margin a two -line Latin text. Pendant of the print of the infantry captain. Copy in mirror image to engraving by Hendrick Goltzius from 1587. Reconstructed from three fragments. Right under a separate fragment. Northern Netherlands paper engraving (military) standard-bearer

Simberg, Hugo, work, Sketch book (154 pp.+covers), 1906, drawing, 21.5 cm x 14.5 cm, Simberg, Hugo, 1906

The painter with his model in the open air, Rudolph Meyer, 1615 - 1638 print paper etching artist (in general) working from live model - BB - out of doors

Gamble. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 165 x 542 mm (image); 195 x 704 mm (sheet). Lithograph in black with embossing on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Young man and wife with their dog at a fountain, René Gaillard, after François Boucher, 1772 print A young man is against a fountain. In his left hand he keeps something edible with which he leaves a dog on his hind legs. Behind the boy a woman stands against the fountain. paper engraving / etching utilitarian, public pump or water fountain. dog. training of dogs

Title page of the magazine La Grande Dame". Jasiński, Feliks Stanisław (1862-1901), graphic artist, Grasset, Eugene (1841-1917), draughtsman, cartoonist

Felicitas; Hübner, Julius (1806-1882); 1842 (1842-00-00-1842-00-00);Johann Ludwig (1773-1853), Johann Ludwig (1773-1853) -Emperor Octavianus, Silesian Museum of Fine Arts (Wrocław -1880-1945) -, Silesian Museum of Fine Arts (Wrocław -1880-1945) -Kolekcja, Teck, Ilustracje, Rysunki Niemieckie

Seated Nude. Le Corbusier; French, born Switzerland, 1887-1965. Date: 1934. Dimensions: 270 × 215 mm. Metalpoint on ivory wove paper, prepared with an ivory ground. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Different Peoples Inhabit the Countries of the Ocean, plate 23 of 24. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 308 × 230 mm (image); 310 × 234 mm (chine); 458 × 349 mm (sheet). Lithograph in black with retouching in India ink on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

License. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1961-1962. Dimensions: 990 x 710 mm (image); 1051 x 749 mm (sheet). Color lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Antoni Tapies / 'Llambrec-4', 1975, Lithography, 76 x 56 cm. Museum: COLECCION PRIVADA.

N.N., Hôtel d´assezat, Toulouse. (From: Motifs Historiques d´Architecture et de sculpture d´ornement, ed. Stitch on paper, 46 x 31.8 cm (including scan edges)

Schaapherder rests under a tree, Henricus Wilhelmus Couwenberg, 1830 - 1845 print Amsterdam paper steel engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Fragment of a gobelin () with a motif of a vase with flowers from the collection of the Minutoli Institut, Liegnitz (now Legnica, Poland). Belitski, Ludwig (1830-1902), photographer

Landscape with an Old Shepherd and his Dog, Agostino Veneziano, 1510 - 1515 print Landscape with an old shepherd and his dog. The man lies on the ground next to the dog and plays on his flute, in the distance a city next to a lake. paper engraving pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. dog. recorder (musical instrument) - CC - out of doors

Lazio Latina Sezze Antiquarium Comunale16. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Stunt Man III. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1961-1962. Dimensions: 460 x 355 mm (image/stone); 577 x 450 mm (sheet). Lithograph in red and orange-red from two stones on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Umbria Perugia S. Mamiliano S. Biagio0. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (Hutzel attributes to Mezzastris School); painting by Iacopo Siculo (1530); sculpture including statues, busts, baptismal font, monstrance German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Salle V, 12 et 13.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Flashlight I, from 1st Etchings, 2nd State. Jasper Johns (American, born 1930); printed by Donn Stewart (American, 1921-1986); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1969. Dimensions: 97 x 120 mm (plate); 665 x 510 mm (sheet). Etching over photoengraving in black on handmade ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Child lapidant a snake". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156880-27

Drawing, June or July 1859; Frederic Edwin Church (American, 1826-1900); USA

Fears, plate seven from A Glove Made 1881 Germany. Etching on ivory chine collÈ on off-white wove paper . Max Klinger

Francis Jourdain Made 1898 France. Drypoint from a zinc plate in black on cream wove Japanese paper . Henri de Toulouse-Lautrec

Redon, Odilon (n.1840-04-22-D.1916-07-06), ... and the Lia for a thousand years (Mellerio 182) (main title), 1899. Lithography on China Applied. Petit Palais, Museum of Fine Arts of the City of Paris.

Portrait of an unknown woman, Félicien Rops, 1889 print paper drypoint adult woman

In 1889, Paul Gauguin created 'The Dramas of the Sea, Brittany' using Zinkography on yellow paper, depicting turbulent coastal scenes and human engagement with maritime life.

Vogel E., vegetable ornaments (without date): View. Pencil on paper, 45.8 x 29.6 cm (including scan edges) Vogel E. : Pflanzliche Ornamente

Drawing, Project for a woven or printed fabric; Manufactured by P. and C. Lacour; France; blotted black and black crayon, brush and watercolor on paper; 50.3 x 32.6 cm (19 13/16 x 12 13/16 in.)

Little Prince Dito. Charles Meryon (French, 1821-1868); printed by Pierron (French, 19th century). Date: 1864. Dimensions: 68 × 59 mm (image); 168 × 128 mm (plate); 424 × 305 mm (sheet). Etching with scraping on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Cell of an ear, Odilon Redon, 1894 print Head of a man, and profil. His earlobe makes a circle around his head. A print from the portfolio L'Estampe Originale. print maker: Franceprinter: Parispublisher: Paris . head (human). ears

For the Happy Few. Albert Edgar Yersin; Swiss, 1905-1984. Date: 1968. Dimensions: 85 x 85 mm (plate); 323 x 24 mm (sheet). Engraving in black and blue, inked à la poupée, on white wove paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

Robert Brandard, 1805-1862, British, Mustering of the Warrior Angels, 1835. Line engraving, 1st published state.

Untitled. Barnett Newman; American, 1905-1970. Date: 1960. Dimensions: 355 x 252 mm. Brush and black ink on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Vampire of Notre-Dame, plate nine from Le Long de la Seine et des Boulevards 1890 France. Wood engraving in black on cream Japanese tissue . Louis Auguste Lepère

Frescoes upon Sigiri, Henry William Cave, 1896 photomechanical print Sigiriya paper Woodburygravure rock-formations. painting (including book-illumination, miniature-painting) Sigiriya

Water Stop. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 351 x 457 mm (image); 480 x 635 mm (sheet). Lithograph in black on smooth ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Photography of sculpture: Stanisław Szukalski (1893-1987), model of the monument with the figure of a naked man (approach from the side); Photo Rep (Paris; Photo Studio; Fl. 1925); 1925 () (1920-00-00-1930-00-00);Stanisław (1893-1987), Szukalski, Acts (artist), Men's acts, monuments, sculpture (artist), Polish sculpture (artist)

Portrait of Virginie Dejazet (1798-1875), (actress and founder of the D�jazet Theater) Portrait of Virginie Dejazet (1798-1875), actress and founder of the Dejazet Theater. Business card (verso). Photograph of Andr� Adolphe Eugene Dissier (1819-1889). Draw on albuminum paper. 1875.

Untitled. Richard Artschwager; American, 1923-2013. Date: 1987. Dimensions: 598 x 785 mm. Charcoal with smudging on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Scarab, Grecian Key and Fly Pattern Mount. Artist and engraver: Théodore Roussel (French, Lorient, Brittany 1847-1926 St. Leonards-on-Sea, Sussex). Dimensions: Sheet: 11 3/4 x 10 5/8 in. (29.8 x 27 cm). Date: 1897-99. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Viterbo Museo Civico13. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Campania Caserta Carditello Plazzo Reale9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Modern Bucolic Made 1901 France. Woodcut from two blocks in tan/fawn and peach on cream laid paper . Louis Auguste Lepère

Cupid, plate ten from A Glove Made 1881 Germany. Etching and aquatint on ivory chine collÈ on off-white wove paper . Max Klinger

Fantasy in Green, Yo Sugano, 1937 - 1969 print Japan paper etching Abstract, Non-representational Art

The Goddess Renenutet, Tomb of Qenamun New Kingdom Charles K. Wilkinson ca. 1427-1400 B.C. View more. The Goddess Renenutet, Tomb of Qenamun. Charles K. Wilkinson. ca. 1427-1400 B.C.. Tempera on paper. New Kingdom. From Egypt, Upper Egypt, Thebes. Dynasty 18

A Throw of the Dice #2. Robert Motherwell (American, 1915-1991); printed by Zigmunds Priede (American, born Latvia, 1935); published by Universal Limited Art Editions (American, founded 1955). Date: 1962-1963. Dimensions: 710 x 515 mm. Lithograph in black and yellow ochre, with traces of graphite, on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Woman with baskets with fruits in hand by the window, Henricus Wilhelmus Couwenberg, after Gerard Dou, 1840 - 1842 print Amsterdam paper etching bird in a cage. human figure at (open) window, seen from outside. shop-window, show-window

Proof for Shell PatternMount. Artist: Theodore Roussel, French, active Britain, 1847-1926

Detail of a gypsum model for the decoration of the Palais du Louvre.Part of Réunion des Tuileries au Louvre 1852-1857, album 1.

'Series of 9 postcards. Death-98'. Russia, Moscow, 1990s. Dimensions: 15x10 cm. Museum: State Hermitage, St. Petersburg. Author: Dmitry Prigov.

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Grotesque dancer child". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156934-17

Stunt Man III. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1962. Dimensions: 427 x 330 mm (image); 575 x 450 mm (sheet). Lithograph in orange-red from one stone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Latina Cori S. Oliva74. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino Museo Civico5. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fragments of a print of a lion, Jacques de Gheyn (II), 1580 - c. 1596 print Four fragments of an oval representation of a lion, lying by a skull. To the show a Latin edge. Northern Netherlands paper engraving beasts of prey, predatory animals: lion

Untitled. Louise Nevelson (American, born Russia, 1899-1988); printed by Aris Koutroulis (American, born Greece, 1938-2013); published by Tamarind Lithography Workshop (American, founded 1960). Date: 1963. Dimensions: 253 x 420 mm (sheet). Lithograph on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

At the Concert. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1896. Dimensions: 318 × 246.5 mm (image); 378 × 285 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Four C-Clamps. Jim Dine (American, born 1935); printed by Robert Blackburn (American, 1920-2003); published by Universal Limited Art Editions (American, founded 1955). Date: 1962. Dimensions: 650 x 510 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Abduction, plate nine from A Glove. Max Klinger; German, 1857-1920. Date: 1881. Dimensions: 218 x 89 mm (image); 269 x 120 mm (plate); 663 x 451 mm (sheet). Etching and aquatint on ivory chine collé on off-white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Kar, from Rauschenberg: XXXIV Drawings for Dante's Inferno. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1963-1964. Dimensions: 410 x 400 mm (image/sheet). Lithograph in black with graphite on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Frammenti di geroglifici della grandezza naturale.. Denon, Vivant, 1747-1825. Denon, Vivant (1747-1825). Prints, Illustrations. 1808. General Research Division. Egypt , Description and travel, Antiquities , Egyptian, Egyptian language , Writing, Hieroglyphic

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Child seating a dog's paw". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156934-10

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Sketch of atree, Graphite, White wove, 50.5 × 35.5 cm (19 7/8 × 14in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Feuille détudes, composée de trois feuilles, tirées chacune à 5 ou 6 épreuves dessai, puis réunies , Nudes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Umbria Terni Narni S. Domenico99. Hutzel, Max 1960-1990 Medieval: 1965 photos, 29 Architecture, architectural sculpture (12th century); Wall painting (13-16th century); Mosaic, cosmati style pavement (c. 1200) 1986 photos, 44 Architecture, architectural sculpture, cosmati pavement, sculpture. Post-medieval: 1965 photos, 56 Frescoes, painting (13-16th century); sculpture (14-16th century) 1986 photos 167 Frescoes, painting, sculpture, metalwork Antiquities: 1986 Weaponry Object Notes: Church deconsecrated and modified for use as museum, 1970 General Notes: Bibliographic material sent, Getty Center library () German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaiss

Page from Shi Zhu Zhai China. Page from Shi Zhu Zhai. China. Polychrome woodblock print; ink and color on paper. Qing dynasty (1644-1911), Kangxi period (1662-1722). Prints

Sink, from Rauschenberg: XXXIV Drawings for Dante's Inferno. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1964. Dimensions: 400 x 413 mm (image/sheet). Lithograph in black with crayon on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

High-Pool. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1964-1965. Dimensions: 335 x 415 mm (image); 530 x 750 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Fire on the old shine. Fire on the old shine in 1658; A modern pressure of the reduced version of the print with the same representation from 1690, from the second edition of the book by Van der Heyden in 1735.

Photo production of a painting by Maria at De Doornenkroon by Paul Delaroche, Robert Jefferson Bingham, after Paul Delaroche, in or after 1856 - in or Before 1858 photograph Paris paper. albumen print / engraving crown of thorns ~ instruments of the Passion. the Virgin Mary

Scheppig Carl (1803-1885), Palazzaccio in Corneto (02.04.1833): floor plan, details. Pencil watercolor on the box, 27.7 x 21.3 cm (including scan edges) Scheppig Carl (1803-1885): Palazzaccio, Corneto

Study of anangel. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

, Postgasse - Dominican Cirk - Innernamens - Grid, Bruno Raising Strategy -, Photographs

Water Stop. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 302 x 129 mm (image); 750 x 521 mm (sheet). Photolithograph in black with embossing on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum12. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Loose fragments of a print of Acis and Galatea. Left Fragments Galatea's body and its left arm and hand. Right fragments of Galatea's knees and lower legs.

I Need Yellow. Helen Frankenthaler (American, 1928-2011); printed by Bill Goldston and John A. Lund; published by Universal Limited Art Editions (American, founded 1955). Date: 1973. Dimensions: 190 x 120 mm (image); 355 x 285 mm (sheet). Color lithograph from one stone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Deraisme, Pierre -Georges (n.1859 - D.1932), Anchor and Cross ring (main title), 1900. Graphite. Ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

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