Artistic Sketches and Studies

A collection of sketches and studies showcasing various styles, including human figures and abstract forms, emphasizing artistic expression.

Planche d'essais dite: Petite étude à l'arbre. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Isis et Horus-Arsiési - Bas-relief du Temple de Kalabcheh (Talmis) April 8, 1850 Maxime Du Camp French Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for the

O'Hara Reading. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1967. Dimensions: 357 x 506 mm. Lithograph in blue on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Scheppig Carl (1803-1885), Villa Spada in Rome (1835): View of Zwickel with Muse D. Verso Sketch floor plan. Pencil watercolor on the box, 26.3 x 20.8 cm (including scan edges) Scheppig Carl (1803-1885): Villa Spada, Rom

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia79. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Edward Alfred Goodall, 1819-1908, British, The Boy of Egremond, 1834. Line engraving, engraver's proof on moderately thick, slightly textured, cream, wove paper, with cream, chine colle.

Dormition, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 410 × 395 mm (image); 636 × 450 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Canto I, from 18 Cantos. Barnett Newman (American, 1905-1970); published by Universal Limited Art Editions (American, founded 1955). Date: 1963-1964. Dimensions: 372 x 27 mm (image); 658 x 483 mm (sheet). Lithograph on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Abklatsch of a chalk drawing, 1883 - 1922 The drawing is no longer present in the sketchbook. Leaf 4 Verso from a sketchbook with 27 magazines. paper

All souls; Ruszczyc, Ferdynand (1870-1936); 1912 (1912-00-00-1912-00-00);Lithuania and Ruthenia (Vilnius - monthly - 1912-1913), Partege Plus, cemeteries, illustration projects, purchase (provenance)

Hugo, Victor (n.1802-02-26-D.1885-05-22), COPEAU (board and other Gredins ...) (dummy title). Ink on paper. Houses of Victor Hugo Paris - Guernsey.

Edelfelt, Albert, work, Sketch book, drawing, 16 cm x 10 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Edmond Morin (1824-1882). "Our wishes". Bois, 1870. Museum of Fine Arts of the city of Paris, Petit Palais. Woman, frontier, man, death, fight, soldier, engraving

Quast Ferdinand von (1807-1877), ornamental details (without dat.): Two pillar capitals, A Roman goddess Pencil on paper, 24.8 x 21.3 cm (including scan edges) Quast Ferdinand von (1807-1877): Ornamentdetails

Quast Ferdinand von (1807-1877), reliquary with a crucifix in the Royal Museum in Berlin (without date): View of the reliquary made by a master of Augsburg. Pencil on paper, 28.4 x 19 cm (including scan edges) Quast Ferdinand von (1807-1877): Reliquiar mit Kruzifix im Königlichem Museum, Berlin

Car Crash #4. Jim Dine (American, born 1935); printed by Pratt Graphics Center; published by Martha Jackson Gallery, New York (American, founded 1953). Date: 1960. Dimensions: 520 x 440 mm (image); 760 x 560 mm (sheet). Lithograph in black on off-white wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Loose fragments of a print of the scene of Cebes, Philips Galle, After Frans Floris (I), 1561 - 1596 print Southern Netherlands paper engraving 'Map of Cebetis'

Black ink sketches by Anton Hanak for a Beethoven monument in Berlin, created 1928-1933, focusing on structural and compositional studies documented in 1933.

Carnavalet museum, history of Paris.

Nanodea muscosa Banks ex C.F. Gaertner, by Sydney Parkinson. Gift of the British Museum, 1895.

Jackson Pollock/ Untitled. c. 1950. Ink on paper. 18 7/8 x 24 3/4" (47.9 x 63.1 cm) © Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. Museum: MoMA, The Museum of Modern Art, NEW YORK, USA.

Design for two pendants with blue hydrangeas and blue precious stones, René Lalique, c. 1900 - c. 1904 France paper. ink. chalk brush

Enckell, Magnus, Sketch book, drawing, Enckell, Magnus, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

A Throw of the Dice #7. Robert Motherwell (American, 1915-1991); printed by Zigmunds Priede (American, born Latvia, 1935); published by Universal Limited Art Editions (American, founded 1955). Date: 1962-1963. Dimensions: 1,015 x 660 mm. Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Edelfelt, Albert, Sketchbook, at least partially 1887, drawing, 26.5 cm x 37.5 cm, Edelfelt, Albert, at least partially 1887, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Vacquerie, Auguste (n.1819-11-19-D.1895-02-19), album of proscribed (title of the ensemble), 1853. Leather, pencil, paper, prints on salted paper. Houses of Victor Hugo Paris - Guernsey.

St George Series, Study of the Princess' Drapery for 'The Princess chained to the Tree', 1865-1866 Artist: Sir Edward Burne-Jones, Art Movement, Pre-Raphaelite, Drawing, Works on Paper

Edward Alfred Goodall, 1819-1908, British, St. Julienne's Chapel, 1834. Line engraving and graphite, engraver's proof (touched) on thick, slightly textured, beige, wove paper.

Quast Ferdinand von (1807-1877), feet in toe sandals and details of Romanian magnificent robes (without dat.): Details of different strappy Roman style and ornamental details of the robes (two leaves with subsequent drafts to over land and. Pencil on paper, 30, 30, 3 x 21.7 cm (including scan edges) Quast Ferdinand von (1807-1877): Füße in Zehensandalen und Details rumänischer Prachtgewänder

Women Repairing FishNets. Artist: Jan Toorop, Dutch, born Indonesia, 1858-1928

The Sergeant Reporter. Jean Louis Ernest Meissonier; French, 1815-1891. Date: 1862. Dimensions: 60 × 52 mm (image); 62 × 54 mm (plate); 158 × 128 mm (sheet). Etching and drypoint on ivory laid chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Composition with horizontal and diagonal arcing, Nono Reinhold, 1958 print Netherlands paper etching Abstract, Non-representational Art

Compiled Group portrait, presumably from members of the Assembée Nationale of 1873, François Marie Louis Franck (Possible), c. 1868 - in Or Before 1873 photograph France photographic support albumen print anonymous historical persons portrayed in a group, in a group-portrait. politician, e.g. party leader. Lower House, Parliament, Chamber

Loch Lomond, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, early engraver's proof on medium, slightly textured, beige, wove paper, with gray, chine colle, Sheet: 8 5/8 × 6 3/4 inches (21.9 × 17.1 cm), Chine collé: 6 7/8 × 6 1/8 inches (17.5 × 15.6 cm), and Image: 2 1/2 × 4 inches (6.4 × 10.2 cm)

Anamorphic Drawing of a Stag 16th century () Anonymous, German, 16th century German. Anamorphic Drawing of a Stag 335745

A 1877/78 etching and aquatint by Edgar Degas titled Singer, depicting a performer singing, focusing on posture, expression, and stage presence.

2 Hearts (The Donut). Jim Dine (American, born 1935); printed by Bill Goldston; published by Universal Limited Art Editions (American, founded 1955). Date: 1972. Dimensions: 1070 x 709 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Circles of Confusion I. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1966. Dimensions: 1,040 x 745 mm. Lithograph in pink on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Design for a Pillar 18th century Anonymous, Italian, Bolognese 18th century artist Italian. Design for a Pillar 389757

I Need Yellow. Helen Frankenthaler (American, 1928-2011); printed by Bill Goldston and John A. Lund; published by Universal Limited Art Editions (American, founded 1955). Date: 1973. Dimensions: 432 x 290 mm (image/stone); 756 x 525 mm (sheet). Color lithograph from one stone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Koch Friedrich (1828-1922), travel studies from Italy 1851-53 (April 23, 1852): Terracina: Burg (perspective views), private: Fossanova monastery (details), Norma/Latium: Abtei (view). Pencil, ink on paper, 39.5 x 34.2 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Italien 1851-53

Loose fragments of a print of the scene of Cebes; Tabula Cebetis Carta Vitae. .

Sketchbook Folio, Study of Light and Shadow on Ocean and Sky; William Trost Richards (American, 1833-1905); USA; graphite on cream wove paper; 10.9 x 10.8 cm (4 5/16 x 4 1/4 in.), irregular Sheet: 13.7 x 21.5 cm (5 3/8 x 8 7/16 in.)

El Dorado, Zuber & Cie, Rixheim, Alsace, France, founded 1797, Eugène Ehrmann, 1804 - 1896, Georges Zipélius, 1808 - 1890, Joseph Fuchs, 1814 - 1888, Painted paper, Small portion of unprinted sky. Part of 24 scenic strips and 5 plain overdoors of Zuber paper, depicting Gothic architecture, temple ruins, mountainscapes, heavy vegetation of flowers and trees, and peacocks., France, 1849, Wallcoverings, Scenic, Scenic

Gips model for a coat of arms on the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. coat of arms (as symbol of the state, etc.) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

James McNeill Whistler, Sketch of Maud, c 1871 1873 Sketch of Maud

Julie C Brush, Printed Cotton, c 1937 Printed Cotton

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum15. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A Man Reading. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1873-1875. Prints; etchings. Etching and drypoint, with drypoint cancellation

Untitled Etching 1. Barnett Newman (American, born 1905-1970); printed by Donn Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 373 x 602 mm (image/plate); 488 x 751 mm (sheet). Etching in warm black with plate tone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Roma Rome SS. Giovanni e Paolo, Museum62. Hutzel, Max 1960-1990 Medieval: Ceramic fragments, sculptural fragments, fresco fragments, inscribed tomb markers. Houses one of the best collections of Malagan medieval ceramics for casting wall monuments, copies of which are housed in campanile. Specific Location: Museum Antiquities: Ceramic fragments, sculptural fragments, architectural fragments Object Notes: Basilica has separate record and is filed separately. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Naked young woman plays flute in landscape; Song of the grasshopper; Le Chant de la Cigale; L'Epreuve.

Lion. Oval presentation of a lion lying in a skull. To the show a Latin peripheral. Reconstructed from five fragments.

Cancan dancer sitting on a chair while doing a flexibility exercise, Louis Legrand, 1892 print print maker: Francepublisher: Paris paper drypoint / engraving female dancer. teacher and pupil

Putto surrounded by grape vines, Louis le nain, 1861 - 1911 print paper etching vine. Cupids: 'Amores', 'Amoretti', 'Putti'

'The Number and the Waters IX', 1993, Pencil on paper, 66,5 x 50 cm. Author: PABLO PALAZUELO (1916-2007). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Etching by Max Klinger from 'Tent' (Rad. Opus XIV), Part II, showing the Vor'm tower, created between 1912 and 1915.

Flowers (Black and White). Andy Warhol (American, 1928-1987); printed by Alexander Heinrici (American, 20th-21st centries); published by Peter M. Brant, Castelli Graphics and Multiples, Inc. Date: 1973-1974. Dimensions: 1038 x 692 mm (sheet). Screenprint on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Spur. Dated: c. 1940. Dimensions: overall: 28.2 x 35.9 cm (11 1/8 x 14 1/8 in.). Medium: watercolor and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Robert W. R. Taylor.

I look from above on the vague forms of a human figure, Odilon Redon, 1896 print A vague figure, sitting at a table, two eyes above it. Print from a series of six, made as an illustration in "La Maison Hantée". print maker: Franceprinter: Paris paper spirit, ghost

Untitled Etching 2. Barnett Newman (American, born 1905-1970); printed by Donn Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1968-1969. Dimensions: 594 x 373 mm (image/plate); 789 x 570 mm (sheet). Etching and aquatint on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Adoration by the Kings, Frans Floris (I) (School of), 1570 - 1596 print With the Christ child, Mary is sitting on her lap in front of a arched party. Behind her is Joseph. The three kings from the east kneel and offer Christ their gifts. In the background you can see how shepherds follow the star. In the lower margin a two -line Latin text. Reconstructed from two fragments. Southern Netherlands paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Woman and Child Artist's working dates 1871-1904 France. Pen and black ink, over graphite, on cream wove paper, laid down on cream board . Daniel Urrabieta Vierge

N.N., proportion studies and Sundays (without date): perspective views. Light break on paper, 52.9 x 44.9 cm (including scan edges) N.N. : Proportionsstudien und Sonneinfall

Mohonk, 1871 (from Sketchbook) ca. 1870 Daniel Huntington American The leading portraitist in New York during the post-Civil War period--and president of the National Academy of Design from 1862 to 1870 and from 1877 to 1890--Daniel Huntington was a conservative painter, a man highly respected by his clients and colleagues throughout his long career. Although he traveled widely and frequently during the mid- and late nineteenth century, he shunned new artistic concepts and styles. As a staunch academician in technique and manner, Huntington understood that proper draftsmanship was at the core of accomplished painting. He sketched throughout the course of his life and his extant drawings number over a thousand. This page is from one of Huntingtons sketchbooks that contains forty-one drawings in graphite, some in a panorama format. The sketches are primarily of scenic locations in New York State including, Cornwall, Walton, and Mohonk subjects. Many of the drawings are dated 1871 and mo

Roche, Pierre (n.1855-D.1922-01-18), Phoenix (main title), 1896. Gypsography, black draw. Small palace, Museum of Fine Arts of the city of Paris.

GIPS models for sculptures on the Palais du Louvre: "L'Bondance" by Louis Veray, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture. other architectural details (with NAME) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Niedzica. Castle wall niche, according to original photograph by Awit Szubert. Szubert, Awit (1837-1919), photographer, Frankiewicz (Francewicz), Władysław (fl. 1915), draughtsman, cartoonist

Scheppig Carl (1803-1885), Villa Spada in Rome (1835): View gusset with Muse B. Bleing pencil watercolored on paper, 25.5 x 20.1 cm (including scan edges) Scheppig Carl (1803-1885): Villa Spada, Rom

Decoy II. Jasper Johns (American, born 1930); printed by Bill Goldston and James V. Smith; published by Universal Limited Art Editions (American, founded 1955). Date: 1973. Dimensions: 155 x 754 mm (image); 1,057 x 754 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Scheppig Carl (1803-1885), Villa Spada in Rome (1835): View gusset with Muse A. Bleing pencil watercolored on paper, 26.9 x 21.5 cm (including scan edges) Scheppig Carl (1803-1885): Villa Spada, Rom

Seated Woman with a Parasol (study for La Grande Jatte) Made 1884-1885 France. During 1884 and 1885, Georges Seurat was hard at work on the most ambitious painting of his career, A Sunday on La Grande Jatteó1884, now a centerpiece of the Art Instituteís collection of 19th-century French painting. The artistís genesis of this large canvas involved many preparatory studies, which fall primarily into two groups small compositional sketches and color studies on wooden panels, and nuanced ContÈ crayon drawings that explore both the empty landscape and the shapes of specific figures or figural groups. In this contemplative drawing, Seurat developed the expressive contours of the seated female figure holding a parasol that would ultimately occupy the center of the finished painting.. Black ContÈ crayon on ivory laid paper . Georges Seurat

Drawing, View of Venice, Italy; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 21.9 × 14.3 cm (8 5/8 × 5 5/8 in.)

Photo collection Government information service. M. Kamerlingh Onnes (1860-1920): watercolor, two vases with azaleas, dated 1891. Undated

Page 20 from Traces suspectes en surface. Robert Rauschenberg (American, 1925-2008); text by Alain Robbe-Grillet (French, 1922-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1978. Dimensions: 354 x 454 mm (image); 688 x 523 mm (sheet, folded); 688 x 1044 mm (sheet, unfolded). Lithograph in dark gray and gray on white wove paper. Origin: United States. Museum: The Chicago Art Institute, FLORENCIA, USA.

Composition No 35 (55) by Rodchenko, Alexander Mikhailovich (1891-1956)/ State Tretyakov Gallery, Moscow/ 1918/ Russia/ Oil on canvas/ Russian avant-garde/ 66,5x50/ Abstract Art

Fantasy in red.

0, from 0-9. Jasper Johns (American, born 1930); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 220 x 160 mm (image); 282 x 225 mm (sheet). Lithograph from one stone in yellow on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The steps , Stairways. Sir David Young Cameron (1865-1945). Prints

Hans Canon coal sketch circa 1880 showing two standing pyramids, drawn in the sketchbook.

For Adults Only. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 935 x 750 mm (image); 1,049 x 750 mm (sheet). Lithograph in green on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Verzierungen, 1892, issued in Frankfurt am Main. By Aleksandr Viktorovich Zvenigorodskiĭ (1844-1903). Includes art collections focused on enamel and enameling, with a Byzantine theme, featuring chromolithographs

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): ceiling painting. Pencil watercolored on paper, 30.9 x 34.4 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

Lazio Latina Sezze Antiquarium Comunale59. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Canopy project representing five saints Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Gloer project representing five saints. Pencil.

Sheet Studies of Allegorical Figures. Edward Burne-Jones (England, 1833-1898). England, 1894. Drawings. Graphite

The Soldier's Dream (vignette), Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1837, Line engraving, engraver's proof (touched)

Tuscan landscape. Draughtsman: Bartolommeo (Fra). Dating: 1485 - 1517. Measurements: h 280 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Study for San Francisco, center left section. Charles Meryon; French, 1821-1868. Date: 1855-1856. Dimensions: 237 × 245 mm. Graphite on tan wove tracing paper. Origin: France. Museum: The Chicago Art Institute, USA.

Böhmer Franz (1907-1943), Park Hotel in Posen (1940-1940): chair. Pencil on transparent, 38.1 x 46.4 cm (including scan edges)

Scarab, Grecian Key and Fly Pattern Mount. Artist and engraver: Théodore Roussel (French, Lorient, Brittany 1847-1926 St. Leonards-on-Sea, Sussex). Dimensions: Sheet: 11 7/16 x 10 5/8 in. (29.1 x 27 cm). Date: 1897-99. Museum: Metropolitan Museum of Art, New York, USA.

Long Lagoon. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 150 x 225 mm (plate); 253 x 331 mm (sheet). Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

GIPS models for sculptures on the Palais du Louvre: "Les Vendanges" by Georges Clère, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. other architectural details (with NAME) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Untitled. Hans Hartung; French, born Germany, 1904-1989. Date: 1957. Dimensions: 660 × 504 mm. Color lithograph on white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

The Sense of Order Was Seeping Away, plate 31 from Uruguayan Torture Series. Luis Camnitzer; American, born Germany, 1937. Date: 1983. Dimensions: 240 x 286 mm (image); 249 x 298 mm (plate); 752 x 560 mm (sheet). Color photo-etching from five plates on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, Study for a woman, Vintage Festival,” Mendelssohn Glee Club, New York, NY; Robert Frederick Blum (American, 1857-1903); USA; brown, rose, raspberry pastel crayon on tracing paper; 44.5 × 21 cm (17 1/2 × 8 1/4 in.)

Summer Oscar (1840-1894), Städelsche's art institute in Frankfurt/Main. 4. Project (1874): Longitudinal cut through the middle building. Tusche watercolor on the box, 96.5 x 65 cm (including scan edges) Sommer Oscar (1840-1894): Städelsches Kunstinstitut, Frankfurt/Main. 4. Projekt

Sketch of a figure beneath atree. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

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