Artistic Sketches and Studies

A collection of sketches and studies showcasing various styles, including human figures and abstract forms, emphasizing artistic expression.

Planche d'essais dite: Petite étude à l'arbre. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Copies to Rembrandt. .

Branchages. Bresdin, Rodolphe (1822-1885). 1854 - 1884. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bathers, Fables

White Carrot. Rosemarie Trockel; German, born 1952. Date: 1991. Dimensions: 540 x 380 mm. Etching on off-white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

A man standing at a table with a balance beam and a cow's skull ca. 1880-1910 José Guadalupe Posada. A man standing at a table with a balance beam and a cow's skull. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Wood engraving. Prints

Samurai and servants Katsushika, hokusai (1760 1849)

Carmichaelia solandri Simpson, 1895, United Kingdom, by Sydney Parkinson. Gift of the British Museum, 1895.

Lazio Latina Sezze Antiquarium Comunale99. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Diplôme de la Société des Artistes français. 1860. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Laurels

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Composition for an illustrated verse(unidentified), 19thcentury, Watercolor, sheet: 35.3 × 25.2 cm (13 7/8 × 9 15/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Gypsum Models for Sculptures at the Louvre Palace: "Editation" by Edouard Delabrière. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

Two Human Beings The Lonely Ones 1894 Norway. Drypoint, roulette, and burnisher on copper plate printed on cream wove paper . Edvard Munch

Abstract composition, Erich Wichmann, 1920 print paper Abstract, Non-representational Art

Gypsum models for sculptures at the Palais du Louvre: Links "L'Abondance" and right "La Fortune" by Emile Seurre.Part of Réunion des Tuileries au Louvre 1852-1857, album 1.

Grounded Fishing Boat. Henri Matisse; French, 1869-1954. Date: 1904. Dimensions: 444 × 317 mm (primary support); 464 × 337 mm (secondary support); 517 × 372 mm (tertiary support). Reed pen and black ink on cream wove paper, laid down on cream wove paper, laid down on buff wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Attic Red-Figure Kylix Fragment. Attributed to the Foundry Painter (Greek (Attic), active 500 - 470 B.C.) about 480-470 B.C. Part of the reserved handle panel.

Untitled Etching 1. Barnett Newman (American, born 1905-1970); printed by Donn Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 379 x 606 mm (image/plate); 485 x 754 mm (sheet). Etching with plate tone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Rüster Emil (1883-1949), two fountains near Velletri (1913): View Brunnen. Pencil on transparent, 21.5 x 28.8 cm (including scan edges)

Gypsum Models for Sculptures at the Louvre Palace: Links "The harvest" by Alexandre Shoe Work and Right "Winter" by Georges Cleire. Share of meeting of the Tuileries at the Louvre 1852-1857, album 1.

Lion. Oval presentation of a lion lying in a skull. To the show a Latin peripheral. Reconstructed from four fragments.

Hugo, Victor (n.1802-02-26-D.1885-05-22), old house (username), 1855. lace imprint, feather, brush, brown ink and wash, black ink wash , graphite pencil, charcoal, watercolor (), Red and white gouache enhancements, gold highlights, rubbed and striped areas, reserves on beige paper. House of Victor Hugo - Hauteville House.

Design for a tulip vase of pottery ..

Järnefelt, Eero, Sketch book, 1905-07, pencil, marker, charcoal, drawing, 21.5 cm x 29 cm, artist : Järnefelt, Eero, 1905-07, pencil, marker, charcoal, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Carved totem pole

Usuyuki (Vertical). Jasper Johns (American, born 1930); printed by Bill Goldston, James V. Smith and Thomas Cox; published by Universal Limited Art Editions (American, founded 1955). Date: 1980. Dimensions: 752 x 528 mm (sheet). Lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

st, Dr, -signaz -Seipel -Platz - Academy of Sciences - Auda of the Old University - Interior view - ceiling painting, Bruno Reiffenstein -, photographer

Shipwreck on a rugged sea, 1830 - 1860 In the foreground figures a lifeboat. Page 6 Recto from a sketchbook with 46 sheets. paper. pencil In the foreground figures a lifeboat. Page 6 Recto from a sketchbook with 46 sheets. paper. pencil

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum52. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Loose fragments, possibly from a print of Acis and Galatea, Jacques de Gheyn (II), After Cornelis Cornelisz. van Haarlem, 1587 - 1591 print Five fragments. Amsterdam paper engraving Acis wooing Galatea. triumph of Galatea, Polyphemus playing the syrinx

Relief of the Borobúdur ('Relief v. B.'). .

Gypsum Models for Sculptures at the Louvre Palace: "The fight" by Alexandre Shoe Work. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

A blue ink and wash drawing by Anton Hanak from October 1924 depicting a study of trembling gestures and emotional expression during a relaxation trip to Carinthia.

Canscora diffusa (Vahl) R. Brown ex Roemer & Schultes, by Sydney Parkinson. Gift of the British Museum, 1895.

Tapestry Loincloth Fragment 10th-15th century Peru; central coast (). Tapestry Loincloth Fragment 307907

I have droves with dry dry ones with a flying crop; Wyczóżó Kowski, Leon (1852-1936); 1923 (1923-00-00-1923-00-00);Guys (Kuyavian-Pomeranian Voivodeship), Leon (1852-1936). Gościeradz (1923-1924), Leopold (1882-1972), Leopold (1882-1972)-collection, Wellsz, Wyczółkowski, Polish graphics, crumbs, forest landscapes, purchase (provenance), winter, spruces

Voices of nature: cards depicting a bridge, a church, a woman, a girl, birds, plants, and flowers.. Proofs, Cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bridges, Birds, churches

63-A-3, painted in 1963 by Martin Barre 1924-1993; French artist

Lazio Latina Sezze Antiquarium Comunale92. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Heinrich Hoerle, Freundlicher Träum (Friendly Dreams), German, 1895 - 1936, 1920, lithograph on pale brown paper

Crystal Bezel 1864 Jules-Ferdinand Jacquemart. Crystal Bezel. Gems and Jewels of the Crown. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1864. Etching. Prints

Quast Ferdinand von (1807-1877), two statues (without date): front views of a naked female and a male figure (wearing a boulder on the left) on pedestals. Pencil on paper, 9.4 x 15.1 cm (including scan edges) Quast Ferdinand von (1807-1877): Zwei Statuen

Print made by William Blake, 1757-1827, British, For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!", 1826. Etching and line engraving on moderately thick, slightly textured, cream wove paper.

Page 6 from Traces suspectes en surface. Robert Rauschenberg (American, 1925-2008); text by Alain Robbe-Grillet (French, 1922-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1978. Dimensions: 594 x 451 mm (image); 688 x 523 mm (sheet, folded); 688 x 1046 mm (sheet, unfolded). Color lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The one and the other or ni un ni l'autre, Pieter Holstein, c. 1970 - in Or Before 1971 print Tennis players in mirror image, in the distance the Dutch flag. paper. watercolor (paint) etching / brush

Lazio Latina Sezze Antiquarium Comunale86. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bamboo, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), In Japan, bamboo (take) is a symbol of prosperity. It is also a symbol of purity and innocence. This stencil has remnants of dye and shows that it was previously used or tested. Some of the silk threads have been damaged and worn away., Japan, mid 18th - early 19th century, textile designs, Stencil, Stencil

Sketch of a River or Lake Shore (from Sketchbook). Artist: Thomas Hewes Hinckley (1813-1896). Dimensions: 9 3/4 x 13 7/8 in. (24.8 x 35.2 cm). Date: ca. 1860-ca. 1864.Hinckley painted landscapes chiefly as a background to his portraits of wild and domesticated animals. This sketchbook (1992.373.1 recto-.27) contains thirty-four drawings in graphite and watercolor and appears to have been filled during a tour that the artist probably began near the Delaware Water Gap and extended north into the Catskill Mountains and Adirondacks of New York State. Few of the drawings in this book, however, can be linked to Hinckley's known paintings after 1864, and the majority of them represent not merely selected motifs, but discrete compositions that often assume the character of engraved vignettes. Museum: Metropolitan Museum of Art, New York, USA.

Bas-relief of a sarcophagus with the robbery of Proserpina, Reinier van Persijn, after Joos de Pape, 1640 print Roman bass relief of a sarcophagus. Pluto grabs Proserpina to take her on his car. In the middle of the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome. Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. Pluto in love with Proserpina

Gypsum Models for Sculptures at the Louvre Palace: "Astronomy and Geometry" by Jean-Spirit Marcellin. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Lazio Latina Sezze Antiquarium Comunale92. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fragments 8th century Japan. Fragments 69667

'Sketch of Three Figures', c1480 (1945). Artist: Leonardo da Vinci.

Lazio Viterbo Viterbo Museo Civico19. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Escallonia serrata Smith prints, copper engravings, line engravings

Yellow Blossom John William Hill (American, 1812-1879). Yellow Blossom, ca. 1856-1857. Transparent and opaque watercolor over graphite with gum varnish on beige, thick, slightly textured wove paper, 8 7/8 x 9 3/8 in. (22.5 x 23.8 cm). After reading John Ruskins Modern Painters in the 1850s, Hill embraced Ruskinian aesthetic principles and became the first president of the Society for the Advancement of Truth in Art, the organization of the American Pre-Raphaelites. Hills commitment to exacting representations of nature is evident in his landscapes and botanical still lifes, such as this close-up study of a squash blossom. With fine brushstrokes, he articulated even the most minute details of petal creases and stem fuzz. American Art ca. 1856-1857

Naini Tal. Date/Period: 1843 - 1845. Print. Salt-fixed calotype. Height: 70 mm (2.75 in); Width: 87 mm (3.42 in). Author: British Unknown maker.

Optical illusion of a drawing of a snake; 1850s; Lithograph

Antoni Tapies / 'Grafisme', 1972, Etching, 58 x 77,5 cm. Museum: COLECCION PRIVADA.

Umbria Terni Piediluco S. Francesco8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting Antiquities: Sculptural fragments Object Notes: Gothic construction from end of 13th century. No information provided by Hutzel. See TCI, Umbria, p. 365 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Gradually the Time Became a Razor, plate seventeen from Uruguayan Torture Series. Luis Camnitzer; American, born Germany, 1937. Date: 1983. Dimensions: 210 x 285 mm (image); 224 x 302 mm (plate); 750 x 553 mm (sheet). Color photo-etching from five plates on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lines of One Inch, Four Directions, Four Colors, from Sixteen Lithographs in Color. Sol LeWitt (American, 1928-2007); printed by D.R. Holman, Jerry Raidiger, Robert Hicks; printed and published by Landfall Press et. al. (American, founded 1970). Date: 1970-1971. Dimensions: 356 x 356 mm (image); 584 x 584 mm (sheet). Lithograph in red and yellow on off-white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Abruzzo L'Aquila S. Giuliano (L'Aquila environs) Museo52. Hutzel, Max 1960-1990 Views of the four collections housed in museum: Roman coins; Pre-Columbian art brought from Central America in 17th century; Greek and Roman sculpture; Egyptian sculpture and minor arts. Museum Roman coins; Greek and Roman sculpture; Egyptian sculpture and minor arts; Pre-Columbian sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

His Knee had Recorded Each Step, plate seven from Uruguayan Torture Series. Luis Camnitzer; American, born Germany, 1937. Date: 1983. Dimensions: 285 x 240 mm (image); 293 x 248 mm (plate); 750 x 555 mm (sheet). Color photo-etching from five plates on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Exhibition at the Salon du Louvre in 1787. Pietro Antoni Martini; Italian, 1738-1797. Date: 1787. Dimensions: 154 x 485 mm (image); 382 x 522 mm (plate); 400 x 558 mm (sheet). Etching and engraving on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: PIETRO ANTONIO MARTINI.

Corbel. Dated: 1939. Dimensions: overall: 27.7 x 35.4 cm (10 7/8 x 13 15/16 in.) Original IAD Object: 2'9 1/2"long; depth at wall 12". Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Harry Mann Waddell.

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): Fries. Pencil watercolored on paper, 21.5 x 19.1 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

GUACHE C 1953 - GOUACHE SOBRE PAPEL. Author: EUSEBIO SEMPERE. Location: IVAM / INSTITUTO VALENCIANO DE ARTE MODERNO. Valencia. SPAIN.

Reliefs from the tomb of Meketre. Dimensions: H. 7.3 cm (2 7/8 in.); W. 10.1 cm (4 in.); D. 1.5 cm (9/16 in.). Dynasty: Dynasty 12. Reign: reign of Amenemhat I, early. Date: ca. 1981-1975 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Lange Ludwig (1808-1868), Museum in Leipzig. (From: L. Lange, works of higher architecture, 1860) (1856-1856): Decoration of the dome hall. Pressure on cardboard, 67.1 x 49.6 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1860. Museum, Leipzig

Untitled. Jan Groth; Norwegian, born 1938. Date: 1971. Dimensions: 625 x 880 mm. Black crayon, with brush and black ink, on white wove paper. Origin: Norway. Museum: The Chicago Art Institute, Chicago, USA.

Spur. Dated: c. 1940. Dimensions: overall: 26.7 x 35.7 cm (10 1/2 x 14 1/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: R. J. De Freitas.

For Adults Only. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 490 x 450 mm (image); 756 x 554 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Portrait of Whistler , Artists, Whistler, James McNeill, 1834-1903. James McNeill Whistler (1834-1903). Lithographs

Mancini, Hortensia .

Informacja Od Wydawcy Karta 44 albumu The Thirty Six Views of the Eiffel Tower by Henri Rivie're Prologue d'Arse'ne Alexandre Imprimerie Euge'ne Verneau 108, rue de la Folie Mericourt Paris 1888 1902 Paris: E . Verneau, 1902 AUROLOL, George (1863 1938)

MAGELONE - 2005 - TECNICA MIXTA SOBRE PAPEL JAPONES - 50x50 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

Lazio Viterbo Viterbo Museo Civico0. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-1

Plate Three, from Madame Edwarda. Hans Bellmer; German, born Poland, 1902-1975. Date: 1965. Dimensions: 185 x 82 mm (plate); 376 x 240 mm (sheet). Etching on white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Voluntary visit, Erich Wichmann, 1923 print A stylized head. paper caricatures (human types)

Intaglio Watch. Robert Rauschenberg (American, 1925-2008); printed by Donn Steward (American, 1921-1986); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 235 x 36 mm (image); 595 x 193 mm (sheet). Photolithograph in white, with embossing, on white laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Scheppig Carl (1803-1885), Atlant in Girgenti (September 26, 1834): View. Pencil on cardboard, 23.1 x 32.1 cm (including scan edges) Scheppig Carl (1803-1885): Atlant, Girgenti

Poelzig Hans (1869-1936), exhibition of porcelain Volkstedter models according to designs by Poelzig and Moeschke in the Kunsthalle, Mannheim (without year): wall arm candlesticks. Photo on paper, 13.9 x 22.5 cm (including scan edges)

Seagull--Bikini of God. Robert Rauschenberg (American, 1925-2008); text by Andrei Voznesensky (Russian, 1933-2010); printed by Bill Goldston and John A. Lund; published by Universal Limited Art Editions (American, founded 1955). Date: 1978. Dimensions: 620 x 407 mm (image); 708 x 512 mm (sheet). Color photolithograph and lithograph from three stones on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Anefo photo collection. Bauhaus exhibition in Stedelijk Museum wire figure "Man" of Oscar Schlemmer. November 26, 1968

Colophon IV from Traces suspectes en surface. Robert Rauschenberg (American, 1925-2008); text by Alain Robbe-Grillet (French, 1922-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1978. Dimensions: 419 x 219 mm (image); 688 x 523 mm (sheet, folded); 688 x 1035 mm (sheet, unfolded). Color lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Plaque. Dated: c. 1941. Dimensions: overall: 46 x 35.6 cm (18 1/8 x 14 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Edmond Lorts.

Voddenraper, Charles Emile Jacque (attributed to), 1843 print France paper etching / drypoint / engraving street-trader

Girandole donated to the Anatoma Willem Vrolik, 1856, 1856 - 1857 print The Girandole or Candle stand donated to the Anatoma Professor Willem Vrolik on the occasion of his twenty -five year anniversary as a professor at the University of Amsterdam, December 5, 1856. The Girandole was commissioned by A. Bonebakker & Zonen in Amsterdam. The print includes a separate description. print maker: Netherlandsafter drawing by: Netherlandsprinter: Netherlandsafter design by: Amsterdam paper Chandelier, a candlestick

Carl Bloch (1834-1890), Hane, 1882

Diane Raised III. Larry Rivers (American, 1923-2002); printed by Frank Akers (American, born 1936); published by Universal Limited Art Editions (American, founded 1955). Date: 1970-1971. Dimensions: 38 x 80 mm (image); 350 x 294 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Abruzzo L'Aquila S. Giuliano (L'Aquila environs) Museo2. Hutzel, Max 1960-1990 Views of the four collections housed in museum: Roman coins; Pre-Columbian art brought from Central America in 17th century; Greek and Roman sculpture; Egyptian sculpture and minor arts. Museum Roman coins; Greek and Roman sculpture; Egyptian sculpture and minor arts; Pre-Columbian sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Sezze Antiquarium Comunale90. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Head of a satyr, c. 1890 - 1895 photomechanical print Part of a group of photos collected by photographer Richard Polak on travel. This photomechanical print was exhibited together with other photos collected on his journeys at the Rotterdamsche Kunstkring (1895), Arti and Amicitiae in Amsterdam (1897-1898) And Societeit 't Collegie in Kampen (date unknown). Athene paper. cardboard collotype satyr(s) (in general). piece of sculpture, reproduction of a piece of sculpture

Sketch of Figures and Boats (from Sketchbook X) 1885 William Trost Richards American This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museums collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artists graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richards tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artists uncanny facility in his better known paintings and watercolors.. Sketch of Figures and Boats (from Sketchbook X). William Tro

Cassetta frame. Culture: Italian, Veneto. Dimensions: Overall: 19 3/4 x 16 3/4. Date: mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Diebitsch Carl von (1819-1869), Alhambra, Granada. () (Without dat.): Ornament detail floral pattern with color information. Pencil on cardboard, 26.9 x 26.7 cm (including scan edges) Diebitsch Carl von (1819-1869): Alhambra, Granada ()

Abruzzo L'Aquila S. Giuliano (L'Aquila environs) Museo2. Hutzel, Max 1960-1990 Views of the four collections housed in museum: Roman coins; Pre-Columbian art brought from Central America in 17th century; Greek and Roman sculpture; Egyptian sculpture and minor arts. Museum Roman coins; Greek and Roman sculpture; Egyptian sculpture and minor arts; Pre-Columbian sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo Museo Civico28. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Blindfolded man, Aat Verhoog, c. 1965 - c. 1980 print Blindfolded man. paper etching

Michel Paul jun. (1922-1943), left hand, wristwatch holding (approx. 1940/1941): Motif as Inv.No. 42431: View left hand the draftsman P. Michel, holding a wristwatch between the thumb and index finger. Pencil watercolor on the box, 37.6 x 30.4 cm (including scan edges) Michel Paul jun. (1922-1943): Linke Hand, Armbanduhr haltend

A photograph depicting the Statue of Liberty, located in Paris, France. The photo was taken on January 22, 1919, by photographer La Shoedsack of the S.C. The image captures the statue and the surroundings, including the Seine River. This particular photograph has the identification number 2457-89.

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