Artistic Sketches and Studies

A series of graphite sketches portraying market scenes, landscapes, and flower studies, reflecting the artists' exploration of natural forms and urban life.

Two sketches with buildings, Julius Jacobus van de Sande Bakhuyzen, 1845 - 1925 drawing paper. pencil city-view, and landscape with man-made constructions

Study for Billingsgate Market, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1808. Dimensions: 197 × 260 mm. Graphite on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Woman watering a flower in a tokonoma Katsushika, hokusai (1760 1849)

Sketchbook, Conway, New Hampshire David Johnson (American, 1827-1908). Sketchbook, Conway, New Hampshire, July-October 1851. Graphite, chalk, and opaque watercolor on medium-weight, beige, wove paper, sketchbook, sketchbook: 4 7/8 x 6 3/4 x 5/16 in. (12.4 x 17.1 x 0.8 cm). A landscape painter who devoted himself to the careful study of nature, Johnson traveled throughout the Northeast collecting sketches that he would then use to create highly detailed paintings in his studio. Some of his haunts included the Catskill and Adirondack mountains in New York and the White Mountains in New Hampshire, where this sketch was made. American Art July-October 1851

Two sketches with buildings, Julius Jacobus van de Sande Bakhuyzen, 1845 - 1925 drawing paper. pencil city-view, and landscape with man-made constructions

Landscape with buildings, possibly on the water, George Hendrik Breitner, 1917 Page 11 from a sketchbook with 44 sheets. Amsterdam (possibly) paper. pencil civic architecture; edifices; dwellings. landscapes with waters, waterscapes, seascapes (in the temperate zone)

Sir Robert Smirke the younger, 1781-1867, British, Gateway in the Ruins of the Ancient Walls of Arpino, 1802-1804. Brown wash and graphite on moderately thick, moderately textured, beige, wove paper.

Perspective drawings of a theater for 4,000 people in Vienna XIV, Märzpark by Adolf Loos on cardboard using ink and pencil, dated 1898 and 1912.

Drawing, Landscape with Mount Purese, Colombia; Frederic Edwin Church (American, 1826-1900); Colombia; graphite, brush and oxidized white gouache on buff-colored paper.; Sheet: 30.6 x 46.7 cm (12 1/16 x 18 3/8 in.)

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358482

Old sarcophagus which serves as a drinking bowl in Terracina, 1778 drawing paper. chalk brush

Abkatensch of the chalk drawing on leaf 15 recto. Leaf 14 Verso from sketchbook VII with 26 sheets.

Intake of Den Briel, 1572, 1865 - 1870 Intake of Den Briel, April 1, 1572. The Watergeuzen come in with small boats ashore. Part of the group of steel engravings to the paintings of the historic gallery of society Arti et Amicitiae. Netherlands paper steel engraving Brielle Intake of Den Briel, April 1, 1572. The Watergeuzen come in with small boats ashore. Part of the group of steel engravings to the paintings of the historic gallery of society Arti et Amicitiae. Netherlands paper steel engraving Brielle

Last judgment, Anonymous, 1890 - 1950 drawing paper. ink. pencil pen / brush interior ~ architectural design or model. (decorated) ceiling. Last Judgement Warmenhuizen

Copper engraving by Jan van Londerseel created between 1590 and 1624 depicting a landscape with a city view, showing buildings, streets, and surrounding terrain.

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), the old fisherman (main title), 1894. Gypsography, print in gray and blue. Petit Palais, Museum of Fine Arts of the City of Paris.

Veue de la douane qui se voit du Trekvaart vers le you, from the album: Description de la Fameuse ville d'Amsterdam ...; Leth, Hendrick de (1703-1766); around 1740 (1701-00-00-1800-00-00);Amsterdam (Netherlands), Netherlands, albums, architecture, Dutch graphics, Dutch (culture), customs chambers, ships, relay, weduty, city views, band, boats

Abklatsch of the chalk drawing on leaf 27 verso. Leaf 28 Recto from sketchbook LXIV with 29 sheets.

Interior with figures, 1854 - 1914 Leaf 46 Verso from a sketchbook with 51 sheets. paper. interior of the house. anatomy (non-medical)

Scheppig Carl (1803-1885), sketchbook: Ornaments (1830-1830): Details of a frieze. Pencil on paper, 13.7 x 20.4 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch: Ornamente

Ban support. In the foreground the standard bearer, in the background, the city of Haarlem can be seen. In the undermaster a two-key Latin text. Pendant of infantry captain print. Copy in mirror image to engraving by Hendrick Goltzius from 1587. Reconstructed from three fragments.

View from Venetian Lagoon, Robert Frederick Blum, American, 1857-1903, Graphite on paper, Gonodolas are depicted in the foreground with an island and steeple on the horizon., USA, 1880, seascapes, Drawing, Drawing

Quast Ferdinand von (1807-1877), table from the region around Fulda (without date): Perspective side view of the table with floral wood carvings. Pencil on transparent, 20.6 x 31.3 cm (including scan edges) Quast Ferdinand von (1807-1877): Tisch aus der Region um Fulda

Abklatsch of the chalk drawing on page 25. Page 26 From Sketchbook XLV with 85 pages.

View in Ede. Page 27 from a sketchbook with 25 sheets.

The Channel Sketchbook. Date/Period: Ca. 1845. Painting. Watercolor. Height: 95 mm (3.74 in); Width: 159 mm (6.25 in). Author: J. M. W. Turner.

Crucified Christ and other sketches, Perino del Vaga (Circle of), 1530 - 1620 drawing paper. chalk comprehensive representations of the events on Golgotha during Christ's hanging on the cross, no particular event emphasized

Wrijfprent ,, c. 1900 Rubbing. China paper. ink Rubbing. China paper. ink

Etching by Romeyn de Hooghe from 1686 depicting tyrants opposing the Reformed in France (Vrankryk), showing figures, conflict, Baroque allegorical composition, and historical context.

Moored boat at a transfer site, 1797 - 1838 There are bundles of corn sheaves on the quay. A man stands on the quay at a staircase. Page 1 recto from a sketchbook with 65 sheets. paper. watercolor (paint). pencil brush There are bundles of corn sheaves on the quay. A man stands on the quay at a staircase. Page 1 recto from a sketchbook with 65 sheets. paper. watercolor (paint). pencil brush

Reproduction of the painting The miracle of the broken sieve, show block in black, Librairies-Impimeries Réunies (Ancienne Maison Quantin), After Anonymous, c. 1889 - in or before 1894 print paper kitchen

Prins Hendrikkade with the Schreierstoren and Nicolaaskerk in Amsterdam, 1890 - 1946 In the foreground boats and a port worker. Verso of a loose sheet with a wedding announcement between page 41 and the rear bract of a sketchbook with 41 sheets. Amsterdam paper. pencil harbour Schreierstoren. Nicolaas Church

Nocturne: Furnace. Dated: 1880. Dimensions: plate: 17.15 x 23.02 cm (6 3/4 x 9 1/16 in.) sheet (includes tab with signature): 17.46 x 23.02 cm (6 7/8 x 9 1/16 in.). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Loose fragments A print of Paris's judgment, Zacharias Dolendo (attributed to), 1580 - 1596 print Three times the right corner, reconstructed from five fragments. Amsterdam paper engraving the Judgement of Paris (Mercury present)

Abklatsch of the chalk drawing on leaf 18 recto. Leaf 17 Verso from Sketchbook LVI with 26 sheets.

Sketch of a landscape, Richard Nicolaüs Roland Holst, 1903 drawing paper. pencil

Card 39: double sided drawing; recto: loose sketch; Verso: A house with a vast fence in a sketchbook, containing landscapes, views, sketches of objects. unknown

Mountain wall with rock houses, Anonymous, Cornelis de Bruyn (Rejected Attribution), c. 1700 drawing Mountain wall with rock houses and a mountain path with figures, along the lines of a Chinese drawing. paper. chalk Batavia

Wooden panel by Hans Burgkmair depicting Emperor Maximilian I in the Battle of Zeyst, from the Weißkunig series, 1514-1516, with carved relief and detailed composition.

Ornament. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Figure studies. From: A Marken sketchbook., circa 1874, Netherlands, by Petrus van der Velden. Gift of W. Fergusson Hogg, 1967.

Turkeys Made 1880 United States. Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper . James McNeill Whistler

Etching and copper engraving by Louis Binet created between 1764 and 1800 depicting a ship illuminated by light.

Pyramus en Thisbe.Two fragmentary prints with a landscape with fountain. ThisBe discovers her dying beloved Pyramus, to which she commits suicide with his sword. Pyramus has stipulated himself because he thought Thisbe was killed by a lion. In the background the lion runs. A Latin text in the undermaster. The fragment with the dying pyramus is missing.

Facade of a House, Tomb of Djehutynefer. Artist: Charles K. Wilkinson. Dimensions: facsimile: H. 37.1 × W. 17.2 cm (14 5/8 × 6 3/4 in.); scale 1:1; framed: 38.7 × 19.1 cm (15 1/4 × 7 1/2 in.). Dynasty: Dynasty 18. Reign: mid-reign Thutmose III-mid-reign Amenhotep II. Date: ca. 1458-1410 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Tak-i Bostan. Bas-relief, chasse aux cerfs.. Flandin, Eugène, 1809-1876. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Netherlands, Weissenbruch, Isaac, Colibri, Bruno, Ornamented frame with two cityscapes of Amsterdam, two seated figures and the year '1856', print, prints, height 232 mm, width 303 mm, 1926-11-01, print maker, printmaker, 1856 - 1912, paper, wood engraving, Dutch, 1826-08-27 - 1912-11-13

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358548

Figure on a street in Valkenswaard. Leaf 27 Recto from a sketchbook with 42 sheets.

Tak-i Bostan. Bas-relief, extérieur.. Flandin, Eugène, 1809-1876. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Cloudy sky above hills, with color notes. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 165 mm × w 214 mm. Museum: Rijksmuseum, Amsterdam.

Charon; Romanowicz, Walenty; IV-VI.1943 (1943-00-00-1943-00-00);

Drawing, Army Wagon and Mule; Winslow Homer (American, 1836-1910); USA; graphite on wove paper, laid down; 8.3 × 12.4 cm (3 1/4 × 4 7/8 in.)

Drawing, Soldier Firing a Rifle; Winslow Homer (American, 1836-1910); USA; graphite, brush and gray wash on cream wove paper, laid down; 12.3 x 9 cm (4 13/16 x 3 9/16 in.)

Drawing, Preliminary study for cartoon for printed cotton: The History of Henry the IV L'Histoire de Henri IV; Manufactured by Hartmann et Fils (France); France; graphite on cream colored paper (mounted); 51.4 x 88.4 cm (20 1/4 x 34 13/16 in.)

Photo production of a print to a painting, representing ships at sea. .

Floral ornament and a figure with a hat, 1877 - 1880 Page 26 Verso and 27 Recto from a sketchbook with 27 sheets. Amsterdam paper. pencil flowers ~ ornament. head-gear: hat

Bildwerke der rechten Seite. Bildwerke des Ammontempels zu Siwah.. Minutoli, Heinrich, Freiherr von, 1772-1846. Prints. 1824. General Research Division. Libyan Desert, Siwah Oasis (Egypt)

Tissue fragment in tapestry. Geelful mesh tissue fragment with residues of three horizontal lines in sand color. Fragment of twisted finishing edge.

Three faces on the coast at Ischia and Gaeta, on one sheet, 1786 - 1857 drawing Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli). Italy paper. chalk coast Ischia, island of. Gaeta

Boeren Interieur, 1823 - 1900 copper (metal) etching

Marker woman kneeling at two sheep and the head tower of Hoorn, 1875 Leaf 24 Verso and 25 Recto from a sketchbook with 38 sheets. Hoorn (North Holland) paper. pencil farmers - AA - female farmer, farmer's wife. sheep. towers ~ fortified city

Etching by Joris Hoefnagel depicting San Juan del Foratche, Jerenna, and the Tower of the Temple Mayor in Seville, created in 1565.

Garden of the Luxembourg. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 10 7/8 x 8 7/8 in. (27.7 x 22.5 cm)Sheet: 14 x 11 3/16 in. (35.5 x 28.4 cm). Date: 1898-1915. Museum: Metropolitan Museum of Art, New York, USA.

Ruins with a squat worker, graphics sketches from the TRKI series; Romanowicz, Walenty; 1941-1944 (1941-00-00-1944-00-00);

'Naked Children (Bacchanalia)'. France, 1690-1719. Dimensions: 21,5x28,1 cm. Museum: State Hermitage, St. Petersburg. Author: François Boitard.

Album Page, Cloister of Cathedral, Verona; Whitney Warren Jr. (American, 1864-1943); Italy; brush and watercolor, graphite on textured off-white wove paper tipped into binding with fabric; 24.9 x 32 cm (9 13/16 x 12 5/8 in.), irregular

Etching by Jean Mignon depicting the looting of Troy, created between 1544 and 1545.

Flotsam and jetsam: Christmas cards with poetry; depicting sailboats, a lighthouse, buildings, birds, people, horse drawn carriage and a marsh.. Harlow, Louis K. (Louis Kinney) (1850-1913). Proofs, Greeting cards, Cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Lighthouses, Oceans

Left-up corner of a print of the scene of Cebes; Tabula Cebetis Carta Vitae. Allegory about the Salvation of Man. Life as a city with three walled sites, with a temple in the middle. At the outer gate, the souls of children are waiting, ready to enter the adult life. Before entering, they get something to drink seduction (Seductio), which makes them ignorant. The first walled terrain shows all kinds of and distractions, such as prejudice (Opinio), desire (Cupiduas), doubt (Error) and ignorance (Ignorantia). They prevent the youthful man to penetrate the next circle. Only by following the personifications from repentance (Poenitentia), hope (SPES) and good desire (Bonnem Desiderium) can manage to access the second circle. There he is taught in all forms of worldly knowledge. On the left are the seven artes liberales and on the right arguing different scholars. Man is put to the test in this circle and confronted with false knowledge (Falsa Disciplina). With the help of self-control (con

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 11 13/16 x 13 15/16 in. (30 x 35.4 cm). Date: 1840-90. Museum: Metropolitan Museum of Art, New York, USA.

Black chalk and graphite pencil design by Felix Ivo Leicher depicting an allegory with Mars, Minerva, and Fortuna, possibly intended for a ceiling picture, dated around 1754.

Eight Views of Omi in Etching Style (Doban Omi hakkei) and cover sheet 1799-1820 Japan. Color woodblock print; horizontal koban . Katsushika Hokusai

Persépolis. Salle no. 5. (Bas-relief.) Takht-i-Djemchid Takht-i Jamshîd. Flandin, Eugène, 1809-1876. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Mountain landscape with buildings, Christoph Heinrich Kniep, 1765 - 1825 drawing paper. chalk mountains. city-view, and landscape with man-made constructions

Furniture Designs. Artist: Anonymous, French, 19th century. Dimensions: sheet (irregular): 13 9/16 x 13 3/4 in. (34.4 x 34.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Speculum Romanae Magnificentiae: The Vatican Obelisque. Artist: Anonymous. Dimensions: sheet: 20 x 13 3/16 in. (50.8 x 33.5 cm)plate: 19 3/16 x 11 7/8 in. (48.8 x 30.2 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1550.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the tit

An 1886 pencil and black spring drawing with cover colors by Carl Joseph Geiger depicting the ceiling painting in the side wing of Burgtheater, Vienna I, showing applause for Hanswurst and his final scene.

Summer Oscar (1840-1894), Städelsche's art institute in Frankfurt/Main. 4. Project (1874): Bay sections. Ink, ink colored, watercolor on cardboard, 64.7 x 95.5 cm (including scan edges) Sommer Oscar (1840-1894): Städelsches Kunstinstitut, Frankfurt/Main. 4. Projekt

Izamal. Giagantic head. Stephens, John Lloyd, 1805-1852. Illustrations, Prints. 1843. Rare Book Division. Yucatán (Mexico : State) , Description and travel, Izamal (Mexico), Architectural sculpture , Mexico , Yucatan

The journey of the English king Charles II over the Thames to Sheerness and Chatham on August 27, 1681, Willem van de Velde (I), 1681 drawing The journey of the English king Charles II over the Thames to Sheerness and Chatham on 27 August 1681. Here the fleet of yachts around the ship Constant Warwick, including Charlotte, Cleveland, Henrietta, Isabella, Kitchen and Mary. paper. chalk. pencil brush sailing-ship, sailing-boat. names of artefacts and man-made objects (buildings excluded). sailing-ship, sailing-boat (with NAME). visiting; receiving guests; elegant company. river Thames

Dottings round the circle, book, photos, photographically illustrated books, height 213 mm, width 155 mm, thickness, 30 mm

The Arch with a Shell Ornament, plate 11 from Imaginary Prisons 1761 Italy. Etching on heavy ivory laid paper . Giovanni Battista Piranesi

Wrijfprent. Rubbing.

Drawing by Ferdinand Boberg. Värmland, Jösse hd., Älgå sn., Älgå Nordic

Vesting map of Elburg with cityscape, Anonymous, 1652 print At the top of a cityscape of Elburg with the weapon of Gelderland on the left and on the right the coat of arms of the city. Below that a deterioration map of the city. On Verso Latin text. paper engraving / etching / letterpress printing maps of cities. coat of arms (as symbol of the state, etc.). city-view, and landscape with man-made constructions Elburg. Gelderland

Bliżej Kultury unknown

The Courtyard, Brussels. James McNeill Whistler; American, 1834-1903. Date: 1886-1887. Dimensions: 215 x 126 mm (image, trimmed within plate mark); 219 x 126 mm (sheet). Etching with foul biting in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Opium-Smoking in New York (From Harper's Weekly, September 24, 1881), Anonymous

Decorative design for a factory. Decorative design for a factory.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 8 1/16 x 11 9/16 in. (20.4 x 29.4 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

An etching by Johann Oswald Harms from 1678-1680 showing a draft stage design for a Planet Ballet featuring Mercury, depicting allegorical figures and theatrical scenery.

Barth Erwin (1880-1933), Volkspark Rehberge in Berlin-Wedding (1927-1927): Perspective view of the Leutnantsberg, Stempel. Light break on paper, 52.6 x 72.9 cm (including scan edges) Barth Erwin (1880-1933): Volkspark Rehberge, Berlin-Wedding

Sketch sheet with lingers, Hiroshige (I), Utagawa, 1807 - 1858 drawing paper brush

Gran quadro in due tavole, rappresentante lo stesso re, che percote un gruppo di stranieri d'ogni popolo vinto, dinnanzi ad Amon-rê Amon, che li trae davanti molte straniere nazioni.. Angelelli, Giuseppe (1803-1848). Rosellini, Ippolito, 1800-1843. Prints, Illustrations. 1832 - 1844. General Research Division. Egypt , Antiquities, Nubia , Antiquities, Temple of Amon (Karnak, Egypt), Amon (Egyptian deity), Monuments & memorials , Egypt, Seti I, King of Egypt

Rows with letters of the alphabet, people, animals and objects, anonymous, c. 1880 - c. 1910 drawing paper. India ink (ink). deck paint. watercolor (paint). pencil pen / brush letters, alphabet, script. human life and its ages (young, adult, old, etc.). animals

Heriot's Hospital, Print made by Henry Le Keux, 1787-1868, British, Figures etched by George Cooke, 1781-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1822, Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper with cream chine-collé, Sheet: 14 7/8 × 22 1/2 inches (37.8 × 57.2 cm), Plate: 10 1/8 × 12 7/8 inches (25.7 × 32.7 cm), Chine collé: 9 1/2 × 12 5/8 inches (24.1 × 32.1 cm), and Image: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)

Setsubun Festival at Sensji 1857 Suzuki Kiitsu. Setsubun Festival at Sensji. Suzuki Kiitsu (Japanese, 1796-1858). Japan. 1857. Hanging scroll; ink and color on paper. Edo period (1615-1868). Paintings

El Manshah Edwin Howland Blashfield (American, 1848-1936). El Manshah, 1887. Graphite on paper mounted on paperboard, Sheet: 14 1/16 x 9 15/16 in. (35.7 x 25.2 cm). American Art 1887

Le soir même.. Buhot, Félix Hilaire (1847-1898). 1874 - 1879. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bridges

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