Artists and Social Gatherings

Artistic depictions of groups engaged in various activities, including figure studies and social interactions in different styles.

Interior with figures, draughtsman: Jac van Looij, 1865 - 1930, paper, h 163 mm × w 98 mm

The artist surrounded by contemporaries, painting a nude model , Artists, Nudes, Fantin-Latour, Henri, 1836-1904. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Groupe de joueurs. Jean Louis Forain (French, 1852-1931). Lithograph;

"Einer dirne schön gesicht muss allgemein sein wie's sonnenlicht" ("A pretty girl's face must be as common as sunlight"). Dated: 1923. Dimensions: plate: 20.7 cm (8 1/8 in.) sheet: 35.8 x 29 cm (14 1/8 x 11 7/16 in.). Medium: etching in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Drawing, The Appeal; Walter Shirlaw (American, b. Scotland, 1838-1909); USA; pen and ink on paper; 20.5 × 25 cm (8 1/16 × 9 13/16 in.)

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Early study for Stony Ground 1884, interior withfigures, Graphite, Brown wove, 35.2 × 45.7 cm (13 7/8 × 18in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Interior with figures, draughtsman: Jac van Looij, 1865 - 1930, paper, h 163 mm × w 98 mm

Study for "L'embarquement pour les îles". Artist: Jules Pascin (American (born Bulgaria), Vidin 1885-1930 Paris). Dimensions: 13 3/8 × 12 3/4 in. (34 × 32.4 cm) (irregular). Date: 1923. Museum: Metropolitan Museum of Art, New York, USA.

Establishment of the Order of the Golden Vlies, Henri Leys (Baron), 1825 - 1869 print paper etching / drypoint knighthood order of the Golden Fleece Used

Jean Louis Forain, The Train for Berne, c 1914 1919 The Train for Berne

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Figure in repose, sketch for an unidentified Shakespeareplay, Charcoal, White wove, 31.3 × 49.5 cm (12 5/16 × 19 1/2in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Procès Lebaudy, deposition de Mademoiselle Marsy , Judicial proceedings. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Departure for Greenwich (Depart pour Greenwich). Dated: 1891. Medium: etching retouched with graphite. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

James McNeill Whistler, Longshoremen, 1859 Longshoremen

Les Propos de Thomas Vireloque Ego! ego! ego!...tous égaux. Made 1853 France. Lithograph in black on cream wove paper . Paul Gavarni

Omnibus Made 1892 Sweden. Etching on ivory laid paper . Anders Zorn

The Laundresses (Les Blanchisseuses), 1879, Edgar Degas, French, 1834 - 1917, 4 5/8 × 6 1/4 in. (11.75 × 15.88 cm) (image)4 11/16 × 6 5/16 in. (11.91 × 16.03 cm) (plate)8 1/2 × 11 3/4 in. (21.59 × 29.85 cm) (sheet), Etching and aquatint, France, 19th century, In the 1800s, many artists began to depict the lives of people who worked with their hands for a living. In The Laundresses, Edgar Degas depicts women working and resting in a dank, melancholic space. In the left foreground, one rests, warming herself near a stove with a pyramidal top used to warm irons. At the lower right are large bundles of laundry. In the middle ground, two women work at the ironing board. In an adjacent room in the background, two woman stand in the shadows. In the far room, through the opening above the ironing board, we may be seeing steam rising from the washtubs. Shadowy garments hang to dry from lines above.

James McNeill Whistler, The Forge, 1861 The Forge

Drawing, The Quartet; Charles S. Keene; England

At the Theater. Jean Louis Forain; French, 1852-1931. Date: 1887-1897. Dimensions: 215 × 295 mm (image); 398 × 515 mm (sheet). Lithograph on off-white China paper laid down on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Group of Figures, with a Man Painting in Watercolors and a Girl Handing Cups of Tea, unknown artist, ca. 1830, Graphite and black chalk on medium, slightly textured, gray wove paper, Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm), conversation piece, genre subject, leisure, painting (activity), tea

Pencil study by Josef Engelhart combining landscape and figures, showing spatial relationships, posture, and environmental context.

The kolf game.

The Arton Trial, Ribot Giving Evidence (second plate) 1896 France. Lithograph on tan wove paper . Henri de Toulouse-Lautrec

. Interior with two dogs, one of them kills on a bone. Household goods and a third dog have been added with brown ink.

Francisco Goya (1746-1828). "Los disparate - Los Ensacados - Les Sweets". Museum of Fine Arts of the City of Paris, Petit Palais. The nonsense - the wisdom - you reaches them Clumsiness, Social Comedy, Bag, Ensache, Helplessness, helplessness, awkwardness, Powerlessness, Sack Race, Social Comedy, Bag

Beggar Man and Woman Behind A Bank, David Deuchhar, After Rembrandt van Rijn, 1753 - 1808 print paper etching Begin

Making a masterpiece : Matthew Webb, National Gallery , Painters Artists, Paintings, Painting, Galleries & museums. Joseph Pennell (1857-1926). Prints and Drawings

Departure for the Hunt Rodolphe Bresdin French. Departure for the Hunt 343471

Ballet Class. Georges-William Thornley (French, 1857-1935); after Edgar Degas (French, 1834-1917); printed by Atelier Becquet (French, 19th century); published by Boussod, Valadon, & Company (French, 18th-19th century). Date: 1889-1890. Dimensions: 205 × 263 mm (image); 395 × 569 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Coal drawing by Dávid Jándi depicting a scene titled 'The Removal of Women', emphasizing figures and movement, 1924.

Row -decorated frame against a wall, Marie Danse, 1891 print paper etching (human) skeleton

Ink and feather illustration by August Xaver Karl von Pettenkofen depicting a scene from Gil Blas with figures and gestures.

Caféterras, Johannes Löhr, 1892 - 1928 print People are sitting on tables on the terrace. A canopy above the terrace. paper etching pavement, terrace in front of inn or restaurant

Christ at Emmaus: The Larger Plate, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on paper, Christ is seated at a table, facing the spectator, near the center of the composition. Two figures are in right foreground, another stands at left of the table, his hands clasped before him., Netherlands, 1654, Print, Print

Auguste Lepère, Sur la Seine, la nuit, 1888 Sur la Seine, la nuit

Illustration by August Xaver Karl von Pettenkofen depicting powerful figures from Gil Blas, executed with bister, feather, and brush with laved technique.

Scene in an Inn 1625-85 Attributed to Adriaen van Ostade Dutch. Scene in an Inn 347670

unknown artist, Group of Figures, with a Man Painting in Watercolors and a Girl Handing Cups of Tea, ca. 1830. Graphite and black chalk on medium, slightly textured, gray wove paper.

Edouard Manet (French, 1832 - 1883), At the Café (Au café), 1869, transfer lithograph

Three sitting figures. Draughtsman: Willem de Zwart. Dating: 1872 - 1931. Measurements: h 238 mm × w 317 mm. Museum: Rijksmuseum, Amsterdam.

Chagall, Marc (1887-1985) Private Collection Graphic arts 28,4x38 Mythology, Allegory and Literature Illustration for the poem The Dead Souls by N. Gogol

Black Cat (Le chat noir). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Portrait of Jan Hamdorf and W. van der Pluym, Herman Moerkerk, 1889 - 1949 drawing paper. pencil brush historical persons

The Recruiting Board Isn't it a glorious sight these noble young Frenchmen full of ardour, strength and elegance ready to defend their honour under the flags of Mars,” plate 35 from Caricatures Du Jour 1842 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

The Enemy Arrive, or The Germans Arrive, from the WarSeries. Artist: George Wesley Bellows, American, 1882-1925

Mr and Mrs Fürstenberg Made 1895 Sweden. Etching on tan wove paper . Anders Zorn

Woman behind the rampart of a besieged city (Kenau Simons daughter Hasselaer), draughtsman: Reinier Craeyvanger, 1822 - 1880, paper, brush, h 274 mm × w 195 mm

Princess of Orange prisoner in Goejanverwellesluis, 1787, Anonymous, 1787 print Princess Wilhelmina van Pruisen and her court ladies held in the very smoky home in Goejanverwellesluis and guarded by piping and drinking soldiers, 28 June 1787. On the right a court lady between two free village players. In the foreground a basket with bottles, three Gouda pipes and two packs of tobacco marked as 'Patriote Tabacco' and 'Staaten Tabacco in Holland' and marked with images of a pig and a donkey. England paper etching / engraving arrest (of criminal). pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.) Goejanverwellensluis

Scene of adventure in the life of young Wild Bill Hickok, showing his 'Desparate Fight in the Dug-Out- one man against ten. ' Print from a painting by John W. Norton. Illustration in THE STORY OF THE OUTLAW, by Emerson Hough, 1907.

Feather drawing by Carl Müller depicting four people standing in an archway, showing figures, posture, clothing, and architectural elements.

Christ at Emmaus: the larger plate, print maker: Rembrandt van Rijn, (mentioned on object), Rembrandt van Rijn, 1654, paper, etching, drypoint, h 211 mm × w 162 mm

Albert Besnard and His Model. Dated: 1896. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Anders Zorn.

Music Restaurant; Musikrestaurant. Ernst Ludwig Kirchner (1880-1938). Lithograph. Signed and dated 1914. 59.6 x 50.9cm.

A Lavatory, John Copley, 1875-1950, British, 1909, Lithograph, printed in seven colors, Sheet: 15 5/8 x 20 3/4in. (39.7 x 52.7cm)

Anders Zorn, Mr. and Mrs. Furstenburg, Swedish, 1860 - 1920, 1895, etching

Making Propeller Blades. Dated: 1917. Dimensions: image: 39 × 50.6 cm (15 3/8 × 19 15/16 in.) sheet: 46.5 × 61.5 cm (18 5/16 × 24 3/16 in.). Medium: lithograph in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

1893 Art Work - Parading through the Streets in Single File Felix Edouard Vallotton.

Metro knitters Chas Laborde (Charles Laborde said, 1886-1941). Instant Paris: Metro knitters. Drawing.

The market funnel at the Naschmarkt , in Vienna , Unknown

Two studies for Judgement of Solomon, Moses ter Borch, in or after c. 1660 - 1667, draughtsman: Moses ter Borch, Zwolle, 1660 - 1667, paper, brush, h 213 mm × w 328 mm

Visitors at an exhibition of paintings. .

Figures inside a prison (recto), a monstrous animal (verso) ca. 1820-50 (or later) Imitator of Goya (Francisco de Goya y Lucientes) Spanish. Figures inside a prison (recto), a monstrous animal (verso) 334338

Interior with group people, including Luther, around a table, Henri Leys (Baron), 1867 print paper etching reading to somebody Wittenberg

Les Chantres Espagnols Alphonse Legros (Dijon, France, 1837 - 1911) Monk

The House of Representatives during the debate on the constitutional revision in 1887, Pieter de Josselin de Jong, 1887 drawing MPs on the right side of the meeting room of the Lower House during the debate. Nine gentlemen in a rokk costume in and for room benches. The MPs Beelaerts van Blokland, Schaepman, Van der Schuchenius, Keuchenius, De Savornin Lohman, Godin de Beaufort, Bahlmann, Mackay and Smeele are presented from left to right. Part of a group of sketches of the discussion in the Lower House of the constitutional revision of 1887, partly published in the Weekblad Eigen Haard (1887). The Hague paper pen Lower House, Parliament, Chamber Netherlands

Leaving the inn.

The Notables (large plate). Dated: c. 1915. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Indian Straatscène, 1924 - 1925 Page 52 from a sketchbook with 48 sheets. India paper. watercolor (paint). chalk brush street (+ city(-scape) with figures, staffage). Asiatic races and peoples: Indians

Preliminaries. Artist: George Bellows (American, Columbus, Ohio 1882-1925 New York). Dimensions: image: 15 7/8 x 19 1/2 in. (40.3 x 49.5 cm)sheet: 20 7/8 x 24 in. (53 x 61 cm). Publisher: Published by George Bellows (American, Columbus, Ohio 1882-1925 New York). Date: 1916. Museum: Metropolitan Museum of Art, New York, USA. Author: George Bellows.

Without title passers -by, Karl Wiener -, artist

The Presentation in the Temple. Medium: chiaroscuro woodcut. Museum: National Gallery of Art, Washington DC. Author: after Parmigianino after Giuseppe Porta.

Room with three blind brush makers and a clerk. Draughtsman: Anthon Gerhard Alexander van Rappard. Dating: 1868 - 1892. Measurements: h 365 mm × w 279 mm. Museum: Rijksmuseum, Amsterdam.

An Illustration Robert Frederick Blum (American, 1857-1903). , 1883. Etching on cream-colored wove paper, sheet: 9 3/8 x 12 5/8 in. (23.8 x 32.1 cm). American Art 1883

Die Gefangenen, Blatt VII aus dem Zyklus: Bauernkrieg. Kollwitz, Käthe (1867-1945), graphic artist

Parading through the Streets in Single File. Félix Edouard Vallotton; French, born Switzerland, 1865-1925. Date: 1893. Dimensions: 223 × 311 mm (image); 328 × 465 mm (sheet). Zincograph in black on tan wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Adoration of the Shepherds. Dated: 1735/1740. Dimensions: overall: 42 x 30.1 cm (16 9/16 x 11 7/8 in.). Medium: pen and brown ink with brown wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846 ca. 1846 J. J. Grandville French. Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846 384233

Benjamin Robert Haydon, 1786-1846, British, Studies of Napoleon, arms folded, with other figures, undated. Pen and black ink on medium, slightly textured, cream wove paper.

'Auf Reisen', mid-late 19th century, (c1924). Creator: Carl Spitzweg.

SocialistMeeting. Artist: Peggy Bacon, American, 1895-1987

Bliżej Kultury Rembrandt van Rijn (1606 1669), H. Kleinmann & Co Haarlem

Arabian market, draughtsman: Jac van Looij, 1865 - 1930, paper, h 105 mm × w 174 mm

La Reconnaissance (Identification), from Les Gueules Noires (TheMiners). Artist: Théophile Alexandre Steinlen, French, born Switzerland, 1859-1923Printer: E. Verneau

In a town. Brandt, Józef (1841-1915), draughtsman, cartoonist

Old Age, George Romney, 1734-1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 x 6 7/8 inches (14 x 17.5 cm), dark, dense, genre subject, old age

Beer Garden in Rosenheim 1895 Germany. Etching on cream laid paper . Max Liebermann

Around a table five men sit drinking and smoking by candlelight, Five men by candlelight, print maker: Jan van Somer, (mentioned on object), after: Adriaen van Ostade, (mentioned on object), publisher: Frederik de Wit, (mentioned on object), Amsterdam, 1655 - 1706, paper, h 162 mm × w 239 mm

Pencil drawing by Ernst Stöhr depicting an overcrowded railway compartment, showing figures, seating, and interior layout.

Study of an assembly of standing or sitting persons listening to three people in a platform. Jean-Baptiste Carpeaux (1827-1875). Study of an assembly of standing or sitting persons listening to three people in a platform. Drawing, around 1869.

Illustrations to the amendment "Antek" Boles Awa Prusa; Witkiewicz, Stanis AW (1851-1915); after 1880 (1880-00-00-1890-00-00);Bochotnica (Lubelskie Voivodeship), Głowacka, Oktawa (1849-1936), Głowacka, Oktawa (1849-1936)-collection, Prus, Bolesław (1847-1912), Prus, Bolesław (1847-1912)-illustration, Prussia, Bolesław (1847-1912). Antek, peasants, gift (provenance), illustrations, blacksmiths, rural churches, forms, prayer (iconogr.), Naturalism (literature), teachers, science, rural landscapes, Poland (culture), realism (style), family, Polish drawings , genre scenes, schools, rural schools, students, windmills (architect), village, interiors of churches, interior of schools

Clemenceau in Busk, from Au Pied du Sinaï Made 1897 France. Lithograph on ivory wove paper . Henri de Toulouse-Lautrec

Drawing, The Charity of Saint Nicholas; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Engraved by Theodor Galle; Published by Philips Galle (Flemish, 1537 - 1612); Netherlands; pen and ink, brush and brown wash, over black chalk on laid paper; 10.4 × 8.2 cm (4 1/8 × 3 1/4 in.)

Boarding a Train, John Leech, 1817-1864, British, undated, Graphite and watercolor on moderately thick, moderately textured, cream wove paper, Sheet: 3 7/8 × 3 1/8 inches (9.8 × 7.9 cm)

August Xaver Karl von Pettenkofen created a study on Gil Blas using pencil, ink, and brush techniques.

In the Studio, 1919. Lovis Corinth (German, 1858-1925). Drypoint;

In the Gallery. Lucien Pissarro; French, 1863-1944. Date: 1889. Dimensions: 227 × 181 mm. Black Conté crayon on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Two Hunchbacks, 1893. Auguste Louis Lepère (French, 1849-1918), Edward Sagot, Paris. Etching; sheet: 22 x 29.8 cm (8 11/16 x 11 3/4 in.); platemark: 17.6 x 26.3 cm (6 15/16 x 10 3/8 in.).

George Romney, 1734-1802, British, MacBeth: Banquet Scene, undated. Graphite on medium, slightly textured, cream wove paper.

Molenaar by a bag of flour, Willem Witsen, c. 1910 - c. 1911 print paper windmill. miller

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