Ascension and Virgin Mary Depictions

Artworks illustrating the Virgin Mary's ascension, featuring apostles, angels, and Mary holding the Christ child.

Southern Netherlands, Galle, Cornelis (I), Standing Mary with Child, B. Maria de remediis, Mary with Child on a crescent moon, verso - stamped, Crowned Mary with Child standing on a crescent moon. On either side four angels and in the air a choir of cherubs. Below the representation a Latin text., print, prent, prints, prenten, height 247 mm, width 157 mm, Zuid-Nederlands, 1576 - 1650-03-29, print maker, prentmaker, 1586 - 1650, paper, papier, engraving, graferen (drukprocedé)

Ascension of Maria. The apostles are collected around Maria's empty tomb. In the sky the kneeling virgin Mary, her arms stretched out. Around her the angel choir.

Maria with child and the Saint Lucas. Maria stands on the left on a cloud with the Christ child on her arm. Saint Lucas is on the right and shows Maria and Christ the portrait that he has painted. There is an OS behind the painting. At the top right floats three cherubs.

Southern Netherlands, Galle, Cornelis (I), Standing Mary with Child, B. Maria de remediis, Mary with Child on a crescent moon, verso - stamped, Crowned Mary with Child standing on a crescent moon. On either side four angels and in the air a choir of cherubs. Below the representation a Latin text., print, prent, prints, prenten, height 247 mm, width 157 mm, Zuid-Nederlands, 1576 - 1650-03-29, print maker, prentmaker, 1586 - 1650, paper, papier, engraving, graferen (drukprocedé)

Jacques Callot (1592-1635). "The paintings of Rome, Saint Jerome instructing his disciples in the desert". Chisel. 1608-1611. Museum of Fine Arts of the City of Paris, Petit Palais. 99594-10 Burin, Gravure

Descent from the cross, engraving by Piaud, drawing by Freeman, from a painting by Pieter Paul Rubens, from L'Illustration, Journal Universel, No 435, Volume XVII, June 26 -July 3, 1851.

Christ opens a book role for the personification of repentance and humanity.

Maria with the Christ child, H. Bernardinus van Siena and H. Hieronymus. Maria is under a tree with the Christ child on your lap. For her, Siena's holy Bernardinus kneel, the Holy Hieronymus and a third man (possibly John the Baptist).

Baptism of Christ in the Jordaan. Christ stands with his feet in the water of the river, folded hands in front of the chest. John the Baptist pours water over his head. Above him the Holy Spirit in the form of a pigeon and God as an old man, with angels in a luminous cloud. Four angels look.

The Ascension of Christ, from The Passion of Christ, plate 31. Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 19 × 14 in. (48.2 × 35.6 cm). Series/Portfolio: The Passion of Christ. Date: 1664. Museum: Metropolitan Museum of Art, New York, USA.

. Church's personification, a woman's figure with papal tiara and staff, looks up. On the clouds are Maria with child, in the midst of four bishops of Liège: Maternus, Servaas from Maastricht, Lambertus van Maastricht and Hubertus. Opposite the personification of the church is the personification of the city of Liège, a woman with a staff in hand. For her a putto kneel with a miter in the hands in front of the church. Right a statue, to which six shields hang. In the background in the landscape the city of Liège.

Ascension of Christ. The appearance of Christ on the apostles after his resurrection, when he is led to heaven in a cloud. After the apostles, Maria is located.

Ascension of Maria; Assvmpta Est Maria in Cælvm. Around the grave of Maria the collected apostles pray for her soul. In the clouds above them Maria is carried by angels to heaven. She is received there by Christ.

The Flight into Egypt 1700-() Francesco Polanzani Italian. The Flight into Egypt 340506

The Holy Trinity, with the dead Christ at center surrounded by angels, God the Father, and the Holy Spirit 1650-90 F. de Louvement. The Holy Trinity, with the dead Christ at center surrounded by angels, God the Father, and the Holy Spirit. F. de Louvement (French (), active Rome, mid-17th century). 1650-90. Engraving. Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Prints

Ascension of Christ, Hieronymus Wierix, After Maerten de Vos, 1563 - Before 1586 print Christ is led to heaven by a cloud. People look up in surprise. In the margin a caption in Latin that refers to the performance. Antwerp paper engraving Christ taken up by a cloud ~ Ascension

Adam and Eva kneeling for Maria with child. Adam and Eva kneeling for Maria with child, who trample the snake.

Print, The Annunciation, ca. 1700; Print Maker: Bernard Picart (1673-1733); After Guido Reni (Italian, 1575 - 1642); France; engraving on paper; 30.3 × 17.5 cm (11 15/16 × 6 7/8 in.); Bequest of George Campbell Cooper; 1896-3-222

Triumph ofChrist. Engraver: Charles-Nicolas Cochin the Younger, French, 1715-1790 After: Annibale Carracci, Italian, 1560-1609

. The Ascension of Maria, the twelve apostles stand around her empty sarcophagus that is filled with flowers. Maria on the clouds is surrounded by putti.

. Christ floating in a beam of light. In addition to him Elia and Moses, as symbols of the old law. The apostles are on top of the mountain in the blinding light. At the foot of the mountain another scene with the apostles in conversation with the scribes. A father brings his sick son to Christ to heal him.

The five foolish virgins are excluded, Crispijn van de Passe (I), After Maerten de Vos, 1589 - 1611 print The five foolish virgins stand in front of the closed door of the groom's house. They call to be let in. In the margin a four -line caption, in two columns, in Latin that refers to the excluded virgins. Cologne paper engraving the wise virgins are let into the house with the bridegroom (Christ); the foolish virgins are shut out

Resurrection of Christ, Anonymous, After Hendrick Goltzius, 1596 - 1667 print Christ floats in hand at the entrance of his grave with a victory banner. The three Maria's are at the entrance of the grave and see an angel sitting on the stone slid away. A few soldiers are shocked and a few sleep on the floor. Netherlands (possibly) paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers. Christ floating above or near the tomb. angel(s) addressing the holy women ~ Resurrection of Christ

Annunciation from The Birth and Early Life of Christ 1594 Hendrick Goltzius Netherlandish. Annunciation from The Birth and Early Life of Christ 417864

All Saints Prosecution Service, Anonymous, After Theodoor Galle, After Cornelis Galle (I), After Peter Paul Rubens, 1614 - 1683 print All the saints are collected around the throne of Christ, God and the Holy Spirit (including the Holy Sebastiaan, St. Joris. The H. Catherina of Constantinople, etc.). Maria stands next to the trinity. The print has a Latin caption. Antwerp paper engraving Devotion: All Saints Picture, 'All Saints' Day'

Bewening van Christus.The body of the Dead Christ is in the lap of Maria. She is accompanied by Johannes de Evangelist and Maria Magdalena, the latter washes his feet. In the foreground three angels, one with the lance and the thorn crown in hand. Another points to the wound in the feet of Christ. In the air lourd angels on the clouds. Two coats of arms in the upper corners. In the margin a four-line caption with an assignment in Latin.

Patron saints of Bologna looking upwards at the Virgin who is seated in the clouds with the infant Christ on her lap, after Reni 1640-50 Flaminio Torre (Torri) Italian After a painting by Reni. Saints depicted include Petronius, Francis of Assisi, Dominic, and four others.. Patron saints of Bologna looking upwards at the Virgin who is seated in the clouds with the infant Christ on her lap, after Reni 670156

Ascension of Christ. Landscape with the Ascension of Christ. Bystanders watch full wonder. In the middle two angels on clouds pointing up to Christ, which is also lined on a cloud towards the sky. A Bible quote from hand in the margin. 1:11 in Dutch.

Ascension of Christ, Pierre Daret, After Charles II Errard, 1646 print Paris paper engraving the Ascension (Christ surrounded by radiant light or in a mandorla)

Corpent of Maria, Paulus Pontius, after Peter Paul Rubens, 1616 - 1657 print Mary is honored by the trinity, respectively Christ, the pigeon and God the Father. They are accompanied by angels. Antwerp paper engraving coronation of Mary by God the Father and Christ

Christ appears to Maria, Hieronymus Wierix, 1563 - Before 1619 print Christ appears to his mother Mary after his death. He is surrounded by clouds and holds a cross -staff with banner in his hand. Maria is kneeling in prayer to her desk. In the margin a Bible quote from PS. 20 in Latin. Antwerp paper engraving Christ, perhaps dressed as a pilgrim, appearing to his mother, who is usually shown praying

Jean Waldor after Jacques Callot, The Assumption of the Virgin, 1628 The Assumption of the Virgin

. Ascension of Maria with apostles. In Margin Latin inscription.

Copper engraving by Albrecht Altdorfer from around 1515-1520 depicting the Virgin and Child appearing in the clouds to St. John the Evangelist, showing figures, gesture, and symbolic elements.

Paid Christ by three angels. An angel supports Christ's body, two other angels stand next to them. In the background the bottom of the cross. In the foreground the thorns crown. A Latin text in two columns.

The H. Catharina worshiped by saints, the pope and monks. The H. Catharina is on a broken wheel on the clouds. Saints around her, the pope (left), monks and ordinary mortals. At the top of the middle of God the Father and Christ on globe.

Baptism ofChrist. Engraver: Unknown Engraver Attributed to: Hieronymus Wierix, Flemish, 1553-1619 After: Stradanus (Jan van der Straet), Flemish, 1523-1605 Publisher: Philip Galle, Flemish, 1537-1612

The Flight into Egypt 17th century Jacques Stella French. The Flight into Egypt 339777

Saint Mary (the Blessed Virgin) with the Christ Child and angels, a pilgrim saint and Saint Sebastian. Crayon-manner engraving by F. Rosaspina after G.F.M. Mazzola, il Parmigianino.

The Adoration of the Shepherds, with God the Father overhead 1754-1802 Gaetano Gandolfi. The Adoration of the Shepherds, with God the Father overhead. Gaetano Gandolfi (Italian, San Matteo della Decima 1734-1802 Bologna). 1754-1802. Engraving. Prints

Allegorical representation with figures from the Old Testament, Bernard Picart, 1720 print Allegorical representation with figures from the Old Testament. Left Adam and Eva, Isaac and Abraham and Noah. On the right Moses and Aaron and King David. Christ travels on a cloud in heaven, surrounded by the symbols of the four evangelists. Above his head, the flame of troubles burns. He trampled death (as a skeleton). In heaven a tetragram as a symbol of God the Father. Under the show in a cartouche with the motto of Picart in Latin the title and the impress in French. Have a two -way Bible quote in the margin. 11:13 in French. Amsterdam paper etching / engraving Adam and Eve (not in biblical context). the sacrifice of Isaac (Genesis 22). the dove returns with an olive-branch ~ story of Noah. Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. Aaron (not in biblical context); possible attributes: attributes of Aaron: censer, dresse

Holy Trinity, Robert van Audenaerd, After Guido Reni, 1685 - 1723 print Christ hangs on the cross, surrounded by angels. Above him God the Father and the Holy Spirit in the form of a pigeon. paper etching / engraving Trinity in which God the Father and Christ are represented as persons, the Holy Ghost as dove

Étienne Parrocel drawing in red chalk depicting Tobias farewell to the angel.

Transfiguration, Jan Wandelaar, 1725 print Christ appears in the midst of Moses (left) and Elijah (right) to his disciples Peter, Jakobus de Memer and John, who kneel on the ground. At the top right state: page: 71. North Netherlands paper etching / engraving the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36)

Virgin and Child with Saint Ciborius and Carlo Borromeo 1693-95 Sir Nicolas Dorigny. Virgin and Child with Saint Ciborius and Carlo Borromeo. Sir Nicolas Dorigny (French, baptized Paris, 1658-1746 Paris). 1693-95. Etching. Domenico De Rossi (Italian, 1647-1729). Prints

An ink and brush drawing by an anonymous artist depicting the Resurrection of Christ, executed with laved tones and white highlights, showing figures and gesture.

Resurrection of Christ, Christ rises from the tomb, opened by two angels. For the tomb a waking soldier. This print is part of an album, Christ, usually holding a banner, arises from the grave, often combined with sleeping and / or frightened soldiers, Pieter van Lisebetten (mentioned on object), 1660, paper, etching, h 295 mm × w 194 mm

Transfiguration on the mountain tabor. Christ floating in a beam of light. In addition to him Elia and Moses, as symbols of the old law. The apostles are on top of the mountain in the blinding light. At the foot of the mountain another scene with the apostles in conversation with the scribes. A father brings his sick son to Christ to heal him. Bible reference in undermarge.

Two women see the crucified Christ.

Christ and St. Catherine of Siena, print maker: Cornelis Galle II, 1638 - 1678

Ascension of Maria, Cornelis Galle (II), After Abraham van Diepenbeeck, 1650 - 1653 print Maria is accompanied by angels on a cloud to heaven. An angel crowns her with a laurel wreath. Men and women are collected at the grave of Maria. A few looks at the empty grave the other half at Mary in heaven. Antwerp paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Madonna with child surrounded by angels, Samuel van Hoogstraten, after Jan van der Straet, c. 1575 print Four kneeling and two. Floating angels with floral wreaths surround a sitting Mary with the Christ child on her lap. Antwerp paper engraving Madonna: i.e. Mary with the Christ-child (+ angel(s)). flowers: carnation

Ascension of Christ. The appearance of Christ on the apostles after his resurrection, when he is led to heaven in a cloud. After the apostles, Maria is located.

. Christ is being held to heaven. Around him are students and Maria. The print is part of a series of scenes from the old and New Testament.

Title print for, the book of Psalmen, 1738, Jacob van der Schley, 1738 print Title print for "The book of Psalms". A man sings and plays harp while looking at the stone dining with the ten commandments. Light shines from the dining that shifts devils and demons. Amsterdam paper etching / engraving the ten commandments represented together. devil(s) and demons. harp

The penitent Maria Magdalena. The Bootless Mary Magdalene is kneeling in prayer. There are a skull for her and an ointment. Putti float in the air.

Annunciatie, Hendrick Goltzius, 1594 print The angel Gabriël announces the birth of Christ to Mary, who sits on her knees with a reader. A pigeon drops from heaven, surrounded by angels. At the bottom left of the performance an assignment in Latin; Four Latin verses under the performance. This print is part of a series of six prints with scenes from the early life of Maria. They are called the 'masterpieces', because Goltzius has simulated the work of various illustrious predecessors. Print Maker: Haarlem Publisher: Amsterdam paper engraving the Annunciation: Mary kneeling

Piata, HommyMym IIXIKS, After Maszes the Vos, 1584 print Maria weeps with the dead body of Christ on her lap at the foot of the cross. A sword is stabbed in her heart. She is accompanied by two angels, who control passion tools. In the context of the margin a two -way caption in Latin. Antwerp paper engraving the dead Christ in Mary's lap (+ angel(s)). single instruments of the Passion

Marriage of the Saint Catharina of Alexandria. Saint Catharina of Alexandria is kneeling for the Christ child, which slides a ring to her finger. Anna, Mary and Joseph watch. Above them an angel with a laurel wreath. A three-legged bible quote in the margin. 2 in Latin.

Maria like Queen of Engels. Maria, the Christ child standing on the lap, is surrounded by many large and small angels. Two of them crowns hair, make a few music and one offers her grapes.

Visioen van de H. Augustinus van Hippo met de H. Monica en de H. Nicolaas van Tolentino; S. Monica S.P. Augustinus S. Nicolaus Tollentinas.In the middle is the H. Augustinus van Hippo. He is wearing a choir cover over his Augustinian monk trij and is flanked by two angels. Left is his mother, the H. Monica, and the right knees the H. Nicolaas from Tolentino. Nicolaas van Tolentino also carries an Augustinian monk trij with a star, who refers to the vision for his death. For him there are three small loaves as reference to the miracle of the colds. A few writings, a miter and a bishop's staff. All saints look up, where Christ with the Holy Spirit in a cloud. He is surrounded by angels with different attributes, among other things a flaming sword, an eye on a staff, a ring that bites in his own tail (symbol of eternity) and an olive branch. In the margin a three-legged assignment in Latin.

Allegory of the provisional peace reached in London between France and Great Britain, 1 October 1801. On the altar of peace, the French and British Virgins, in front of the Angel of Peace, offer each other the hand of reconciliation through the ring of eternity. The whole is illuminated by the light coming from a sun with Tetragrammaton. Above flies the Fame with a trumpet and a palm branch. On the left, Deceit, Falsity and War are driven out, Allegory of the Peace of London, 1801 Memorial to the Preliminary Peace between the French Republic and Great Britain. Signed in London. den 1 October 1801 (title on object), print maker: Johannes Huibert Prins, Netherlands, 1795 and/or 1801, paper, etching, h 328 mm × w 223 mm

Saint Gaetano kneeling, looking up at the Virgin and Christ seated on a cloud amid cherubs; cherub holding the Bible in the foreground. Engraving by G.B. Cipriani after A.D. Gabbiani, ca. 1760.

. Mary and the students of Christ are in a room. The pigeon of the Holy Spirit appears in the midst of the group. Above the heads of the apostles and Maria fiery tongues, symbolizing the outpouring of the Holy Spirit in their hearts. The print is part of a series with scenes from the old and the New Testament.

Guardian Angel takes a child at hand, Guillaume Chasteau, After Pietro da Cortona, 1645 - 1683 print paper etching / engraving guardian angel

. Christ floating in a beam of light. In addition to him Elia and Moses, as symbols of the old law. The apostles are on top of the mountain in the blinding light. At the foot of the mountain another scene with the apostles in conversation with the scribes. A father brings his sick son to Christ to heal him.

Opdracht van de heilige Maagd Maria.The parents of Maria, Joachim and Anna are kneeling on either side of a manger. Together they keep the child in the air to wear her to the temple and fulfill her with the Holy Spirit that flies above her in the form of a pigeon. Mary fulfilled with the Holy Spirit, from its Immaculate Conception, would be completely dedicated to the Lord. The pigeon is flanked to the left and right by God the Father who makes a blessing gesture. Above Joachim and Anna Flying angels that hold a banderole for a globe with the text: Nativitas Tua Virgo Mar Gaudium Universo Mundo. A four-line text in Latin in the margin.

Transfiguratie.Christ appears in the middle of Moses (left) and Elijah (right) to His disciples Peter, James the superior and John, kneeling on the ground. At the top right state: p .: 71.

Rome, unknown, Italy, Salimbeni, Ventura, Tota pulchra es amica mea et macula non est in te, Cant. 4, Destination of the Virgin Mary, verso - stamped, God the Father and angels appear to the Virgin Mary on clouds. Title in Latin in bottom margin., print, prints, width 219 mm, height, 164 mm, print maker, printmaker, 1590 - 1590, paper, papier, etching, etchings, Work conception, Italian, 1568-02 - 1613, after print by, Publication (Event), Publication, publisher

Crowned Mary in the Mandorla, Raphaël Sadeler (I), 1617 print In the clouds Maria in the Mandorla. Two angels hold a crown over her head. München paper engraving 'Marianum', Madonna in aureole or mandorla (surrounded by the rosary), Mary in the Glory

Vanni, Francesco, Galle, Cornelis (I), Coronation of the Virgin, verso - stamped, The Christ Child crowns Mary and hands her a scepter. Christ sits on a globe carried by an angel. Mary stands on a crescent moon, her head is surrounded by a wreath of cherubim. Below the representation a Latin verse., print, prent, prints, engravings, height 288 mm, width 185 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1586 - 1612, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1563 - 1610-10-26

All Saints representation, All saints are gathered around the throne Trinity of Christ, God and the Holy Spirit (including St. Sebastian, St. George, St. Catherine of Constantinople, etc.). Mary is standing next to the Trinity. The print has a Latin caption, devotion: All Saints picture, 'All Saints' image', anonymous, Antwerp, 1614 - 1683, paper, engraving, h 266 mm × w 173 mm

. Allegorical performance with figures from the Old Testament. Left Adam and Eva, Isaac and Abraham and Noah. On the right Moses and Aaron and King David. Christ joined a cloud in heaven, surrounded by the symbols of the four evangelists. The flame of belonging to belongs to its head. He tramples death (as skeleton). A tetragram in heaven as a symbol of God the Father.

Heilige Gregorius de Grote, Jakob Frey (I), After Annibale Carracci, 1733 print With caption in Latin. print maker: Romeafter drawing by: Romeafter painting by: San Gregorio Magno al Celio paper etching / engraving angels. pope Gregory the Great; possible attributes: dove, emperor Trajan

Jacques Callot, French (1592-1635), The Death of the Virgin, in or after 1630, etching

Christkind runs between Mary and Joseph with God and Holy Spirit, Anonymous, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1709 print Holy family with the Christ child walking on the basis of Mary next to Joseph. Above them, God drives into heaven with a globe and floats a pigeon as a symbol of the Holy Spirit, together with Christ they form the Holy Trinity. paper engraving representations derived from Holy Family. Holy Trinity in which one, two or all figures are represented in human shape

Antwerp, Rubens, Peter Paul, Galle, Cornelis (I), Theodoor, Breviarium romanum, Scenes from the Old and New Testament, Ascension of Christ, verso middle - stamped, Christ is taken up to heaven. Around him are his disciples and Mary. The print is part of a series with scenes from the Old and New Testament., print, prints, height 302 mm, width 193 mm, Southern Netherlands, 1571 - 1633, print maker, printmaker, 1612 - 1616, paper, engraving, engraving (printing process), 1576 - 1650-03-29, Work conception, 1577-06-28 - 1640-05-30

The Virgin with the Apple Adored by Angels, 1518, Albrecht Dürer, German, 1471-1528, 11 3/4 x 8 7/16 in. (29.85 x 21.43 cm) (image), Woodcut, Germany, 16th century

The holy trinity surrounded by angels, Justus van den Nijpoort, 1680 - 1691 print paper Holy Trinity in which one, two or all figures are represented in human shape. angels

Jacques Callot, The Annunciation, in or after 1630 The Annunciation

Vatican City, Papal Court, Ciamberlano, Luca, Castello, Bernardo, Italy, Schiaminossi, Raffaello, Mary of the Immaculate Conception, verso - stamped, Mary standing on a globe carried by three angels. She is surrounded by angels with the symbols of the Immaculate Conception including an olive branch, a lily and a spotless mirror. Below Mary a landscape with a number of buildings. Two columns of Latin text in bottom margin., print, prints, height 344 mm, width 195 mm, Italian, 1572 - 1622, print maker, printmaker, 1603 - 1603, paper, papier, etching, etchings, Work conception, 1557 - 1629-10-04, after a design by, Publication (Event), Publication, 1570, publisher, granter of privilege

Crossbreak of Christ with Veronica. Christ falls to Golgota while wearing his cross. Veronica offers to delete the sweat of his face with a cloth. Three weeping angels fly in the air. A Bible quote from Jes in the margin. 9 in Latin.

Annunciation, Johann Sadeler (I), After Peter de Witte, 1588 - 1595 print Maria sits on a chair and reads a book. She is visited by the angel Gabriël. He tells her that she will give birth to a son, which will be called Christ. The pigeon as a symbol for the Holy Spirit drops down from heaven. Angels and God the Father in heaven. paper engraving the Annunciation: Mary sitting - AA - Mary to the left, the angel to the right (+ God the Father). the Annunciation: Mary sitting - AA - Mary to the left, the angel to the right (+ Holy Ghost (as dove)). the Annunciation: Mary sitting (+ angel(s) floating in the air)

Maria with child on the moon melifier, Giovanni Battista Scultori, 1513 - 1575 print Italy paper engraving Madonna on the crescent of the moon (sometimes called Queen of Heaven) (in mandorla)

Visioen of St. Augustine van Hippo with St. Monica and the H. Nicolaas van Tolentino, Arnold Loemans, after Pieter de Jode, after Anthony van Dyck, 1642 print In the middle is the Holy Augustine of Hippo. He is wearing a choir cap over his Augustinian monk food and is flanked by two angels. On the left is his mother, St. Monica, and the H. Nicolaas van Tolentino kneels on the right. Nicolaas van Tolentino also wears a Augustinian monk spy with a star who refers to the vision before his death. In front of him there are three small loaves as a reference to the miracle of the colders. Front left a few writings, a miter and a bishop's staff. All saints look up, where Christ with the Holy Spirit is on a cloud. He is surrounded by angels with different attributes, including a flaming sword, an eye on a staff, a ring that bites in its own tail (symbol of eternity) and an olive branch. In the margin a three -line assignment in Latin. Antwerp vellum (parchment) engraving the mother of Augustine

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano Anonymous, Italian, 16th century Italian After Agostino Veneziano (Agostino dei Musi) Italian After Giulio Romano Italian after 1518

H. Antonius again bombarded by the Demons, Antonio Tempesta, After Niccolò Circignani, After Giovanni Battista Lombardelli, 1598 print H. Antonius is in the wilderness and is bombarded by demons. One of the demons sticks Antonius with a spear. Italian and Latin text in two columns in the lower margin. paper etching the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig. temptations of St. Antony Abbot

Archangel Michaël and Saint Trinity, Johann Sadeler (I), After Antonio Maria Viani, 1591 print The Archangel Michaël, in his hands a flame sword and the scales with which he weighs souls. Angels around him. Above his head the holy trinity in the clouds surrounded by cherubies. München paper engraving psychostasis, the Archangel Michael weighing the souls in the scales (and stabbing the devil). Trinity in which God the Father and Christ are represented as persons, the Holy Ghost as dove (+ Holy Trinity)

Sadeler, Johann (I), Vos, Maerten de, München, Virtutes Iesu Christi Filii Dei Vivi, Virtues of Christ, Gloria, The Holy Trinity in the heaven: fame, verso lower left - stamped, The Holy Trinity in heaven. On the right God the Father as an old man with the orb on his lap. On the left Christ with the orb in his hand. In the middle of the print the Holy Spirit as a dove. Around the Holy Trinity the hosts of angels. The last print of an eight-part series with scenes from the life of Christ depicting his principal virtues., print, prints, height 181 mm, width 132 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1585 - 1588, paper, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Marriage of Saint Catharina of Alexandria, Crispijn van de Passe (I), 1574 - 1637 print The Holy Catharina of Alexandria is kneeling in front of the Christ child, which slides a ring around her finger. Anna, Maria and Joseph watch. Above them an angel with a laurel wreath. Have a three -line bible quote in the margin. 2 in Latin. unknown paper engraving the mystic marriage of St. Catherine of Alexandria with the infant Christ: the Christ-child puts a ring on her finger

Ascension Day. The apostles are kneeling on the floor. They look up at Christ who takes off. Two angels next to Christ.

Annanciatia, Laurent Cars, After François Le Moine, c. 1728 print print maker: Francepublisher: ParisFrance paper etching / engraving the Annunciation: Mary kneeling

Albrecht Dürer (German, 1471-1528), The Virgin Surrounded by Many Angels, 1518, woodcut

Three Maria's at the grave, Egbert van Panderen, after Hans von Aachen, c. 1590 - 1637 print At the grave of Christ, an angel appears to the three holy women who come to anoint Christ. One of them has the ointment pot in her hands. In the background the three crosses. In the margin a two -way caption in Latin. North Netherlands paper engraving the holy women (the three Maries) on their way to or at the tomb, to anoint Christ's body

The Virgin and Christ child with John the Baptist and St Francis. Drawing by F. Rosaspina, c. 1830, after B. Aloisi, il Galanini.

Saint Anthony, Saint John the Baptist, and Saint Elizabeth 1582-1637 Crispijn de Passe the Elder Netherlandish. Saint Anthony, Saint John the Baptist, and Saint Elizabeth 654636

Saint Andrew. Engraving by P.S. Bartoli after C. Maratta.

Maria op maansikkel; Beatae Mariae virginis officium.Maria stands with folded hands on the crowbar. She is surrounded by putti.

Coronation of the Virgin. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Christoffel Jegher after Sir Peter Paul Rubens.

Christ flanked by the Virgin and St. John in the upper section, St. Paul and St. Catherine below ca. 1520-25 Marcantonio Raimondi Italian. Christ flanked by the Virgin and St. John in the upper section, St. Paul and St. Catherine below 342542

Decorations at Mr Verbruggen in the guns in The Hague, 1766, Noah van der Meer (II), After J. Verbruggen, 1776 print Decorations at the house of Mr. J. Verbruggen in 's Lands Gestuieterij in The Hague on 8 March 1766 on the occasion of the majority of Prince Willem V. Painted panel with allegorical show with the stadholder. Willem V receives a Bible from faith. Minerva and Trouw assist the prince. On the right are truth, strength, caution and justice. In the foreground, Mars expires the envy. Numbered at the top: III. print maker: Amsterdampublisher: Leiden paper etching Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. Father Time, man with wings and scythe. (story of) Minerva (Pallas, Athena). Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal

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