Autumn Tapestries and Textiles

A collection of richly woven tapestries depicting autumn scenes, including harvest activities and mythological elements, showcasing intricate details and vibrant colors.

Tapestry with show panther hunting, tapestry wall coverings wool silk, textile weaving tapestry Tapestry with show panther hunt. 4-5 warp threads per cm Weft: wool silk and chain: wool

October from a set of Medallion Months Possibly after a design by Bernard van Orley Netherlandish ca. 1525-28 Like the Ages of Man tapestries (also on display in this gallery and perhaps designed in the same artist's workshop), the subject of this tapestry explores the cyclical nature of time. Embodying October, peasants sow the fields with seed in a crisp Autumnal landscape. Jupiter, seated on a plough, looks down the scene. A Zodiacal belt encloses this medallion, with Scorpio triumphant. Pairs of women with hourglasses separate the signs, whilst the background shifts from bright daylight through dusk to dark night, thence back through dawn to day. In the upper corners are SUPERNAS, actually a summer wind, and NOTUS, a south wind. In the lower corners are further charmingly-observed scenes of country life.

The Esté Popular Image

Tapestry with show panther hunting, tapestry wall coverings wool silk, textile weaving tapestry Tapestry with show panther hunt. 4-5 warp threads per cm Weft: wool silk and chain: wool

Figural tapiser; End of the 16th century (1580-00-00-1600-00-00);

Textile (France); plain weave cotton; Warp x Weft: 80.5 x 60.5 cm (31 11/16 x 23 13/16 in.); Bequest of Elinor Merrell; 1995-50-362

Figural tapiser; XVII/18th century (1680-00-00-1720-00-00);

A Zimet, Apotheosis of Franklin, 1935 1942 Apotheosis of Franklin

Darius's family for Alexander, Anonymous, c. 1625 - c. 1650 Wall carpet with the Van Darius family for Alexander, from a series with the history of Alexander the Great. Southern Netherlands Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with the Van Darius family for Alexander, from a series with the history of Alexander the Great. Southern Netherlands Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Pictorial print 1825-30 French, Alsace. Pictorial print 219529

Textile, Louis XVI restaurateur de la liberté; Designed by Jean-Baptiste Marie Huet (French, 1745 - 1811); Manufactured by Oberkampf & Cie. (France); France; cotton

Tapestry; Anna's studio from Sanguszków Radziwi (Bia A Podlasie; Manufaktura; Fl. Ca 1720-Ca 1740); 1. PO. 18th century (1701-00-00-1745-00-00);Indians, flowers, tapestries, butterflies, fruit, purchase (provenance)

Apotheosis of Franklin, Medium: linen warp, cotton weft Technique: copperplate printed on plain weave, One of four fragments of cotton, copperplate printed in red design known as American Independence, Apotheosis of Franklin, etc. the design shows Washington in a chariot drawn by leopards, standing and behind him a female figure holding a shield on which 'American Independence 1776' is inscribed. Franklin is shown with a female figure carrying a liberty cap on the staff; above them a scroll: 'Where Liberty Dwells There is my Country.', England, ca. 1780, printed, dyed & painted textiles, Textile, Textile

Susanna and the Elders. Culture: British. Dimensions: H. 11 3/4 x W. 15 inches (29.8 x 38.1 cm); Framed: H. 12 3/4 x W. 16 1/4 x D. 1 1/4 inches (2.4 x 41.3 x 3.2 cm). Date: mid-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Apollo and Attendants Flaying Marsyas, 3rd quarter 17th century, Clemente Maioli; Cartoonist: Clemente Maioli; Weaver: Maria Maddalena della Riviera and workshop in the Barberini Manufactory, Rome, Italian, 1625 - 1671, 165 x 187 3/4 in. (419.1 x 476.89 cm), Wool, silk; tapestry weave, Italy, 17th century, The satyr Marsyas, a goatlike woodland god, has been tied to a tree and is about to be skinned alive. His crime is pride. In this ancient myth, Marsyas challenges Apollo, god of music and famed for his skill with the lyre (a small harp), to a musical contest after finding a musical pipe. Apollo wins and names Marsyas punishment.

Collage of cut out prints stuck on an album blade of blue paper, various manufacturers, c. 1680 - c. 1720 print. collage Blue album magazine covered with cut out prints from different print makers and designers. paper engraving / etching / snipping triumph of Amphitrite. water-birds: duck. urination

Earth (Juno/Hera). Le Brun, Charles (French, 1619-1690) (cartoon creator) painter c. 1680-1685 Tapestry Dimensions: H 14'2" x W 9' Tapestry Materials/Techniques: wool, silk & metallic thread on canvas Culture: French Weaving Center: Paris Ownership History: This panel was associated with the 3 panels at the Metropolitan Museum of Art & 1 other from 1852 to 1928. French & Co. purchased from Mrs. Bradley Martin, together with 5 other panels (4 of which were acquired by the Metropolitan Museum of Art), invoiced 6/7/1928. France, Paris, Paris, Banque de France. In central medallion: kneeling youth (possibly the duc du Maine) & seated young woman (after portrait of Mlle de Nantes); medallion is framed by garland with fruit & flowers with globe at base flanked by lions; surrounding decoration includes monkeys, rabbits, fruit & vegetables, & agricultural implements such as a spade, mattock & pitchfork below globe; coat of arms above Needlework hanging. The medallion is a later insertion. The

L'art d'aimer (copy), Jamet, Medium: cotton Techinque: printed by engraved roller on plain weave, Same scenes as 1995-50-146. in red on white., Bolbec, Normandy, France, 1844, printed, dyed & painted textiles, Fragments, Fragments

Woodcutters Working at a Deer Park (from the Hunting Parks Tapestries). Culture: South Netherlandish. Dimensions: Overall: 134 1/2 x 126 1/2in. (341.6 x 321.3cm). Date: ca. 1515-35.In this tapestry, one from a set of four, woodsmen work in and around a hunting park filled with deer. Inside the enclosure, one woodsman stands upon a tree trunk, splitting it with a wedge and mallet. Deer nestle nearby, oblivious to his presence. Outside, near the gate, another woodsman prunes a branch while three noble figures hover nearby. The fine garments and jeweled accessories of the nobles distinguish them from the workers. The couple on the left gesture as if in conversation, their relaxed stroll another indication of their status. Produced for aristocratic homes, such tapestries depict a world of privilege. Museum: Metropolitan Museum of Art, New York, USA.

"The Prodigal Son Driven Out by Harlots" from a set of six of The Parable of the Prodigal Son. Artist: Attributed to an Anonymous Workshop, British , London. Culture: British, probably London. Dimensions: H. 20 x W. 20 inches (50.8 x 50.8 cm). Date: early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Corneille, Michel (the old) (n.1601-D.1664-06-13), didon and in aea surprised by the storm (main title), 1650. organic. Textile. Wool and silk. Tapestry. Reduction: 8 chain wires/cm. Petit Palais, Museum of Fine Arts of the City of Paris.

. Wall carpet with hunters with shot wild in the foreground, which return home and in the background a castle with garden, from a series of three tapestries with park faces. Signed French Coppens and the weapon of Delft.

Albani, Francesco (known as the Albane) (n.1578-03-17-D.1660-10-04), the toilet of Venus (main title), around 1700. Wool and silk. Petit Palais, Museum of Fine Arts of the City of Paris.

New door to the arms of France. Anonymous tapestry, Gobelins Manufacture. Museum of Fine Arts of the City of Paris, Petit Palais. 25896-1 Weapon France, coat of arms, crown, flower lily, goblin factory, new door, representation, tapestry

Panel 17th-18th century Portuguese. Panel 223038

Picture (Unfinished Needlework). England. Date: 1601-1700. Dimensions: 50.5 × 60.0 cm (19 7/8 × 23 5/8 in.). Silk, satin weave embroidered with metal coils, silk-wrapped metal purl and silk floss in satin stitch; couching; French knots; detached buttonhole; areas of raised work; mica. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Woodcutters Working at a Deer Park (from the Hunting Parks Tapestries) ca. 1515-35 South Netherlandish In this tapestry, one from a set of four, woodsmen work in and around a hunting park filled with deer. Inside the enclosure, one woodsman stands upon a tree trunk, splitting it with a wedge and mallet. Deer nestle nearby, oblivious to his presence. Outside, near the gate, another woodsman prunes a branch while three noble figures hover nearby. The fine garments and jeweled accessories of the nobles distinguish them from the workers. The couple on the left gesture as if in conversation, their relaxed stroll another indication of their status. Produced for aristocratic homes, such tapestries depict a world of privilege.. Woodcutters Working at a Deer Park (from the Hunting Parks Tapestries). South Netherlandish. ca. 1515-35. Wool and silk thread. Textiles-Tapestries

Triumphal procession of Vices, with scenes of Man succumbing to their influence. unknown c. 1510-1520 Tapestry Dimensions: H 13'6" x W 21'4" Tapestry Materials/Techniques: wool & silk Culture: Southern Netherlands Ownership History: William Randolph Hearst coll. French & Co. purchased from Leon Medina 8/1951 SS 81374. French & Co. purchased from Antiquities Inc. 3/31/1953, sold to Musées royaux d'art et d'histoire, Brussels, 1964 SS 57510. Belgium, Brabant, Brussels, Musées royaux d'art et d'histoire, accno. 9920. 2 women dance (center, bottom), flanked by musicians (L, bottom) & group of Vices on horses (R, bottom), group of 3 women & 2 men reading (center, top), 4 women & man gathered around fountain (L, top), seated couples (R, top), landscape (background) (BRD) garland of flowers 1 tapestry panel in set of 4. The weaving center may be Brussels. French & Co. stock sheet in archive, 81374 French & Co. stock sheet in archive, 57510-c French & Co. stock sheet missing from archive, 1971

Landscape with mythological figures in two garden parks. unknown c. 1700-1750 Tapestry Dimensions: H 11'14" x W 21'6" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Mrs. Alicia Navarro de Arribas, 1/26/1962; returned 5/13/1963.

Arras tapestry. unknown, author

Lady and cavalier surrounded by the four continents 1651 British. Lady and cavalier surrounded by the four continents 228792

"The Prodigal Son Driven Out by Harlots" from a set of six of The Parable of the Prodigal Son early 17th century Attributed to an Anonymous Workshop, British British. "The Prodigal Son Driven Out by Harlots" from a set of six of The Parable of the Prodigal Son 227743

De Adolescence, Giovanni Volpato, 1700 - 1799 print Imagination of adolescence. Two young ladies sitting in a garden; The right plays on a lute, the left has flowers in the lap. A young man is standing next to her and makes her court. Title in two languages under show. The scene is caught in an ornament edge. paper engraving / etching youth, adolescent. ornaments ~ art

Sampler. Date/Period: 1771. Textiles. Linen plain weave, embroidered with silk in cross, split, French knot and stem stitches. Height: 300 mm (11.81 in); Width: 200 mm (7.87 in). Author: Embroidered by Sally Jackson.

Abraham Leading Isaac to Sacrifice, 17th century tapestry based on cartoons by Simon Vouet (1590-1649), manufacture of Paris, from the series Stories of the Old Testament.

Tapestry: Le Retour de la chasse, from L'Histoire de l'empereur de la Chine Series.

Le Brun, Charles (1619 - 1690), Air (main title). Organic, textiles, wool and silk, tapestry. Petit Palais, Museum of Fine Arts of the City of Paris.

The Camel, designed 1686-1688 (woven 1688-1695), Jean-Baptiste Monnoyer and collaborators; Cartoonist: Jean-Baptiste Monnoyer; Weaver: Royal Beauvais Manufactory under Philippe Behagle; Sponsor: Phillipe Behagle, French, 1636- 1699, 115 1/2 x 194 1/4 in. (293.37 x 493.4 cm), Wool, silk; tapestry weave, France, 17th century, An Eastern king enjoys musical entertainment while exotic marvels are presented to himpeacocks, leopards, rope-walking acrobats, and a camel. While not an accurate depiction of Eastern culture, this tapestry is a truthful representation of Western fascination with the lands beyond the borders of Europe.

Print, Hearing; France; hand-colored etching with watercolor and gold on paper; 22 5/16 X 32 5/16 in. (56.6 X 82.0 cm)

Joseph Ruler over Egypt, c. 1548-1555, Circle of Michiel Coxcie; Cartoonist: Circle of Michiel Coxcie, Belgian, (Brussels), 138 3/4 x 248 1/4 in. (352.43 x 630.56 cm) (irregular), Wool, silk; tapestry weave, Belgium, 16th century

Wall carpet with the history of Caphalus to Phocus about his dog Lelaps and De Wilde Vos, c. 1593 - c. 1600 Delft Ketting: Wool. Entry: Wool. Entry: Silk tapestry Delft Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Sidewall, Block-printed on handmade paper, Whole width of paper, but incomplete repeat. On pale blue ground polychrome bouquet surmounted by semicircle containing ruin landscape in green on black. To the right, drapery-hung temple with figure at an altar, surmounted by 'M' in pediment, and bunch of ears of wheat., France, 1780-90, Wallcoverings, Sidewall

One painted panel. Unknown

Morning, Brush and watercolor, gold on paper, printed from two plates. A woman sits at a dressing table. Two men are beside and behind it. At right is a railing on which a vase of flowers stands. Trees in background. Bottom: 'LA MANANA' 'LE MATIN'. The same wide border as in 1921-22-256., France, 1750-1775, Print, Print

French Renaissance wall painting, polychrome painted sculpture, weaving and book covers, (1898). 'Fig 1: Painted frieze on both sides of a chimney in the Hôtel d'Aluie at Blois, style of Louis XII, 1st half of the 16th century. Figs 2: Wood-carved panel from the Castle at Gaillon, style Louis XII, 1st half of the 16th century. Figs 3 and 4: Carved and painted girder-panels on a ceiling in Assize-court at Dijon, style of François I XII, 1st half of the 16th century. Fig 5: Carved and painted ceiling-panel from the Diana-chamber in the Castle at Anet, style of Henri II, mid 16th centur

Stage design for the ballet 'Le Pavillon d'Armide' by Nikolai Tcherepnin by Benois, Alexander Nikolayevich (1870-1960)/ State Museum of Theatre and Music Art, St. Petersburg/ 1907/ Russia/ Watercolour and ink on paper/ Theatrical scenic painting/ 59,3x68

Handkerchief, Medium: cotton Technique: printed with engraved plate on plain weave, Square handkerchief of cotton printed in red showing hunting themed designs. Four oval medallions show hunting and sporting scenes; round center medallion, a drinking scene. At left, a song with music, Old Towler a Favourite Hunting Song.” At right, a song with one line of music above, The Dogs and Guns, a Favourite Shooting Song.” Spaces between medallions show guns, baskets, bows and arrows, all arranged as decoration; birds in corners; a narrow border is composed of birds, hares, bows and arrows. Cotton is hand woven, plain cloth and selvages have fine blue threads in warp., England, 1790s, printed, dyed & painted textiles, Handkerchief

Tray; Manufacture de Porcelaine (Vincennes; 1740-1756); 3 18th century (1750-00-00-1780-00-00);Flower decorations, landscapes, solitaire

Ceiling painting in the Uffizi Gallery, Florence, 16th century. Uffizien Deckenmalerei (XVI Jahrh), Florenz. Chromolithograph after an illustration by Adolf Rettelbusch from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

18th century tapestry, from the Hermitage Museum, St Petersburg, Russia. Depicts a country scene

Piece ca. 1815 French or British. Piece 13770

Cover design for: Program of the Concertgebouw Amsterdam, Richard Nicolaüs Roland Holst, 1921 print On the left a saat, presumably Marsyas, with a pan flute in the midst of grapes. On the right a figure with a citer, presumably apollo. At the bottom right the text 'Subscription concert The Hague / Saturday 1 October 1921 / conductor: Willem Mengelberg / Serie A nr 1'. Amsterdam paper Satyr(s) (in general). (Story of) Marsyas. Panpipes. Bunch of Grapes. dulcimer, zither. Apollo playing the lyre, apollo citaroedus

The Drowning of Britomartis from Scenes from the Story of Diana 1547-59 Probably designed by Jean Cousin the Elder French This tapestry is from a set depicting scenes from the story of Diana probably made for the chteau of Anet, about forty miles west of Paris, which was the chief residence of Henry II's mistress, Diane de Poitiers. She herself, born in 1499, was named after the goddess, a sign that the Renaissance, with its emulation of classical antiquity, had come to France.The inscription in French verse on the upper border of the tapestry tells the story depicted:Britomartis, pursued by Minos, who wished to take her by force in the woods, greatly preferred to end her life in the sea rather than submit to his outrageous will. Accordingly, wishing to give her fame for her death, Phoebe Diana invested fishnets and snares, with which the body was brought to a holy place, and since then the Greeks have called her Dictynna "fishnet". O holy death, that gave such a valuable thing to

Unknown, butterfly hunting (main title). Textiles, wool, tapestry. Petit Palais, Museum of Fine Arts of the City of Paris.

Sampler (England); Embroidered by Jane Skeate (English); wool and silk embroidery on wool foundation with linen edging tape

False princess of Micomicon. Coypel, Charles-Antoine (French, 1694-1752) (author of design) painter Valade, Jean (French, 1709-1787) (cartoon creator, alentour) painter Audran, Claude III (French, 1658-1734) (author of design, alentour) painter Belin, Jean-Baptiste II (French, 1688-1730) (author of design, alentour) painter Desportes, Alexandre-François (French, 1661-1743) (author of design, alentour) painter Audran, Michel (French, b.1701-d.1771) (workshop) weaver 1756-1757 Tapestry Dimensions: H 11'10" x W 9'3 1/2" Tapestry Materials/Techniques: wool & silk Culture: French Weaving Center: Paris Ownership History: Sold to Madame Véron (1763). Louis Gregoire Véron coll., Paris. 4th Marquis of Hertford coll., Paris (ca.1865). Richard Wallace coll., London; sold at Christie's (London), 4/20/1876, lot 210. Baron Gunzburg coll.; sold at Galerie Georges Petit (Paris), 1/30/1884, lot 4. Clarence Hungerford Mackay coll., Roslyn, NY (ca.1925). Mrs. Robert Z. Hawkins coll. (aft.1958). French &

Sidewall, Ericson & Weiss, Block-printed on handmade paper, On gray/taupe ground, gray fill of powdered dots, lines; gray vertical borders of symmetrical, stylized flowers; vignette of seated woman and man in turban. Printed in gray, white and turquoise., possibly USA, 1810-20, Wallcoverings, Sidewall

Sampler, Elizabeth Tudor, English, b.1822, Medium: silk and human hair embroidery on wool foundation Technique: embroidered in cross, stem, satin, eyelet, buttonhole, half cross, knot, and running stitching on plain weave foundation, Two scenes and a short text within a curving floral border. Top central scene is an illustration of a scene in Laurence Sterne's book 'A Sentimental Journey' showing the dejected character, Maria, as she is described in the book. The book is quoted: 'God tempers the wind to the shorn lamb said Maria.' The bottom scene shows a pagoda over a bridge, a woman holding a parasol and a basket, and two owls sitting in a tree. A balloon carrying two passengers is rises over the pagoda. The text at the top reads, 'Elizabeth Tudor Aged 12 years 1834' and 'Prepare to meet thy God.', England, 1834, embroidery & stitching, Sampler

Pillow Cover (England); wool; 1972-2-3

Textile (France); cotton; Warp x Weft: 282 x 85 cm (9 ft. 3 in. x 33 7/16 in.) Repeat H: 94 cm (37 in.); Bequest of Elinor Merrell; 1995-50-124

Italy, Venice, Curtain decoration design

Sampler 1789 British. Sampler. British. 1789. Silk on wool canvas. Textiles-Embroidered

TAPIZ DE MANUFACTURA DE BRUSELAS-S XVI-HISTORIA DE JOSE VENDIDO POR SUS HERMANOS AL FARAON. Location: PALACIO DEL PITO. Cudillero. ASTURIAS. SPAIN.

Seasons and Elements (Summer) (set of four) ca. 1683 Possibly after a design by Charles Le Brun French Representing spring and summer, fire and air, these hangings (MMA 46.43.1-.4) were part of a larger set that must also have included the two missing seasons and elements. This series included portraits of Louis XIV, his mistress Françoise-Athénaïs de Rochechouart, marquise de Montespan (1641 - 1707 ), and six of their children, all shown as deities. The hangings were probably worked at the convent of the Filles de Saint-Joseph in Paris, which was under the patronage of Madame de Montespan, and where she retired in 1691. At this religious community, orphan girls were educated in the art of needlepoint, and a number of royal embroidery projects for use at Versailles were executed there, with the additional assistance of professional embroiderers. The Museums four panels are believed to have been commissioned by Madame de Montespan about the time the king transferred his affections from

Two Ladies Personifying Taste and Touch (). Culture: British. Dimensions: H. 18 1/8 x W. 22 1/8 inches (46 x 56.2 cm). Date: third quarter 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Scene from the life of Alexander, Anonymous, c. 1625 - c. 1650 Wall carpet with Darius for Alexander, from a series with the history of Alexander the Great. Bad condition, large parts are missing, partly painted. Southern Netherlands Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with Darius for Alexander, from a series with the history of Alexander the Great. Bad condition, large parts are missing, partly painted. Southern Netherlands Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Tapiser - verdiura; 18th century (1701-00-00-1800-00-00);

Chalk and colored pencil draft by Josef Wawra for glass window designs, showing patterns, structure, and decorative elements.

Dancing figures. Boucher, François (French, 1703-1770) (designed after) painter Oudry, Jean-Baptiste (French, 1686-1755) (designed after) painter c. 1775-1800 Tapestry Dimensions: H 8'9" x W 6'4" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Schinasi, invoiced 5/9/1929; sold to M. Bartes Liquid (probably) 12/26/1939 SS 007. French & Co. purchased from Miss Renee Verne, received 12/26/1939; sold to Mr. Tullie Silva 9/28/1966 SS 53916. Beyond garlanded portico with ribbon-suspended trophy of navigational instruments This panel, along with the others in set, has been cut down at the sides. The attribution of the weaving to Roby le Jeune (as suggested on verso of photograph) is probably based the on partial inscription ...EUNE on the plinth of the column at the left of the "Hunters & Fountain" piece (GCPA 0243016). However, this is the position usually reserved for designer's, not weaver's, name. Furthermore,

Field of three tiles with mythological scene, anonymous, c. 1725 - c. 1775 Field of three tiles (1 x 3) each with a blue painted mythological scene within an octagon. In the corners, a suspended corner. Rotterdam (possibly) earthenware. tin glaze majolica Field of three tiles (1 x 3) each with a blue painted mythological scene within an octagon. In the corners, a suspended corner. Rotterdam (possibly) earthenware. tin glaze majolica

The death of a Hinde, Pieter de Cracht, c. 1648 - c. 1662 Wall carpet with Agamemnon who has killed an Hinden dedicated to Artemis; From a series of five tapestries with performances derived from iPhigeneia on Tauris from Euripides maker: Goudadesigner: Northern Netherlands Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with Agamemnon who has killed an Hinden dedicated to Artemis; From a series of five tapestries with performances derived from iPhigeneia on Tauris from Euripides maker: Goudadesigner: Northern Netherlands Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Textile, Medium: cotton Technique: printed on plain weave, Red print on white ground showing six vignettes from the life of Jeanne d' Arc; including storming a wall, scenes in camp, entry into city, appearance before king, at prayer, and at stake. Ground has all-over design of minute dots and stars., Northern France, ca. 1817, printed, dyed & painted textiles, Textile

Arras - verdure. unknown, author

The cruelty of the bull, 1647. Illustration of the events known as the cruelty of the bull, 1647. De Boer and his pregnant wife who were attacked by a bull on 29 August 1647 in Zaandam. The woman is taken by the bull on the horns in which the child is hurled out of the belly. Above the show a verse of 4 lines. In a decorative edge of flowers. Numbered at the top right: 45.

TAPIZ - ALEGORIA DE LOS MESES DE MAYO Y JUNIO - SIGLO XVII. Author: DAVID TENIERS THE YOUNGER. Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN.

Lucretia; Workshop of Carl von Egeri (Swiss, 1510 - 1562); 1561; Pot-metal and colorless glass, vitreous paint, and silver stain; lead came; 33 x 23 cm (13 x 9 1,16 in.)

Textile (Northern France); Manufactured by Philippe Wyngaert; cotton

Panel in which eleven painted windows, anonymous, c. 1600 - c. 1699 Panel in which eleven painted windows: Christ preaching in the temple, the greeting in the desert, the circumcision, Christ and the adulterous woman, the kids murder, Christ with two men, the baptism of Christ, Christ and the leper, Christ with the headman, The wine harvest and Christ for Pilate. glass. lead (metal).

Four Episodes in the Story of Hercules ca. 1515-35 South Netherlandish. Four Episodes in the Story of Hercules. South Netherlandish. ca. 1515-35. Wool warp; wool and silk wefts. Textiles-Tapestries

April, anonymous, c. 1525 Wall carpet with nobleman and noble woman on horseback; above that flora. Around this a zodiac with the twelve constellations, go through the planets; The characters are interspersed by women with hourglasses who depict the 24 hours. Wall carpet from a series of months and planets: April, Bull, Jupiter. Brussels Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with nobleman and noble woman on horseback; above that flora. Around this a zodiac with the twelve constellations, go through the planets; The characters are interspersed by women with hourglasses who depict the 24 hours. Wall carpet from a series of months and planets: April, Bull, Jupiter. Brussels Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Textile, Les monuments de l'Egypte; Company: Oberkampf & Cie. (France); France; Warp x Weft: 156 x 99.5 cm (5 ft. 1 7/16 in. x 39 3/16 in.) Repeat H (pattern): 51.5 cm (20 1/4 in.); Bequest of Elinor Merrell; 1995-50-61

Tapestry, early 20th century, 39 3/4 x 26in. (101 x 66cm), Cotton, Belgium or France, 20th century

Trencher (one of a set). Culture: British. Dimensions: 4 9/16 × 5 11/16 in. (11.6 × 14.4 cm). Date: early 17th century.One of a set of twelve trenchers (64.101.1579-.1590) and a box (64.101.1591a, b). In center of trenchers are reserves containing moralising inscriptions. See also 64.101.1566-1578a, b, for a set of trenchers and box, probably from the same workshop, inscribed with humorous four-line verses on the relations between married people. Museum: Metropolitan Museum of Art, New York, USA.

Textile, Medium: cotton Technique: mordant printed by engraved copper plate on plain weave; fabric dyed for red, Slightly more than one full repeat of a plate. Printed cotton on red. Landscape: two scenes, one an artist standing at an easel in front of a classical temple and dancers and a musician in front of a classical style pavillion., Fabric too narrow for plate: Fabric lengths placed side-by-side repeat pattern straight across., England or France, ca. 1790, printed, dyed & painted textiles, Textile

A Ceiling with Apollo Presiding over Military and Historical Learning. Dated: 1740s. Dimensions: overall: 34.1 x 44.4 cm (13 7/16 x 17 1/2 in.). Medium: watercolor, pen and gray ink over traces of black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Anton Kern.

TAPIZ (ESCENA DE PUERTO). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Ceiling Design with an Allegory of Victory n.d. Daniel Marot the Elder French. Ceiling Design with an Allegory of Victory 337737

Tapestry, 1715-1716 Artist: Charles le Brun

Fragment Entitled William Penn's Treaty with the Indians Made 1775-1795 England. Cotton, plain weave; copperplate and block printed . John Boydell (Publisher)

Sampler, Sarah Fenn, English, Medium: silk embroidery on linen foundation Technique: embroidered in cross, eye, chain, satin, stem, and back stitches on plain weave foundation, Bands of alphabets (without the letter J) followed by the inscription Sarah Fenn and a verse:, For as in Adam all die, Even so in Christ shall all be, made alive, With a large picture of the crucifixion at the bottom., England, 1721, embroidery & stitching, Sampler

Panel 18th century British. Panel 228790

Watercolor illustration board by Vincenzo Brenna depicting a ceiling scene with young Hercules, using cover colors, part of the ''Vestigia delle Terme di Tito'' series, circa 1780.

Leaves with four landscapes, anonymous, c. 1750 Leaf with two lanes with four landscapes with bridges and ruins in oval. Northern Netherlands paper. block printing (relief printing process) landscape with ruins. landscape with bridge, viaduct or aqueduct

Subtotel, multi -colored painted with chinoiseries, Meissener Porzellan Manufaktur, c. 1730 - c. 1735 Subtotel of painted porcelain. The dish is decorated with Höroldt chinoiseries. The dish is marked. Float porcelain Subtotel of painted porcelain. The dish is decorated with Höroldt chinoiseries. The dish is marked. Float porcelain

Venus (Aphrodite). Audran, Claude III (French, 1658-1734) (designed after & author of design, borders) painter Boulogne, Louis (the Younger) (French, 1654-1733) (designed after, figures) painter Corneille, Jean-Baptiste (French, 1649-1695) (designed after, figures) painter Desportes, Alexandre-François (French, 1661-1743) (designed after, animals) painter c. 1760 Tapestry Dimensions: H 11'6" x W 8'6" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. purchased from Jacques Kugel, received 7/9/1965; sold to Dr. Ernest Petrasch 8/16/1966. Venus holds arrow & sits on cloud with Cupid; figures set within garlanded portico decorated with gardening trophies; at bottom, dolphin fountain flanked by 2 cherubim; at top, medallion with Taurus (BRD) picture-frame border, shell cartouche in corners, cartouche with cherub at midpoints 1st border. French & Co. stock sheet in archive, J29 Fénaille, Gobelins 3 (1903-1923), 1-59 Göbel, Wandteppic

Piece early 19th century John Marshall and Sons. Piece. British. early 19th century. Cotton. Textiles-Printed

Bartolomeo Tarsia, Italian (c. 1690-1765), The Triumph of Wisdom, c. 1750, brown ink with gray and brown wash and white heightening over black chalk, squared for transfer in black chalk on laid paper

Overdoor, Block-printed on handmade paper, Goddess of classical antiquity, holding cattails in left hand, seated in a shell drawn by two dolphins which spout water. Above, a cupid with a double horn, heralding the approach of the goddess. The figures are most likely Venus in the shell-carriage and her son Cupid. Printed in golden yellow and white on a dark blue ground. Horizontal rectangle., France, 1800-1810, Wallcoverings, Overdoor

Wall painting of an arabesque with stag and cupid (top) and a panel with a mask of Pan (below), both from Domus Vedi Sirici or House of Siricus, VII.1.47. Illustration drawn by Discanno and lithographed by Victor Steeger from Emile Presuhn's "Les Decorations Murales de Pompei," Weigel, Leipzig, 1878. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno, made exact copies of many wall paintings that are now lost.

Handkerchief; commemorative handkerchief. Date/Period: 1887 - 1897. Costume. Cotton fibre. Author: UNKNOWN.

Corneille, Michel (the old) (n.1601-D.1664-06-13), the Halt of the Hunters (main title). Organic, textiles, wool, tapestry. Petit Palais, Museum of Fine Arts of the City of Paris.

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