Baroque and Classical Narratives

Grand narrative paintings illustrating dramatic moments from mythology and history, emphasizing movement and emotion through rich colors and elaborate settings.

The idolatry of Solomon, 1750, by Sebastiano Conca (1680-1764), oil on canvas, 54x71 cm.

Apostoles by Jacob Jordaens, Oil on canvas, circa 1616-1617, Baroque, 1593-1678, Russia, St. Petersburg, State Hermitage, 149x253

Eneasz and Sybilla Kumojska; Perrier, François (1594-1649); CA 1646 (1625-00-00-1650-00-00);Eneasz (lit.), State Art Collections (Warsaw - 1922-1939) - collection, Sybilla, French painting, historical painting

Jacques-Louis David (1748-1825). "The death of Seneca", 1773. Museum of Fine Arts of the City of Paris, Petit Palais. 37423-9 Antiquity, cigue, poisoning, sketch, death, Latin philosopher

Apollo Pursuing Daphne' (c1755-1760). Greek mythology. Daphne, daughter of river god Peneus, dedicated to life of virginity. When pursued by Helios (Roman Apollo), the sun god, fled to gods for protection and was turned into a laurel tree. Giovanni Battista Tiepolo (1696-1770) Italian painter. Oil on canvas.

Dido and Aeneas; Nicolas Verkolye (Dutch, 1673 - 1746); The Netherlands; early 18th century; Oil on canvas; 90.2 × 117.5 cm (35 1,2 × 46 1,4 in.)

The Continence of Scipio. Dating: 1765 - 1770. Measurements: h 64.4 cm × w 78.8 cm × t 2.5 cm; d 5.2 cm. Museum: Rijksmuseum, Amsterdam. Author: Giacinto Diana.

El martirio de san Ponciano / The Martyrdom of Saint Pontianus. Date/Period: Ca. 1612. Painting. Oil on panel. Height: 2,543 mm (100.11 in); Width: 1,610 mm (63.38 in). Author: Baltasar de Echave Orio.

The idolatry of Solomon, 1750, by Sebastiano Conca (1680-1764), oil on canvas, 54x71 cm.

'Martyrdom of St Stephen'. Italy, Circa 1660. Dimensions: 260,5x149 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro da Cortona (Pietro Berrettini).

A rubber tempera on brown paper depicting the biblical scene of the resolution of Lazarus, with damaged edges, by the Meister der Satyrsfamilie.

The Martyrdom of the Seven Sons of Saint Felicity. The most prominent cardinal in Rome ordered this painting as a gift for a French minister and his wife, whose name, Catherine Félicité, inspired the choice of subject. The Christian martyr Saint Felicity -here in a yellow gown -was forced to witness the martyrdom of her seven sons before herself being beheaded. Trevisani included two self-portraits: as the standing man at left, and as the man looking out at us from behind the statue at right.

The Banquet of Mark Antony and Cleopatra 1715, Trevisani, Francesco, or Il Ro, 1715.

BATONI, Pompeo Girolamo (1708-1787). Aeneas and His Family Fleeing Troy. 18th c. Rococo. Oil on canvas. ITALY. PIEDMONT. Turin. Galleria Sabauda (Sabauda Gallery).

The Martyrdom of Saint Menas by Veronese, Paolo (1528-1588) / Museo del Prado, Madrid / c. 1580 / Italy, Venetian School / Oil on canvas / Bible / 248x182 / Renaissance

Raising of Lazarus, 1528-1592. Giovanni Girolma Muziano

Nicolas Poussin; French; Les Andelys 1594-1665 Rome; The Abduction of the Sabine Women; probably 1633-34; Oil on canvas.

Rafael Tegeo (1798-1856). Spanish painter. Antilochus takes to Achilles the news of the fight on the body of Patroclus. Oil on canvas, 1831. Detail. Private collection.

The Death of Lucretia The Oath of Brutus, Gavin Hamilton, 1723-1798, British

Aeneas fleeing Troy, oil on canvas (inv 150)

Russia, Saint Petersburg, State Russian Museum, Brazen Serpent, Fidelio Bruni, 1840

Curtain design for the Theatre in Krakow, Siemiradzki, Henryk (1843-1902)

Venus surrendering weapons to Aeneas, ca 1735, by Corrado Giaquinto (1703-1765), oil on canvas.

The Kingdom ofHypnos. Artist: Giulio Carpioni, Italian, Venice, 1613-1678

Consequences of War, also known as Horror of war. executed between 1638-1639 by Peter Paul Rubens, in oil paint on canvas. It was painted for Ferdinando II de Medici. Although commissioned by an Italian, art historians characterize both the work and the artist as Flemish Baroque. It serves as a commentary on a European continent ravaged by the Thirty Years' War, and the artist employed numerous symbols, both contemporary and ancient, to deplore the state of the continent

Allegorical scene (triumph of justice); French painter (Fl. XVII/18th century); PO PO. XVII century (1601-00-00-1700-00-00);Kolasiński, Wojciech (1852-1916) - collections, allegories, French painting, purchase (provenance)

Circe, Castiglione, Giovanni Benedett, 1635.

Venus offering Helen to Paris, by Gavin Hamilton (1723-1798).

Giovanni Benedetto Castiglione rubber tempera painting depicting the adoration of the shepherds, composed of two joined parts.

Deucalion and Pyrrha by Rubens, Pieter Paul (1577-1640) / Museo del Prado, Madrid / ca 1636 / Flanders / Oil on wood / Mythology, Allegory and Literature / 26,4x41,7 / Baroque

ALEGORIA-NACIMIENTO DEL INFANTE CARLOS CLEMENTE - 1772. Author: GREGORIO FERRO (1742-1812). Location: ACADEMIA DE SAN FERNANDO-PINTURA. MADRID. SPAIN.

Grand Prince Dmitry Donskoy of Muscovy at the Battle of Kulikovo on September 8, 1380 by Russian Master / State Tretyakov Gallery, Moscow/ First quarter of 19th cen./ Russia/ Oil on canvas/ Russian Painting of 19th cen./ 119,5x157/ History

'Abraham and the Angels'. Italy, Circa 1694. Dimensions: 285x222 cm. Museum: State Hermitage, St. Petersburg. Author: SEBASTIANO RICCI.

Titian / Ecco Homo / 1543

The Battle between the Gods and the Giants. Joachim Antonisz. Wtewael; Dutch, c. 1566-1638. Date: 1603-1613. Dimensions: 6 1/8 × 8 in. (15.6 × 20.3 cm). Oil on copper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: Joachim Antonisz. Wtewael.

Triumph of Juno (Trionfo di Giunone), by Jacopo Negretti known as Palma il Giovane, 16th Century, oil on canvas, 190 x 165 cm

Venus at the Forge of Vulcan. Francesco Solimena (1657-1747). Oil on canvas, 203 x 151cm.

'Magnanimity of Alexander the Great'. France, 1670. Dimensions: 298x451 cm. Museum: State Hermitage, St. Petersburg. Author: Pierre Mignard.

The Finding of Moses - Giovanni Battista Tiepolo, circa 1730

My crowns Pharaoh; Diziani, Gaspare (1689-1767); 1740-1747 (1740-00-00-1747-00-00);Foreign painting

The Death of Hyacinth by Giambattista Tiepolo. Oil on canvas circa 1752-53.

'Allegory of the Virtuous Life'. Flanders, 1625-1626. Dimensions: 91x122 cm. Museum: State Hermitage, St. Petersburg. Author: Hendrik van Balen I. Jan Brueghel II.

Meleager and Atalanta - 1620/50 - oil on canvas - 152,3x240,5 cm - Flemish Baroque - NP 1546. Author: JACOB JORDAENS (1593-1678). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. ATALANTA. Meleagro.

The Abduction of Helen, by Bon Boullogne (1649-1717).

'Mercury Crowning Philosophy, ''Mother'' of the Arts'. Italy, 1747. Dimensions: 120x89,5 cm. Museum: State Hermitage, St. Petersburg. Author: Pompeo Girolamo Batoni.

'Feast in the House of Simon the Pharisee'. Flanders, Between 1618 and 1620. Dimensions: 189x284,5 cm. Museum: State Hermitage, St. Petersburg. Author: Anthony Van Dyck. Peter Paul Rubens (Pietro Pauolo).

'Cincinnatus abandons the Plow to Dictate Laws in Rome', ca. 1806, Oil on canvas, 160 cm x 215 cm, P05784. Author: RIBERA JUAN ANTONIO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. LUCIO QUINTO CINCINA. CINCINATO.

Jean-Bruno Gassies (1786-1832). "Sketch for the Saint-Louis-d'Antin church: Saint Louis sick visiting the soldiers with the plague". Oil on canvas. 1822-1822. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, religious art, sketch, holy history, Christian iconography, religious iconography, saint

Paolo Veronese / 'The Sacrifice of Isaac', ca. 1586, Italian School, Oil on canvas, 129 cm x 95 cm, P00500. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Joseph sold by his brothers. Date/Period: Between 1636 and 1642. Painting. Oil on canvas. Height: 2,330 mm (91.73 in); Width: 3,250 mm (10.66 ft). Author: Giovanni Maria Bottala.

St. Paul before Agrippa. Date/Period: Ca. 1710. Painting. Oil on canvas. Height: 819 mm (32.24 in); Width: 743 mm (29.25 in). Author: James Thornhill.

Retour de Christophe Colomb lithograph by de Turgis. between 1850 and 1900 Christopher Columbus being greeted by King Ferdinand and Queen Isabella on his return to Spain.

Vicente Carducho / 'La visión de San Hugo, obispo de Grenoble', 1626-1632, Spanish School, Canvas, 335 cm x 297,5 cm, P05231. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

'The Judgement of Solomon', 1649. Artist: Nicolas Poussin

Liberation of Saint Peter. Painting. Oil on canvas. Height: 1,375 mm (54.13 in); Width: 1,720 mm (67.71 in). Author: Hendrick Ter Brugghen.

VAN HALEN, Francisco de Paula (1810-1887). Wamba elected king by his army. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. St. Fernando Royal Academy Museum.

Brutus displaying Lucertia's body to the people of Rome, by Francesco Coghetti (1804-1875). Republican Age, Italy, 6th century BC.

Berbers horse races in Rome, 1817, by Jean-Louis Theodore Gericault (1791-1824), oil on canvas, 45x60 cm.

Ceiling fresco by Martin Heigl, 1765, detail Schmide, banqueting hall, Raitenhaslach Monastery, Steinern Hall, Aula Maior, Burghausen, Upper Bavaria, Bavaria, Germany, Europe

Jephtha's Daughter, Romanelli, Giovanni Francesco (1610-1662)

Madonna with St Jerome (The Day), about 1528, by Antonio Allegri, known as Correggio (1489-ca 1534), oil on canvas, 205x141 cm.

Pedro Pablo Rubens / 'Abraham offers tithe to Melchizedek', 1625-1626, Flemish School, Oil on panel, 87 cm x 91,5 cm, P01696. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PETER PAUL RUBENS.

The Choice between Virtue and Passion, follower of Paolo Veronese, 1590 - 1680

'Expulsion of the Money-Changers from the Temple'. Italy, Mid-1670s. Dimensions: 198x261 cm. Museum: State Hermitage, St. Petersburg. Author: LUCA GIORDANO.

Le Serment Des Horaces, (Oath of the Horatii), by Jacques Louis David, 1748-1825 French, France, Paris, Musee Du Louvre

The Decameron by Winterhalter, Franz Xavier (1805-1873)/ Liechtenstein Museum/ 1837/ Germany/ Oil on canvas/ Romanticism/ 191x254/ Mythology, Allegory and Literature

'Rachel Hiding the Idols from her Father Laban'. Italy, Circa 1758/1759. Dimensions: 34,5x54 cm. Museum: State Hermitage, St. Petersburg. Author: FRANCESCO FONTEBASSO.

Jean-Louis Bezard (1799-1881). "Sketch for the Sainte-Elisabeth church: the seven works of mercy". Oil on marouflaged paper on canvas. 1844-1848. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, religious art, sketch, holy history, Christian iconography, religious iconography, saint

EL SUEÑO DE SAN FERNANDO - DETALLE DE LA TOMA DE LA CIUDAD DE SEVILLA - SIGLO XVII - BARROCO ESPAÑOL. Author: JUAN DE VALDES LEAL. Location: BANCO EXTERIOR. Sevilla. Seville. SPAIN.

Plato's Symposium - Anselm Feuerbach, 1869

Flavius Honorius by Giovan Battista Pittoni, Oil on canvas, circa1740, Baroque, 1687-1767, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 62x61

The Finding of Moses by Crosato, Giovanni Battista (c. 1697-1758)/ State A. Pushkin Museum of Fine Arts, Moscow/ 1730s/ Italy, Venetian School/ Oil on canvas/ Baroque/ 160x121/ Bible

Orpheus Before Pluto Francois Perrier (1590-1650 French) Musee du Louvre, Paris, France

Palace architecture with bathers, c1596. By Hans Vredeman. Hans Vredeman de Vries (1527 - c. 1607) was a Dutch Renaissance architect, painter, and engineer

Darius Before Alexander by Charles Le Brun, (1619-1690)

Renaissance. Andrea Mantegna (1431-1506). Italian painter. Triumph of the Virtues (Minerva Expelling the Vices from the Garden of Virtue). 1502. Louvre.

'Fury of Achilles'. France, 1737. Dimensions: 147x195 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-ANTOINE COYPEL.

MAGNO , ALEJANDRO. REY DE MACEDONIA 336 - 323 AC. " BODA EN SUSA ". GRABADO COLOREADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA.

Ornamental tile depicting the assembly of the Gods, maiolica, Castelli manufacture, Abruzzo. Detail. Italy, 17th century.

Decius Mus Addressing the Legions. Dated: probably 1616. Dimensions: overall: 80.7 x 84.7 cm (31 3/4 x 33 3/8 in.) framed: 105.1 x 109.2 x 12.7 cm (41 3/8 x 43 x 5 in.). Medium: oil on hardboard, transferred from wood and canvas. Museum: National Gallery of Art, Washington DC. Author: PETER PAUL RUBENS.

Erminia among the shepherds, by Francisco Montelatici known as Cecco Bravo (1601-1661), oil on canvas, 174x225 cm.

Sacrificial scene, by Mirabello Cavalori (1520-1572). Studiolo (small study) of Francesco I, Palazzo Vecchio, Florence. Italy, 16th century.

The Death of Sapphira' 1654-1656. Nicolas Poussin (1594-1665) French painter. Oil on canvas.

Exhibit at the Art Gallery of Ontario in Toronto, Canada Exhibit at the Art Gallery of Ontario in Toronto, Canada Copyright: xZoonar.com/RituxJethanix 21762028

Orestes and Pylades Disputing at the Altar by Pieter Lastman (c. 1583-1633) oil on panel, 1614. This painting depicts a story from Greek antiquity. Orestes and Pylades (left) were caught trying to steal a statue of Diana from the temple (left background). One of them will have to die. At the altar, the friends argue over who will give his life for the other. Last man's densely composed compositions, his bright colours and the expressive gestures of his figures - all had an impact on the young Re

Tiepolo, Giovanni Battista 1696-1770/ "The Adoration of the Kings", 1753. Oil on canvas, 425 × 210.5cm. Museum: ALTE PINAKOTHEK, MUNICH, DEUTSCHLAND.

Ancient scene of the victim; Rode, Christian Bernhard (1725-1797); 18th century (1700-00-00-1799-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, antique, German painting, victims (rel.), Antique scenes, landscape scenes, religious scenes, anti -ices

Apotheosis of Maria Medici; Rubens, Peter Paul (1577-1640); 19th century (1801-00-00-1900-00-00);apotheosis, deposit, copies, painting, Flemish painting

The baths of Pozzuoli, by Girolamo Macchietti (1535-1592). Studiolo (small study) of Francesco I, Palazzo Vecchio, Florence. Italy, 16th century.

The Doge Leonardo Loredan liberating Scutari (The Triumph of Venice), by Paolo Veronese (1528-1588), fresco. Detail. Ceiling above the gallery of the Sala del Maggior Consiglio (Hall of the Great Council), Palazzo Ducale, Venice.

The Meeting of Marie de' Medici and Henry IV at Lyons (The Marie de' Medici Cycle) by Rubens, Pieter Paul (1577-1640) / Louvre, Paris / 1622-1625 / Flanders / Oil on canvas / Mythology, Allegory and Literature / 394x295 / Baroque

Group of artists drawing antiquities, from Gallery of views of Ancient Rome, 1758, commissioned by The Abbot of Canillac, friend and patron of the painter at Rome

LIENZO. Author: ANTONIO DEL CASTILLO (1616-1668). Location: CATEDRAL-INTERIOR. CORDOBA. SPAIN.

Rebecca at the Well, by Carlone (Carloni) Giovanni Battista, 17th Century, oil on canvas, cm 126 x 156

The Calumny of Apelles, 1870-1900. Artist Ericole Benussi (after Sandro Botticelli). Copy of the original Botticelli painting in Uffizi, Florence. It's based upon Lucian of Samosata's description of 'Calumny' by Apelles (a Greek painter of the Hellenistic Period).

Foundation of Padua, Episode of the Myth of Antenor, 1650, by Luca Ferrari (1605-1654), fresco, hall in Villa Selvatico, Battaglia Terme, Veneto. Italy, 17th century.

Italy - Liguria Region - Genoa. 16th century. Doria-Pamphili Palace. Perin del Vaga (1501-1547), Roman triumphs. Fresco

Jacques-Louis David (30 August 1748 29 December 1825) was a highly influential French painter in the Neoclassical style, The Oath of the Horatii 1784-5

Telemachus and the Nymphs of Calypso 1782 Angelica Kauffmann Swiss Kauffmann was born in Switzerland but made her reputation in Italy and England, where she was a founding member of the Royal Academy. This painting and its pendant were executed in Rome for Monsignor Onorato Caetani, who in the same year had his portrait painted by Kauffmann. His later portraits by Mengs in 1779 and Batoni in 1782 attest to the tight-knit, international character of eighteenth-century Roman intellectual circles. Kauffmanns subjects are taken from François Fénelons romance The Adventures of Telemachus, first published in 1699. In this painting, Telemachus and his companion, Mentor, who have been washed ashore, are welcomed by Calypso and her nymphs.. Telemachus and the Nymphs of Calypso. Angelica Kauffmann (Swiss, Chur 1741-1807 Rome). 1782. Oil on canvas. Paintings

Odysseus In Polyphemus' Cave Jacob Jordaens (1593-1678 Flemish)

San Dominic frees an obsessed from the Demon, fresco by Lorenzo Sciorina in the cloister of Santa Maria Novella Principal Dominican church in Florence, Italy San Dominic frees an obsessed from the Demon, fresco by Lorenzo Sciorina in the cloister of Santa Maria Novella Principal Dominican church in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20193194

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