Baroque Architectural Details

Photographs capturing intricate architectural elements and reliefs from various historical churches and buildings.

Tuileries - Aile Sud (Façade sur le Quai); Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; about 1868; Heliogravure; Sheet: 45 x 31.5 cm (17 11,16 x 12 3,8 in.)

Umbria Terni Collestatte Parish Church5. Hutzel, Max 1960-1990 Exterior views of Baroque church and tower. Interior views of nave and altar. Sculpture includes statues of S. Sebastian and possibly S. Joseph, and a baptismal font. Paintings include scenes of the Presentation at the Temple and a Madonna and Child with 3 saints. Object Notes: Hutzel photo campaign is undated. This church is not documented in TCI, but only in Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Teano Cathedral59. Hutzel, Max 1960-1990 Medieval: Built 1116, remodelled by Andrea Vaccaro in 1630, restored in years following damage in second world war. Includes re-used Roman capitals. Architecture, architectural sculpture; sculpture including painted wooded crucifix (c.1330-31) and pulpit (13th century) with mosaic and relief. The Cripta di S. Paride acts as a small museum containing roman, medieval, and modern marble. Post-medieval: Choir stall (MCMLVII); paintings by Francesco de Mura in the Cappella di S. Paride; marble fragments from the Cripta di S. Paride Antiquities: spolia Object Notes: Originally dedicated to S. Terenziano, now dedicated to S. Clemente German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

Relief with a flower garland from the Carthusian monastery of Pavia, c. 1875 - c. 1900 photograph Italy cardboard. photographic support albumen print sculpture (+ relief ~ sculpture). ornament ~ festoon, garland. fantasy ornament Certosa di Pavia

Tuileries - Aile Sud (Façade sur le Quai); Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; about 1868; Heliogravure; Sheet: 45 x 31.5 cm (17 11,16 x 12 3,8 in.)

Campania Napoli Nola Palazzo Covoni1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Wall hanging fragment first quarter 18th century After a composition by Daniel Marot the Elder French A popular textile design by Daniel Marot from ca. 1712 served as the inspiration for the pattern of 08.171.1c (remarkable in retaining its original border), and related gilt-leather panels. Marot, court architect to William III, greatly influenced the decorative arts in the Netherlands at this time; his publication from 1702-1715 of several series of ornamental designs contributed to the popularization of the Louis XIV style in the Netherlands.. Wall hanging fragment 190782

Campania Salerno Salerno-S. Matteo, Cathedral6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fireback Dutch Virgin in garden, text Hollandia pro patria, hob plate cast iron, cast Rectangular arch at the top. On top of shell flanked by dolphins Around wide border with text and fruit hangers between frame and pearl necklace. In the middle the sitting Dutch virgin with the right hand holding hat up on stick. Next to her the Dutch lion with sword and bundle arrows Virgo and lion are in braided wooden fence the so-called 'garden' Top: HOLLANDIA; underneath PRO PATRIA; bottom ANNO 1667

Umbria Perugia Gubbio Palazzo dei Consoli4. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)73. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Castle of Saint-Roch, Tarn et Garonne, Paving of the living room, vintage engraved illustration. Magasin Pittoresque 1876.

Emilia-Romagna Ferrara Ferrara Palazzo dei Diamanti6. Hutzel, Max 1960-1990 Post-medieval: Many views of facade, sides, and courtyard of 16th c. structure, including detailed views of windows and architectural sculpture, portal leading into courtyard and colonnade, capitals, portals, and sculpture inside courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Carpineto della Nora Abbey of S. Bartolomeo8. Hutzel, Max 1960-1990 Badia first established in 962, rebuilt in the 12th & 13th cents. Exterior views of monument, ruins and countryside. Architrave is ornamented with various kinds of animal figures. The interior is based on the plan of S. Clemente a Casauria. There is extensive sculptural relief on both the capitals and the altar, depicting again fanciful animal and floral forms. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Shaft (part of a pilaster) late 15th-early 16th century Italian, Rome Similar pilasters are found on Roman funeral monuments.. Shaft (part of a pilaster). Italian, Rome. late 15th-early 16th century. Marble. Sculpture-Architectural

Abruzzo L'Aquila Celano Museum37. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Pescara Penne S. Domenico8. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (13-17th century), sculpture. Also views of Piazza Luca da Penne German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Nola S. Felice. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Amelia Palazzo Comunale3. Hutzel, Max 1960-1990 Medieval: Architectural sculpture: sarcophagus, capitals. Post-medieval: Architecture & architectural sculpture. Piazza del Municipio (Piazza Matteotti) with view of Palazzo Comunale; portal; coats of arms & insignia. Interior views of frescoes, friezes, 16th & 17th century paintings in Salons I & II Antiquities: Architecture & architectural sculpture, 1st century B.C.-1st century A.D. Remains & fragments of former Roman palace & of sepulchres, capitals, statues, gravestones, sarcophagi, sacrificial altar. Object Notes: The Palazzo Comunale stands on the site of a Roman palace of the pre-Christian era. The Antiquities fragments & remains are displayed in the courtyard of the Palazzo and in the grotto-like rooms of the former Roman palace. Hutzel photo campaign date: September 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this proj

Abruzzo L'Aquila Trasacco SS. Rufino e Cesidio18. Hutzel, Max 1960-1990 The original monument was destroyed in 936, rebuilt, modified throughout the 16th century (with an addition to the nave in 1618), and restored in 1969. Exterior views include the bell tower and general building facades. Most views focus on the architectural sculpture of the Portale delle Donne and the Portale degli Uomini. Interior views in the Medieval core collection focus on a statue of St. Catherine in an aedicule (15th century); an ambo lecturn (pluteus) decorated with the four symbols of the Evangelists (c. 1267); a statue of the Virgin and Child under a sculpted baldachin on the entrance wall of the oratory (14th century) and the main altar composed of sarcophagus fragments of lions and peacocks in low-relief (8th-10th centuries). A baptismal font and possibly bas-reliefs (immured spolia) in the Oratory. Interior views in the Hutzel collection include: the altar statue of S. Cesidio, frescoes of the Annuncia

Lazio Rieti Rieti Museo del Tesoro del Duomo7. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Panel 16th century Spanish. Panel. Spanish. 16th century. Carved walnut. Woodwork

Campania Salerno Salerno-S. Matteo, Cathedral1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Pesaro e Urbino Cagli S. Francesco7. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture, 14th century fresco, paintings on canvas, carved wooden altars, tapestry Object Notes: See medieval for exterior views German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

blur in iran the old decorative flower tiles from antique mosque like background

Lazio Roma Vicovaro Misc. views. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture. Gothic-arched doorways and windows with sculptural decoration. Post-medieval: Architecture, architectural sculpture. Antiquities: Sculpture. Fragments of ancient sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Itri S. Angelo4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (11th century and later). Post-medieval: Interior, fresco (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Padula Monastery of S. Lorenzo3. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are

Abruzzo L'Aquila L'Aquila Madonna del Soccorso0. Hutzel, Max 1960-1990 Views of exterior, cloister, and extensive coverage of interior. Objects from church stored in the Museo Nazionale are catalogued under that location. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two panel ornament fragments French 18th century View more. Two panel ornament fragments. French. 18th century. Gilt bronze. Metalwork-Gilt Bronze

Umbria Terni Amelia Palazzo Comunale0. Hutzel, Max 1960-1990 Medieval: Architectural sculpture: sarcophagus, capitals. Post-medieval: Architecture & architectural sculpture. Piazza del Municipio (Piazza Matteotti) with view of Palazzo Comunale; portal; coats of arms & insignia. Interior views of frescoes, friezes, 16th & 17th century paintings in Salons I & II Antiquities: Architecture & architectural sculpture, 1st century B.C.-1st century A.D. Remains & fragments of former Roman palace & of sepulchres, capitals, statues, gravestones, sarcophagi, sacrificial altar. Object Notes: The Palazzo Comunale stands on the site of a Roman palace of the pre-Christian era. The Antiquities fragments & remains are displayed in the courtyard of the Palazzo and in the grotto-like rooms of the former Roman palace. Hutzel photo campaign date: September 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this proj

Sangallo Guiliano da (1445-1516), S. Maria Delle Carceri, Prato (without dat.): Kandelaber in the right choir. Photo on cardboard, 38.1 x 23.9 cm (including scan edges)

Campania Salerno Cava dei Tirreni Abbey of La Trinta di Cava6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti Palazzo Comunale1. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting. This structure was built in the 13th century and renovated in the 18th. The Sala Consiliare contains frescoes by Antonino Calcagnadoro. A bust of (Pope) Clement XII by Lorenzo Ottoni (1735) is also displayed. Sculpture. Fragments of roman architectural sculpture and inscriptions. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ornate memorial plate of a cleric from the 16th century, Dom St. Marien, St Mary's Cathedral, or Erfurt Cathedral, Erfurt, Thuringia, Germany, Europe

Lazio Roma Rome S. Paolo54. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Citta della Pieve Santuario della Madonna di Mongiovino1. Hutzel, Max 1960-1990 Views of the 16th century exterior include details of the portal sculpture. Interior views show details of the marble and stucco work, iconostasis, frescoed dome, altar paintings and marble statues. Object Notes: Photo campaign date: 1982. This monument was previously catalogued as located in the city of Mongiovino. General Notes: Many negatives of this monument can be found in the Marburg Index of Italian monuments under "Panicale-Mongiovino," fiche 286. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geograph

Print, Ornament Panel with Mars; Nicoletto da Modena (Italian, active 1500 - 1522); Published by Antonio Salamanca (Italian, ca. 1500 - 1562); Italy; engraving on laid paper; 26 × 13.1 cm (10 1/4 × 5 3/16 in.) Mat: 35.6 × 45.7 cm (14 × 18 in.)

Antwerp, Maes, Joseph, Panneaux, XVIe Siècle, Decorated oak panels, recto - stamped, photomechanical print, page, photos, photographically illustrated books, PANNEAUX en bois, recto - printed, SCULPTURES. PL. 32., JJvY, height 341 mm, width 233 mm, photographer, 1881 - 1889, paper, collotype, photoprint, photolithography, Belgian, 1838 - 1908, cliché maker, Work conception

Lazio Roma Rome Palazzo Venezia1. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, sculpture, stucco, gilding, architecture, tapestries Antiquities: Sculptural fragment Object Notes: Cortile, above all interesting for Roman, early medieval and Renaissance monuments, sarcophagi, fountain settings, statues, portrait busts, etc. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo Museo Civico11. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Museum of Antiquities in Brussels, Triptych vermeil of the twelfth or thirteenth century, vintage engraved illustration. Magasin Pittoresque 1877.

Lazio Latina Sermoneta Castello Caetani29. Hutzel, Max 1960-1990 Post-medieval: Views of other architectural structures in proximity; architecture, architectural sculpture (17th century) interiors include furniture, wall paintings (16th century), sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jacobi, CH, Patriarchal Cathedral Basilica of San Marco, Ongania, Ferdinand, Balustrade with relief in the San Marco in Venice, recto - printed, This print is part of a cover with 58 prints on 50 sheets., photomechanical print, photographs, photographically illustrated books, 284, P.10, P 10., height 394 mm, width 310 mm, photographer, 1880 - 1885, paper, collotype, cliché maker

Fish panel , Fish. The Massachusetts WPA Federal Art Project Photograph Collection

Lazio Viterbo Caprarola Palazzo Farnese01. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

ARQUETA HISPANO ARABE PROCEDENTE DE LEYRE - DETALLE DE LOS MUSICOS 1005 - CALIFAL. Author: FARAY Y SUS DISCIPULOS (S. XI). Location: MUSEO DE NAVARRA. Pamplona. NAVARRA. SPAIN.

Key hook with in the oval cimon and pero, c. 1598 print Under the oval, a saat squat on a vase. At the top, two children lean on a medallion with a pelican on her nest. Belongs to series of 5 magazines. paper engraving

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa3. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

Lazio Roma Rome S. Lorenzo in Panisperna1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculptural relief, sculpture, painting, fresco Antiquities: Sculptural fragments Object Notes: Antique structure (c. 3rd-4th century) erected on site where tradition places the martyrdom of S. Lorenzo. Building dates from late 16th century in style of Counter-Reformation after a probable project by Francesco da Volterra. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Sessa Aurunca Chiesa dell'Annunziata5. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Stove plate with Samson and De Leeuw, Anonymous, c. 1575 - c. 1625 Stove plate made of cast iron. Central an oval medallion with the image of a bent Samson, who kills the lion. Below that a rectangular cartouche with the name Simson. The upper corners and the space around the cartouche are filled with rankwork. Germany iron (metal) casting Stove plate made of cast iron. Central an oval medallion with the image of a bent Samson, who kills the lion. Below that a rectangular cartouche with the name Simson. The upper corners and the space around the cartouche are filled with rankwork. Germany iron (metal) casting

Campania Salerno Cava dei Tirreni Museo7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Sulmona Pacentro S. Maria Maggiore5. Hutzel, Max 1960-1990 Exterior views of late fifteenth century facade, campanile, portals and fountain. Interior views of naves, altars, pulpit, ceiling, and carved doors. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The door frame consists of moldings, with an entablature and a broken pediment with a central vase. Two children; the left one kneels, the right one upon cornices, recumbent. Outside are pillars, supporting the entablature of the overdoor, below which, in the center, a female head as a console from which festoons spring passing through consoles below the capitals of the pillars, continuing in the direction of the figures of the two children. The wall is colored. Date: ca. 1780. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Lazio Viterbo Caprarola Palazzo Farnese019. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

, Postgasse - Dominican Cirk - Innishensense - Plaften, Bruno Raising Strategy -, Photographs

Plaque with a portrait of Adam Mickiewicz

Umbria Perugia Foligno Palazzo Trinci9. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Tossicia S. Teresa extra Moenia3. Hutzel, Max 1960-1990 Renaissance monument outside of town similar to the funerary chapels found in necropoli. Exterior views of facade and architectural details as well as shots of the altar with its ornate grotesque carvings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Landscape with vistas through trees. unknown c. 1640 Tapestry Dimensions: H 11'2" x W 15'8" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henry Symons, invoiced 3/27/1928; sold to Raimundo Ruiz 5/24/1946. Related Works: Panels in set: GCPA 0236514-0236515, 0242485

Panel. Culture: French. Dimensions: Overall: 69 × 37 3/8 in. (175.3 × 94.9 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Abruzzo Teramo Castel Castagna S. Maria di Ronzano7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (12th century); frescoes (12th century); baptismal font Objects in treasury (): processional cross, reliquary shrines, silver plate, wooden statue of the Virgin and Child Post-medieval: Sculpture (13th century, repainted 17th cent.), sculpture fragments; Easter candle, frescoes of Old and New Testament scenes including the Patriarchs and Christ in a mandorla. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rouen. St. Maclou. Motif de porte sur la façade. XVIe Siècle. Unknown

Basilicata Matera Matera Duomo10. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Udine Giovanni da (1487-1564), Certosa monastery of Florence. Window (without date): View of the window in the Certosa del Galluzzo (also Certosa di Val d'EMA). Photo on paper, 38.9 x 24.6 cm (including scan edges)

Umbria Perugia Spoleto (environs) S. Salvatore0. Hutzel, Max 1960-1990 Although first erected in the early 5th century on the remains of a Roman temple, the exterior views reveal a 14th century facade stripped of its marble, and three portals (two of which are blind) with marble architraves. Interior views focus on the Doric and Corinthian columns and capitals, fragments of entablature, and poorly preserved frescoes (13th-14th centuries). Object Notes: Hutzel photo campaign date: May 4, 1983. A few of the missing negatives may be found in the Marburger Index. General Notes: Hutzel's notes of S. Salvatore also include notes on the adjacent cemetery of Spoleto. Views of the cemetery have been catalogued separately under Spoleto, Cemetery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Ita

Lazio Rieti Rieti Palazzo Comunale2. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting. This structure was built in the 13th century and renovated in the 18th. The Sala Consiliare contains frescoes by Antonino Calcagnadoro. A bust of (Pope) Clement XII by Lorenzo Ottoni (1735) is also displayed. Sculpture. Fragments of roman architectural sculpture and inscriptions. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Detail of the right half of the ruling panel on the honorary gate for Emperor Maximilian I, carved from pear wood in Albrecht Dürer's workshop, 1515.

Lazio Roma Rome S. Gregorio Magno5. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site compl

Abruzzo Pescara Popoli Taverna Ducale. Hutzel, Max 1960-1990 Medieval: Civic architecture (c.1350); architectural sculpture, including coats-of-arms and reliefs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Myanmar (Burma) Pagan Frescoes Unpublished image 1. Swaan, Wim. 1966 or earlier Photographic production materials for Lost Cities of Asia: Ceylon, Pagan, Angkor Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Lost Cities of Asia: Ceylon,

Sirens vignette and plain flages; Aldegrever, Heinrich (Ca 1502-1555 cars 1561); 1535 (1st edition) (1535-00-00-1561-00-00);

Lazio Roma Rome S. Giuseppe dei Falegnami6. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, reliefs Connected with Carcero Mamertino where St. Peter was imprisoned before his Crucifixion German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fireback horseman receives gifts at city gate, hob plate cast iron, cast Rectangular with arch at the top. On top of shell flanked by two dolphins Edge between frame and pearl necklace without decoration. In the middle picture of horseman who gets bag of contents from an old man. To the right of the rider man with stick and dog In the background houses and gate to heat the living room interior

Fireplace with the Dutch Virgin and Dutch Lion in the Dutch garden, Anonymous, c. 1650 - c. 1700 Cast iron fireplace, with semicircular top. Central are the Hollandse Leeuw and the Dutch Virgin in the private Dutch garden, which has an access gate diagonally in front. Immediately above them the inscription Pro Patria. The whole is framed by a decorative band, with a pearl band and edge with symmetrical leaf vines. The whole is closed at the top with three pomegranates with an ascending dolphin on either side. Germany iron (metal) casting Cast iron fireplace, with semicircular top. Central are the Hollandse Leeuw and the Dutch Virgin in the private Dutch garden, which has an access gate diagonally in front. Immediately above them the inscription Pro Patria. The whole is framed by a decorative band, with a pearl band and edge with symmetrical leaf vines. The whole is closed at the top with three pomegranates with an ascending dolphin on either side. Germany iron (metal) casting

Myanmar (Burma) Pagan Hsutaung-pyi Monastic Complex Unpublished image 1. Swaan, Wim. 1966 or earlier Photographic production materials for Lost Cities of Asia: Ceylon, Pagan, Angkor Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Lost Ci

Abruzzo L'Aquila L'Aquila Madonna del Soccorso8. Hutzel, Max 1960-1990 Views of exterior, cloister, and extensive coverage of interior. Objects from church stored in the Museo Nazionale are catalogued under that location. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Carved stone detail in the Workshop of Pheidias, Olympia, Greece

Model of granite medaillon for Facade, construction of the McKim Building , Public libraries, Sculpture, Trademarks, Medallions Ornament areas, Boston Public Library

Embroidered picture with a family in a garden setting first quarter 18th century British. Embroidered picture with a family in a garden setting 229057

Fireplace plate with a show of caritas, anonymous, 1650 - 1700 Cast iron fireplace, with a semicircular top. Central the personification of Caritas, a standing woman with a child in the arms. Next to her on the ground are three more children. The top of the scene is closed with clouds. The whole is framed with a border, decorated with a pearl edge and on either side a lion's head with festen. The rest of the edge is decorated with grapes and other fruits. The top is crowned with a crown with a dolphin on either side. Germany iron (metal) casting Cast iron fireplace, with a semicircular top. Central the personification of Caritas, a standing woman with a child in the arms. Next to her on the ground are three more children. The top of the scene is closed with clouds. The whole is framed with a border, decorated with a pearl edge and on either side a lion's head with festen. The rest of the edge is decorated with grapes and other fruits. The top is crowned with a crown with a dolphin on e

Recto: Our Lady of Studenicka; Verso: Catherine Alexandria; Tarasewicz, Leon (CA 1650-Ca 1703), S.W. (engraving of images; FL. CA 1750-1800); 1687 (recto); II PO. 18th century (Verso) (1687-00-00-1800-00-00);

Panel first half 16th century French Derived from ancient imagery, this panels decorative scheme includes fabulous winged figures terminating in tentacles or scrolling tendrils; among the tendrils, birds eat berries and attack snakes.. Panel. French. first half 16th century. Carved oak. Woodwork

Jacobi, CH, Patriarchal Cathedral Basilica of San Marco, Ongania, Ferdinand, Balustrade with relief in the San Marco in Venice, recto - printed, This print is part of a cover with 58 prints on 50 sheets., photomechanical print, photographs, photographically illustrated books, 285, P.11, height 395 mm, width 311 mm, photographer, 1880 - 1885, paper, collotype, cliché maker

Paris, Errard, Charles II, Vignettes, Frieze with medallion between two seated putti, Vignette. One putto holds a compass, the other a rectangle. In the medallion are two crossed palm leaves, a star and a crescent moon., print, ornament print, prints, ornament prints, height 52 mm, width 183 mm, Work conception, 1607 - 1689-05-25, after a design by, 1616 - 1689, first quarter 17th century, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Campania Napoli Naples S. Lorenzo Maggiore84. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Campania Caserta Casertavecchia S. Michele, Cathedral26. Hutzel, Max 1960-1990 Exterior and interior views of the 12th and 13th-century architecture and architectural sculpture. Exterior details of the portals, portal sculpture, bell tower, dome and cloister. Interior details of the pulpit (c. 1213), the tomb of Giacomo Martono (1360), the tomb of Francesco de la Rath (1359), various sculptural fragments, and the cosmati floor. Antiquities: Re-used Roman columns and capitals line the nave. Object Notes: A composite view of the interior is found in the Italy Oversize box in the Medieval core collection. General Notes: Hutzel probably made two photo campaigns of the site, and thus there is some overlap between the views in the Medieval core collection and the Hutzel collection. Some prints have been renumbered. Hutzel notes which account for 91 on the views date to a photo campaign from December 30, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy f

Capital of a Double Pilaster 6th-7th century. Capital of a Double Pilaster 446127

Lazio Roma Rome S. Agnese fuori le Mura6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural fragments, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, fresco painting Object Notes: Erected in 342 by Costanza, daughter or niece of Constantine on the site of the catacombs holding the remains of S. Agnese. Marble staircase dates from 1590. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ornamental Frieze. Dimensions: overall: 2.4 x 5.4 cm (15/16 x 2 1/8 in.). Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: MODERNO.

Campania Napoli Nola Palazzo Covoni2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ornamental Sculpture in the Santa Sabina in Rome, James Anderson, After Anonymous, 1890 - 1925 photograph This photo is part of an album. Santa sabina baryta paper gelatin silver print ornaments ~ art Santa sabina

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo75. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Nymph Plaque

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche6. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore299. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Abruzzo, Isola del Gran Sasso d'Italia, S. Massimo, Italy, 20th century, photo, photography, Europe

Bliżej Kultury unknown

Epidaure. Cimaise de la Tholos. Frédéric Boissonnas (Swiss, 1858 - 1946)

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)98. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

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