Baroque Chapel Scenes

Intricate baroque chapel interiors featuring figures in prayer and ornate altars. Rich decorations, sculptures, and religious symbolism dominate the scenes.

Altar with God the Father, Anonymous, After Franz Xaver Habermann, 1731 - 1775 print Altar with rocaille ornaments and God the Father with Globe, in clouds with angels. On the left John the Baptist with staff and Lam, on the right John the Evangelist with book, palm branch and Arend. Publishing number 160. Augsburg paper etching / engraving altar. God the Father as bearded old man, usually with crown or tiara or sceptre and/or globe. John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. the apostle John the Evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll

Several people in a chapel, Anonymous, After Jean Lepautre, 1675 - 1711 print A number of believers pray, with the hat in their hands, in a richly decorated chapel. A man and a woman walk past. A boy lifts the woman's tow. Amsterdam paper etching / engraving pulpit, ambo, chancel

Johann Ulrich Kraus, Frontispiece with Triumphal Arch with Christ and the Apostles, 1705 Frontispiece with Triumphal Arch with Christ and the Apostles

Different people in a chapel; Pietas Homini Tútissima Virtús; Cathedrarum exempla, in USUM Artificum Studiose Collecta. A number of believers pray, with the hat in the hands, in a richly decorated chapel. A man and a woman walk by. A boy lifts the woman trail.

Altar with God the Father, Anonymous, After Franz Xaver Habermann, 1731 - 1775 print Altar with rocaille ornaments and God the Father with Globe, in clouds with angels. On the left John the Baptist with staff and Lam, on the right John the Evangelist with book, palm branch and Arend. Publishing number 160. Augsburg paper etching / engraving altar. God the Father as bearded old man, usually with crown or tiara or sceptre and/or globe. John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. the apostle John the Evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll

Tabernacle with a statue of Christ; Tabernacoli da Ornare e Abellire di Altari. Tabernacle in the form of a triumphal arch with a central statue of Christ. Print is part of an album.

Miracle of the H. Sacrament in Brussels, 1370, 1709 print Miracle of the H. Sacrament in Brussels, 1370. Altar with Mantel from Maria around the miraculous host, founded in a large honorary gate by the Archduke's Albert and Isabella. On this altar, Keizer Karel V would have resigned his crown to his throne in 1555. With caption of three lines in Latin. Southern Netherlands paper engraving relics (and reliquaries) Brussels

Tomb monument from Pope Adrianus VI; Hadriani VI Pont Max Monvmenta. Tomb monument with the Tomb of Pope Adrianus VI, in the Santa Maria Dell'anima in Rome. In the middle is the pope on a sarcophagus (a gisant). On the Timpaan Maria with the Christ child, flanked by Petrus and Paul. On both sides and crowned with personnifications of the seven virtues. At the top of both sides of two coins, one from Mantua and one from the Museum of Equitis Francisci Gualdi, derived from the book of Aegidius Sadeler. At the bottom of a cartouche an elementary caption in Latin.

Project for the chapel of the Virgin of the Saint-Sulpice Church, 1727; Church decorations. Kapel Van De H. Maagd in St. Sulpice in Parijs (Fuhring 104)

Etching by Sebastiano Cipriani on paper from 1686 depicting the funeral scaffold for Giorgio Bolognetti, Bishop of Rieti, in the church of the Holy Names of Jesus and Mary in Rome.

Altar with Maria on her deathbed, Jakob Gottlieb Thelott, after Johann Daniel Herz (I), 1722 - 1740 print Design for an altar with a painting by Maria on her deathbed, surrounded by the apostles. Below that a scene with the burial of Maria. The altar is flanked by four angels with four wings. Putti with garlands and the Ascension of Maria crown the whole. Augsburg paper etching / engraving altar. the Dormition: Mary on her deathbed; the apostles are gathered around her (John the Evangelist may be shown sleeping or dreaming). the entombment of Mary. the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Church bench; Nouueles Inuentions Pour Faire Les Bancs des Choeur. Arils are awarded to both sides with flaming balusters. From second edition.

Legros Pierre d. J. (1666-1719), altar of Aloisius of Gonzaga in Il Jesus, Rome (approx. 1700): View of the altar of St. Aloisius of Gonzaga in the Jesuit Church. Pressure on paper, 39.3 x 26.6 cm (including scan edges) Legros d. J. Pierre (1666-1719): Altar des Aloisius von Gonzaga in Il Jesu, Rom

Altar with Christ on the cross; Livre d 'Architecture et d' Bels. On either side of Christ are Maria and John. Leaf 4 from second edition of series.

Altar with a painting of the worship by the kings; Retables d'cars à l'Italienne (...). Altar with a painting of the worship by the kings. Grids figures are in the church. Print is part of an album.

Design for an occasional decoration of the high altar in St. Augustinuskerk in Antwerp.

Tabernacle on altar, Jean Lepautre, c. 1666 - 1693 print Decorated with the holy sacrament in a medallion with a large angel on both sides. In the middle of the letter is the letter b. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Pulpit with angel on praise stuff; Prece chairs. Pulpit with rocaille ornaments between two arches. At top angel with praise stuff. Publisher number 166.

Elevation perspective of one of the plans of the Altar of Saint-Leu Aparis (Variant); Church decorations. ONWERP Voor Het Altaar Van de Saint-Leu in Parijs (Van F. 106) (Fuhring 107)

Altar with a painting of the crucifixion, c. 1658 - c. 1670 print Altar with a painting of the crucifixion. Under the painting images of Maria, Maria Magdalena, an angel and John the Baptist. Print is part of an album. Paris paper etching altar with altar-piece. the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Altar with worship by the shepherds; Designs for altars. Design for an altar with rocaille ornaments and in the middle an image of worship by the shepherds. Adam and EVA are on either side, Eve stands next to the tree of the knowledge of good and evil with snake. On top of putty heads and a flying angel with a bazuin and palm branch.

High altar in the Sint-Pauluskerk in Antwerp. The high altar in the Sint-Pauluskerk in Antwerp. At the top of a niche The holy Paul with sword, flanked by fides (left) with crucifix and chalice, and veritas (right) with the sun, a palm branch and a book. In the middle D beheat of the Holy Paul

A 1600 etching by Giovanni Maggi depicting the fundle ceremony for Alessandro Farnese, Duke of Parma, in the Church of S. Maria in Aracoeli in Rome on April 3, 1593, showing clergy and ceremonial details.

Altar with the resurrection of Christ, Abraham Bosse, After Jean Barbet, After 1638 - Before 1643 print print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Organ with draperies; Neu Faconirte Orgel-Dredelungen und Unterschiedliche Wand Cantzeln (...). An organ with rocaille ornaments, draperies, right a burning heart, awarded a vase and left with a low separation.

A 1670 copper engraving by Girolamo Rainaldi depicting the fundle ceremony for Cardinal Alessandro Farnese in the Church of S. Lucia Nuova in Rome on April 28, 1589, showing participants and interior details.

Altar with bishops, anonymous, after franz xaver habermann, 1740 - 1745 print Design and map of altar with rocaille ornaments. Left and right two bishops with bishop's staff, palm branch and sword. Publishing number 49. Augsburg paper engraving altar. archbishop, bishop, etc. (Roman Catholic)

The Holy Family; P. Familia Sacra; Picturae a fresco in Aedibus Augustae Vindelic (...). The holy family on clouds surrounded by Elisabet, John the Baptist as a child, Simeon, Abraham, David and Putti. Above a pigeon flies as a symbol of the Holy Spirit. Above the painting two winged putti with a crown. In the foreground are a priest, a non and three putti. The painting is in a niche with Rocaille ornaments.

Saint-Nicolas-du-Chardonnet Church. Tomb of the mother of the brown.

Pulpit with Matthew the evangelist; Prece chairs. Pulpit with rocaille ornaments, winged Putti and Matthew the evangelist with book and feather. Publisher number 304.

Design for a "Quarantore" Decoration 1540-1609 Federico Zuccaro (Zuccari) Italian This carefully drawn scale model provides a design for a liturgical practice that came to be widely celebrated in the late sixteenth century. As shown here, the Eucharist was placed in a small sepulcher where it remained, and was worshiped, for the same forty hours that Christ's body lay in the tomb prior to the Resurrection. Federico has added another level of significance by alluding to the moment of the Transfiguration, when the apostles saw Christ conversing with the Old Testament prophets Elijah and Moses-seen here in the guise of statues-and the voice of God the Father spoke from a cloud, identifying Christ as his "beloved son." This tableau, particularly the illumination and fictive clouds of the celestial realm, anticipates the elaborate theatrical "machines" that would mark the Devotion of the Forty Hours in the seventeenth century.This detailed presentation drawing offers a design for a temporar

Altar with miraculous host, so -called miracle of the H. Sacrament in Brussels, 1370, Jan Baptist Berterham, after Richard van Orley (II), 1709 print Miracle of the H. Sacrament in Brussels, 1370. Altar with Mantel from Maria around the miraculous host, founded in a large honorary gate by the Archduke's Albert and Isabella. On this altar, Keizer Karel V would have resigned his crown to his throne in 1555. With caption of three lines in Latin. Brussels paper etching / engraving relics (and reliquaries) Brussels

Portal of an Antwerp church, Jean de la Barre, 1625 - 1649 print Portal of an Antwerp church, the Onze-Lieve-Vrouw Cathedral (), With six columns. Above Christ is flanked by two angels with a crown in their hand. On the portal a cartouche with a five -line, Latin text. In that text is the name of Johannes Malderus, a former bishop of Antwerp. Above the performance a six -line, Latin text with the name of Aubertus van den Eede, Bishop in Antwerp. Antwerp paper etching / engraving parts of church interior. parts of church exterior and annexes: portal. Christ. angels Antwerp

Tabernacoli da Ornare e Abellire di Altari. Tabernacle with painting of the Ascension of Christ, flanked by Kariatids.

Tabernacasra from Oranges Earnows Restaurant, Franz Etringer, Inster Hotel Al Jean Lepanut, C. 1650 - c. 1678 Tabernacle with painting of the Ascension of Christ, flanked by Caratives. Antwerp paper etching

Pulpit with smoke vessel and angels; 1ere Chair; V Permissals. Pulpit with a medallion with portrait and profil, above two angels. A smoke vessel and a book on the crowning.

Design for altar. Design for altar with the presentation of a sacrifice. With variant for the right half.

Pulpit in the Nieuwe Kerk in Amsterdam, Pieter Holsteyn (II), After Albert Jansz Vinckenbrinck, 1649 - 1673 print View on the between 1649 and 1664 by Albert Jansz. Vinckenbrinck made pulpit in the Nieuwe Kerk in Amsterdam. On the right in the foreground a mother with a child and a standing man on the left. Northern Netherlands paper counterproof interior of church. pulpit, ambo, chancel new church

LIBRO 28-1-13 F212 SEPULCRO DE PAPA ADRIANO VI (1459-1523). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. PAPA ADRIANO VI. ADRIANO VI PAPA. UTRECHT ADRIANO.

Execketos Met Saitcoat Halge, Uknowwn, Inknowen, Jean-François Dimans, Equen Jean Cuptens, 1745 print Pulpit with a medallion with portrait and profil, two angels above it. A smoking vessel and a book on the crown. Paris paper etching / engraving pulpit, ambo, chancel. incense-burner ~ scents, perfumes. angels

Choir chair between two columns; Choirs. Choir chair between two columns. Above the choral chair a crown element with two kneeling angels with a medallion on which the pigeon of the Holy Spirit. Print is part of an album.

Pulpit in the Nieuwe Kerk in Amsterdam. View of the between 1649 and 1664 by Albert Jansz. Vinckenbrinck produced pulpit in the new church in Amsterdam. Left in the foreground a mother with a child and right a standing man.

Praal grave by Michiel de Ruyter in the Nieuwe Kerk in Amsterdam, 1687 - 1726 print Michiel Adriaansz's spoils. De Ruyter in the choir of the Nieuwe Kerk in Amsterdam. The Lieutenant Admiral General of Holland and West-Friesland was buried on March 18, 1677. Two visitors on the left. Imagined at the top right: p. 1010. Amsterdam paper engraving / etching grave-building, monumental tomb. interior of church new church

Allarm Metrus a Paulus, Anonymousy, After Franch XAver Hervelman, 1745 - 1745 print Design and map of altar with rocaille ornaments. Left and right Paul with sword and book and Peter with key. At the top of the all -seeing eye surrounded by rays. Publishing number 49. Augsburg paper engraving altar. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. the apostle Paul of Tarsus; possible attributes: book, scroll, sword. the all-seeing eye, triangle with eye ~ symbol of God the Father

Palal grave by Elisabeth Morgan van Marnix, Jean Augustin Daiwaille, 1809 - 1850 print The tomb is in the Oude Kerk in Delft. To the right of the grave is a man. He talks to a cleaning lady sitting next to him. Amsterdam paper snipping grave, tomb. interior of church Old church

Pulpit with laurel circuits and branches; 4th chair; V Permissals. A pulpit with a mask and garlands. On the crowning gown laurel circuits and branches surrounded by clouds. Left and right panels with paintings.

Grave chapel of the Rostaing family. On the cornice at the front Kneel Tristan and Charles de Rostaing, below are four lines of text. The grave chapel is in the church of the Feuillants in Paris.

Altar with ascension of the holy virgin; Livre d 'Architecture et d' Bels. Leaf 6 from second edition of series.

Etching by Giovanni Battista Franco depicting the twelve-year-old Jesus in the temple, created between 1530 and 1561, showing him teaching religious scholars and interacting with onlookers.

The Virgin of Iciar at Deva. Etching by C. Casanova, 1741.

The tomb of Elizabeth I, The Virgin Queen or The Maiden Queen, Gloriana, or Good Queen Bess, 1533 - 1603, Queen of England, in Westminster Abbey, London, England, historic engraving from the Buch denkwuerdiger Frauen or book of memorable women, published by Otto Spamer, 1877

Praalgraf by Michiel de Ruyter in the Nieuwe Kerk in Amsterdam, Joseph Mulder, 1687 - 1726 print Michiel Adriaansz's spoils. De Ruyter in the choir of the Nieuwe Kerk in Amsterdam. The Lieutenant Admiral General of Holland and West-Friesland was buried on March 18, 1677. Two visitors on the left. paper etching / engraving grave-building, monumental tomb. interior of church new church

Drawing, Design for a Baldacchino for the Exhibition of the Host; Italy; black chalk, pen and ink, brush and watercolor on paper

Friedrich Sustris, An Elaborate Altar with the Resurrection of Christ and the Martyrdom of Saint Andrew, 1570 1580 An Elaborate Altar with the Resurrection of Christ and the Martyrdom of Saint Andrew

This etching and copper engraving by Nikolaus Gottfried Stuber, created in 1745, depicts the fundle for Emperor Charles VII in the Theater Church in Munich in March 1745.

Triumph arch dedicated to faith, Sébastien Leclerc (I), After Claude Deruet, in Or Before 1664 print Triumph gate with a double passage and bell towers, crowned with flags and a banner with the Holy Family. Between the passages an image of a bishop trembling and a coat of arms with crowned helmet and eagles. Above the passages two angels with a laurel wreath. paper etching Triumphal Arch. Faith, 'Faith'; "Fed ',' Faith Catholic ',' Fed Christian ',' Fed Christian Catholic Church '(Ripa) ~ One of the Three Theological virtues Nancy

An altar, Black chalk, brush and gray-blue wash on paper, Vertical composition of an altar with a cross on top, a putto on the top right, and God the Father looking down at Christ supported by three putti, Italy, 1750-1775, religion, Drawing, Drawing

The Apostle Mattias with a roll of paper in his hands. Mattias is standing on a pedestal. On the obverse the scene in which he is added by lot to the eleven disciples of Christ. Print marked top center: Fol: 346., Apostle Mattias Matthias Apostle, By lot, in Judas place elected , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 280 mm × w 180 mm

Etching on paper by Sébastien Vouillemont depicting a ceremonial fundle for Cäcilia Renata, Queen of Poland and Archduchess of Austria, in the Polish National Church of St. Stanislaus in Rome on June 11, 1644.

Model of an altar, Anonymous, 1600 - 1699 drawing Design for an altar. paper. ink. watercolor (paint). chalk pen / brush St. Catherine of Siena changing hearts with Christ. fixed altar. monastic orders, monastic life ~ Roman Catholic church (ANNUNTIATEN)

The grave of St. Stanisław in the Cathedral Church in Wawel in Krakow Unknown, Trevano, Giovanni (not post 1641 1645)

Katafalk Innocent XII; Catafalco Eretto Nella Basilica Vaticana / per Le Solenni Esequie Celebrate Nella Morte / del sommo Pontefice Innocenzo XI (...). Grave monument (called on the print catholic) for Pope Innocent XII. Cross section of the monument and explanatory list with letters in undermarge.

. View of the pulpit from the new church of Amsterdam. Some churchgoers in the foreground. The print has a Dutch caption.

Daniel Hopfer I (German, c. 1470 - 1536), Triumphal Altar with Stages in the Life of Christ, 1518, etching on 2 joined sheets of laid paper

XIIe Station. Jésus meurt sur la croix. Autel élevé sur le lieu même ou le Christ a été crucifié 1860 or later Louis de Clercq French. XIIe Station. Jésus meurt sur la croix. Autel élevé sur le lieu même ou le Christ a été crucifié 679904

Heropstanding van de doden.In the middle the ark of the covenant behind a curtain. Around the ark open graves that look like.

Chapel and tombstone of Knoet I van Sweden in the monastery church of Varnhem, Willem Swidde, 1692 The print is part of an album. paper etching Varnhem The print is part of an album. paper etching Varnhem

Chancell altar with Christ; Chancell altaries. A chancell altar with rocaille ornaments, braid and two winged putti with wine chic and hosties. The pulpit is worn by a putto. Christ with a beams stands with a banner on a world globe with a snake and awarded the whole. Publisher number 208.

This drawing shows Madonna in a central niche with musical angels on either side and God the Father above in angelic glory, framed by rich ornamental decoration, executed with feather and wash.

Bliżej Kultury Wodnian, Joh. Evangelist (Fl. CA 1700 CA 1730)

. Michiel Adriaansz Praise. De Ruyter in The Choir of the Nieuwe Kerk in Amsterdam. The Lieutenant Admiral General of Holland and West Friesland Was Buried on March 18, 1677. Left Two visitors.

Church Interior, Gerard Houckgeest, After Bartholomeus van Bassen, 1618 - 1645 print Figures in a Gothic church interior. print maker: Northern Netherlandspublisher: Haarlem paper etching / engraving interior of church

Church Interior, Gerard Houckgeest, After Bartholomeus van Bassen, 1618 - 1645 print Figures in a Gothic church interior. print maker: Northern Netherlandspublisher: Haarlem paper etching / engraving interior of church

Festa della Sensa (seventh part), Jost Amman, 1679 print Procession of the Doge on Ascension Day over San Marcoplein in Venice. The procession leads to the Bucintoro, the Galei of the Doge. Once a year the doge 'married' during the Festa della Sensa in a ceremonial way with the Adriatic Sea by throwing a ring in the water from this Galei. print maker: Neurenbergpublisher: Frankfurt am Main paper procession ~ Christian religion. lion (possibly with book) ~ symbol of St. Mark. gondola. wind instruments - CC - out of doors. string instruments (bowed) - CC - out of doors. city-view in general; 'veduta' Clock tower. Dogepaleis. Basiliek Van San Marco. San Marcoplein. Venice

Monument for the Baptists, 1792 print Allegorical monument for the Baptists (Mennonites, Mennists or Dopers). Open temple with a central performance in which adults are baptized in the Baptist church near 't Lam (at the Singel in Amsterdam). Four scenes from the New Testament on the walls of the temple section. On the outside two medallions with church services at the Baptists. At the top of the open dome a portrait of founder Menno Simons worn by Putti. Netherlands paper etching / engraving the Church symbolized. Baptism ~ Protestant service. Protestant service Mennonite Church near 't Lam

TRIUNFO DE SAN FERNANDO EN LA CATEDRAL DE SEVILLA EN 1671 CON MOTIVO DE LA CANONIZACION DE SAN FERNANDO - GRABADO SIGLO XVII. Author: TORRE FARFAN FERNANDO. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. FERNANDO III EL SANTO CASTILLA / LEON. SAN FERNANDO (REY).

View of aisle and transept, Jean Lepautre, c. 1658 - c. 1670 print In the foreground is a confessional on the right with Christ surrounded by clouds above it. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Map of Westminster Abbey and the gravestone of the Queen, 1695; Plan of the choor of Westmunsters Abdy / burial of H: MAJ:; The death and corporation of Maria II Stuart, Queen of England, 1695. Map of Westminster Abbey and a representation of placing the coffin in the chapel. The print is as illustration used in Samuel Gruterus, Funeralia Mariae II Britanniarum, Haarlem 1695.

The thirteenth stained glass window in the Sint-Janskerk in Gouda with the representation of the twelve-year-old Christ in the temple between the scribes. Christ counts his arguments on his fingers, while the scribes study their books. In the background Joseph and Maria are going to be looking for their son. Completely in the background John the Baptist draws the desert. In the lower representation, the shark knives from the window, Petrus van Zuyren, for Mary with the Christ child. Behind Petrus van Zuyren is his name saint Peter with the key as his attribute.

. View of a niche in the aisle of a church in which a confessional is.

Graftombe in Church of San Gil Abad Te Burgos, Anonymous, c. 1850 - c. 1880 stereograph San Gil Abad Church cardboard. photographic support albumen print interior of church. grave, tomb. sculpture (+ relief ~ sculpture) San Gil Abad Church

Design for a church organ, 1698 print Design for a church organ. Print in an album with 22 etchings from a series of originally 32 ornament prints with exuberant baroque designs for altars, sermon chairs, organ cabinets and other ecclesiastical arts and skills, followed by designs for heaven beds, children's ledulikants and other domestic furniture. paper etching church organ

The Lord Jesus in the side altar in the Werkowski church; 1840-1860 (1840-00-00-1850-00-00);

Interior of the chapel of Saint Sebastian on Mount Verna; with a painting of Sebastian pierced by arrows. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.

Antonio Pisano metal pen drawing depicts a saint being pushed into a narrow door by three henchmen in a Gothic hall, with a young warrior on the left, on parchment.

Europe, Alinari, Relief in a tympanum between two columns, depicting the birth of Christ and Christ as an adult man, verso - stamped, photograph, photo, photos, ALINARI, recto - embossed, 296., recto, height 337 mm, width 257 mm, photographer, 1875 - 1900, cardboard, photographic paper, photo paper, albumen print, albumine print, sculpture (+ relief ~ sculpture), Christ, Christus, story of the birth of Christ (Luke 2:1-20)

TOMB OF LORD FRANCIS RUSSELL

THE NEW PULPIT, ST. PAUL'S CATHEDRAL

Sketches for a Monstrance, Pen and brown ink, graphite on off-white laid paper, At left, two full elevations of a monstrance. Below, a view of the base. At right, the glory., Italy, 1810-1825, metalwork, Drawing, Drawing

Stained glass window 13 in the Sint -Janskerk in Gouda: the twelve -year -old Christ in the Temple, Pieter Tanjé, after Julius Caesar Boëthius, after Lambert van Noort, 1738 - 1754 print The thirteenth stained glass window in the Sint-Janskerk in Gouda with the presentation of twelve-year-old Christ in the temple between the scribes. Christ has his arguments on his fingers, while the scribes study their books. In the background, Joseph and Maria are looking for their son. Completely in the background, John the Baptist pulls into the desert. In the lower performance, the donor of the window, Peter van Zuyren, for Mary with the Christ child. Behind Peter van Zuyren stands his name saint Peter with the key as his attribute. Amsterdam paper etching / engraving Christ's dispute with the doctors in the temple; he counts his arguments on his fingers. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara (+

Closing of the choir oak of the Cathedral of Lisieux. - Drawing Catenacci, vintage engraving. Closing of the choir oak of the Cathedral of Lisieux. - Drawing Catenacci, vintage engraved illustration. Magasin Pittoresque 1875. Copyright: xZoonar.com/PatrickxGuenettex 10679650

Saint Laurence of Rome. Etching.

Saint. Wojciech (956 Libice 997 Saint Gaj Near Pasłęka) Monument to St. Wojciech in the Gniezno Cathedral Before 1840 Unknown, Podbielski, Bronisław (1839 1890)

Print, Ornament with the Man of Sorrows, Mary and John; Designed by Daniel Hopfer (German, 1470 - 1536); Germany; etching on; 35.6 x 12.9 cm (14 in. x 5 1/16 in.)

Transept of the Sint-Pietersbasiliek in Vatican City; Veduta Interna della Basilica di S. Pietro in Vaticano Vicino Alla Tribuna; Faces on Rome; Vedute di Roma Disegnate Ed Incise da Giambattista Piranesi Architetto ve (Nez) Iano. Face in the transept of the Sint-Pietersbasiliek in Vatican City. Central to the TRANSEPT Bernini's Balance (Baldacchino Di San Pietro) above the grave of Petrus. Title in plane center below.

Two church interiors and woman surrounded by flower border; La Décoration Industrielle .. Three framed performances, in the middle is a woman in a frame of flowers, right is to see a pulse. Bottom right: 17.

Pendant with a three-growing niche; Pendants. Niches, decorated with volutes of roller and fitting work, mascarons, animals and grotesken .. In the middle is a round empty altar on an increase. One of 9 sheets, from a series of 12. On six sheets, a figure is in the niche. Three pearls hang on each pendant.

Candlestick with two zeeenimms and the person's personification; Various ecclesiastical objects; Disegni Diversi Inventati E Delineati da Giovanni Giardini da Forlì.numbered Upper Left: No. 69.

Funeral of the Prince de Condé (TF)

Glass window from Maximilian I and the coffin in which the miraculous host was kept; Image of the glass, by the art-shake Maximilian, in or on the year 1484, honored, in the Chapel of the Holy Stede, now the new-Zyds chapel / sketch of the core, where in the Miraculous Host, in Amsterdam, first of all have been laid. Stained glass window with emperor Maximiliaan I with family in worship, placed in Chapel of the Holy Stede, now the Nieuwezijds Chapel in Amsterdam. Below the box in which the Holy Host would have been preserved from Amsterdam Miracle.

Monument to the Baptists. Allegoric monument for the Baptists (Mennonites, Mennisten or Dopers). Open Temple with centrally a performance in which adults are baptized in the Baptist Church at 't Lam (at the Singel in Amsterdam). On the walls of the temple section four scenes from the New Testament. Two medallions with church services at the Baptists on the outside. At the top of the open dome A portrait of founder Menno Simons worn by putti.

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