Baroque Decorative Art Photography

Photographs documenting the ornate ceilings and frescoes of Italian palaces, revealing intricate designs and rich historical detail from the Baroque period.

Portière of fame. Le Brun, Charles (French, 1619-1690) (author of design) painter Yvart, Baudouin (French, bef. 1611-d. 1690) (cartoon creator) painter c. 1660 Tapestry Dimensions: H 2.85 x W 2 m Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Charles M. FFoulke coll. French & Co. Private coll., New York. France, Paris, Paris, Galerie Charpentier, March 20, 1959, lot 142. Cartouche with arms of Colbert flanked by 2 female allegorical figures (=Victory & Fame) holding mantle; 2 cherubim hold crown at top; bird (L) & lion (R) at bottom; scene enclosed by egg-&-dart frame (BRD) laurel & oak leaf garland, tied ribbons in corners; (UPR & LWR BRD) centered by tied ribbons 2nd version of composition, modified for Colbert. No French & Co. stock sheet in archive, no stock number Fénaille, Gobelins 2 (1903-1923), 1-8 Ffoulke, Collection of Tapestries (1913), 234-35, ill. French & Co., Tapestry collection of Charles M. Ffoulke, n.p., ill. Göbel, Wan

Chair panel early 18th century Style of Daniel Marot the Elder French. Chair panel 227007

Eva in Rolwerk Omlijsting, Virgil, 1524 - 1562 print Nuremberg paper engraving / etching Eve (not in biblical context). scrollwork, strapwork ~ ornament

Designs for Ceilings, Jean Le Pautre, French, 1618-1682, Etching on paper, Somewhat less than a left and a right half of square ceilings are shown, separated by a stripe with the scale: '6 Piez.' At left: oblong frame, with the Dove and a glory of angels. At right: a central medallion with a saint carried by angels to heaven., Europe, France, ca. 1650, Print, Print

Anonymous (Follower of: Schut, Cornelis) / 'The Coat of Arms of Friar Alonso de Santo Tomás / Transverberation of Saint Teresa'. Late XVII century. Grey-brown wash, Ink on paper. Museum: Museo del Prado, Madrid, España.

According to Monigetti, a platter was drawn by A.O. Adamow. A clip from a Russian magazine The alalla, I.

Bound Print (France)

Marches Ancona Fabriano Oratorio del Gonfalone1. Hutzel, Max 1960-1990 Post-medieval: Baroque architecture (1610-1636) with highly carved and decorated wooden ceiling; paintings, some with elaborately carved frames; wooden furniture, crucifix, and altar. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper

Visit of three angels (three men). unknown c. 1540 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: Thiérard (firm), Paris. French & Co. On millefleurs ground within cartouche decorated with garlands, cherubim & river god & goddess, 3 angels appear before Abraham as he kneels before them at table (Genesis 18) (BRD) garland of flowers & fruit interspersed with bunches of grapes; (L & R BRD) flowers & shoots springing from vases at bottom No French & Co. stock sheet in archive, no stock number Delmarcel, Bruges et la tapisserie (1987), 188,189, fig.3/8 Related Works: Panels in set: GCPA 0237322-0237323

Scenography, or geometrically perspect illustration, Kayl, Königl, Haupt, Residenz Stadt, Wienn, in Austria, on the highest command and drawn, from May Monots, to the last October , City of Vienna and their suburbs original parts in leaves, Joseph Daniel von Huber -

Cover design for: Catalog of the Ideal Home Exhibition, 1912, Richard Nicolaüs Roland Holst, 1912 print A man and woman in an interior with chandelier. At the top of the text 'Holland Section', at the bottom of the text 'List of Artists'. paper interior of the house

Evening (Der Abend) Philipp Otto Runge (German, 1777-1810). Evening (Der Abend), 1803-1805. Black ink etching on moderately thick, slightly textured wove paper, Sheet: 28 3/8 x 19 3/4 in. (72.1 x 50.2 cm). European Art 1803-1805

Fräulein Salvioni, Primadonna Guglielma Salvioni dances on a head = Paul Taglioni title page of Die Bomb , Carl von stubborn -, Caricaturist, Carl Angerer -, realization

Lazio Viterbo Bagnaia Villa Lante102. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Book page by Heinrich Vogeler

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia71. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

. Title plate with an allegory on the centenary of the Lutheran Diaconessen orphanage in Amsterdam, celebrated on August 24, 1778. Allegorical representation of love with two orphans acclaimed by the divine light, decorated in an honorary port with arms of regentessen etc., putti and the weapon Van Amsterdam.

Council cushions . unknown c. 1700-1725 Tapestry Dimensions: H 22" x W 28" Tapestry Materials/Techniques: unknown Culture: Dutch Weaving Center: unknown Ownership History: French & Co. purchased from estate of Mignon S. Kobler, received 6/30/1947; this is probably cushion "b", cushion "a" was sold to Mr. James Post 12/21/1964. Coat of arms with stork holding fish in beak (city-mark of The Hague) supported by 2 lions, surmounted by baron's () crown French & Co. stock sheet in archive, 45535 also lists: 19162/101-a, b Ysselsteyn, Geschiendenis der tapijtwevererijen (1936), 288-290, 314, no. 196 Göbel, Tapestries Lowlands (1974), 22 (in appendix of marks) Related Works: Similar to The Hague coat of arms cushion: Ysselsteyn, no. 196.

Campania Salerno Cava dei Tirreni Museo9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Ancona Fabriano Oratorio del Gonfalone3. Hutzel, Max 1960-1990 Post-medieval: Baroque architecture (1610-1636) with highly carved and decorated wooden ceiling; paintings, some with elaborately carved frames; wooden furniture, crucifix, and altar. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Caserta Palazzo Reale35. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Picture photography: Cross, a fragment of the Dominician polyptych, in the collections of the National Museum in Krakow; Krieger, Ignacy (Kraków; Photographic Zak 1860-1926); 1896-1897 (1896-00-00-1897-00-00);Amalia (1846-1928) - collection, Krieger

Lazio Roma Rome S. Susanna1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco, stucco, coffers Object Notes: Counter-reformation church. All photos were taken between 1960-70, and Hutzel notes that it is necessary to take new photography since much has been restored since then, especially the facade. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo S. Maria della Verita, Cloister08. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of t

Gypsum Model for Sculpture at the Louvre Palace: "Civic courage and glory" by Theodore Gruyère. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Poelzig Hans (1869-1936), stage decoration: Don Giovanni (1922-1922): stage design. Photo on paper, 13.6 x 22.1 cm (including scan edges)

Napkin from white Linnamast ,, 1595 - 1625 White linen dams napkin with the destruction of Troy, lying edges with war scenes. HW 23 K. Haarlem linen (material) damask White linen dams napkin with the destruction of Troy, lying edges with war scenes. HW 23 K. Haarlem linen (material) damask

Triumph of the Church over the Synagogue. Culture: Italian. Dimensions: H. 12 1/4 x W. 10 1/4 inches (31.1 x 26.0 cm). Date: 1566-72. Museum: Metropolitan Museum of Art, New York, USA.

September. Orley, Bernart van (Netherlandish (before 1600) - Flanders, ca.1492-1542) (author of design, workshop, attr.) painter c. 1525-1530 Tapestry Dimensions: H 14'6" x W 13'7" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: Polycarpe Charles Séchan coll., Paris (until 1875). Dreyfus de Gonzalès coll., Paris; sold, Paris, Galerie Georges Petit, 6/1-4/1896. Galerie Jacques Seligmann, Paris. William Randolph Hearst coll. French & Co. purchased from Parish Watson, invoiced 10/19/1938; sold to the Minneapolis Institute of Arts 12/20/1938. United States, Minnesota, Minneapolis, The Minneapolis Institute of Arts, accno. 38.40. Inscriptions: Inscription in central field in band, at top: SEPTEMBRE (for month of September) Inscriptions: Inscription in central field identifying figure in center: BACVS Inscriptions: Inscription in central field identifying figure in upper left: SEMELA Inscriptions: Inscription in central field identifying figure in uppe

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo05. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Titelblatt der Zeitung Vom Fels zum Meer, Spemann s illustrierte Zeitschrift für das deutsche Haus, zweiter Band, 1869, Illustration, Historisch, Reproduktion von einer Vorlage aus dem 19. Jahrhundert. Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt 1f-4999854

Umbria Perugia Vallo di Nera S. Maria12. Hutzel, Max 1960-1990 Medieval: Exterior, architecture and architectural sculpture (12th-13th centuries). Post-medieval: Fresco painting, partially destroyed after 1973 earthquake (12th-17th centuries) General Notes: Hutzel sent sheet from earlier photo campaign of same site, comprising 92 prints. Sheet indicates mainly painting material. Able to locate only 3 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Battle scene and allegorical figures with the armorial of Wilhelm Hundt 1603 German Two allegorical figures flank the arms of Johann Wilhelm Hundt. The inscription can be translated: "Wolf Wilhelm Hundt of Falkenstein, Brannenburg and Mosök in Bavaria, captain and administrator at Rosenheim.". Battle scene and allegorical figures with the armorial of Wilhelm Hundt. German. 1603. Stained glass. Glass-Stained

Pendant (pendeloque) with march; Pendants. Niches, decorated with volutes of roller and fitting work, mascarons, animals and grotesken .. One of 9 sheets, from a series of 12. On six sheets, a figure is in the niche. Three pearls hang on each pendant.

Lazio Roma Rome S. Bernardo alle Terme13. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture (1598), sculpture, painting Caterina Nobili Sforza, countess of Santa Fiora, patron. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra0. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Kozdrowicz, Jan

St. Geneviève (Genofeva, Genovefa), patroness of Paris. unknown c. 1500-1525 Tapestry Dimensions: H 2'7" x W 9' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from J. Jacques Seligmann & fils 6/15/1920; sold to Arnold Seligmann, Rey & Co., Inc. 7/6/1932. Inscriptions: Inscription in central field, below male figure at left: maistre jehan d orellez.. Inscriptions: Inscription in central field, below St. Geneviève: S. genevieve de paris Inscriptions: Inscription in central field, below female figure at right: katherine artuise seur de maistre jehan d orellez With bellows, demon blows out candle (taper) of virgin Geneviève, standing on pedestal with coat of arms, as angel above her relights it; kneeling figures (patrons) flank Geneviève, Jean d'Orellez holding small purse (L) & his sister Katherine holding rosary (R) (UPR BRD) band with jewel-like ornament French & Co. stock sheet in archive, 319 Göbel

Quast Ferdinand von (1807-1877), tombstone of the Wilhelm von Schwalbach and Anna von Leyen in Boppard (1857): Rissing the double grave with relief figures and the Latin inscription. Pencil on transparent, 36.1 x 25.7 cm (including scan edges) Quast Ferdinand von (1807-1877): Grabstein des Wilhelm von Schwalbach und Anna von Leyen, Boppard

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra56. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante046. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photo album (empty), Anonymous, 1860 - 1900 Photo album with 32 pages with either a passe-partout-framed passe-partout for a cabinet photo, or next to each other 2 2 gold lines framed passe-partouts for cartes-de-visiting. The passe-partouts are alternately oval and rectangular. In total there is room in the album for 16 cabinet photos and 32 Cartes-de Visite. cardboard. paper. leather. metal

Lazio Frosinone Arpino S. Andrea Apostolo4. Hutzel, Max 1960-1990 Medieval: 13th century architecture. Post-medieval: 16th century architecture (1533 remodel), architectural sculpture, sculpture, fresco painting, painting on panel, stucco, church furnishings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Border Illustration with Putti Holding the Attributes of the Passion, 1613/1646, Album of Engravings volume, engraving on laid paper proof before letters, Cornelis Galle I (artist) Flemish, 1576 - 1650

tile manufacturer: Aalmis, Purple tile picture, classicist building with many columns and pilasters, tile picture material ceramic earthenware glaze metal, baked 2x painted Eleven high four wide Yellow shard. Mirror-like pendant of 1 Aalmis Aelmis Rotterdam City Center Stadsdriehoek Hoogstraat Tableaux come from the Regentenkamer of the Gasthuis on the Hoogstraat Rotterdam (mention from the catalog of the Museum of Antiquities).

Carved cassolette made from the wood of Shakespeare's mulberry tree, c18th century, (1840).Artist: Robert Blemmell Schnebbelie

Lazio Roma Frascati Episcopal Palace40. Hutzel, Max 1960-1990 Exterior views of the castle, formerly called Rocca, that is now the Episcopal Palace. Interior views of dining room and living room, along with paintings and frescoes. Antiquities: Assorted Roman and Etruscan antiquities in the courtyard, including two sarcophagi, statues, stele, an urn, busts. General Notes: There were two sets of prints made from the same set of negatives. One set is labelled Episcopio and the other Vescovado; they have now been integrated into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geo

DIBUJOS PARA LA ESCENOGRAFIA DE PERSEO Y ANDROMEDA DE CALDERON DE LA BARCA- MS TYP 258 H. Author: BACHO DEL BIANCO (1604-1657). Location: HARVARD-HOUGHTON LIBRARY. MASSACHUSETTS-CAMBRIDGE. Andromeda. PERSEO-MITOLOGIA GRIEGA.

Parallel of historical ornament, Gothic I , Architectural decorations & ornaments, Capitals Columns. Louis Prang & Company Collection

Lazio Viterbo Gradoli Palazzo Farnese1. Hutzel, Max 1960-1990 Exterior views of the palazzo and surrounding area. Extensive photo coverage of the restored interior and its poorly preserved frescoes. Details of wall frescoes, including a mythological frieze and an ornamental frieze. An extensively decorated wooden, coffered ceiling. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Tolentino S. Catervo, Duomo5. Hutzel, Max 1960-1990 This church, erected in the 13th century, was completely renovated in 1830 in a neoclassical style. Exterior views are of the apse, an original bell tower and a medieval relief sculpture. Views of the vast baroque interior with its barrel-vaulted ceiling and numerous candelabra focus on the Cappella di S. Catervo--its frescoes and sarcophagus of S. Catervo and S. Settimia (14th century). Interior views also include a sculpture of the Pieta (14th century), wood intarsia choirstalls, a marble holy water stoup and a baptismal font. Object Notes: Hutzel photo campaign date: December 27, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as we

Board game about national history Game of goose with 80 numbered squares starting at 1 Batavian Revolt and going up to 80 Amsterdam Nautical College Adaptation of a 1787 version with the events in boxes 70-79 replaced The most recent event depicted is from the year 1816 The game comes with a separate explanation, Vaderlands Historiespel, 1816 Vaderlandsch Historiespel , print maker: Johannes Christiaan Bendorp, (mentioned on object), Johannes Christiaan Bendorp, (mentioned on object), publisher: Hendrik Gartman, (mentioned on object), print maker: Northern Netherlands, publisher: Amsterdam, 1816, paper, etching, engraving, h 503 mm × w 610 mm

This late 15th-century copper engraving from the Master of the Sforza Hours depicts ornament strips with two Cupids crossing the halbera.

Abruzzo Citta Sant'Angelo S. Francesco9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Post-medieval: Architecture, cupola (18th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Stroncone S. Giovanni2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

La tiare.. Buhot, Félix Hilaire (1847-1898). 1888. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Crowns, Leo XIII, Pope, 1810-1903 , Associated objects

BALDOMERO ESPARTERO A CABALLO - DUQUE DE LA VICTORIA Y MORELLA. Location: MUSEO DE HISTORIA DE MADRID-GRABADOS ByN. MADRID. SPAIN.

Lazio Rieti Rieti Museo del Tesoro del Duomo6. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Lazio Rieti Accumoli S. Maria della Misericordia. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, architectural sculpture. This possesses a Baroque altar in which is placed a painting of the Madonna and Child and Saints by Orbetto (Alessandro Turchi). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (08.03.1887): Naples: Brunnen in Santa Lucia (View detail side table). Pencil on paper, 42.6 x 30.9 cm (including scan edges)

Wedding portrait, 1663 - 1683 copper (metal) etching

Lazio Viterbo Bagnaia Villa Lante83. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Album n � 1. Stained glass project for Av� de l'Aisne: the CENE Gsell-Laurent. Album n � 1. Stained glass project for Mo� of Aisne: the Supper. Pencil on layer.

Umbria Perugia Montefalco S. Chiara3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (16th century renovations); frescoes (14-15th century); sculpture Cloisters museum: sculpture, metalwork, painted crucifix, frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A circa 1507 woodcut by Hans Burgkmair depicting the allegorical imperial eagle associated with Konrad Celtis, showing detailed heraldic and symbolic imagery in early 16th-century Germany.

Tile. Culture: Dutch. Dimensions: Overall (tile): 5 3/16 × 5 3/16 in. (13.2 × 13.2 cm);Overall (whole panel): 31 3/4 × 21 1/2 in. (80.6 × 54.6 cm). Date: 1620-40. Museum: Metropolitan Museum of Art, New York, USA.

Dijsselhof, Gerrit Willem, Design for the frame of a calendar for 1901 with women and flowers, recto - handwritten, Top center a standing, naked woman with outstretched arms. Behind her a radiant sun. Rose bushes grow around her. In each of the four corners a woman who tends a rose bush in spring, summer, autumn and winter. To the left, right and bottom of the center violets., print, picture, calendar, prints, verso - stamped, 27, height 510 mm, width 395 mm, Dutch, 1866-02-08 - 1924-06-14, print maker, printmaker, 1900 - 1900, paper, watercolor (paint), watercolour, woodcut, hand colouring, intermediary draughtsman

Lazio Rieti Antrodoco S. Maria Assunta, Cathedral9. Hutzel, Max 1960-1990 Medieval: Romanesque facade portral from church of S. Maria extra moenia. Post-medieval: 18th century architecture (1712) with rich Baroque interior; paintings on canvas; processional cross German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Croce in Gerusalemme24. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Old Paris. Hotel de Fleury, rue des Saints-Fathers, 6th and 7th arrondissements, Paris Old Paris. "Hotel de Fleury, rue des Saints-Fathers, Paris (fifth and vièth arr.), Paris". Photograph of Eugene Atget (1857-1927). Albumped paper draw.

Sidewall, Pilgrim's Progress; England; intaglio printed on machine-made paper

Teatro della Scala. (Milano). Giorgio Sommer (Italian, born Germany, 1834 - 1914)

Game park with Roman soldiers hunting wild boar next to garden park. unknown c. 1580-1600 Tapestry Dimensions: H 8'5" x W 8'5" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co.

Abruzzo L'Aquila Assergi S. Maria Assunta0. Hutzel, Max 1960-1990 Medieval: Architecture, views of restoration, crypt, silver urn, tomb Post-medieval: Architecture, frescos, views of restoration, sculpture, tabernacle German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

ALBUM. EXPIATORY TEMPLE OF THE SAGRADA FAMÍLIA. Edited by the Spiritual Association of Devotees of San José. Barcelona (1920s). Details of coronation loggia of the virgin Mary: base..

"Pearwood panel from the honorary gate of Emperor Maximilian I, section E, ruling success No. 19-24, carved by Dürer workshop in 1515, including ornamental relief, decorative motifs, and structural details."

Umbria Terni Amelia Palazzo Venturelli1. Hutzel, Max 1960-1990 Post-medieval: Palazzo built by Cardinal Venturelli in 15th century by Antonio da Sangallo on remains of a roman palace from 1st century B.C. Roman mosaic floor. Frescoes, stucco decorations. A few exterior views, several views of cellar that focus on mosaic floor and many views of Salon of the Venturelli Cardinals, including furniture, floors, ceiling, and frescoes. General Notes: No entry for Palazzo Venturelli in TCI; information from Hutzel's notes and attributions. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Ital

The Four Seasons second quarter 18th century After a composition by Antoine Watteau French The engravings by Boucher after Watteau which inspired this screen appear in the works of Watteau, "L'Oeuvre.. Gravé d'après ses Tableaux & Desseins origineaux. .par les Soins de M. de Julienne", Paris, n.d. vol. 3, pl. 56-60 (for an example of which, see 28.113 in the Metropolitan Museum's Department of Prints and Drawings).. The Four Seasons. After a composition by Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne) engraved by Boucher. French. second quarter 18th century. Canvas, painted in oil, with damask backing. Paintings-Decorative

Antwerp, Maes, Joseph, Sculptures, XVIth century, Four oak reliefs with a figure and grotesques from the guild house of the archers in Antwerp, Belgium, recto - stamped, photomechanical print, page, photographs, photographically illustrated books, SCULPTURES decorant des, recto - printed, SCULPTURES. - PL. 13., JJvY, height 296 mm, width 200 mm, photographer, 1882 - 1887, paper, collotype, photolithography, Belgian, 1838 - 1908, clichémaker, Work conception

astrology horoscope of a rich man,. woodcut by Anton Woensam Worms 1531,

Frisian with a bust, leaf vines and two children, Heinrich Aldgrever, 1539 print Frisian with the bust of a man with a crown, surrounded by a laurel wreath, between two lying children and leaf vines. Germany paper engraving ornament derived from plant forms. historical persons (portraits and scenes from the life) (+ (full) bust portrait)

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)72. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Vatican City, Papal Court, Rome, Rossi, Giovanni Giacomo de', Cortona, Pietro da, Italy, Barberinae Aulae Fornix, Ceiling paintings in the salon of the Palazzo Barberini, Prudentiae symbola. et. exempla, Vault decoration from Pallazzo Barberini, verso - stamped, Part of the vault decoration in the salon of Palazzo Barberini with an allegory of prudence (Prudentia), with bears, winged figures and a medallion with a representation of Quintus Fabius Maximus Cunctator., print, prints, height 360 mm, width 359 mm, print maker, printmaker, 1692 - 1762, paper, papier, engraving, engraving (printing process), Italian, 1596 - 1669-05-16, after a painting by, Publication (Event), Publication, 1627 - 1691, publisher, granter of privilege

Boreas abducting Orithyia. Houasse, René-Antoine (French, 1645-1710) (author of design) painter c. 1690-1770 Tapestry Dimensions: H 11'6" x W 13'6" Tapestry Materials/Techniques: wool & silk Culture: French Weaving Center: Beauvais Related Works: Compositionally similar tapestry (same cartoon): GCPA 0243651 (The Fine Arts Museums of San Francisco)

Susruta. Pen drawing.

Marches Macerata San Severino Marche Pinacoteca Civica. Hutzel, Max 1960-1990 The collections include: a silver reliquary (1326), a relic of Pope Peter Celestini V, a silver plate, a 13th-century clothes chest illustrating a medieval legend, a globe with constellations/signs of the zodiac, fresco fragments by the Salimbeni brothers, a fresco of St. Francis receiving the Stigmata from the church of S. Francesco in Castello (now destroyed), a fresco of St. Anthony Abbot, elaborate polyptychs by Veneziano and Salimbeni, an ivory chest with secular imagery, and various altarpieces and paintings. Of exceptional quality are paintings by Bernardino Mariotto of the Annunciation and the Pieta, and an altarpiece of the Madonna and Child Enthroned with Saints by Vittore Crivelli. Object Notes: Hutzel photo campaign date: April 11, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by

Domenico Bonavera (aka Domenico Bonaveri) (Italian, ca. 1640 - ca. 1700). Plate 1 from the set of Twelve Ornament Friezes, ca. 1670. Etching. Plate: 278 mm x 116 mm (10.94 in. x 4.57 in.).

The shopfront of the truss-maker Timothy Sheldrake, at No. 50 The Strand, London; royal coat of arms above the bay window. Engraving by T. Medland, ca. 1820.

Abruzzo Alanno Madonna delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, frescos (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pleased Gouda, Jan Toorop, 1897 print Made on the occasion of the visit of Princess Wilhelmina to Gouda. Rear right portraits of Princess Wilhelmina and Queen Regents Emma. The women in the foreground wear attributes that have to do with various Gouda industries. paper queen. paying tribute to a ruler Gouda

Album at the National Huldebulent at the marriage of Prince He4ndrik and Princess Maria, 1878, Anonymous, 1879 - 1880 print Album added to the National Huldebulent. Part of the souvenir at the marriage on 24 August 1878 consisting of a series of eight prints plus an accompanying booklet. Netherlands paper (civil) marriage ceremonies. wedding-gift

Illuminated Page Haidarabad Telinganeh (Golkonda). Illuminated Page, 17th century. Watercolor and gold on paper, 7 5/8 x 4 1/8in. (19.4 x 10.5cm). Asian Art 17th century

Anonymous, engraving (dummy title). Houses of Victor Hugo Paris - Guernsey.

Photograph, Abundantia Maris; Designed by Kenyon Cox (American, 1856-1919); Photographed by Unknown; USA; 1959-69-152

Hammer portal of the cathedral of Tarragona, vintage engraving. Hammer portal of the cathedral of Tarragona, vintage engraved illustration. Magasin Pittoresque 1869. Copyright: xZoonar.com/PatrickxGuenettex 10678453

St. Mark's - Vestibule - A Cherub. Carlo Naya (Italian, 1816 - 1882)

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo29. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

PORTRAITS FROM LIKENESSES OF THE TIME OF THE PHARAOHS. Egypt, engraving 1879

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