Baroque Decorative Art Photography

Photographs documenting the ornate ceilings and frescoes of Italian palaces, revealing intricate designs and rich historical detail from the Baroque period.

Portière of fame. Le Brun, Charles (French, 1619-1690) (author of design) painter Yvart, Baudouin (French, bef. 1611-d. 1690) (cartoon creator) painter c. 1660 Tapestry Dimensions: H 2.85 x W 2 m Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Charles M. FFoulke coll. French & Co. Private coll., New York. France, Paris, Paris, Galerie Charpentier, March 20, 1959, lot 142. Cartouche with arms of Colbert flanked by 2 female allegorical figures (=Victory & Fame) holding mantle; 2 cherubim hold crown at top; bird (L) & lion (R) at bottom; scene enclosed by egg-&-dart frame (BRD) laurel & oak leaf garland, tied ribbons in corners; (UPR & LWR BRD) centered by tied ribbons 2nd version of composition, modified for Colbert. No French & Co. stock sheet in archive, no stock number Fénaille, Gobelins 2 (1903-1923), 1-8 Ffoulke, Collection of Tapestries (1913), 234-35, ill. French & Co., Tapestry collection of Charles M. Ffoulke, n.p., ill. Göbel, Wan

Lazio Viterbo Caprarola Palazzo Farnese95. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese72. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portière of fame. Le Brun, Charles (French, 1619-1690) (author of design) painter Yvart, Baudouin (French, bef. 1611-d. 1690) (cartoon creator) painter c. 1660 Tapestry Dimensions: H 2.85 x W 2 m Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Charles M. FFoulke coll. French & Co. Private coll., New York. France, Paris, Paris, Galerie Charpentier, March 20, 1959, lot 142. Cartouche with arms of Colbert flanked by 2 female allegorical figures (=Victory & Fame) holding mantle; 2 cherubim hold crown at top; bird (L) & lion (R) at bottom; scene enclosed by egg-&-dart frame (BRD) laurel & oak leaf garland, tied ribbons in corners; (UPR & LWR BRD) centered by tied ribbons 2nd version of composition, modified for Colbert. No French & Co. stock sheet in archive, no stock number Fénaille, Gobelins 2 (1903-1923), 1-8 Ffoulke, Collection of Tapestries (1913), 234-35, ill. French & Co., Tapestry collection of Charles M. Ffoulke, n.p., ill. Göbel, Wan

Lazio Viterbo Bagnaia Villa Lante45. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante70. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese03. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Maria in Vallicella3. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante73. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Palazzo Quirinale2. Hutzel, Max 1960-1990 Post-medieval: Tapestries. (Also decorative furniture, etc.). General Notes: No information sheet provided by Hutzel, tapestries not mentioned in TCI. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante76. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante15. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese16. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copper engraving and etching by Bartholomäus Kilian from 1676 depicting a Thesenblatt with inscriptions and ornamental details in 17th-century style.

Lazio Viterbo Viterbo Sanctuary of S. Maria della Quercia89. Hutzel, Max 1960-1990 Extensive coverage of Renaissance sanctuary's exterior, with emphasis on the church portals. Several views of bell tower. Interior views of nave and altar, aisles, ceiling and cupola, tabernacle containing the miraculous tile, paintings, sacristy, choir, holy water font. Views of main cloister and cistern. General Notes: Two sets of prints fused into single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Caserta Palazzo Reale29. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rome Palazzo Mattei di Giove0. Hutzel, Max 1960-1990 Post-medieval: Painting, fresco painting, stucco, architecture. Antiquities: Roman sculptural and architectural fragments. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pergola with urns of flowers in intercolumnations and two geese pecking at ground. unknown c. 1650 Tapestry Dimensions: H 8'1" x W 7'2" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. sold to Mr. C. Cornelius K. G. Billings 5/20/1910. French & Co. received from Mrs. Myron Borg 7/9/1954; returned 10/13/1954.

Abruzzo Alanno Madonna delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, frescos (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese82. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Albrecht II, German king.

Campania Caserta Capua Chiesa dell'Annunziata1. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

Planche 43: Voute de la galerie. Description des bains de Titus, ou, Collection des peintures trouvées dans les ruines des thermes de cet empereur, Félice, Fortuné Barthélemy de, 1723-1789, Ponce, Nicolas, 1746-1831, Engraving, 1786, located on page 73, from an 18th century French edition of Roman mural paintings and decorations.

Don Quixote, through Sancho, asks permission of the Duchess to see her. Coypel, Charles-Antoine (French, 1694-1752) (author of design) painter Belin, Jean-Baptiste II (French, 1688-1730) (author of design, alentour) painter Audran, Claude III (French, 1658-1734) (author of design, alentour) painter Desportes, Alexandre-François (French, 1661-1743) (author of design, alentour) painter Jacques, Maurice (French, 1712-1784) (author of design, alentour) painter Boizot, Antoine (French, 1702-1782) (cartoon creator) weaver 1771-1773 Tapestry Dimensions: H 10' x W 11' Tapestry Materials/Techniques: wool & silk Culture: French Weaving Center: Paris Ownership History: Given to Cardinal de la Roche-Aymon, Archbishop of Reims by Louis XVI (1774). Don Francisco of Assisi coll., Château d'Epinay, France (1882-). John Pierpont Morgan coll., New York. French & Co. purchased from the Morgan coll. 4/22/1917; sold to Mrs. F. Fitz E. Eugene Dixon 1/17/1923 SS 7007. French & Co. received from Mrs. Eleanor

Lazio Roma Rome S. Croce in Gerusalemme85. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese55. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Terni S. Maria dell'Oro, Convent church5. Hutzel, Max 1960-1990 One exterior view of this 15th-century convent church rebuilt in the 17th century. Interior views focus on the coffered ceiling; a saint or friar is painted on each coffer. Also views of paintings and a crucifix. Negatives show immured relief sculpture, perhaps Roman spolia. Object Notes: Hutzel photo campaign date: 9/29/82 General Notes: This monument is discussed in Hutzel's notes "Terni - Konvent di S. Maria dell'Oro" but does not appear in TCI. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then

Umbria Perugia Trevi Collegio Etiopico Pontificio6. Hutzel, Max 1960-1990 The three exterior views of the Renaissance building (16th century) include the Carrara coat-of-arms and a plaque above the portal which indicate that this collegio was formerly the Palazzo Carrara and later also the residence of Cardinal Johannes Hais. Most views, however, are of the frescoed ceilings by Zuccari and Pietro da Cortona. Subjects include landscapes, allegorical figures, Apocryphal and Old Testament stories (Susanna and the Elders, Samson and Delilah, Joseph and Potiphar's wife, Daniel), saints, landscapes, putti, and illusionistic frames. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesq

Armorial portière. Clerc, Jerome le (Flemish, act.1677-d.1718) (workshop, attr.) weaver c. 1690-1710 Tapestry Dimensions: H 12'6" X w 10'3" Tapestry Materials/Techniques: metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Mm. Hamburger coll., Paris. French & Co. purchased from Felix Gouled, invoiced 5/14/1936; business transacted with Stanley Harte 4/1/1941 & 11/27/1942 SS 40159. French & Co. purchased from Stanley Harte, n.d. SS 75208. Inscriptions: City mark on lower guard, right of center only partially visible on GCPA 0236272 Inscriptions: Woven signature in lower guard, right: LE CLERC not visible on GCPA 0236272 Coat of arms of noble knight of Golden Fleece arms of Visconti-Arese family surmounted with crown, supported by figures of Fame with trumpets (center, suspended in air); landscape scene (center, background); coat of arms enframed by architectural structure with putti & cherubim, large vases, female statue-columns, garlands of flowers; ca

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)91. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Campania Napoli Naples S. Lorenzo Maggiore05. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

The American Centennial | Library of Congress

Oval medallion with battle between children on goats and herons, 1610 - 1615 print Unnumbered magazine from series of 10 magazines with designs for jewelry. print maker: France (possibly)after design by: France (possibly)publisher: Paris (possibly) paper engraving

May and June (part of a set illustrating the months of the year) second quarter 18th century Follower of Antoine Watteau French One of a set of panels (22.225.1-.6) which probably formed a set of decoration for a room. Each panel represents two months of the year, depicting astrological signs and occupations appropriate to the seasons. May and June are represented by a fête champêtre, above, and a shepherdess, below.. May and June (part of a set illustrating the months of the year). Follower of Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne). French. second quarter 18th century. Oil on canvas; wood frame, painted yellow and gilded

Lazio Roma Rome S. Giuseppe dei Falegnami9. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, reliefs Connected with Carcero Mamertino where St. Peter was imprisoned before his Crucifixion German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Woodcut from Albrecht Dürers workshop depicting the inner left-wing couple at the capital of the honorary gate for Emperor Maximilian I, executed on pear wood in 1515.

INLAID CABINET, DESIGNED BY GRUNER, BY MESSRS, DOWBIGGIN

Umbria Terni Amelia Palazzo Venturelli7. Hutzel, Max 1960-1990 Post-medieval: Palazzo built by Cardinal Venturelli in 15th century by Antonio da Sangallo on remains of a roman palace from 1st century B.C. Roman mosaic floor. Frescoes, stucco decorations. A few exterior views, several views of cellar that focus on mosaic floor and many views of Salon of the Venturelli Cardinals, including furniture, floors, ceiling, and frescoes. General Notes: No entry for Palazzo Venturelli in TCI; information from Hutzel's notes and attributions. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Ital

Umbria Perugia Trevi Collegio Etiopico Pontificio3. Hutzel, Max 1960-1990 The three exterior views of the Renaissance building (16th century) include the Carrara coat-of-arms and a plaque above the portal which indicate that this collegio was formerly the Palazzo Carrara and later also the residence of Cardinal Johannes Hais. Most views, however, are of the frescoed ceilings by Zuccari and Pietro da Cortona. Subjects include landscapes, allegorical figures, Apocryphal and Old Testament stories (Susanna and the Elders, Samson and Delilah, Joseph and Potiphar's wife, Daniel), saints, landscapes, putti, and illusionistic frames. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesq

'Christmas of the Past, 1580', (1859). Creator: Unknown.

Campania Caserta Teano Cathedral5. Hutzel, Max 1960-1990 Medieval: Built 1116, remodelled by Andrea Vaccaro in 1630, restored in years following damage in second world war. Includes re-used Roman capitals. Architecture, architectural sculpture; sculpture including painted wooded crucifix (c.1330-31) and pulpit (13th century) with mosaic and relief. The Cripta di S. Paride acts as a small museum containing roman, medieval, and modern marble. Post-medieval: Choir stall (MCMLVII); paintings by Francesco de Mura in the Cappella di S. Paride; marble fragments from the Cripta di S. Paride Antiquities: spolia Object Notes: Originally dedicated to S. Terenziano, now dedicated to S. Clemente German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etr

Children playing with dog. Boucher, François (French, 1703-1770) (designed after, perhaps) painter c. 1770-1790 Tapestry Dimensions: H 8'9" x W 5'9" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Alberto Cruz ("exchange bill 36562-6/1/1961"); sold to American Foreign Trade Development 8/13/1963 SS D-575. French & Co. received from American Foreign Trade Development Co. through M. Samuels 8/20/1963; returned 1/3/1964 SS G-98-x. In ribbon-suspended medallion (ALENTOUR) trellis ground with rosettes in lozenge openings, decorated with festoons French & Co. stock sheet in archive, D-575 French & Co. stock sheet in archive, G-98-x Related Works: Panels in set: GCPA 0238863, 0238870

Lazio Roma Rome Palazzo Quirinale. Hutzel, Max 1960-1990 Post-medieval: Tapestries. (Also decorative furniture, etc.). General Notes: No information sheet provided by Hutzel, tapestries not mentioned in TCI. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Capua Chiesa dell'Annunziata4. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

Lazio Viterbo Bagnaia Villa Lante11. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Large Cartouche with a performance by Hercules that kills Antaeus, Pieter van der Heyden, After Jacob Floris, 1566 print Both at the bottom left and bottom right, a Herme pees in a pot. Shaded background. Leaf from series consisting of a title page and 15 of the 16 magazines with cartouches with biblical and mythological representations in a frame of rolling and grotesken. Netherlands (possibly) paper engraving

Lazio Rieti Rieti S. Lucia1. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, wooden ceilings with inlay and fresco decoration, carved tabernacle with relief on door, painting. Baroque structure. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante74. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Modern Grotesque Decoration 1557 Johannes van Doetecum I Netherlandish. Modern Grotesque Decoration 408587

Lazio Viterbo Caprarola Palazzo Farnese86. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Antwerp, Plantin, Christoffel, Bol, Hans, Maes, Joseph, Entourage, XVIe Siècle, Reproduction of a print of September from the series Twelve Months after Hans Bol, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, ENTOURAGE tiré du, recto - printed, LITT. E. - PL. 13, JJvY, height 196 mm, width 237 mm, photographer, 1875 - 1880, paper, papier, photolithography, fotolithografie, Belgian, 1838 - 1908, cliché maker, Work conception, after print by, 1534 - 1593-11-20, after design by, 1514 - 1589-07-01

Schede met control, strength en justice c. 1500 - c. 1600 print At the bottom is Temperantia, above that is Fortitudo and at the top is Justitia. Germany (possibly) paper engraving

Pulpit; Johann Jacob Schüblers Neundte Ausgabe Seines Vorhabenden Werchs, Worons Vorgestellet became Sechs Neue Inventions von practicablen Cantzeln (...). An ornamented pulpit with round stages left and right and a fabric canopy. A five-line German text in the undermarge.

Abruzzo Alanno Madonna delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, frescos (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

February. Orley, Bernart van (Netherlandish (before 1600) - Flanders, ca.1492-1542) (workshop, author of design, attr.) painter c. 1525-1530 Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: French & Co. Mrs. Chauncey McCormick & Mrs. Richard Ely Danielson gave to museum in 1950. United States, Illinois, Chicago, Art Institute of Chicago, accno. 1950.1578. Inscriptions: Inscription in central field at top: FEBRVARIVS (month of February) Inscriptions: Inscription in central field identifying figure upper left corner partially legible in photograph: BOREAS Inscriptions: Inscription in central field identifying figure upper right corner: CIRCIVS (Circius) Wide band creates oval, dividing central field, includes zodiacal signs in medallions, interspersed with 2 figures holding hourglasses, fishes (=Pisces) at top with name of month inscribed underneath; inside band, standing figure of Februa, has rings around head, holds scepter (center, middle ground)

Lazio Roma Rome S. Croce in Gerusalemme21. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore85. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Umbria Terni Amelia Palazzo Venturelli8. Hutzel, Max 1960-1990 Post-medieval: Palazzo built by Cardinal Venturelli in 15th century by Antonio da Sangallo on remains of a roman palace from 1st century B.C. Roman mosaic floor. Frescoes, stucco decorations. A few exterior views, several views of cellar that focus on mosaic floor and many views of Salon of the Venturelli Cardinals, including furniture, floors, ceiling, and frescoes. General Notes: No entry for Palazzo Venturelli in TCI; information from Hutzel's notes and attributions. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Ital

Marches Macerata Camerino Museo Diocesano. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Modern Grotesque Decoration. Artist: Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589); after Cornelis Floris II (Netherlandish, Antwerp before 1514-1575 Antwerp). Dimensions: Sheet: 12 1/8 x 8 3/16 in. (30.8 x 20.8 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1557. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)29. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Upper part Pilaster III, from the Loggie Di Raffaele Nel Vaticano series; Volpato, Giovanni (1740-1803), Rafael (1483-1520); 18th century (1701-00-00-1800-00-00);

Musicians. Bérain, Jean (the Elder) (French, 1640-1711) (style of) draughtsman Monnoyer, Jean-Baptiste (French, 1636-1699) (author of design) painter Béhagle, Philippe I (French, b.1641-d.1705) (workshop) weaver Béhagle, Philippe II (French, d.1733) (workshop) weaver Mérou, Noël Antoine de (French, act.1722-1734) (workshop) weaver c. 1688-1732 Tapestry Dimensions: H 8'10" x W 6'6" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Beauvais Ownership History: French & Co. purchased from H.S. de Souhami 11/24/1913; sold to H. McBride 6/11/1921. Architectural screen framing scene with small, draped table with music books flanked by man playing viola & woman playing triangle, beneath elaborate curved canopy; musicians are flanked by platforms with plants in jardinieres; on top of the architectural screen are suspended musical trophies (BRD) picture-frame border This series comprises six pieces: 3 wide, horizontal panels & 3 upright ones. French & Co. stock sheet in arch

Umbria Terni Amelia Palazzo Petrignani2. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Palazzo Venezia5. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, sculpture, stucco, gilding, architecture, tapestries Antiquities: Sculptural fragment Object Notes: Cortile, above all interesting for Roman, early medieval and Renaissance monuments, sarcophagi, fountain settings, statues, portrait busts, etc. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante75. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portière with quartered coat of arms supported by crowned eagle. unknown c. 1550-1600 Tapestry Dimensions: H 9'7" x W 8'1" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. Within acanthus-framed oval (BRD) military trophies including armor, cannons, rifles, standards & spears French & Co. stock sheet missing from archive, 4013 French & Co. stock sheet missing from archive, 9785

Quarts de plafons. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Lepautre.

Paul and Virginie” Furnishing Fabric, Paul et Virginie, Paul and Virginie Made 1810-1820 , Made 1818-1830 Jouy-en-Josas (Object made in), France (Object made in). Cotton, plain weave; engraved roller printed . Jean Michel Moreau, the Younger , Oberkampf Manufactory (Manufacturer) , Charles Melchior Descourtis (Engraver) , Jean Frederic Schall , Charles Abraham Chasselat , Tony Johannot (Engraver) , Bernardin de Saint-Pierre (Creator of work depicted)

Umbria Terni Narni S. Domenico82. Hutzel, Max 1960-1990 Medieval: 1965 photos, 29 Architecture, architectural sculpture (12th century); Wall painting (13-16th century); Mosaic, cosmati style pavement (c. 1200) 1986 photos, 44 Architecture, architectural sculpture, cosmati pavement, sculpture. Post-medieval: 1965 photos, 56 Frescoes, painting (13-16th century); sculpture (14-16th century) 1986 photos 167 Frescoes, painting, sculpture, metalwork Antiquities: 1986 Weaponry Object Notes: Church deconsecrated and modified for use as museum, 1970 General Notes: Bibliographic material sent, Getty Center library () German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaiss

Emilia-Romagna Ferrara Ferrara Palazzo dei Diamanti4. Hutzel, Max 1960-1990 Post-medieval: Many views of facade, sides, and courtyard of 16th c. structure, including detailed views of windows and architectural sculpture, portal leading into courtyard and colonnade, capitals, portals, and sculpture inside courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Table cover last quarter 16th century British. Table cover 223055

Drawing (Italy)

Lazio Viterbo Caprarola Palazzo Farnese243. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Part of a panel ornament French 18th century View more. Part of a panel ornament. French. 18th century. Gilt bronze. Metalwork-Gilt Bronze

Copper engraving and etching by Bernard Baron depicting Briseis being returned to Achilles, created in 1724, showing mythological figures and narrative scene.

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra51. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese52. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Velletri Museo Capitolare5. Hutzel, Max 1960-1990 Medieval: Breviaries (two, 14-15th century); "The Passion" on vellum (French school, late 13th century); reliquaries. Post-medieval: Paintings, frescoes, vestments, sculpture, metalwork, panel painting Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign dates: one undated, another November 9, 1985. It is likely that notes for the Pinacoteca Cattedrale (no separate Hutzel entry) describe items under this heading. TCI seems to indicate that the Museo Capitolare is adjacent to the cathedral. As well, some prints are missing; the initial Hutzel entry indicates that there are 422 prints. At this count, I can find 142. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, inclu

Campania Caserta Caserta Palazzo Reale31. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Piece 1780-90 French. Piece 226361

Bénitier French 18th century View more. Bénitier. French. 18th century. Gilt bronze. Metalwork-Gilt Bronze

Palombi Mosaic, Napoli Museo Nazionale. Giorgio Sommer (Italian, born Germany, 1834 - 1914)

Grafzerk of the Van Adrichem family, Pieter Jacobus Mulder, 1846 - 1881 print Grafserk of the Van Adrichem family in the Academy Building in Leiden. Sculpture with two allegorical female figures and coats of arms and helmeted coats of arms in niches between columns. In the middle of it: 1/9 of the true size. Leiden paper grave, tomb Academy building

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"04. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Terni Palazzo Carrara6. Hutzel, Max 1960-1990 Post-medieval: Architecture (17th century); Frescoes (17th century); coffered wooden ceiling Antiquities: Roman sarcophagi, cinerary urn, gravestones, lions, and an inscribed plaque from Terni's amphitheater. (All located on the ground floor of the Palazzo Carrara). Object Notes: Unable to locate any negatives for these prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Caserta Palazzo Reale20. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Girl feeding chickens. Boucher, François (French, 1703-1770) (author of design or designed after) painter Neilson, Jacques (French, b.1714-d.1788) (workshop) weaver 1767 Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Sold at unknown auction, lot 68, n.d. Inscriptions: Woven signature in lower field, right: Neilson 1767 (date not visible in photo) Young girl feeds rooster, chicken & chicks, in rustic setting; scene enclosed by floral wreath Firescreen. Fénaille, Gobelins 4 (1903-1923), 407 Standen, Tapestries in the Metropolitan 1 (1985), 405-07 Göbel, Wandteppiche II:1 (1928), 197

Couple dancing. Huet, Jean-Baptiste (French, 1745-1811) (author of design) painter De Menou (French, act. 1780-1793) (workshop) weaver c. 1780-1790 Tapestry Dimensions: H 2.95 x W 2.20 m Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Edward Tuck coll. France, Paris, Paris, Musée du Petit Palais. Inscriptions: Woven monogram & city mark in field, lower right corner: fleur-de-lys DM.BEAUVAIS (obscured in photograph) Dancing woman with outstretched arms, holding basket of flowers in her R hand & wreath in her L hand, with dancing man behind her, seated woman with dog watches dancers & raises flower to her face on L, another dog jumps up towards bird in garland forming outer border on R, 2 children watch dancing couple from behind low fence, suspended bird cage in tree behind couple (BRD) scene framed by stylised palm trees with flowers growing at base; drapery, floral garland & tassels on cords looped around palm

Lazio Roma Monterotondo Cathedral. Hutzel, Max 1960-1990 Post-medieval: Architecture 17th century; frescoes 17th century; sculpture. Two views of facade and one of flank; interior views of nave, organ, and altars; many views and details of frescoes, paintings, and Roman sarcophagus that serves as altar. Antiquities: Roman sarcophagus German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Twee kandelabers, in or after 1648 print Leaf with two performances of Kandelabers. On the left a candlestick with weapons, shields and vases. On the right a candlestick with weapons and parts of a harness. The left performance is above the right show. Together they form one Kandelaber. print maker: Italyafter drawing by: Italypublisher: Rome paper etching ornament ~ candlestick

Portrait of Joseph I. Christoph Elias Heiss; German, 1660-1731. Date: 1701. Dimensions: 340 × 235 mm (plate); 372 × 265 mm (sheet). Mezzotint on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Umbria Perugia Arrone S. Maria0. Hutzel, Max 1960-1990 Views of the exterior, interior naves, and extensive coverage of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portière with chariot of triumph. Le Brun, Charles (French, 1619-1690) (author of design) painter Yvart, Baudouin (French, bef. 1611-d. 1690) (cartoon creator) painter Lacroix, Jean de II (French, ca.1640-d.1714) (workshop) weaver La Fraye, Jean de (French, d.1730) (workshop) weaver Souet, Jean (French, act.1653-1724) (workshop) weaver c. 1699-1717 Tapestry Dimensions: H 11'8 3/4" x W 9'1 3/8" Tapestry Materials/Techniques: wool & silk (warp: 20-22/inch, weft: 84-112/inch) Culture: French Weaving Center: Paris Ownership History: Made for Louis XIV. Garde-meuble (1717). Madame Fulco de Bourbon coll., Patterson, New York. Michael de Bourbon coll., Pikeville, Kentucky. Purchased by J. Paul Getty Museum (1983). United States, California, Los Angeles, J. Paul Getty Museum, accno. 83.DD.20. Cartouche with arms of France & Navarre set on chariot decorated with armor & trophies; chariot set within niche with 2 cherubim at top & hung with blue fabric with gold fleur-de-lys pattern (BRD) guilloc

Lazio Viterbo Caprarola Palazzo Farnese01. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Stove tile 18th century Russian. Stove tile 192925

Dresden, Bodenehr, Moritz, France, Berain, Jean (le Vieux), Germany, Panels with grotesques, Modern grotesques with Chinese ruler, Sheet 12 from a series with reduced copies of prints from series with grotesque panels by Jean Berain., print, ornament print, prints, ornament prints, height 184 mm, width 158 mm, German, 1665 - 1749, print maker, printmaker, 1675 - 1748, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, Work conception, French, 1640-06-04 - 1711-01-25, after a design by, Publication (Event), Publication, publisher

Umbria Perugia Bevagna SS. Domenico e Giacomo4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila S. Giuliano S. Giuliano8. Hutzel, Max 1960-1990 Two exterior views and numerous interior views, including altars, sacristy, and paintings; several views of the cloister with intensive coverage of the lunette frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Pescara Citta Sant'Angelo Collegiata di S. Michele3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14-15th century) Post-medieval: Architecture, architectural sculpture, sculpture, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Velletri S. Clemente, Cathedral6. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death.

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