Baroque Religious Art

Intricate copper engravings illustrating biblical scenes and figures, showcasing rich details and religious iconography from the Baroque period.

Christ runs over the water, Jacques Callot, 1608 - 1611 print Christ stands on the water and gives Peter, who threatens to sink in the waves, a hand. The other disciples watch from a boat. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print. Rome paper engraving Christ saves Peter from drowning

Copper engraving and etching by Antoine Masson from 1651-1700 depicting Mary in the sky, illustrating Baroque religious iconography and detailed composition.

Saul at the witch of Endor, Quiryn Fonbonne, After Bernard Picart, c. 1690 - c. 1757 print paper engraving / etching the ghost of Samuel appears to the witch of Endor; Saul falls prostrate to the ground

. Maria is with the Christ child on a cloud cover. In the air above, the Holy Spirit appeared in the form of a pigeon, left and right angels with laurel wreaths. On the ground among the clouds are the Saints Sebastiaan, Francis of Assisi, Antonius van Padua, Petrus, Nicolaas and Catharina. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

Christ runs over the water, Jacques Callot, 1608 - 1611 print Christ stands on the water and gives Peter, who threatens to sink in the waves, a hand. The other disciples watch from a boat. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print. Rome paper engraving Christ saves Peter from drowning

Copper engraving and etching by Grégoire Huret from 1626-1670 showing Mary with the body of Christ and God, depicting religious figures and iconography.

Annanciatia, Jean Audran, 1679 - 1756 print print maker: Francepublisher: Paris paper engraving / etching the Annunciation: Mary kneeling - AA - Mary to the left, the angel to the right

Copper engraving and etching by Grégoire Huret between 1626 and 1670 depicting Mary with the infant Jesus on a globe, accompanied by a godfather figure.

A copper engraving by Aegidius Sadeler the Younger depicting the grave of Christ, created in 1593, illustrating the entombment scene with figures from the New Testament.

Copper engraving and etching published by Pieter Nolpe depicting the acceptance of the cross, created between 1630 and 1652.

Kruisiging, Charles François Hutin, 1764 print Crucifixion. With Maria, Johannes and Maria Magdalena at the foot of the cross, two Roman soldiers on the right. paper etching comprehensive representations of the events on Golgotha during Christ's hanging on the cross, no particular event emphasized. crucified Christ with Mary, John, and Mary Magdalene. bystanders at the foot of the cross, among whom Mary, Mary Magdalene and John the Evangelist; Mary may be shown swooning

Copper engraving by Pieter de Bailliu depicting the mystical wedding of Saint Katharina of Siena, showing religious symbolism, attire, and gestures in a 17th century composition.

Saint Andreas and a kneeled sacred seated on a cloud; Ascension of Maria. Saint Andreas and a kneeled sacred seated on a cloud. They are surrounded by angels.

Adoration by the Kings, Etienne Fessard, After Charles Joseph Natoire, 1752 print publisher: Parispublisher: Parispublisher: ParisFrance paper etching / engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Copper engraving by Schelte Adamsz. Bolswert showing the crucifixion of Christ, created 1635-1678.

Raphael, Photographic reproduction of an engraving after The Transfiguration by Raphael in the Vatican, photograph, photo, reproduction, page, photos, photographically illustrated books, height 205 mm, width 137 mm, photographer, 1863 - 1868, photographic paper, photo paper, albumen print, albumine print, Work conception, after a print by, 1483-04-07 - 1520-04-07

Copper engraving by Cornelis Galle the Younger showing St. Thomas Aquinas dressed by angels, with Mary and the Christ child appearing in heaven, dated 1627-1678.

. The second belief article: faith in Christ as the son of God. Christ shows his divine being to his pupils Petrus, James de several and John. He is surrounded by heavenly rays. Moses (right) and the prophet Elijah (left) appear next to him. The print has a Latin inscription with a Bible quote that refers to the illustrated Bible story and a Latin caption on the apostolic creed. The second print in a twelve-part series about the credo.

Stigmatisatie Van Heilige Franciscus, Pietro Monaco, After Giovanni Battista Tiepolo, 1717 - 1763 print The Holy Francis of Assisi, seen on the back, receives the cross wounds of a crucifix that appeared above him in the sky. In front of him are putti who hold up a book. Text in STUDMARGE. Italy paper etching founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata. stigmatization of St. Francis of Assisi: in retreat on Mount Alverna, he beholds a vision of Christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of Christ. cupids: 'amores', 'amoretti', 'putti'

Transfiguration on the mountain tabor. Christ floating in a beam of light. In addition to him Elia and Moses, as symbols of the old law. The apostles are on top of the mountain in the blinding light. At the foot of the mountain another scene with the apostles in conversation with the scribes. A father brings his sick son to Christ to heal him. Bible reference in undermarge.

Ascension of Christ, Balthasar Bernards, After Champagne, c. 1711 - c. 1720 print Christ rises to heaven. The apostles and Maria kneel on the floor and look up at him. Amsterdam paper engraving Christ ascends into heaven; apostles (and Mary) beneath

Cross instration. Numbered at the top right: 99.

Copper engraving by Peter Paul Rubens depicting Saint Francis of Assisi receiving the stigmata, showing Francis in religious attire with celestial symbols, created in the seventeenth century.

Drawing, Altar with Cr che; Italy; pen and brown ink, gray wash on white laid paper; 36.3 x 23.8 cm (14 5/16 x 9 3/8 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)

Crucifixion with Johannes, Maria and Magdalena at the foot of the cross, Pierre Daret, after Simon Vouet, 1638 print print maker: ParisFrance paper engraving crucified Christ with Mary, John, and Mary Magdalene

Jacques Callot (1592-1635). "The paintings of Rome, Jesus and Saint Peter on the waters". Chisel. 1608-1611. Museum of Fine Arts of the City of Paris, Petit Palais. 99594-8 Burin, Gravure

A copper engraving and etching by Matthäus Greuter from 1580-1638 depicting Christ on the cross, showing detailed anatomy, attire, and symbolic elements of the Passion.

Ascension Bertin, François Edouard (1797 1871), Galaniani

Christ in the Hof van Getsemane, Jan Wandelaar, 1725 print Christ prayed to God. Peter and the two sons of Zebedee sleep in the front. At the top right state: page: 118. North Netherlands paper etching / engraving Christ's prayer in the Garden of Gethsemane during the night

The angel leaves Tobias and his family. The angel Rafael disappears between the clouds and overlooks his shoulder to Tobias and his family standing in front of the door of their house with folded hands. The old Tobit was knocked down on the ground.

Copper engraving and print by Philipp Kilian depicting Archangel Raphael, showing the angel with traditional wings, attire, and symbolic attributes.

Fara, saint.

Transfiguratie, August Friedrich Spieß, After Rafaël, 1816 - 1855 print print maker: Münchenafter painting by: Rome paper steel engraving the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36)

Engraving by Anthonis van Dyck depicting the Crucifixion of Christ, produced between 1744 and 1793, showing biblical figures and crucifixion scene details.

Jesus dies on the cross; Skala, Joseph, Führich, Joseph Von (1800-1876); 1830 (1801-00-00-1900-00-00), 1836 (1836-00-00-1836-00-00);

Christ en H. Anthony, Michel Dorigny, after Simon Vouet, 1640 print paper engraving / etching temptations of St. Antony Abbot

Copper engraving by Cornelis Bloemaert depicting the Assumption of Mary, created in 1623. The composition shows Mary ascending with angels surrounding her.

Moses with the tables of the law.

Baptism of Christ, Lucas Kilian, After Hans Rottenhammer (I), 1589 - 1615 print Text in Latin in the lower margin. Venice paper engraving baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends (+ Holy Ghost (as dove))

H. Bruno kneeling in a cave, Claude Mellan, 1608 - 1688 print France paper engraving the founder of the Order of the Carthusians, Bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s). cave, grotto

Kruisafneming, Coenraet Waumans, after Peter Paul Rubens, after Erasmus Quellinus (II), 1633 - 1673 print The body of Christ is taken from the cross by Nikodemus and Joseph. Maria and Maria Magdalena help them. The crown of thorns is at the foot of the cross. In the margin a three -faced caption with an assignment in Latin. Antwerp paper engraving descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Copper engraving by Jeremias Falck depicting the crucifixion of Christ, created 1640-1664.

S. Timon, diacre (St. Timon, Deacon), April 19th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Timon, diacre (St. Timon, Deacon), April 19th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Copper engraving by Schelte Adamsz. Bolswert depicting the ascension of Christ, created between 1630 and 1645.

Annunciation of N. P. Bertin, François Edouard (1797 1871), Cochin

Baptism of Christ. John the Baptist baptizes Christ in the Jordaan. The Holy Spirit as a flame drops from heaven down (Mar. 1: 9). The print has a Greek, Latin, French, English, German and Dutch caption.

This etching by Heinrich Friedrich Füger, after 1748, shows scenes from The Messiah, highlighting figures, actions, and religious or musical elements in an 18th-century European style.

Transfiguration on the Berg Tabor, Raphael Morghen, after Stefano Tofanelli, After Rafaël, 1768 - 1833 print Christ floating in a jet wreath of light. Next to him Elia and Moses, as symbols of the old law. The apostles are at the top of the mountain in the blinding light. At the foot of the mountain another scene with the apostles in conversation with the scribes. A father brings his sick son to Christ to heal him. Bible reference in Submarga. Italy paper etching / engraving the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36)

Tobias Pock black-brown pen draft showing the Stigmatization of St. Francis for an altarpiece, with white highlights on blue-gray paper, including St. Francis, angels, and stigmata marks.

The four evangelists. The four evangelists in the clouds, along with the apocalyptic animals. An angel with a bazuin blows praise. In the background the Holy Spirit as a pigeon and the Lamb of God. The print has a Greek, Latin, French, English, German and Dutch caption.

Etching by Jean Thouvenin, created between 1780 and 1828, depicting Christ accepting the Cross in the Dotier manner with detailed human figures and religious iconography.

17th-century copper engraving and etching by Jeremias Falck depicting Christ on the Mount of Olives, highlighting religious figures and detailed composition.

Cross -facing, Jean Baptiste Pierre Michiels, After Peter Paul Rubens, 1831 - 1890 print paper etching the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38). raising of the cross to which Christ is nailed already

Allegorical performance on the alliance between Great Britain and France, 1801, Johannes Huibert Prins (Possible), after Johannes Huibert Prins, 1801 print Allegorical representation on the alliance between Great Britain and France, 1801. In the middle, the virgins of Great Britain and the French Republic reach each other above an altar through a snake ring, which is held by a winged freedom. The whole is lit by the light from a sun with tetragrammaton. Above freedom, a putto with a palm branch and a winged fame flies on a horn. On the left, for a castle, the Dwingelandij is driven away, a rising sun on the right. paper etching alliance, league, union, foedus. Freedom, Liberty; 'Libertà' (Ripa). tetragram (in Roman or Hebrew script) ~ symbol of God the Father. merchant shipping, shipping trade. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa)

Memorie print for Johannes Hulsius van de Wijnpersse, Jan Willem Pieneman, 1810 - 1853 print Print in memory of the pastor Johannes Hulsius of the Wijnpersse. Landscape with a sarcophagus. A woman and child mourn at the monument. The child holds a paper with the pastor's silhouette portrait. The woman looks up to heaven where a putto points her to the divine light. Northern Netherlands paper grave, tomb and other grave-forms and grave-markers

Title page with Christ and Moses that point to a drapery entitled, Bernard Picart, 1732 print Christ and Moses point to a drapery on which the title in Dutch, flanked by laurel wreaths in which Bible quotes in Dutch. On the steps of the altar faith, hope and love (the three divine virtues). The steps are decorated with reliefs of the crucifixion and the fall. In the air the tetragram (symbol of God the Father) in the midst of heavenly rays and lightning bolts. Amsterdam paper etching / engraving Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues. Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. Christ. Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. tetragram (in Roman or Hebrew script) ~ symbol of God the Father. crucified Ch

Etching by Charles Antoine Rambaldi from 1680-1717 showing Maria in glory, depicted in a religious and devotional context.

The Virgin as Beloved mother above Rachel as loving shepherdess. Engraving.

Lorenz Froelich (1820-1908), Illustration Til "The Dominical Pray", (1863)

Ascension of Christ ..

David shows Saul the piece of his cloak; David showed the slip of Saul's cloak. David prevents his men to kill Saul. He shows the surprised Saul a piece of his cloak that he has cut off earlier. Illustration for the Old Testament, I Sam 24:12. Under the show a title in Hebrew, English, German, Latin, French and Dutch.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)63. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Bishop Athanasius; Les Plat-Fonds Ou Les Tableaux des Galleries / ceilings or gallery pieces. Bishop Athanasius with staff and book; under the octagonal show a text line.

Holy family with John the Baptist with lamb. .

'Das Magnificat' is a copper engraving and etching by Jakob Wangner (1713-1754), representing the biblical canticle with detailed figures and composition.

A copper engraving by Gilles Rousselet between 1620 and 1686 depicting Christ as the Savior of the World, rendered with detailed religious iconography.

Photo production of the painting Christ on the cross between the two murderers, called De Lanssteek, Van Rubens, Anonymous, After Peter Paul Rubens, 1858 - 1866 Photograph. visit card Antwerp paper. cardboard albumen print Longinus pierces Christ's side with a lance. crucified Christ, with particular persons under the cross - DD - the three crosses

Lorenz Froelich (1820-1908), Illustration til "The Lord's Prayer", 1863

H. Nicolaas van Tolentino praying in a dying man, Claude Mellan, 1608 - 1688 print paper engraving historical persons. the Augustine hermit, Nicholas of Tolentino; possible attributes: book, crucifix, (entwined with lilies), lily, (basket with) loaves, two doves (on a dish or flying away), star (on his breast)

Maria -Venhememelopneming, Nicolas de Larmessin (III), 1694 - 1755 print paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

H. Johannes, Claude between, 1608 - 1649 print Numbered in the bottom right: 5. print maker: Francepublisher: Paris paper engraving series of scenes from the life of John the Baptist

Lazio Roma Rome S. Ignazio di Loyola10. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Cross reduction; The decrease in the cross. Cross reduction of Christ. In the foreground thorns, nails, sponge and pelvis. Joseph van Arimathea has been given permission to get the body of the cross. Hjij is helped by the apostle John, Nicodemus and two servants. Left is Maria. Christ's foot rests on the shoulders of Mary Magdalene.

Three Marys at the Tomb Jacques Bellange French. Three Marys at the Tomb 369062

ECCE GOMO; Mock up. Christ is on his head with the thorns. A soldier and a man offer him a cloak and a reed staff. Presentation faced in an oval decorative frame.

Night scene on the street with soldiers, noblemen and monks, Adrien Aubry, 1872 print Brussels paper etching monk(s), friar(s). private soldier. crowd, mob

Jesus Chrystus ukrzyżowany na Golgocie Father forgive them!, Z: albumu Plays the Nederduitsche translation of Klopstock's Messiah by M. Johan Meerman, Lord of Dalem and Vuren: Signed by Fugger and Gerraveerd by John

A stone chalk drawing by Martin Johann Schmidt around 1780 depicting John Nepomuk in prayer after healing, showing gestures, posture, and devotional context with lavated shading.

Proclamation to Maria, Philips Galle, After Anthonie Blocklandt, c. 1577 - c. 1578 print Maria sits on a chair next to a table with books. The angel preaches her the birth of her son Christ. In heaven the Holy Spirit in the form of a pigeon. Next to Maria on the ground a vase with a lily branch. Antwerp paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

The absinthe! In the Boulevart 1862

Copper engraving and etching by Charles Nicolas Cochin the Younger from 1735-1790 depicting Christ healing the sick, illustrating the biblical scene with multiple figures.

Conversion Paw A; Kilian, Philipp Andreas (1714-1759); 1740-1760 (1740-00-00-1760-00-00);

Folkema, Jacob, Resurrection of Christ, verso - stamped, Christ has risen from his grave and stands on a stone with a palm branch in his hand. A number of guards, awakened from their sleep, look up in fright, others shield their eyes from the blinding rays that surround Christ., print, prints, height 178 mm, width 118 mm, Dutch, 1692 - 1767, print maker, printmaker, 1702 - 1767, paper, papier, etching, etsen

Maria with Christ Child on Rijkeappel and two musicing angels; Iesus Maria.

Christ wakes up his sleeping disciples, Jan Luyken, 1700 print A performance in a cartouche of palm branches. Christ in the court of Getsemane. He wakes up the three sleeping students. The soldiers and Judas appear in the background. Under the cartouche the Bible reference Luc. 22:46. Amsterdam paper etching Christ summons the apostles to stay awake and pray ~ Garden of Gethsemane. the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. ornament ~ cartouche

Crucifixion, Pierre Daret, After Simon Vouet, 1638 print paper engraving crucified Christ, with particular persons under the cross

Fourth Creative Day: Creation of sun, moon and stars. God the Father in a landscape with plants and trees. At the top of the sun, the moon and the signs of the zodiac. The print is part of an album.

Archangel Michaël and De Draak, Hieronymus Wierix, 1563 - Before 1619 print Archangel Michael, armed with shield and spear, kills the dragon that lies under his feet. In the background angels who defeat devils in heaven. Antwerp paper engraving the Archangel Michael fighting the dragon (devil, Satan). Michael and his angels fighting against the dragon and his followers; the dragon (Devil, Satan) is cast out of heaven

Seven chapters of monastery people, Leaf for the monastery elimination of Joseph II, Seven chapters from the monastery life, Christoph Toricella, publisher

Lithograph depicting the acceptance of the cross, created by Johann Nepomuk Strixner in 1833.

. Personified virtues faith, hope and love look up to the divine rays that shine from heaven on them. On the left an angel and the personality and vigilance. On a wall the title in Dutch.

S. Nemèse, martyr (St. Nemesius, Martyr), December 19th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Nemèse, martyr (St. Nemesius, Martyr), December 19th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Saint Francis receives the Stigmata. The sacred Francis of Assisi kneeled for a cave on the mountain Alverna. He receives the cross wounds from a crucifix to heaven. Left in the foreground a franciscan that watches. Assignment and Latin text in undermarge.

A copper engraving and etching by Antoine Coypel depicting the Visitation, showing Mary and Elizabeth, created between 1680 and 1722.

Opwekking by Lazarus, Jan Lievens, 1630 - 1631 print Christ praying in the light with closed eyes and the hands folded is at the open grave of Lazarus. To his right, a woman has just pulled the shroud off the grave and watch a number of people. The two hands of Lazarus rise from the tomb. paper etching the raising of Lazarus ('Lazarus, come out')

Raising of Lazarus, Jan Lievens, 1630 - 1631

Saint Philip Neri. Engraving by G.B. Leonetti after L. Agricola.

. The shepherds are sleeping on the ground with their animals at night. A radiant angel comes from the clouds and proclaims the birth of Christ to the shepherds. The print has a Latin caption with explanation.

A pen drawing in brown by Martin Johann Schmidt from around 1795 showing the risen Christ sending out the apostles before the Ascension as part of the fourteen cross-way stations.

Angel saves child from the sea; Pia Desideria ..

The Annunciation to the Shepherds, Claes Moeyaert, c. 1633 - c. 1637, draughtsman: Claes Moeyaert, c. 1633 - c. 1637, paper, pen, brush, h 242 mm × w 193 mm

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