Baroque Religious Art

Detailed engravings featuring biblical narratives and the Holy Family, showcasing Baroque style with intricate linework and religious themes.

Venice, Longhi, Pietro, Pitteri, Giovanni Marco, Seven Sacraments, Matrimonii Sacramentum, The Sacrament of Marriage, verso - stamped, The Sacrament of Marriage. A man and a woman kneel and are married by a priest before an altar., print, prints, height 572 mm, width 447 mm, Italian, 1702-05-24 - 1786-08-04, print maker, printmaker, 1712 - 1786, paper, papier, etching, engraving, engraving (printing process), 1702 - 1785-05-08

Copper engraving by Gilles Rousselet from 1627-1686 depicting the Holy Family with young John the Baptist and Saint Elisabeth. The print highlights Baroque style, detailed linework, and religious iconography.

Geboorte van, Mary; The birth of glorious Virgin Mary.The Saint Anna is on bed after the birth of her daughter Maria. Five service stations are concerned about the newly born child. An older virgin points to the child and tells someone else. Marias father can see the Saint Joachim in the doorway of Annas Room. From heaven God watches the father to the event.

Three old women. Three old women together. The woman on the left lifts a glass, while she approached a carafe. Behind her a woman shags something in the Nap of the other. In the foreground Spingerei.

Isaak and Esau, 1633 - 1635 print Isaac is on his deathbed. Seen on the back for the Bed Esau with arrow and arrow. On the other hand, Rebekka. Jakob is angry because he finds out that he has blessed Jacob and Esau is too late. paper etching / engraving Esau seeks his father's blessing; Isaac realizes he has mistakenly blessed Jacob instead of Esau

Graflegging, Ferdinand Benchet Lhérie, after Gustave Wappers, 1813 - 1848 print paper Christ's entombment (possibly by angels)

Graphing, Jeremias Falck, 1639 - 1646 print Joseph of Arimatea puts the body of Christ on a table in the presence of the two Maria's. In the foreground one can, a bowl and a sponge. Under the show a inscription in Latin. print maker: Parispublisher: ParisFrance paper engraving Christ's entombment (possibly by angels)

The Raising of Lazarus: The Larger Plate, Rembrandt van Rijn, c. 1632 print paper. ink etching / pen the raising of Lazarus ('Lazarus, come out')

Engel warns Jozef to Flee to Egypt, Albert Poel, After Hendrick ter Brugghen, 1619 - 1629 print Joseph bows with a torch in his hand over Mary and the Christ child. Behind them, a kneeling angel looks up to Joseph. Northern Netherlands paper engraving an angel appearing to Joseph in a dream summons him to flee into Egypt

Venice, Longhi, Pietro, Pitteri, Giovanni Marco, Seven Sacraments, Matrimonii Sacramentum, The Sacrament of Marriage, verso - stamped, The Sacrament of Marriage. A man and a woman kneel and are married by a priest before an altar., print, prints, height 572 mm, width 447 mm, Italian, 1702-05-24 - 1786-08-04, print maker, printmaker, 1712 - 1786, paper, papier, etching, engraving, engraving (printing process), 1702 - 1785-05-08

Holy Macarius van Egypt, Frederick Bloemaert, after Abraham Bloemaert, after 1636 - c. 1670 print Saint Macarius visits the grave of an incorrectly accused man: he gets up again and testifies to his innocence. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century. paper engraving male saints (with NAME)

A drawing by an anonymous artist depicting the death of Mary with fourteen figures, executed in chalk and feather on brown paper with laved and white grown techniques.

Holy Cupres; Hermit: Thebani saints; Costres. A farmer brings the holy copres barren earth. When Costens blesses the earth, it turns into the most fertile of Egypt. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century.

The Holy Family. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: CLAUDE MELLAN.

Bliżej Kultury unknown

Prediction to Thomas van Aquino's mother, Anonymous, After Cornelis Boel, After Otto van Veen, 1610 - 1614 print A pilgrim tells the mother of Thomas van Aquino that her still unborn child will become a follower of the Holy Dominicus. Paris paper engraving the Dominican theologian, 'Angelic Doctor' Thomas of Aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast)

Jacob blesses manasse and efraim.design for a print.

Exit of the Holy Spirit (Pentecost), Paulus Pontius, after Peter Paul Rubens, 1627 print Maria and the apostles, along with many others, look up to heaven. They are fulfilled by the Holy Spirit who descends on them. There are flames above their heads. Antwerp paper engraving Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

Birth of the Virgin, Robert van Audenaerd, After Annibale Carracci, 1685 - 1723 print Saint Anna is in bed after the birth of her daughter Mary. Five service states are concerned about the newly born child. An older virgin points to the child and tells another something. Marias father can be seen in the doorway of Annas Kamer Saint Joachim. From heaven, God looks at the Father at the event. Rome paper etching / engraving birth of Mary

Gravestone of Christ; The passion. Joseph van Arimatea and Nikodemus lay the body of Christ in the grave while Mary Magdalena, Mary and John watch with others mourning.

Conversion of the prison guard, Matthijs Pool, After Arnold Houbraken, 1720 - 1728 print Peter and Silas baptize, in the middle of the night, the prison guard and his family members. Illustration of the Bible text hand. 16:33. Under the show the title in Hebrew, English, German, Latin, French and Dutch. print maker: Amsterdampublisher: Amsterdampublisher: The Hague paper etching / engraving the warder and his family are baptized by Paul and Silas

L'adoration des bergers Jean Morin French. L'adoration des bergers 369249

Adoration of the child by two shepherd girls ..

Christ hands Peter de Sleutels, Anonymous, After Peter Paul Rubens, 1710 - 1780 print France paper etching / engraving / counterproof Christ gives the keys of heaven to Peter

Saint John of Diolcus; Hermit: Thebani saints; Ioannes Diolconita. Saint John had the appearance of Abraham and the beard of Aaron. He visits sick and heals a boy. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century.

Holy Family (Virgin Reading), 1613 - 1678, Etchings, 8 7/16 x 5 5/8 in. (21.5 x 14.3 cm), Paper / Sheet 8 7/16 x 5 5/8 in. (21.5 x 14.3 cm), Cream laid

Paid of Christ. Maria is sitting with the body of Christ on her lap for the grave and has hit her eyes heaven. Behind her John the Evangelist. Maria Magdalena coastal crying the hand of Christ. An angel with a jean of the cross in his hand is standing at her feet and wipes tears from his face. A text in Latin in the margin.

Maturinus of Larchant, Saint.

Three -Koning, Jan van de Velde (II), After Pieter de Molijn, 1603 - 1652 print Three figures with a lantern at a door, at night. Behind it a Dorpsstraat with a parade of people, one of whom with a three -kings star over the shoulder. Amsterdam paper engraving Twelfth Night, usually falling on the eve of January 6. lantern. night

Isaac blesses Jacob, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, letterpress printing, h 109 mm × w 158 mm

Liberation from Petrus. An angel leads Peter the prison.

Pedro Pascual Moles created a copper engraving and etching in 1769 depicting St. Gregoire in a cave, illustrating 18th-century European religious art and hagiographic imagery.

Isaac bless Jacob.

Holy Macarius of Egypt; Hermit: Thebani saints; Marcarius ægyptius. The Saint Macarius visits the grave from an incorrectly accused man: this state and testifies to his innocence. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century.

Elizabeth Barton (1506-1534). English Catholic nun. She was executed on 20 April 1534 because of her prophecies against the marriage of King Henry VIII of England to Anne Boleyn. Elizabeth Barton, lying with her breasts bared, in the arms of a man who extends his hand to leave his mark on a confession, which is being written by a clergyman kneeling in front of an altar. Meanwhile, a priest forcing Elizabeth to confess the falsity of her revelations. Engraving after a painting by Henry Tresham (ca. 1751-1814).

Adoration of the child by two shepherds, Henricus Wilhelmus Couwenberg, after Charles van Beveren, 1830 - 1845 print Amsterdam paper. steel engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Worship by the shepherds, Theodoor Galle (Possible), after Peter Paul Rubens, c. 1612 - c. 1616 print Shepherds and women visit the holy family in the stable and kneel for the Christ child. Maria and Joseph are behind the manger. In the background are the ox and the donkey. The print is part of a series with scenes from the old and the New Testament. Antwerp paper engraving / etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Resurrection of Christ, Nicolaes de Bruyn, 1618 print Christ is stated in a joy with cross -banner after resurrection from his grave and angels hold the lid of his tomb. Soldiers shocked backwards and in the corridor of the cave the three holy women are approaching. Netherlands paper engraving Resurrection of Christ

Worship of the shepherds, anonymous, after Jan Luyken, 1712 print Amsterdam paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Leeks of Maria and Johannes, Pietro del Po, after Nicolas Poussin, 1620 - 1692 print Maria and John the Evangelist mourn from the body of Christ. In the background the cross on the Golgota mountain. Italy paper etching lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns)

Saint Rupert of Salzburg. Etching by Bock after J.W. Baumgartner.

Christ heals the mother of Peter, Johannes Pieter de Frey, 1797

Sacred women at the grave of Christ, Giovanni Merlo (Attributed to), after Peter Paul Rubens, 1639 - 1706 print After the resurrection of Christ, the holy women are the first to be at the grave. They are full of awe for two men (possibly angels) who radiate a blinding light. In the background on the left the three crosses on Golgota. print maker: Italypublisher: Amsterdam paper engraving the holy women (the three Maries) on their way to or at the tomb, to anoint Christ's body. angel(s) addressing the holy women ~ Resurrection of Christ

Sextus Pompeus consults Erictho about the Battle of Pharsalus, Robert John Dunkarton, after John Hamilton Mortimer, 1778 print Sextus Pompeus visits the witch Erictho in the cave. She brings a dead soldier to life that describes a civil war in the underworld. Illustration at the Pharsalia of Marcus Annaeus Lucanus. London paper witch, sorceress. snakes. raising the dead by witches, sorcerers. cave, grotto. the soldier; the soldier's life

A calf is being prepared to be sacrificed, Bernard Picart (Possible), 1683 - 1733 print paper etching / engraving animal sacrifice ~ Roman religion

An unknown saint (Ignatius van Loyola) Knelt for a stand with a Bible. In addition to him there is an angel who points to the appearance of Maria with child. In a cartouche under the print the Latin caption "Dans Vera Cordis Gavdia".

Holy Women at the Graf, Lucas Vorsterman (I), After Peter Paul Rubens, 1619 - 1675 print The holy women are approached by two angels when visiting the empty grave. Antwerp paper engraving angel(s) addressing the holy women ~ Resurrection of Christ

Christ in the court of Gethsemane.

Black ink drawing by an anonymous artist illustrating the biblical scene of the interest rate (Matthew 22:17-22; Luke 20:24-25), showing figures and composition, circa 1480.

Pero sucks the chained Cimon in prison, Bernard Picart, After Rembrandt van Rijn, 1683 - 1733 print Pero gives her father Cimon de Borst in his prison collar (Caritas Romana). The story is an example from the classical literature of the love of children for their parents. Amsterdam paper etching But Suckling Cimon ('Roman Caritas')

Birth of Maria. Anna is in a four-poster bed and looks at the women who do her child, in the foreground, in the bath. On the left a woman warming a cloth in front of the fire; Right front three angels with towels.

Christ stands at the bedside of the sick mother-in-law of Apostle Peter. He blesses her, resting his one hand on her head, the other hand clasping the wrist of the sick person. Immediately she is healed. Around the bed stand four other apostles who witness the healing., Christ heals Peter's mother-in-law Christ heals Peter's mother (title on object), print maker: Johannes Pieter de Frey, (mentioned on object), Gabriël Metsu, (rejected attribution), after: Joost van Geel, (attributed to), 1797, paper, etching, h 180 mm × w 147 mm

The Vision of Blessed Pietro Gambacorti. Date/Period: 1725 - 1760. Drawing. Black chalk, stump and sanguine on paper. Height: 474 mm (18.66 in); Width: 304 mm (11.96 in). Author: FEDERICO BENCOVICH.

Woodcut by Albrecht Altdorfer from around 1513 depicting the presentation of Christ in the temple, showing figures in architectural setting.

Copper engraving by Simon Vouet showing the burial of Christ, created in 1641.

Holy Franciscus Xaverius adores Mary with child, Schelte Adamsz. Bolswert, after Gerard Seghers, 1596 - 1659 print paper engraving the Jesuit missionary Francis Xavier; possible attributes: cross, crucifix, flaming heart, Indian, lily, torch. Madonna (i.e. Mary with the Christ-child) in the air, or on the clouds

Presentation in the temple, Moses ter Borch, 1662, draughtsman: Moses ter Borch, Zwolle, 1662, paper, brush, h 180 mm × w 143 mm

Virgin Mary annunciation. The announcement of the angel Gabriel to the Blessed Virgin Mary. Announcement of the birth of Jesus. The angel Gabriel

Maria learns to walk the Christ child. In an interior, Mary is on a chair, her arm outstretched towards the Christ child. On the left the child stands with the hands in the air and with one leg of the ground to take a step. Joseph is behind them and watches.

Pero sucks the chained Cimon in prison, Bernard Picart, After Rembrandt van Rijn, 1683 - 1733 print Pero gives her father Cimon de Borst in his prison collar (Caritas Romana). The story is an example from the classical literature of the love of children for their parents. Amsterdam paper etching But Suckling Cimon ('Roman Caritas')

Annanciatia, Pierre Drevet, After Antoine Coypel, 1673 - 1722 print publisher: ParisFrance paper engraving / etching the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

The Virgin and Child Appearing to Saint Francis Xavier 1610-1659 Netherlands. Engraving in black on ivory laid paper . Schelte Adamsz. Bolswert

Meal in Emmaus, Johann Sadeler (I), After Peter de Witte, 1588 - 1595 print With the two Emmaus goers, Christ sits at a table in an inn and blesses the bread. At that moment the two students discover his true identity. The print has a Latin caption with a Bible text (Luc. 24). München paper engraving the supper at Emmaus: Christ is recognized while blessing or breaking the bread

Adoration of the Kings, Jan van Somer, After Guido Reni, 1655 - 1700 print The Christ child, in the presence of Mary and Joseph, is worshiped by the three sages from the East who have been drawn up for the child with their gifts. paper adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

The Opwekking of Lazarus: Grote Plaat, Pierre François Basan, After Rembrandt van Rijn, 1760 - 1781 print Copy to Rembrandt's print of the same name. paper etching the raising of Lazarus ('Lazarus, come out')

Christ in the house of Marta and Maria. Christ is a guest in the house of the Sisters Marta and Maria. Maria sits at the table with Christ and listens carefully to him. With them, the diligent Marta is in hand with a skimmer, who represents her sister Maria. A four-line caption in Latin in the margin.

Annunciation, Gijsbert van Veen, after Federico Barocci, 1588 print Procedure to Maria: In a departure Maria, kneeling on a bid bench. She sticks her hand to the kneeling angel for her who holds a lily in her hand. A window shows an Italian landscape with a castle and low buildings. paper engraving the Annunciation: Mary kneeling

Print made by Bernard Lens, 1659-1725, British, The Nativity, undated. Mezzotint on moderately thick, moderately textured, cream laid paper.

unknown, Haarlem, Soutman, Pieter Claesz., Visscher, Cornelis (II), Dutch saints, St. Egbertus of Ireland, verso - stamped, The canonized monk Egbertus van Ierland preaching to a group of monks. This print is part of a series of Dutch saints., print, prints, height 441 mm, width 312 mm, Northern Netherlands, 1629 - 1658-01-16, print maker, printmaker, 1650 - 1650, paper, engraving, engraving (printing process), Work conception, 1601 - 1657-08-16, after a design by, Publication (Event), Publication, publisher, granter of privilege

Pen and redel drawing by an anonymous artist from the 16th century depicting three saints, including a queen, praying before an opening emitting fire and sulfur steam, using Bister, laved, and white-raised technique.

Presentation in the temple; Worship of kings.

Qu.Varin, Darstellung im Tempel - -

Holy Women at the Graf, Lucas Vorsterman (I), After Peter Paul Rubens, 1619 - 1675 print The Holy Women are approached by two angels when visiting the empty grave of Christ. paper engraving angel(s) addressing the holy women ~ Resurrection of Christ

Pero suckling the chained cimon in prison. Pero gives her father Cimon's chest in his prison cell (Caritas Romana). The story is an example from the classical literature of the love of children for their parents.

Elijah Resuscitating the Son of the Widow of Sarepta. Old Testament. Antique bible illustration by Gustave Dore (1832-1883)

Copper engraving by Aegidius Sadeler the Younger, created between 1590 and 1629, showing Christ receiving the cross with surrounding figures and religious iconography.

Harmensz van Rijn Rembrandt (1606-1669). "The little emmaüs pilgrims (B 88 - single condition), 1634". Museum of Fine Arts of the City of Paris, Petit Palais. 26996-2 Bible, Catholic, Chretian Christian, Christ, New Testament, Pelerin Emmaus, Meals, Biblical Scene

Saint-Nicolas du Chardonnet, Chapel of Lebrun

Three Mages From the East, Dirk Jurriaan Sluyter, After Ary Scheffer, 1854 print Melchior, flanked by Balthazar and Caspar, looks up at a radiant star. They wear gifts in their hands. print maker: Amsterdampublisher: Haarlem paper etching / engraving the star appears again and guides the three Wise Men to Bethlehem

Heilige Hieronymus in the Wildernis, Francesco Villa, after Federico Barocco, 1600 print The saint Hieronymus kneeling with a crucifix and stone in the hand. There are books next to him, an hourglass and an skull. On the right his cardinal hat hangs on a tree. Assignment, coat of arms and three lines of Latin text in the lower margin. print maker: Italyafter painting by: ItalyVaticaanstadItalyItaly paper engraving St. Jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'Vanitas' symbols), sometimes a scorpion and a snake beside him

Hendrik IV kisses the feet of Pope Gregorius VII, Nicolas Lesueur, After Federico Zuccaro, 1701 - 1764 print Numbered in the bottom right: 90. paper etching historical persons. pope. emperor

Mary's death. Maria on her deathbed with the apostles around the bed around the world came back to watch her deathbed. One of them holds a burning candle. Italian text in undermarge with pen in brown.

Holy women at the grave. Sacred women are approached by two angels when visiting the empty grave of Christ.

Abram and the Angel 1865-81 After Frederic, Lord Leighton British. Abram and the Angel 642835

Witte, Peter de, München, Sadeler, Johann (I), Meal at Emmaus, verso lower left - stamped, Christ sits with the two Emmaus disciples at a table in an inn and blesses the bread. At that moment the two disciples discover his true identity. The print has a Latin caption with a Bible text (Luke 24)., print, prent, prints, height 199 mm, width 153 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1588 - 1595, paper, papier, engraving, engraving (printing process), 1548 - 1628-03

Meal in Emmaus, Pierre Chenu, After Jean Bernard Restout, c. 1764 - c. 1766 print print maker: Parisafter painting by: Francepublisher: ParisParisFrance paper etching / engraving the supper at Emmaus: Christ is recognized while blessing or breaking the bread. armorial bearing, heraldry

Ezra, the priest, reading the Law Doré, Gustave, 1832-1883. still image. 1866. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Priests, Jewish, Preaching, Ezra (Biblical figure), Robes

Deceased father appears to his sleeping son; Der Duffel ist Steinreich.

Artist: Pieter de Jode II, Flemish, 1601-1674, Christ andNicodemus, Engraving, sheet: 24.8 × 31.8 cm (9 3/4 × 12 1/2in.), Made in Flanders, Flemish, 17thcentury, Works on Paper -Prints

Saint Bruno by Jean Bernard Restout; Etching; 1764

Christ and Nicodemus, Pieter de Jews (ii), After Gerard Seghers, 1628 - 1670 print Interior with Christ in conversation with the Pharise Nikodemus, in the middle of the night (John 3: 1-21). On the table where they are located is an open book and is a burning candle. The print has a caption in Latin. Antwerp paper engraving / etching Christ talking with Nicodemus at night (John 3:1-21)

Sketchbook Folio, The Nativity, Study after Carlo Cignani; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper; 30.6 x 22.8 cm (12 1/16 x 9 in.)

Requirement of Saint Antonius, Anonymous, After Jacques -Philippe Le Bas, After David Teniers (II), 1700 - 1799 print paper etching / engraving temptations of St. Antony Abbot. flying mammals: bat. devils in the form of (fabulous) animals

Worship by the shepherds. Maria stands next to the Christ child in the stable, behind her state of Joseph. The shepherds and their wives are shear in worship around them. Their shadows draw on the wall of the stable. On the right in the foreground the OS and the donkey. In the margin a two-legged caption in Latin.

Sola, saint.

Christ heals the mother -in -law of Petrus, Johannes Pieter de Frey, after Gabriël Metsu, after Joost van Geel, 1797 print Christ is on the bed of the sick mother -in -law of Apostle Peter. He blesses her and lets his one hand rest on her head, the other hand clips the wrist of the sick person. She is healed immediately. Around the bed there are four other apostles that witness the healing. paper etching healing of Peter's mother-in-law (Matthew 8:14-15; Mark 1:29-31; Luke 4:38-39)

Hans Collaert, the Elder, The Amorous Nun between the Abbot and the Monk, c 1560 The Amorous Nun between the Abbot and the Monk

Bishop and Two Saints 1575-1600 Anonymous, Italian, Venetian, 15th to 16th century Italian. Bishop and Two Saints 342208

Worship by the Shepherds, François de Poilly (I), After Guido Reni, 1655 - 1693 print France paper engraving / etching adoration of the Christ-child by the shepherds; Mary and Joseph present

The Persian King Darius allows the grave to open Nitocris, Queen of Babylon. She had had her grave placed on a city gate to prevent Darius the passage. In the margin a four-line caption in French that refers to the story of Herodotus (book I).

Liberation from Petrus from prison. An angel leads Petrus along the sleeping guards from prison. To the Bible story in hand. 12: 9-10.

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