Baroque Religious Art

Dramatic and expressive religious paintings, featuring figures in emotional poses, with strong contrasts of light and shadow.

Italy, Schiaminossi, Raffaello, Il sacrato collegio apostolico, Christ, Mary and the twelve apostles, S. Iacobus Minor, Saint James the Less, verso - stamped, Saint James the Less with a measuring instrument in his hand. Around his head a circular nimbus. Title in bottom margin., print, prent, prints, height 494 mm, width 371 mm, Italian, 1572 - 1622, print maker, printmaker, 1606 - 1607, paper, papier, etching, etchings, plaattoon, Work conception, after own design by

St. John the Baptist (fragment). Paolo Veneziano (Italy, Venice, active 1333-1358). Italy, circa 1350. Paintings. Tempera on panel

Marches Macerata Camerino Museo Diocesano7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint John the Baptist Preaching ca. 1650 Mattia Preti (Il Cavalier Calabrese) Italian Saint John the Baptist is shown seated in the wilderness exhorting the viewer to repentance, his right hand pointing heavenwards, his skin tanned through years in the desert. The lamb stands for Christ, the "lamb of God."One of the protagonists of Baroque painting, Preti worked in Rome, Modena, and Naples before moving to Malta, where he was elevated to knighthood and spent the rest of his career. The expressive intensity and boldly sculptural conception of the Saint John link it with Preti's frescoes in the church of S. Biagio in Modena, carried out in 1651-52; there are echoes of the most vigorous manner of Domenichino and Guercino.. Saint John the Baptist Preaching 438824

Antonio Guerrero (Lithographer) (After Reni, Guido); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'Saint James the Greater'. 1826 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Scraper on wove paper; 1826 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Claude Mellan, The Vernicle of Veronica, 18th century, engraving on laid paper.

Italy, Schiaminossi, Raffaello, Il sacrato collegio apostolico, Christ, Mary and the twelve apostles, S. Iacobus Minor, Saint James the Less, verso - stamped, Saint James the Less with a measuring instrument in his hand. Around his head a circular nimbus. Title in bottom margin., print, prent, prints, height 494 mm, width 371 mm, Italian, 1572 - 1622, print maker, printmaker, 1606 - 1607, paper, papier, etching, etchings, plaattoon, Work conception, after own design by

Abruzzo L'Aquila Celano Museum69. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Schifanoia S. Michele Arcangelo8. Hutzel, Max 1960-1990 Medieval: Architecture (14th century); pavement. Post-medieval: Frescos (14th-16th centuries) Object Notes: Undocumented Hutzel name. According to his notes, Schifanoia is a part of Narni. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

EL APOSTOL SANTIAGO EL MAYOR - 1618-1623 - OLEO/LIENZO - 135 x 89 cm. Author: GUIDO RENI (1575/1642). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Benedetto, Diana (ca 1482-1525) National Portrait Gallery, London Painting 76,2x59,1 Bible Salvator Mundi

Clair-obscur woodcut in two plates from 1520-1521 by Sebald Beham depicting Christ, showing figure, gesture, expression, and composition in brown tones.

Lazio Roma Rome SS. Giovanni e Paolo11. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early M

Artist: Martino di Bartolomeo di Biagio, Italian, Florence, act. 1389-1434, Savior inBenediction, ca.1410, Tempera on panel, 38.9 × 39.1 cm (15 5/16 × 15 3/8in.), Made in Siena, Italy, Italian,Siena, 15thcentury, Paintings

Umbria Perugia Spoleto Palazzo Comunale, Pinacoteca Comunale4. Hutzel, Max 1960-1990 Interior views focus on the paintings. A few frescoes and one reliquary are also included. (Negatives show artifacts displayed in exterior sections of the Palazzo Comunale, which is the structure that houses the Pinacoteca.) Among the subjects of the paintings are: the Calling of St. Matthew (after Caravaggio), portrait of a Palettoni, the Annunciation, Job, St. Sebastian, Charity, Venus, several Madonna and Childs (one after Giovanni Bellini), St. Ponziano, St. Agatha, the Dormition of the Virgin, Christ, the Crucifixion, and the Holy Family. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

Lazio Roma Rome S. Eligio degli Orefici5. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, religious reliquaries Object Notes: On Via Giulia along banks of the Tiber. Designed by Raphael. Construction began in 1516. Facade from 1602 by Ponzio. Interior in form of Greek cross. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Reed Offered to Christ. Anthony van Dyck (Flemish, 1599-1641); Lucas Vorsterman I (Flemish, 1595-1675). Date: 1630-1640. Dimensions: 261 × 212 mm (image/sheet, cut within platemark). Etching and engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

Ecce Homo, by Giovanni Francesco Barbieri, known as Il Guercino (1591-1666), oil on canvas, 65x53 cm.

Corinaldo (Italia, Marche - provincia di Ancona), Pinacoteca Claudio Ridolfi. Autore ignoto, Hecce homo, secolo XVII, olio su tela, proveniente da Sant'Agostino

Saint John the Baptist. Dated: probably c. 1325. Dimensions: painted surface (incised line to incised line): 88.7 × 42.2 cm (34 15/16 × 16 5/8 in.) painted surface (original panel): 92.5 × 44 cm (36 7/16 × 17 5/16 in.) overall: 94.3 × 45.3 cm (37 1/8 × 17 13/16 in.) framed: 99.1 x 48.3 x 6 cm (39 x 19 x 2 3/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: LIPPO MEMMI.

Head of Christ Style of Rembrandt Dutch Rembrandt painted this subject a number of times; three examples, one described as "Een Christus tonie nae't leven" ("a head of Christ done from life," that is, from a model probably found in the Jewish quarter of Amsterdam), were cited in the 1656 inventory of the artist's possessions. Of the dozen bust-length portraits of Christ known today, only the small panel in Berlin is universally accepted, but several others are obviously the work of pupils. The present picture, which is sensitive both in conception and execution, must be either by Rembrandt or by one of his most gifted followers. The issue, as so often is the case, is complicated by the fact that the paint surface has been flattened and badly abraded.. Head of Christ 437404

Umbria Terni Stroncone S. Giovanni. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Artist: Claude Mellan, French, 1598-1688, TheSudarium, Engraving, image: 42.6 × 31.5 cm (16 3/4 × 12 3/8 in.), French, 17thcentury, Works on Paper -Prints

Abruzzo L'Aquila Celano Museum92. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Celano Museum93. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'St Jerome in the Wilderness'. Italy. Dimensions: 217x164,5 cm. Museum: State Hermitage, St. Petersburg. Author: Guercino (Giovanni Francesco Barbieri).

Abruzzo L'Aquila Assergi S. Maria Assunta2. Hutzel, Max 1960-1990 Medieval: Architecture, views of restoration, crypt, silver urn, tomb Post-medieval: Architecture, frescos, views of restoration, sculpture, tabernacle German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

St John the Baptist, 1542, by Titian (ca 1490-1576), oil on canvas, 134x201 cm.

Painting, Reproduction of the painting, Work of art, Historical, Guido Reni, called il Guido or il divino Guido (born 4 November 1575 in Bologna, died 18 August 1642) Italian painter, fresco artist and etcher of the Bolognese school, main representative of a baroque classicism in painting, here the work:, Bust Of Christ (Salvator Mundi), Bust of Christ (Salvator Mundi), Portrait of Jesus with gentle expression and halo, Renaissance style

The Redeemer, by Benozzo Gozzoli (1420-about 1497), fresco.

ALEJANDRO II. ZAR DE RUSIA . 1818 - 1881. " ATENTADO QUE HIRIO MORTALMENTE AL ZAR , AÑO 1881 ". GRABADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA , AÑO 1881.

Head of Christ. Artist: Cigoli (Ludovico Cardi) (Italian, Castello di Cigoli 1559-1613 Rome). Dimensions: 16-15/16 x 11-7/16 in. (43.0 x 29.0 cm). Date: 1559-1613. Museum: Metropolitan Museum of Art, New York, USA.

Umbria Perugia Gubbio S. Francesco2. Hutzel, Max 1960-1990 Exterior views of this church include: the octagonal bell tower, polygonal apse, ogival windows, rose window and courtyard. The interior views focus on the apse chapel fresco cycles, one with scenes from the Life of the Virgin, and the other with scenes from the life of St. Francis of Assisi (14th and 15th centuries). Other fresco and painting subjects include: the Crucifixion, the Deposition, and Christ Pantokrator. Object Notes: Hutzel photo campaign date: November 11, 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in I

Christ Risen from the Tomb. Dated: c. 1490. Dimensions: overall: 114.5 x 61.2 cm (45 1/16 x 24 1/8 in.) framed: 149.5 x 81.3 x 10.2 cm (58 7/8 x 32 x 4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: BERGOGNONE.

Unknown painter: IMAGO PIETATIS

Francesco Raiboldini Christ crowned with thorns

Clair-obscur woodcut in two plates by Sebald Beham from the first half of the 16th century depicting the crowned head of Christ, showing facial features, expression, and religious symbolism.

Annibale Carracci / 'The Apotheosis of Saint Lawrence'. Second half of the XVI century. Fresco painting on mural transferred to canvas. Museum: Museo del Prado, Madrid, España.

Umbria Terni Montefranco S. Bernardino8. Hutzel, Max 1960-1990 Post-medieval: Architecture, fresco fragments, fresco paintings, architectural sculpture, painting, sculpture, tomb sculpture Object Notes: Some of the architecture exterior and interior derive from ancient/medieval structure, but are here filed with Post-Medieval for sake of unity of collection. Hutzel provides text which describes the location as "Monzano" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Resurrection, detail, Piero della Francesca, 1460's, Museo Civico, Sansepolcro, Tuscany, Italy, Europe

Lazio Latina Valvisciolo SS. Pietro e Paolo5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Convent of the annunciata cocchetti: fresco by pietro da cemmo, cemmo, Italy

'Agony in the Garden (copy)'. Italy, 17th century. Dimensions: 150x114 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist. 17th century. Domenico Fetti (after).

Portrait of Zeno van Elea, Bernard Picart, After Rembrandt van Rijn, 1699 print Paris paper engraving

Christ Blessing. Dated: c. 1310. Dimensions: painted surface (top of gilding): 73 × 52.6 cm (28 3/4 × 20 11/16 in.) painted surface (including painted border): 75.6 × 52.6 cm (29 3/4 × 20 11/16 in.) overall: 78.2 × 55.5 × 1.5 cm (30 13/16 × 21 7/8 × 9/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: GRIFO DI TANCREDI.

Christ as Man of Sorrows. Dated: 1692. Dimensions: plate: 38.1 x 30 cm (15 x 11 13/16 in.) sheet: 41.5 x 33.3 cm (16 5/16 x 13 1/8 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: finished in engraving by Charles Simonneau Antoine Coypel.

The risen Christ around 1480, The Resurrected Christ, painting by Sandro Botticelli March 1, 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historically, digitally restored reproduction of a template, Record Date Not Stated

The Resurrection, detail, Piero della Francesca, 1460's, Museo Civico, Sansepolcro, Tuscany, Italy, Europe

Bust of a woman, to the left., print maker: Jacob Jan van der Maaten, (mentioned on object), Netherlands, 1830 - 1879, paper, etching, h 54 mm × w 65 mm

Saint John the Baptist painted by Leonardo da Vinci (April 1452 - May 1519), an Italian polymath of the Renaissance

Mosaic on the wall of HagyaSophya in Istanbul, Turkey

Saint Sebastian Tended by an Angel. Anthony van Dyck (Flemish, 1599 - 1641)

Pedro Pablo Rubens / 'Saint James the Minor', 1610-1612, Flemish School, Oil on panel, 107 cm x 82,5 cm, P01651. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PETER PAUL RUBENS.

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. Tondo with King David decoration volutes leaves inscription sheet crown halo: aureole gold-background mantle: cloak red green blue white black.

St. Luke. Date/Period: 1330s. Painting. Tempera and gold leaf on panel. Height: 565 mm (22.24 in); Width: 368 mm (14.48 in). Author: SIMONE MARTINI.

The Resurrection is a fresco painting by the Italian Renaissance master Piero della Francesca, painted around 1463-65. It was painted for the Palazzo della Residenza in the town of Sansepolcro, Province of Arezzo, region of Tuscany

Ittenbach, Franz, Netherlands, Kersten, Dominicus, The sweat cloth, Veronica's sweat cloth, verso middle - stamped, print, engraving, book illustration, prints, engravings, verso lower right - stamped, height 365 mm, width 258 mm, 1851 - 1885-11-21, print maker, printmaker, 1879 - 1879, paper, letterpress printing, Work conception, German, 1813-04-18 - 1879-12-01

Lazio Rieti Magliano Sabina Cathedral4. Hutzel, Max 1960-1990 Exterior views of facade (18th century) and portals (15th century. Views of restored interior: frescoes in apse of the Coronation of the Virgin, Annunciation and the Birth and Death of the son of Uliano, nobleman of Magliano; decorative ceiling fresoes; altarpieces, and marble altars. Treasury: chasuble of silver and gold brocade decorated with saints (18th century), portraits of bishops (15th-17th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vos, Maerten de, Sadeler, Raphaël (I), France, Callot, Jacques, Crucifixion, verso lower left - stamped, Christ on the cross. On his right side stands Mary, on his left John the Evangelist, at his feet Mary Magdalene. Below the representation are two lines of Latin text., print, prent, prints, prenten, height 149 mm, width 104 mm, French, 1592-08-21 - 1635-03-24, print maker, prentmaker, 1608 - 1635, first quarter 17th century, second quarter 17th century, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1560, after a print by, 1532 - 1603-12-04

Sardinia Sassari Castel Sardo Cathedral9. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture, built in late Gothic style; architectural sculpture; choir stalls; sculpture; paintings on canvas and panel; altarpiece; fresco; pulpit; tomb monuments; baptismal font; sacred objects German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

BOTTICELLI, Alessandro di Mariano dei Filipepi, also called Sandro (1445-1510). Adoration of the Magi. ca. 1476. Left DŽtail, a self-portrait of Botticelli. Renaissance art. Quattrocento. Tempera on wood. ITALY. TUSCANY. Florence. Galleria degli Uffizi (Uffizi Gallery).

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory16. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Ischia di Castro S. Ermete0. Hutzel, Max 1960-1990 Exterior views of facade of early 18th c. church. Interior views of nave and altar, iconostasis, frescos, paintings, baptismal, chalice, reliquary. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory33. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Heiliger Christophorus, Freskomalerei an der Hausfassade in Graz, Steiermark, Österreich Saint Christopher, fresco painting on the house facade in Graz, Styria, Austria LicenseRF Copyright: xZoonar.com/ZvonimirxAtletix 23349916

Abruzzo Sulmona Pacentro S. Maria Maggiore9. Hutzel, Max 1960-1990 Exterior views of late fifteenth century facade, campanile, portals and fountain. Interior views of naves, altars, pulpit, ceiling, and carved doors. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Latest Discoveries From The Roman Temple -- The head of Jupiter-Serapis, which is perfectly preserved and is 14" high. He was the god of the underworld. Several more major finds were made on Monday at London Roman Temple, and nothing more exciting or more important artistically has ever been discovered in Britain, says Mr. G.F. Grimes, the Director of the London Museum, when he saw the treasures. Amongst a statuette of Hermes, the Greek god who conducted souls to the nether world, and a huge han

Pluto by Gherardi, Cristofano (1508-1556) / Palazzo Vecchio, Florence / 1556-1557 / Italy, Florentine School / Fresco / Mythology, Allegory and Literature / 250x100 / Renaissance

Saint George; Dosso Dossi (Giovanni di Niccolò de Lutero) (Italian (Ferrarese), about 1490 - 1542); Italy; about 1513 - 1515; Oil on panel; 70.2 × 61 cm (27 5,8 × 24 in.)

Paolo Veronese: St. John the Baptist

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. Face of St Victor (on the right side of the throne) halo: aureole circular decoration flowers leaves rosettes gold brown hues: shades grey face.

(SIN TITULO) OLEO SOBRE LIENZO- Ponerle el título cuando recibamos el catálogo. Author: JORGE GALINDO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Crucifix. Dated: 1938. Dimensions: overall: 49.3 x 34.8 cm (19 7/16 x 13 11/16 in.) Original IAD Object: 17 1/2"high; 12"wide. Medium: watercolor, colored pencil, graphite, and heightening on paper. Museum: National Gallery of Art, Washington DC. Author: Carl O'Bergh.

Artist: Andrea di Cione (Orcagna), Italian, ca. 1315-1368, Saint John theBaptist, ca.1355-60, Tempera on panel, picture surface: 99.4 × 40 cm (39 1/8 × 15 3/4 in.), Made in Florence, Italy, Italian,Florence, 14thcentury, Paintings

Jacob's Dream. Carlo Dolci (1616-1686). Oil on panel. 27 x 33.2cm.

This copper engraving by Israhel van Meckenem from the late 15th century depicts the 'Pain Man' or Gregorbild, showing detailed line work and expressive depiction of suffering.

Alphonse Daudet. Eugène Carrière (French, 1849-1906); published by L'Estampe originale (French, 1893-1895). Date: 1893. Dimensions: 395 × 306 mm (image/chine); 680 × 505 mm (sheet). Lithograph in black on China paper laid down on heavy cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Liemann Ludwig Theodor, icon (without date): Plan content N.N. detected. Tusche watercolor, gold heighted on cardboard, 28.1 x 18.1 cm (including scan edges)

The Deposition. Date/Period: 17th century. Painting. Oil on panel Oil. Height: 588 mm (23.14 in); Width: 437 mm (17.20 in). Author: French school.

SANTIAGO EL MAYOR. Author: EL GRECO-Domenikos Theotokopoulos (1540-1614). Location: MUSEO HOSPITAL DE SANTA CRUZ. Toledo. SPAIN. Apóstol Santiago el Mayor.

Lazio Roma Rome S. Maria in Aquiro8. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint John The Baptist 17th C. Orazio Ferraro (1607-1657 Italian) Ciurlionis State Art Museum, Lithuania

'The Calvary' (detail), 15th, Oil on panel. Author: ROGIER VAN DER WEYDEN (1399-1464) ROGIER DE LA PAS. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. SAN JUAN EVANGELISTA Y APOSTOL.

Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women. Artist: Agostino Carracci (Italian, Bologna 1557-1602 Parma); After Paolo Veronese (Paolo Caliari) (Italian, Verona 1528-1588 Venice). Dimensions: Sheet: 12 3/16 × 8 9/16 in. (30.9 × 21.8 cm). Publisher: Orazio Bertelli (Italian, active Venice, ca. 1570-92). Date: 1582. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Bracciano Ospedale Vecchio. Hutzel, Max 1960-1990 Post-medieval: Fresco painting. Once a hospital, today renovated into a rest-home for pensioned residents. Coverage is of the frescoes only. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)11. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Tuscany Siena Montalcino S. Francesco5. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

ALBRECHT DURER German artist and engraver Date: 1471 - 1528

Angel, Duccio di Buoninsegna, tempera on panel, 14th century, Amsterdam, Netherlands.

Oedipus and Antigone; Kokular, Aleksander (1793-1846); 1825 (1825-00-00-1825-00-00);Antigone (Mitol.), Oedipus (Mitol.), Sophocles (Ca 496-406 A.C.), Dormitism (style), Chiton, Dar (provenance), peplos, characters against the background of landscape, mythological scenes

Corpus, late 12th century, 7 3/4 x 6 1/4 in. (19.7 x 15.9 cm), Bronze, gilt, Italy, 12th century

Adam and Eve before the Eternal, ca 1350, by Guariento (active since 1338, died ca 1367), fresco, Carrarese Chapel, Galilean Academy of Arts and Sciences, previously Patavina, Padua, Veneto. Italy, 14th century.

England, London, Trafalgar Square, National Gallery, Altarpiece of Painting of The Mond Crucifixion by Raphael dated 1502

Art Gallery Interior View, Florence, Italy FLORENCE, ITALY, JANUARY - 2018 - Interior view of famous gallery at florence city, Italy Copyright: xZoonar.com/DanielxFerreira-LeitesxCiccarinox 12314986

Saint Sebastian

The Arcangel Gabriel, by Annibale Carracci, 1588, National Art Gallery of Bologna, Pinacoteca Nazionale di Bologna, Emilia-Romagna region, Bologna, Italy

SANTA ISABEL - SIGLO XVII - OLEO/TABLA - 92X53 CM. Author: ANONIMO SEVILLANO (S XVII). Location: BANCO EXTERIOR-COLECCION. MADRID. SPAIN.

Carl Bloch (1834-1890), Tornekronet Kristhoved, 1881

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Christus, Christuskopf von Johann Friedrich Overbeck / Christ, Christ head by Johann Friedrich Overbeck, Historisch, historical, digital improved reproduction of an original from the 19th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt.

Design for window in the Noordertransept in the Dom in Utrecht, c. 1934 drawing cardboard. chalk brush

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