Beggar Sketches and Etchings

Illustrations of beggars in various poses, showcasing detailed clothing and expressions, rendered in etching and chalk styles from the 17th century.

Curved male figure holding a stick, Adriaen van Ostade, 1620 - 1685, Design for a print., draughtsman: Adriaen van Ostade, 1620 - 1685, paper, pen, brush, h 122 mm × w 78 mm

After Jacques Callot, Beggar with Crutches and Sack Beggar with Crutches and Sack

Le Mendaint au Rosaire (The Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) ca. 1623 Jacques Callot French. Le Mendaint au Rosaire (The Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1623. Etching; first state of two (Lieure). Prints

Reverse Copy of Le Vieux Mendiat a une Seule Béquille (The Old Beggar with One Crutch), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) 17th century Anonymous. Reverse Copy of Le Vieux Mendiat a une Seule Béquille (The Old Beggar with One Crutch), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Anonymous. 17th century. Etching. Prints

Curved male figure holding a stick, Adriaen van Ostade, 1620 - 1685, Design for a print., draughtsman: Adriaen van Ostade, 1620 - 1685, paper, pen, brush, h 122 mm × w 78 mm

Oude Bedelaar, Frederick Bloemaert, After Abraham Bloemaert, After 1635 - 1669 print Beggar, standing to the left, his hat in his hand and leaned on a stick. Utrecht paper engraving Begin

St. Ignatius Loyola from St. Peter's colonnade, Giovanni Maria de Rossi, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Drawing after statue by Giovanni Maria de Rossi of St. Ignatius Loyola on the Northeast Colonnade. Standing robed figure holds a book in his left hand and points to it with his right, but looks upward and to the right., France, ca. 1759-70, figures, Drawing, Drawing

Beggar with Crutches and Sack. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

Reverse Copy of Le Gueux Appuyé sur son Baton (The Beggar Leaning on His Cane), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) 17th century Anonymous. Reverse Copy of Le Gueux Appuyé sur son Baton (The Beggar Leaning on His Cane), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Anonymous. 17th century. Etching. Prints

Standing man hand in the cloak, Anonymous, 1664 print paper engraving standing figure

Standing man with cape, a hat in his hand. Draughtsman: anonymous. Dating: c. 1600 - c. 1699. Place: Netherlands. Measurements: h 267 mm × w 134 mm. Museum: Rijksmuseum, Amsterdam.

Curved man's figure with a stick in hand. Design for a print.

Resting wanderer. Andrieux, Clément-Auguste (1829-1881), draughtsman, cartoonist

The Large Bagpiper, 1787, Jean-Pierre Norblin de la Gourdaine, Polish, (born France), 1745-1830, 3 3/16 x 2 3/16 in. (8.1 x 5.5 cm) (image)3 11/16 x 2 5/8 in. (9.4 x 6.7 cm) (sheet), Etching and drypoint on woven Japan, Poland, 18th century, Jean-Pierre Norblin de la Gourdaine was a French painter and printmaker active in Poland in the late 18th century. Norblin's charming miniature etchings, representing mostly male heads, street sellers, and vagabonds, reflect both in subject and technique the profound influence of Rembrandt's prints. Norblin was also drawn to Polish subjects, capturing the unfamiliar, exotic world around him in his depictions of men with colossal fur hats and curled moustaches, Cossacks, and Polish historical figures.

Beggar Leaning on a Stick, Facing Left. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet (trimmed to platemark): 3 3/8 × 1 13/16 in. (8.6 × 4.6 cm). Date: ca. 1630.Rembrandt made many small etchings of beggars. His alacrity with the etching needle is demonstrated in the way he captured the figure's stance and clothes with only a few quick, well-conceived lines. Museum: Metropolitan Museum of Art, New York, USA.

Reverie. Dimensions: overall (approximate): 30.2 x 21.7 cm (11 7/8 x 8 9/16 in.). Medium: pen and gray and red ink, heightened with white, on darkened paper. Museum: National Gallery of Art, Washington DC. Author: PAUL GAVARNI.

Caricature portrait of the Painter Theophile De Bock. Caricature portrait of the Painter Theophile de Bock (1851-1904), hidden in rain gear (southwester and wide cape).

Standing man with turban, seen from behind. Draughtsman: Jacob de Wit (mentioned on object). Dating: 1705 - 1754. Measurements: h 342 mm × w 212 mm. Museum: Rijksmuseum, Amsterdam.

Side View of a Drummer, Winslow Homer, American, 1836-1910, Charcoal, white chalk on blue-green paper, Full-length vertical view of a standing drummer, drawn from the side with his head turned to face the viewer and with his drum strapped to his back., USA, 1864, figures, Drawing, Drawing

The beggar wrapped in a coat (Bartsch 22) Adriaen van Ostade (1610-1685). The beggar wrapped in a coat (Bartsch 22). Floor and dry tip, before 1647

Standing farmer with hands on the back.mirror image Copy to the print of the same name from Rembrandt.

Standing young man, full-length. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 219 mm × w 130 mm. Museum: Rijksmuseum, Amsterdam.

Bliżej Kultury Norblin, Jan Piotr (1745 1830)

Jacques Callot, Fat Beggar with Eyes Cast Down, c 1622 Fat Beggar with Eyes Cast Down

Standing man with a wide cloak, full-length. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 302 mm × w 174 mm. Museum: Rijksmuseum, Amsterdam.

Standing Male Figure. Artist: Anonymous, Spanish, School of Seville, 17th century. Dimensions: 7-1/16 x 4-5/8 in. (18.0 x 11.7 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Seated Man in Tunic. Charles Keene; English, 1823-1891. Date: 1855-1874. Dimensions: 153 × 107 mm. Pen and brown ink, over traces of graphite, on cream wove paper, laid down on ivory wove card. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Samuel Keene.

Standing boy in armor.

The man is putting on a stocking, Sitting man with hat on stool and raised leg, draughtsman: Cornelis Dusart, Netherlands, 1670 - 1704, paper, h 111 mm × w 90 mm

Managerating Face in a Manteau. / No. 9 / No. 13. (District factice) | I figures at la monde in English M. LUIT Duc de Bourville (IFF 982 to 1005) (title of the ensount)

Beggar with His Left Hand Extended. Dated: 1631. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Harmensz van Rijn.

Portrait of gerrit sealer. .

Depicts a pilgrim drawn with brown feather, showing figure, posture, and attire, dated around 1510.

Etching by Jacques Bellange from the first quarter of the 17th century depicting Kaspar, showing figure and composition.

Seated Visser, David Pièrre Giottino Humbert de Superville, 1820 print He leans against a block of stone and has his rod in his left hand. Leiden paper fisherman

J’etais bon chasseur autrefois”, …. Artist: Paul Gavarni, French, 1804-1866

Walking gentleman with a top hat and an umbrella under his arm, Walking gentleman with an umbrella, draughtsman: Joannes Pieter Visser Bender, 4-Dec-1807, paper, h 313 mm × w 213 mm

Salomon de Bray depicts a boy viewed from the back on a staircase, next to a wheel fragment, rendered in black chalk and reddish tones with feather ink, around 1654.

Man with stitch in very long coat, one hand tucked into his vest, anonymous, 1700 - 1800, draughtsman: anonymous, draughtsman: Cornelis Troost, (rejected attribution), 1700 - 1800, paper, h 226 mm × w 300 mm

Beggar with Bare Head and Feet. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

An Arab Rider on Camelback. Dated: c. 1840. Dimensions: sheet: 34.2 × 23.4 cm (13 7/16 × 9 3/16 in.). Medium: black chalk with white heightening on blue paper. Museum: National Gallery of Art, Washington DC. Author: HIPPOLYTE LALAISSE.

Sitting man with hat and sword, draughtsman: anonymous, Netherlands, c. 1640 - c. 1660, paper, counterproof, h 251 mm × w 180 mm

Standing farmer, draughtsman: Cornelis van der Griendt, Rembrandt van Rijn, 1837 - 1918, paper, pen, h 118 mm × w 54 mm

Standing boy holding a rope, Carel Fabritius (attributed to), 1640 - 1649 drawing Amsterdam paper. paint (coating). ink pen / brush standing figure. drawing, pulling something. tools, aids, implements ~ crafts and industries: rope

Reverse Copy of Le Gentilhomme aux Mains Jointes (The Gentleman with his Hands Joined), from La Noblesse (The Nobility) 17th century Anonymous. Reverse Copy of Le Gentilhomme aux Mains Jointes (The Gentleman with his Hands Joined), from La Noblesse (The Nobility). La Noblesse. Anonymous. 17th century. Etching. Prints

Sitting old man with raised left hand, draughtsman: Jan van den Bergh, draughtsman: Gerrit Adriaensz. Berckheyde, (rejected attribution), c. 1596 - after 1650, paper, h 262 mm × w 176 mm

Standing Peasant Girl 1847 François Bonvin French. Standing Peasant Girl 334266

Jacques Callot, Beggar with a Stick, c 1622 Beggar with a Stick

Figure Studies; Adolf von Menzel, German, 1815 - 1905; 1872; Carpenter's pencil; 37.9 x 26.3 cm (14 15/16 x 10 3/8 in.)

Standing man with a stick, Isaac van Ostade (possibly), 1631 - 1649, A standing man holding a stick with both hands., draughtsman: Isaac van Ostade, (possibly), 1631 - 1649, paper, pen, brush, h 115 mm × w 58 mm

After Rembrandt van Rijn, Abraham Caressing Isaac, 1762, etching on paper.

Dordrecht, Hoolaart, Jacob, Man leaning on his elbow, print, prints, height 63 mm, width 48 mm, 1713-01-29 - 1789-04-02, print maker, printmaker, 1728 - 1789, paper, papier, etching, etchings, color printing

Seated man with hat. Draughtsman: anonymous. Dating: c. 1600 - c. 1699. Place: Netherlands. Measurements: h 194 mm × w 149 mm. Museum: Rijksmuseum, Amsterdam.

Jacques Callot, The Hurdy Gurdy Player, c 1622 The Hurdy-Gurdy Player

Violinist: study from life. Artist: George Du Maurier (British, Paris 1834-1896 London). Dimensions: Overall: 8 15/16 x 6 3/4 in. (22.7 x 17.1 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

The Organ Grinder, 1647. Adriaen van Ostade (Dutch, 1610-1684). Etching;

The peasant on file (Hollstein 22) Bega, Cornelis Pietersz. The peasant on file (Hollstein 22). Etching.

La marchande de citrons. - La limonade n'est pas ce qu'elle aime ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Drummer Seen from the Back, Winslow Homer, American, 1836-1910, Charcoal, white chalk on blue-green wove paper, Recto: vertical view of the back of a drummer, shown facing left, and holding a drum., Verso: vertical view of a soldier with an extended sword; and in horizontal direction from bottom to top are three soldiers who appear to be fighting., USA, ca. 1864, figures, Drawing, Drawing

Edouard Manet, Child Holding a Tray (L'Enfant Portant un Plateau), 1862 Child Holding a Tray (L'Enfant Portant un Plateau)

Voerman with Pelsmuts, Hendrik Marcus Schouten, 1806 - 1835 print A vehicle with fur hat, knee pants and clogs is on the front sofa of a car. He supports his feet on the drawbar. He holds the rein in his one and a branch in his other hand. paper etching

Copy in mirror image after print by Cornelis Pietersz. Bega, Seated man lighting pipe, Cornelis Pietersz. Bega, (after), print maker: Monogrammist CH (graveur, 2), (mentioned on object), Netherlands, 1642 - 1714, paper, etching, h 120 mm × w 95 mm

Elle a joueZaire.. Artist: Paul Gavarni, French, 1804-1866

Worker; Rapacki, Józef (1871-1929), Wierzbicki B. and S-ka (Warsaw; Graphic Zady; 1897-1944), Bibljoteka of the Polish House (Warsaw; Nak ADCA; 1903-1930); 1926 (1926-00-00-1926-00-00);Warsaw (Masovian Voivodeship), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), Polish graphics, Poland (culture), workers, genre scenes, types genre

Singing spiritual, Jan de Bray, 1637 - 1697 drawing paper. chalk

Running man with belt over the shoulder. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 272 mm × w 217 mm. Museum: Rijksmuseum, Amsterdam.

Standing Male Spain (an Apostle) ca. 1700-1750 Attributed to Pedro Duque Cornejo For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art’, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no. 27.. Standing Male Spain (an Apostle) 336447

Saint John the Baptist, with Sketch of Head. Odilon Redon (French, 1840-1916); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1860-1869. Dimensions: 159 x 83 mm. Graphite on tan wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Study of Valet with Coffee Pot. François Boucher; French, 1703-1770. Date: 1734-1744. Dimensions: 346 × 195 mm. Red chalk, with black chalk, and touches of graphite, heightened with white chalk, on buff laid paper. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA. Author: Francois Boucher.

Tinker. Wierzbicki, B. i S-ka (Warszawa ; zakład graficzny ; 1897-1944), printing house, Bibljoteka Domu Polskiego (Warszawa ; nakładca ; 1903-1930), merchant employer, Rapacki, Józef (1871-1929), draughtsman, cartoonist

Man leaning on a shovel, Harmen ter Borch, 1649, draughtsman: Harmen ter Borch, Zwolle, 1649, parchment (animal material), painting, h 99 mm × w 80 mm

Man wears clogs and clothes with holes and adjusted pieces of fabric, Organ turner, draughtsman: Jacobus Laurentius van Ishoven, (signed by artist), 1880 - 1931, paper, h 492 mm × w 272 mm

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Cards of the Kings of France. Clotaire II. Eighth number of a suite of 40 pieces. (A. de Vesme 681; Dutuit 119) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Mother with Widows Dress and Black Gloves. Etcher: Karel van der Pluym, Dutch, 1625-1672 After: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Rijn, Rembrandt van, Man urinating, verso lower left - stamped, print, prints, RHL 1631, middle bottom, height 83 mm, width 49 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1631 - 1631, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Rijn, Rembrandt van, Flameng, Léopold, Man in a large cloak, A stout man in large cloak, verso - stamped, print, prints, height 114 mm, width 73 mm, 1831 - 1911-09-04, print maker, printmaker, 1859 - 1859, paper, papier, etching, etchings, plaattoon, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Fryderyk Wielki i jego żołnierze. Menzel, Adolph (1815-1905), graphic artist

An artist at the French Academy in Rome() with box of snuff, no. 7 in Recueil de caricatures. Etcher: Ange-Laurent de La Live de Jully, French, 1725-1779 After: Jacques François Saly, French, 1717-1776

Untitled Salvator Rosa (Italian, 1615-1673). Untitled. Etching, Sheet: 11 7/8 x 17 9/16 in. (30.2 x 44.6 cm). European Art

Man with top hat and stick, Jan Chalon, 1802 The print is part of an album. London paper etching / drypoint The print is part of an album. London paper etching / drypoint

A warrior facing left wearing a plumed hat and holding a cane, from the series 'Figurine' ca. 1656-1657 Salvator Rosa Italian. A warrior facing left wearing a plumed hat and holding a cane, from the series 'Figurine' 341829

Man, seen from aside, standing on a shore; Right behind him is a boat; Figures Dessinées d'après Nature du Bas Peuple à Rome. Man with fur hat on the head, seen from the side, standing on a shore with the poor. A prayer cord hangs under the arms. Right behind him is a boat. The man, possibly an orientation, has bare feet. Part of a series of prints with figure studies of residents of Rome.

Man with turban with plume, Johann Andreas Benjamin Nothnagel, 1771 print paper etching adult man. head-gear: turban

Rijn, Rembrandt van, Man with barrel organ, verso middle bottom, print, prints, verso middle top, height 52 mm, width 48 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1633 - 1637, second quarter 17th century, second quarter of the 17th century, paper, papier, etching, etchings, Work conception, Noord-Nederlands, after own design by

A brown ink drawing by Rembrandt van Rijn of a seated man, showing the head and upper body, created around 1638.

(No. 8) / At the exhibition by Paul Klenck / The Pasha of the Turkish section.

Le chemineau , Tramps, Alphonse Legros (1837-1911)

Standing man, seen from the front, looking to the right. Draughtsman: Nicolaes Muys. Dating: 1750 - 1808. Measurements: h 320 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

Study for 'A Scotch Fair', John Phillip (Aberdeen, Scotland, 1817 - 1867) 1848

Italy, Carracci, Annibale, Bologna, Mitelli, Giuseppe Maria, L'Arti Per Via, Street vendors in Bologna, Seller of flags or fans, verso - stamped, A street vendor with a basket of flags or fans on his arm. Italian verse in bottom margin., print, prints, height 277 mm, width 197 mm, Italian, 1634 - 1718-02-08, print maker, printmaker, 1660 - 1660, third quarter 16th century, paper, etching, etchings, Work conception, after own design by, 1560-11-03 - 1609-07-15

Beggar with a drailer; Les Gueux / Les Mendiants / Les Baroni / Les Barons; Beggars. Man dressed in rags, seen from the front, a drailer for his stomach. This print is part of a series of 25 prints with beggars and wanderers, such as Callot who has probably seen in Italy.

The Beggars: Beggar without Hat or Shoes , c. 1623. Jacques Callot (French, 1592-1635). Etching;

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

St. Jerome Kneeling in Prayer, Looking Down. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1635. Dimensions: 115 x 82 mm (image/plate); 117 x 83 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

La Mère Gérard 1858 James McNeill Whistler American La Mère Gérard is said to have sold flowers outside the Bal Bullier in Paris, but Whistler shows her holding a shawl or piece of cloth in an unidealized portrayal that demonstrates admiration for the realism espoused by Courbet. The artist made the etching in Paris in the summer or fall of 1858 and included it in his first published set, "Douze eau-fortes d'apres Nature" ("Twelve Etchings from Nature"), known as the "French Set.". La Mère Gérard 372477

Koning Caspar, Jacques Bellange, 1602 - 1616 print The oldest of the three kings, seen from the front, with a turban on the head. In his hands the gold as a gift for the Christ child. paper etching (later life of) Caspar, the youthful 'European' king

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