Biblical and Historical Scenes

Engravings depicting significant biblical stories and figures, showcasing dramatic narratives and detailed character expressions.

Junius, Hadrianus, Antwerp, Galle, Theodoor, Heemskerck, Maarten van, Haarlem, Philips, History of Job, Job sacrifices a lamb for the sins of his children, Job kneels with his wife and children before a sacrificial altar with a burning sacrificial animal. In the background a house can be seen with men sitting around a table., print, prints, height 210 mm, width 248 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1563 - 1563, paper, papier, engraving, engraving (printing process), Work conception, North Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, 1571 - 1633, publisher, uitgever, 1511-07-01 - 1576-06-16, schrijver

Copper engraving by Hans Bol from 1570 depicting an autumn scene, emphasizing trees, foliage, and seasonal landscape elements.

FotoreProduction van de engraving The roofers on the roof, Edmond proud, after Hieronymus Wierix, c. 1855 - in or before 1860 photograph paper albumen print angels. roofing

Les mendiants de Bruges , Beggars, Alphonse Legros (1837-1911)

Man with cards and dice at the table, Anonymous, Jörg Breu (I), 1490 - 1534 print Print is part of an album. paper letterpress printing games of calculation and chance, e.g.: card games, gambling, puzzles, etc.

The Discovery of the True Cross 1568-1625 Moncalvo (Guglielmo Caccia) Italian. The Discovery of the True Cross 340809

Netherlands, Esther before Ahasverus, verso middle - stamped, On the left King Ahasverus sits on his throne, his hand with sword stretched out in front of him. Esther kneels before him; two maids behind her., print, prints, height 42 mm, width 57 mm, print maker, printmaker, 1540 - 1580, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process)

Adoration of the Shepherds. Artist: After Giulio Romano (Italian, Rome 1499-1546 Mantua); Master I 0 V (active ca. 1542-45). Dimensions: sheet: 13 5/8 x 15 13/16 in. (34.6 x 40.2 cm). Date: ca. 1543. Museum: Metropolitan Museum of Art, New York, USA. Author: After Giulio Romano. Master I 0 V.

Copy after a print by Adriaen van Ostade, depicting mirror inverted on a rectangle, The quack, Adriaen van Ostade, print maker: anonymous, 1648 - 1745, paper, etching, h 148 mm × w 129 mm

Trompettes, Pages, Esclaves, et Vases que l'on portait pour présent à Mahomet, from Caravanne du Sultan à la Mecque 1748 France. Etching on ivory laid paper . Joseph Marie Vien, I

Galle, Philips, Vos, Maerten de, Antwerpen, Passe, Crispijn van de (I), Geschiedenis van Noach, Noach goes with his family and the animals on board the ark, Antwerp, verso - stamped, A procession of animals enters the ark, a pair of each kind. Above the ark a flock of birds. Front left Noah and his family. The representation is set in a circular frame with a marginal inscription in Latin., print, prints, height 101 mm, width 90 mm, 1564 - 1637, print maker, printmaker, 1580 - 1588, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

The Hague, Hondius, Hendrick (I), Bruegel, Pieter (I), Heyden, Pieter van der, Liefrinck, Hans (I), Lean kitchen and the fatty kitchen, Le Grasse Cuisine, De Vette Keucken, Vette keuken, verso - stamped, Kitchen interior in which a group of fat people are enjoying all kinds of food and drink. On the right, cooking and roasting is taking place in the hearth. In the foreground, on the left, two children are playing with food and in the middle a drinking woman who is breastfeeding a child, on the right a drinking monk or priest. In the background, a poor, thin man with a bagpipe is being chased out of the door. Below the depiction a two-line verse in French and Dutch., print, prent, prints, prenten, height 220 mm, width 283 mm, Zuid-Nederlands, 1518 - 1573-02-28, print maker, printmaker, 1597 - 1649, paper, papier, engraving, engraving (printing process), Work conception, 1540 - 1582, after print by, 1525 - 1569-09-05, after design by, Publication (Event), Publicatie, Noord-Nederlands, 15

Martelaarschap van Erasmus, Anonymous, After Pietro Testa, in or after 1630 - in or after 1631 print The holy Erasmus lying lying while Beulen pull the intestines out of his body with a Windas. In the background a watching crowd and two putti in the air with a wreath and a palm branch. Title and assignment in STUDMARGE. Italy paper etching St. Erasmus lies naked on a block; his bowels are wound on to a windlass. angels crowning and/or bringing palm-branches

Allegory on the trade with four putti. Draughtsman: Jacob de Wit. Dating: c. 1705 - c. 1754. Measurements: h 161 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Interior with violin player, Jacques Dassonville, 1629 - 1670 print France paper etching / engraving one person playing string instrument (bowed). inn, coffee-house, public house, etc.

Interior view of large, spacious kitchen with cooks preparing a meal by Bartolomeo Scappi (1500-1577). Dated 1574

Caritas permeable deeds of the bodies of the body; Galle, Philips (1537-1612), Cock, Hieronymus (CA 1510-1570), Bruegel, Pieter, I (CA 1525-1569); 1559-1560 (1559-00-00-1559-00-00);

Etching by Raffaello Santi dated 1650-1790 depicting Abraham and Melchizedek, showing biblical figures, gesture, and ceremonial interaction.

A copper engraving by Monogrammist AC depicting the statue of Venetian general Gattamelata from Narni, created after 1555, showing the equestrian monument and its detailed setting.

Figure Vande vyf sinnen, Anonymous, 1850 - 1949.

A surgeon performs surgery on a man's foot in the presence of five people., Foot surgery, print maker: Pieter Jansz. Quast, (mentioned on object), publisher: Clement de Jonghe, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1615 - 1652, paper, engraving, h 196 mm × w 223 mm

Bruno, pl. 26 of 30 from the series Sylvae Sacrae (Hermits inLandscapes). Publisher: Rafael Sadeler I, Flemish, 1560-1628 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600

Frustra pater nauem dabit. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hieronymus Wierix.

Women in a garden. Design for a print.

Two Children, One Playing the Drum Attributed to Louis Antoine Crozat, Baron de Thiers, Paris French. Two Children, One Playing the Drum 394643

Children's murder in Bethlehem, 1533 - 1575 print In a large church -like space, soldiers are killing babies while their mothers try to prevent that. Left on a balcony King Herod and two men. Text beach cut off. paper engraving the massacre; Elisabeth fleeing with John the Baptist

Albrecht Dürer, Detail 8, 1515-1517, woodcut on paper.

February, Joos de Momper (II), 1590 - 1610 drawing The month of February. On the left people walk on a square, on the right a man sits inside a fire. Design for a print. paper. ink. chalk pen / brush February and its 'labours'. warming oneself at a fire (or hearth, stove, fire-pan, brazier). square, place, circus, etc.

Men play DobbelSpel, on the ground is monkey with playing cards, Cornelis van Dalen (I), 1642 print Amsterdam paper etching / engraving dice-games. playing-cards. monkeys, apes

For the facade of a house a man sandwiches; The screwdriver.

The Circumcision. Sebald Beham (German, 1500 - 1550)

Spinruimte, anonymous, Hans Sebald Beham, 1524 print paper spinning (manufacture of yarn). relations between the sexes. drunken brawl (usually peasants fighting in an inn)

Grave monument of Count Engelbrecht II of Nassau, Tomb of Engelbrecht II of Nassau. In the center are the stone statues of Engelbrecht II and his wife. At the corners, four mans figures sitting on one knee carry a plate as a canopy. There is a harness on the plate. The grave monument is located in the Great Church of Breda. Print from a book about Breda., Grave, tomb, Engelbrecht II count of Nassau-Dillenburg-Breda, B.F. Immink (mentioned on object), The Hague, 1744, paper, etching, h 303 mm × w 402 mm

Print, Engraving on metal; Engravers on a ship; Designed by Jan van der Straet, called Stradanus (Flemish, 1523-1605); Engraved by Philips Galle (Flemish, 1537 - 1612), Hans Collaert II (Flemish, 1560 - 1628); Netherlands; engraving on paper; 18.8 × 27.2 cm (7 3/8 × 10 11/16 in.)

This 1551 etching by Augustin Hirschvogel depicts a vision of Jerusalem, showing architectural details, cityscape elements, and perspective techniques.

Aldegrever, Heinrich, Nuremberg, Solis, Virgilius, Bathhouse with men and women, verso - handwritten in pencil, print, prints, verso - stamped, 129, height 333 mm, width 282 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, etching, etchings, engraving, engraving (printing process), 1502 - 1561, intermediary draughtsman

The Prodigal Son Wasting his Fortune, plate two from The History of the Prodigal Son Made 1540 Germany. Engraving in black on ivory laid paper . Hans Sebald Beham

Albrecht Dürer, The Circumcision, c 1504 1505 The Circumcision

. The month of October: a man and woman drinking wine at a table, the man is sitting on a wine barrel. Grapes are pressed in the background. At the top right the sign of the zodiac that belongs to October: Scorpio. The print has a frame with a peripheral in Latin that refers to the works of the month of October. Copy in mirror image to the eponymous print of the Passe Crispijn (I).

Frieze, Pen and brown ink, brown, rose, green wash, black chalk Support: white laid paper, Italy, Italy, ca. 1620, architecture, Drawing, Drawing

Exempel und Lehr Jetziger Welt Lauf. Dated: published 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Andreas Bretschneider III.

Sater and De Boer. Portification of a story of the Greek fabel writer Aesopus: a Sater, visiting a peasant family, sees his surprise that the farmer can blow both warm and cold. He warms his cold hands with his breath, but then blows into the hot soup to cool him off. The Sater regards this as a sorcery and wants to leave the house.

The Virgin Seated on an Altar. Jean de Gourmont; French, 1506-1551. Date: 1520-1540. Dimensions: 81 × 79 mm (sheet, trimmed within plate mark). Engraving in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Merciful Samaritan puts the wounded man on his donkey, Heinrich Aldgrever, 1554 print The merciful Samaritan lifts the wounded man on his donkey, right in the background the arrival at an inn. Under the show The text: Samaritanus Impositionum Iiumento HIC in Diversorium Abducit Einsq Curam Agit Luc 10. Third print from a series of four. paper engraving the Samaritan sets the wounded traveller on his mount (ass or horse), and brings him to an inn

New Inventions of Modern Times Nova Reperta, The Invention of the Polishing of Armor, plate 17. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600.Seventeenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of an armor polishing workshop. In the foreground on the left two young boys carry in baskets full of armor. On the right a man and a young boy unpack the baskets of armor. In the middle ground two men seated at the polishing machine, clean pieces of armor. In the background on the right two men carrying swords interact with one another. Museum: Metropo

Stewart's. Paul Cadmus; American, 1904-1999. Date: 1934. Dimensions: 194 x 295 mm (image); 205 x 305 mm (plate); 280 x 405 mm (sheet). Etching on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Joseph explains the dreams of the donor and bakery; History of Joseph; Historia Josephi (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Joseph explains the dreams of the donor and the bakery of Pharaoh in prison. Above the head of the donor is the dream of the donor: he pours wine into a cup for Pharaoh. Above the head of the bakery his dream: birds peck to the bread that he wears in a basket. Under the show a reference in Latin to the Bible text in Gen. 40. Print is part of an album.

Kitchen piece with fighting cat and dog, anonymous, 1500 - 1599 print Kitchen tools with fighting cat and dog Netherlands paper engraving cat. kitchen-utensils. rodents: mouse. dog

Illustration from Torquato Tasso's Gerusalemme Liberata, 1586-1590. Bernardo Castello (Italian, 1557-1629). Pen and brown ink and brush and brown wash with traces of graphite; framing lines in brown ink; sheet: 21.3 x 20.5 cm (8 3/8 x 8 1/16 in.); secondary support: 21.3 x 20.5 cm (8 3/8 x 8 1/16 in.).

Taddeo Rebuffed by Francesco Il Sant'Angelo. Federico Zuccaro (Italian, about 1541 - 1609)

Vatican City, Papal Court, Rome, Paoli, Giovanni Antonio de, Italy, Tempesta, Antonio, Varia tormentorum et supplicioru crudelium, Tortures suffered by Christian martyrs, Torture with a spiked wheel and flames, verso - stamped, Numbered bottom center: 29., print, prints, height 194 mm, width 133 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Drawing, Telemachus and the sheperds sacrifice in the temple of Apollo; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash on cream laid paper; 11.2 x 12.6 cm (4 7/16 x 4 15/16 in.)

Leonard Plovier and two girls drowned in barrels in vessels, 1560; Léonard Plovier, Ieanne et Marie van Aken, Noyez à Anvers, Ao. 1560 / Leonhard Plovier, Iannitge und Maritge von Aachen, zu Antorff Ertränket, Ao. 1560. Leonard Plovier and two girls from Aachen are drowned in Botten Water, 1560

Maria and Jozef at an inn, Frans Huys, After Cornelis Massijs, 1558 print Joseph and Maria with the donkey, standing at the inn where there is no room for them. In the doorway is a pointing woman and a man, child and dog. Left at a tree a number of figures in a car for a home. A few figures are around a kettle above a fire. There is a man in the hollow tree. In the background a landscape with a road, a church tower and trees on the horizon. Antwerp paper engraving Mary and Joseph are not admitted to the inn. farmers

Penelope and her women weaving, monogrammist FG, after Francesco Primaticcio, 1529 - 1542 print Face in a workshop where Penelope and other women are weaving with the help of looms. paper engraving Penelope weaving Laertes' shroud (Homer, Odyssey II 94-100; XIX 138-155)

Léonard Gaultier, The Man Healed of the Withered Hand, probably c 1576 1580 The Man Healed of the Withered Hand

Murder in the Bartholomeünacht, 1572, 1572 - c. 1573 print Murder of the Huguenots during the Bartholomeünacht from 23 to 24 August 1572. With the murder of Admiraal Gaspard de Coligny. With caption of 14 lines in German. Nummered at the bottom left: 80. The print is part of an album. Cologne paper etching massacre ~ war Paris

Design for a Clock with a Classical Female Figure ca. 1800 Anonymous, French, 18th century French. Design for a Clock with a Classical Female Figure 357276

Origen, pl. 18 of 29 from the series Solitudo sive vitae patrum eremicolarum (MaleHermits). Engraver: Unknown After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600 Publisher: Rafael Sadeler I, Flemish, 1560-1628

Copper engraving by Sebald Beham from 1541 depicting a fool interacting with two bathing women.

Attributed to Philip Galle after Pieter Bruegel the Elder, Prudence, published 1559 Prudence

Engraving on metal; Engravers on a ship, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Philips Galle, Flemish, 1537 - 1612, Jan Collaert II, Flemish, 1560 - 1628, Engraving on paper, Horizontal rectangle. A ship in which many engravers and apprentices are busy cutting, preparing and printing the plates and drying the prints. Bottom: 'Joan Stradanus invent.' 'Phts. Galle excud.', Netherlands, ca. 1590, figures, Print, Print

Amsterdam, Visscher, Claes Jansz. (II), Dancing peasant couple with bagpipe player, verso - stamped, Dancing peasant couple under the trees. In the foreground on the left a bagpipe player is sitting on a fence. In the background on the right a peasant fight., print, prent, prints, prenten, height 116 mm, width 189 mm, Noord-Nederlands, 1586 - 1652-06-19, print maker, prentmaker, 1596 - 1630, paper, papier, etching, etchings

The Children's Bath. Israhel van Meckenem; German, c. 1440/45-1503. Date: 1495. Dimensions: 109 × 137 mm (image/sheet). Engraving in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

. .

Domestic performance, Anonymous, 1550 - 1599 drawing Design for a print. Low Countries paper. ink pen / brush

Gin Street. Date/Period: 1750. Red chalk, some graphite; incised with a stylus. Width: 306 mm. Height: 394 mm. Author: William Hogarth.

Susanna and the elders; History of Susanna. Susanna, nude and bathed at a fountain in a garden, the two elders at a tree. On the wall a sundial. First print from a series of four copies with the story of Susanna.

Alphonse Legros, The Refectory (Le refectoire) The Refectory (Le refectoire)

Thus the old people sang, the boy, Andreas van Rijmsdijck, after Jacques Jordaens, 1767 - 1786 print Singing and making music. Mother with two children and grandparents around a richly set table, the children blow on whistling while the elderly sing. Behind is a man who plays bagpipe. Imagination of the saying 'Sun the old ones sang, the boy squeaks'. London paper engraving proverbs, sayings, etc.. child(ren) with one or both parents and one or more members of the preceding generation (family group). children playing musical instruments. more than one musician with instrument. vocal music, singing

Vatican City, Papal Court, Rome, Paoli, Giovanni Antonio de, Italy, Tempesta, Antonio, Varia tormentorum et supplicioru crudelium, Tortures suffered by Christian martyrs, Two methods of drowning, verso - stamped, Numbered bottom center: 153., print, prints, height 194 mm, width 133 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Crossings and Singer, Antonio Tempesta, 1565 - 1630 print Numbered in the middle: 11. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching torture. violent death ~ maltreatment, torture

Studies of sphinxes and fish and heads of Saters and Flora, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1751 - 1755 print paper etching sphinx (lion/woman); 'Sfinge' (Ripa). satyr(s) (in general). (story of) Flora

Plumber, Jan Luyken, 1694 print Amsterdam paper etching plumber. handicrafts, craftsman at work

The folreshers, John Theodor's Bry, After Anonymous, 1596 print A treatment room of a 'doctor', in which strange scenes take place. A man is in a wooden tub, a retort on his head, in which his delusions, in the form of objects that refer to money, war and superficial pastime and auctioned love, are distilled. After this treatment they were brought back to mice and fall as dead mice through a sieve that the man holds with both hands. In the middle is a learned physician - in the corresponding epigram 'Dr. Called Filzhut ' - with glasses on, looking at a small jerk that is in the urinal that he stops. On the left is a man with a strange way of leashes - with a tap on his stomach - is used. paper engraving Existence and Modes of Existence (+ emblematical representation of concept). ways pretending to cure simpletons (folklore). physician, doctor

Oktober, anonymous, after Jost Amman, 1554 - 1641 print The activities in the month of October. Left and right the grape harvest. The grapes are mashed in the middle and the wine is produced. Wine is drunk in an inn and fighting for the building. The scorpion zodiacio in the air. paper etching October and its 'labours'

Study sheet with drawing examples: hands, feet and a monkey, after 1608 - Before 1630 print Fourth print from a series of drawing examples of unknown size. Study magazine with hands in different postures and feet in Roman sandals. To the right of the middle a sitting monkey with pear. paper engraving foot. hand. model-books ~ implements of painter. monkeys, apes. shoes, sandals

Barthel Beham, Child with Three Skulls, 1529 Child with Three Skulls

Settlement of accounts by the Brotherhood of "Charité-Dieu and Notre-Dame of the Recovery of Rouen", 1466. Chromolithography after a miniature from the "Livre des comptes" of the Society, 15th-century manuscript. "Moeurs, usages et costumes au moyen-ge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

November, anonymous, 1664 print Men and women make sausages in a kitchen. At the top right an archer. paper letterpress printing November and its 'labours' (+ with Sagittarius (November)). kitchen. sausage

of 2