Biblical and Mythological Landscapes

A set of prints illustrating landscapes from biblical tales and mythological themes, featuring angels and symbolic scenes integrated into natural settings.

Alciato, Andrea, Sadeler, Johann (I), Mostaert, Gillis (I), Italy, Emblems in a landscape, River landscape with the emblem about laziness, verso lower left - stamped, River landscape with three naked men and a dog. The men are passive and not working. One is leaning against a tree stump. This is the representation of an emblem that warns against laziness. The print has a Latin caption with the caption of the emblem Desidiam abiiciendam, print, prent, prints, prenten, height 217 mm, width 275 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, printmaker, 1595 - 1600, paper, papier, engraving, engraving (printing process), 1530 - 1598-12-28, after, after painting by, Publication (Event), Publication, publisher, uitgever, Italian, 1492-05-08 - 1550-01-12, schrijver

Tobias is shocked by the fish, Moyses van Wtenbrouck, in or before 1650 print Tobias is sitting on the side of the water and shines back when he sees the fish in the water. The angel is behind him. Numbered as 2. The Hague paper etching / engraving a large fish appears while Tobias is washing his feet; he is frightened

Apostle John on Patmos, 1582 - 1586 print Seasing view with the island of Patmos in the foreground. On the island of the Apostle and Evangelist Johannes, together with the eagle, his evangelical symbol. He looks at the air. The crowned Mary appears in the clouds with the Christ child and the seven -member beast of the Apocalypse. The print has an ornamental list of flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving John (writing) on the island of Patmos, possibly the eagle beside him. island. lizards: lizard (+ ornamental variants of animals). flowers ~ ornament. ornamental birds. sea (seascape). crocodiles: crocodile (+ ornamental variants of animals). a pregnant woman, clothed with the sun and standing on the moon, appears; she is threatened by a red dragon with a long tail and seven heads

Alciato, Andrea, Sadeler, Johann (I), Mostaert, Gillis (I), Italy, Emblems in a landscape, River landscape with the emblem about laziness, verso lower left - stamped, River landscape with three naked men and a dog. The men are passive and not working. One is leaning against a tree stump. This is the representation of an emblem that warns against laziness. The print has a Latin caption with the caption of the emblem Desidiam abiiciendam, print, prent, prints, prenten, height 217 mm, width 275 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, printmaker, 1595 - 1600, paper, papier, engraving, engraving (printing process), 1530 - 1598-12-28, after, after painting by, Publication (Event), Publication, publisher, uitgever, Italian, 1492-05-08 - 1550-01-12, schrijver

Landscape with shepherds and two riders; Mirror of nature and school of the creativity (...). Landscape with three shepherds in the front. Two riders have passed over the country road next to them. A church in the distance. The print is part of an album.

In a wooded, hilly landscape, Tobias, a dog and the angel Raphael are shown in the foreground near the Tigris River. Tobias emerges from the water with his arms raised and looks back, startled, at the large fish that has come to the surface., Tobias startled by the fish Old Testament representations (series title), print maker: Herman van Swanevelt, (mentioned on object), publisher: Charles Audran, (mentioned on object), Rome, 1629 - 1641, paper, etching, h 144 mm × w 205 mm

Landscape with Klopjachten, Justus Sadeler (Possibly), After Antonio Tempesta, 1600 - 1620 print A forest landscape with different knock yachts. In the foreground a noble company on horseback. The man has a hunting falcon on his arm. On the right a wolf is attacked by hunters and hunting dogs. In the background the hunt for a wild boar and deer. Venice (possibly) paper engraving hunt ~ hoofed animals (+ animals used for hunting, hunting with animals). forest, wood

Landscape with standing and sitting woman, Giovanni Francesco Grimaldi, 1616 - 1680 print Landscape with a standing woman with a long stick in the foreground, pointing to sitting woman bent forward. A castle in the background. print maker: Romeprint maker: France (possibly) paper etching landscape with tower or castle. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Landscape with bridge traversing a river occupied with three small boats, one of which is encroaching the near river bank, in the foreground are a rocky outcrop and a figure lifting a circular dish above a seated figure. Artist: Giovanni Francesco Grimaldi (Italian, Bologna 1606-1680 Rome). Dimensions: sheet: 8 3/4 x 12 11/16 in. (22.3 x 32.2 cm)mount: 10 1/4 x 14 5/8 in. (26 x 37.2 cm). Date: ca. 1626-80. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Blaeu, Johannes Willemszoon, Vinckboons, David (I), Matham, Jacob, Bacchus and Ariadne as lovers, in the background Ariadne's crown thrown into the air and thus becoming a constellation. Venus and Amor have stepped out of their swan-drawn chariot and watch Bacchus comforting Ariadne. Book illustration for: Lof-sanck van Bacchus, 1616., print, book illustration, prints, height 77 mm, width 127 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1616 - 1616, paper, engraving, engraving (printing process), letterpress printing, Work conception, 1576-08-13 - 1629, after a design by, Publication (Event), Publication, Dutch, 1596-09-23 - 1673-05-28, publisher

Hans Friedrich Schorer the Elder drawing depicting a landscape with a torrent, executed with olive brown and gray pen, wash, and splashes, 1634.

Judah a Tamar, Adriaen Collaert, After Hans Bol, 1582 - 1586 print Hilly landscape. In the foreground on the left, the Tamar dressed as a whore is her father -in -law Judah. The print has an ornament list with flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving Tamar changes from her widow's clothes and covers her face with a veil after the manner of the prostitutes; sitting at the entrance of a city on the road to Timnath she awaits Judah. dale, valley. flowers ~ ornament. dog (+ ornamental variants of animals). insects (+ ornamental variants of animals)

Italy, Grimaldi, Giovanni Francesco, Rest on the Flight into Egypt, verso - stamped, Landscape with the Holy Family resting under a tree. Two angels kneel before Mary and the Christ Child. In the background a boat on a river., print, prent, prints, prenten, height 313 mm, width 217 mm, Italian, 1606 - 1680-11-28, print maker, printmaker, 1616 - 1680, paper, papier, etching, etchings, Work conception, after own design by

Deer hunt; Landscapes with biblical, mythological scenes and yacht scenes. Forest landscape with deer hunting. In the foreground a deer is hunted by hunters. The print has an ornamental list of flowers, fish and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

Judah and Tamar, from Landscapes with Old and New Testament Scenes and Hunting Scenes. Adriaen Collaert (Flemish, c. 1560-1618); after Hans Bol (Flemish, 1535-1593); published by Anna van Hoeswinckel (Flemish). Date: 1584. Dimensions: 143 × 200 mm (image/primary support, trimmed within plate mark); 176 × 238 mm (secondary support). Engraving in black on cream laid paper, laid down on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

Euntes in Emaus (Landscape with Pilgrims at Emmaus) from the series The Large Landscapes. Artist: Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589); Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels). Dimensions: sheet: 12 13/16 x 16 15/16 in. (32.5 x 43 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: ca. 1555-56. Museum: Metropolitan Museum of Art, New York, USA.

Saint Jerome in Penitence. Cranach, Lucas (1472-1553 ; st.), graphic artist

A children's bacchanal with animals 1531-76 Giulio Bonasone Italian. A children's bacchanal with animals 392643

Antwerp, Hoeswinckel, Eduwart van, Bol, Hans, Collaert, Adriaen, Landscapes with biblical, mythological scenes and hunting scenes, Apostle John on Patmos, verso middle bottom - stamped, Seascape with the island of Patmos in the foreground. On the island the apostle and evangelist John, together with the eagle, his evangelical symbol. He looks at the sky. In the clouds appears the crowned Mary with the Christ child and the seven-headed beast of the Apocalypse. The print has an ornamental frame with flowers and animals. It is part of a twenty-four-part series of landscapes with biblical, mythological and hunting scenes., print, prints, height 141 mm, width 210 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1582 - 1586, paper, engraving, engraving (printing process), Work conception, 1534 - 1593-11-20, after a design by, Publication (Event), Publication, publisher

Lumberjack is busy chopping; The Byl.

Rebecca and Eliezer at the Well, from Landscapes with Old and New Testament Scenes and Hunting Scenes 1584 Flanders. Engraving in black on cream laid paper, laid down on cream laid paper . Adriaen Collaert, II

November, Giles Sadeler (2), after Pieter Stevens (1), after Pieter Stevens (2), 1624 - c. 1650 print November is the slaughter month. Central is the feeding of pigs with acorns that hit some men out of a tree. The cattle are slaughtered in the background. In the middle of the constellation archer. The print has a Latin caption. print maker: Praagpublisher: Venice paper engraving November and its 'labours' (+ with zodiacal signs). slaughtered ox or pig. driving pigs to the wood to eat acorns

Italy, Titian, Shepherd with flock of sheep, verso - stamped, A young shepherd in a summer hat leads his flock of sheep up a hill. His dog looks on in the foreground on the right. In the background on the right a wooded hill and on the left an ancient ruin and a walker., print, prent, prints, prenten, height 264 mm, width 382 mm, print maker, prentmaker, 1498 - 1626, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1488 - 1576-08-27

Antwerp, Collaert, Adriaen, Kiliaan, Cornelis, Vos, Maerten de, Solitvdo sive vitae foeminarvm anachoritarvm, Female hermits, Mary Magdalene, recto lower right - written, Mary Magdalene in the wilderness. She prays to God before a crucifix. In the background three angels are making music in a stable while other angels are doing domestic tasks. The print has a Latin caption and is part of a series on the subject of female hermits., print, prints, verso middle - stamped, 259, height 176 mm, width 221 mm, South Netherlandish (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1570 - 1618, paper, papier, engraving, engraving (printing process), Work conception, South Netherlandish, 1532 - 1603-12-04, after a design by, 1530 - 1607-04-15, writer, Publication (Event), Publication, publisher

Judgment of Paris. Mercury wakes up the sleeping paris so that he can decide which of the three goddesses Juno, Minerva or Venus is the most beautiful. The women cannot be distinguished by attributes from each other.

Aegidius Sadeler II after Paul Bril, November and December, 1615 November and December

Liefdesscène met Jupiter, anonymous, after Philips Galle, after Hans Bol, c. 1550 - c. 1650 print A couple is having sex under a tree. In the clouds, a woman with amor is in a car. Perhaps a representation of a love relationship by Jupiter. While Jupiter is working on a mistress, Juno spies him from heaven. Southern Netherlands paper etching love-affairs of Jupiter

Jesus served by angels. Artist: after Adam Elsheimer (German, Frankfurt 1578-1610 Rome); Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 3 5/8 × 6 15/16 in. (9.2 × 17.6 cm) cut within image. Date: 1652. Museum: Metropolitan Museum of Art, New York, USA.

Diana hunting. A landscape with the hunting goddess Diana in the foreground with five hunting dogs, a graceful flighty garment and a lance. In the background there are a farm with tower on the left and a herd of grazing cows near two tree stumps.

Hilly landscape with four figures. A hilly landscape with three men and a woman. The standing man points out. A few buildings in the background.

Cygnus jumps from a rock; Metamorphoses from Ovid. Phylius refuses to give the bull to Cygnus caught. Cygnus, the son of Apollo and Hyria, is stripped of here and jumps from a rock. He is changed by his father in a swan. In the margin a four-line caption, in two columns, in Latin.

Diana turning Actaeon into a stag 1500-1510 Giovanni Battista Palumba Italian. Diana turning Actaeon into a stag 648201

Landscape with farmer and shepherd, Simon Klapmuts, 1770.

Tobias and the Angel (small plate) 1608 Hendrick Goudt Dutch This engraving reproduces a painting by Elsheimer of a scene from the Book of Tobit. Here Tobits son, Tobias, travels to a distant land under the protection of the angel Raphael, who has not yet revealed his true identity to the young man. Goudt vividly renders the reflections of trees and figures in the water along with the tiny ripples in the rocky foreground.. Tobias and the Angel (small plate). Hendrick Goudt (Dutch, The Hague 1583-1648 Utrecht). 1608. Engraving; Holl.'s second state of three. Prints

. Mountainous landscape with a bearded old man in the foreground that makes music with a drailer. He looks at a young woman who has hit her arm around his shoulder. In the distance a stream flows and lying houses. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

Wood engraving, England, by Thomas Bewick.

Sadeler, Johann (I), Bol, Hans, Keulen, The four seasons, Summer, verso - stamped, The Summer. The female personification of the season of summer with two children in the center in the foreground in a summer landscape. On the right birds are being shot and hunted, on the left sheep are being sheared, in the distance hay is being made. In the sky the constellations: Cancer, Leo and Virgo. In the caption a verse of 4 lines in Latin., print, prints, Frondea...gerit, center bottom - engraved, height 220 mm, width 293 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1580 - 1580, paper, papier, engraving, engraving (printing process), Work conception, 1534 - 1593-11-20, after a design by, Publication (Event), Publication, publisher

Landscape with in the foreground a farmer leaning against a fence. He is in conversation with a shepherd sitting on a large stone. In the background a horseman, Landscape with farmer and shepherd., print maker: Simon Klapmuts, (mentioned on object), Moordrecht, 1770, paper, etching, h 58 mm × w 76 mm

Mercury is silent Battus, Herman van Swanevelt, 1643 - 1655 print In a landscape with tree parties and a water feature, a herd of horses can be seen on the left in the foreground. With this herd of Apollo is Mercury with a winged helmet and a caduceus. With his right hand he makes a silent gesture in the direction of farmer Battus who stands behind him with a bull. print maker: Romepublisher: Paris paper etching Mercury and Battus; Battus is bribed with a heifer as hush-money

Landscape with walker and dog, Jean Pesne, After Annibale Carracci, 1666 - 1695 print paper etching dog. landscapes. rodents: squirrel. rodents: rat. fowl (cock, hen, chicken, etc.)

Netherlands, Everdingen, Allaert van, Landscape with a rowing boat in the reeds, View of some houses and a church behind two large trees. A man in a rowing boat between the reeds and three people on the bank., print, prints, height 82 mm, width 142 mm, Noord-Nederlands, 1621-06-18 - 1675-11-08, print maker, printmaker, 1631 - 1675, paper, papier, etching, etsen

Gently traveling; Life lessons from nature. A group of travelers walk through a forest. The two front travelers choose the road that leads directly into a village in the distance. However, the wind blows a tree overflowing the path to block. The falling tree could even form a danger for the two men. The three rear travelers point to a way through the wilderness. Although this path clearly makes a detour, no hazards threatened here. On the back of the print of a Dutch-language text of the next page.

Lot and his daughters; Lot in Spelunca Habitat, Inebriant (...); Spacious bible. In a tree-gravior landscape, Lots daughters drank their father so that they can share the bed with him. One of them is on his lap, while the other daughter involves his drinking bowl. At the left A water mill on a river. Under the show the title in Latin, a four-line verse in Dutch, French, English and German and a reference to the Bible text in Gen. 19.

Wolvenhacht; Landscapes with biblical, mythological scenes and yacht scenes. Forest landscape with wolven hunt. In the foreground a wolf is killed by some hunters and their dogs. The print has an ornamental list of flowers, fish and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

Mei en Juni, Giles Sadeler (2), after Paul Brit, 1615 print Italian landscape during the months of May and June. In the foreground on the left a fountain in which an elegant company makes music, dances, converses and braves floral wreaths. In the middle of a hill a tea dome with karyatids. Investigate a river with an elegant company in a rowing boat in the foreground. On the second plan shepherds who wash their sheep in the river before shaving them. A hunting scene in the background. At the top left and right the signs of the zodiac: the constellation twins and the constellation Cancer. Prague paper engraving landscape symbolizing May (+ with zodiacal signs). landscape symbolizing June (+ with zodiacal signs). May and its 'labours' (+ with zodiacal signs). June and its 'labours' (+ with zodiacal signs). outdoor gathering, 'délices í la campagne'. belvedere. clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). rowing facing forward, pushing. garden fountain

Moses is found by the daughter of Pharaoh; Landscapes with biblical, mythological scenes and yacht scenes. Coastal landscape. In the foreground on the left, Moses is found by the Daughter of the Pharaoh on the shore of the Nile. The print has an ornament list with flowers and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

Hunting scene with Lord a lady watching, Antonio Tempesta, 1590 print Landscape with hunters and hunting dogs hunting wolves, wild boar and deer. In the foreground on the left a gentleman and a lady on horseback. In the middle of a coat of arms and cartouche with assignment. paper etching hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). boar-hunting. stag-hunting. beasts of prey, predatory animals: wolf

July: Shaving sheep (lion); Iulius; The twelve months (part 2). Landscape that depicts the month of July. Landscape with sheep shearders. At the top left the symbol for the constellation lion.

Noah leaving the ark with his family and animals: at left Noah's family carries supplies, at right animals descend on a ramp from the ark, above birds fly from the ark, from a series of engravings for the 'Liber Genesis'. Artist: Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564-1637 Utrecht). Dimensions: Sheet: 3 7/16 x 5 3/8 in. (8.8 x 13.7 cm)Plate: 3 5/16 x 5 3/16 in. (8.4 x 13.2 cm). Series/Portfolio: Series of engravings for the 'Liber Genesis'. Date: 1612. Museum: Metropolitan Museum of Art, New York, USA.

Roof of Europe, 1660 print Jupiter chess Europe in the form of a white bull and takes her through the water. Her service states are left in despair. On the right a young man with a flute, possibly a shepherd, with a herd. This print is part of an album. paper etching / engraving Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water

H. Paternus Sens hermit, Jan van Londerseel, 1580 - 1625

View of a Village with Figures in the Foreground, 1723. Marco Ricci (Italian, 1676-1729). Etching;

Egidius, pl. 20 of 30 from the series Sylvae Sacrae (Hermits inLandscapes). Publisher: Rafael Sadeler I, Flemish, 1560-1628 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600

St Francis Receives the Stigmata 1567 Cornelis Cort Netherlandish. St Francis Receives the Stigmata. Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). 1567. Engraving. Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Prints

HEILIGE Hieronymus, Cherubino Albert, after Michelangelo, 1575 print The saint Hieronymus as a recluse in the wilderness. He is displayed as a muscular old man. There is a lion next to him and there are a cardinal hat, a skull and two books on the ground in front of him. On the right is a view with a mountain landscape with a river and a town. print maker: Romeafter design by: Italy paper engraving the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

The repudiation of Hagar, Moyses van Wtenbrouck, Abraham van Waesberge (I), 1620.

Anonymous after Hendrick Goltzius (Dutch, 1558 - 1617). Mercury Killing Argus, ca. 1589. From Metamorphoses. Engraving on wove paper. Plate: 176 mm x 250 mm (6.93 in. x 9.84 in.).

Juli; De twaalf maanden.From a series of twelve prints, the imagination of the month of June. Fishermen on the water in a rowing boat, a walking couple on the shore in the distance.

Landscape with two shepherdesses by a water, print maker: Adriaen Frans Boudewyns, (mentioned on object), Abraham Genoels, (mentioned on object), publisher: Adam Frans van der Meulen, (mentioned on object), Paris, 1666 - 1681, paper, etching, h 125 mm × w 190 mm

Abraham and Isaac with the Offerram, c. 1625 - c. 1635 print Italianizing landscape with Isaac on the left and Abraham kneeling next to a ram. Behind them an altar with burning branch forests. Fourth print from a series of five with the history of Abraham. paper etching a ram caught in a thicket is sacrificed instead of Isaac

Caution, strength and courage, anonymous, 1787 - 1788 print Allegory with three figures centrally in a cave: an old woman, a man with a pointed cap and a beast with three heads without eyes that symbolize the characteristics of caution, strength and courage. Behind them on the left a landscape with a monument for the freedom above which thunderstorms erupt, on the right a landscape with war violence and oppression. With eleven -line French caption. In connection with the political situation on December 29, 1787 and January 20, 1788. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Southern Netherlands paper etching / engraving cave, grotto Brabant

Arcadian Landscape. Medium: woodcut on blue paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius.

Corvus caught the coronis girl; Ovidius' metamorphoses. The Raaf Corvus caught coronis, beloved from Apollo, to infidelity. If he wants to report this to God, he is warned by the Kraai Cornix for his plan. Under the show twice two lines of Latin text. This print is part of a series of 52 prints that depicting stories from Ovidius' metamorphoses. This series varies in three numbered series: two of 20 prints and one of 12 prints. This print belongs to the second series.

Flugschüke, 1740, by Johann Elias Ridinger (1698-1767). Additional, Tireur à vol. Issued in Augsburg. Subject matter includes animals, hunting, and game birds. Engravings

Landscape with a woman seated next to a man playing a hurdy-gurdy ca. 1540 Domenico Campagnola Italian. Landscape with a woman seated next to a man playing a hurdy-gurdy 372188

Papal Court, Italy, Michelangelo, Rome, Alberti, Cherubino, Saint Jerome, verso - stamped, Saint Jerome as a hermit in the wilderness. He is depicted as a muscular old man. Next to him lies a lion and on the ground in front of him lie a cardinal's hat, a skull and two books. On the right is a view of a mountain landscape with a river and a town., print, prent, prints, prenten, height 485 mm, width 350 mm, 1553 - 1615, print maker, printmaker, 1575 - 1575, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1475-03-06 - 1564-02-18, after a design by, granter of privilege

Augsburg, Imperial French Academy, Nilson, Johann Esaias, Tobacco Zierate, La Negoce, Le Dessein, Trade and drawing, verso - stamped, Two scenes with rocaille ornaments on a sheet. Above: A Western and a Turkish man sit smoking in a fantasy landscape with a barrel, a parcel and a tea set. Below: A man sits at an ornamented table with coffee set and candlestick drawing., print, engraving, ornamental print, prints, engravings, ornamental prints, height 221 mm, width 169 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1766 - 1788, paper, papier, etching, etchings, Publication (Event), Publication, publisher, uitgever van privilege

Landscape with story of the Merciful Samaritan: the robbery of the traveler, Jaspar de Isaac (attributed to), 1564 - 1654 print paper etching the traveller is attacked by robbers ~ parable of the good Samaritan

Italy, Boldrini, Nicolò, Venice, Titian, Saint Francis receiving the stigmata, verso - stamped, Saint Francis of Assisi receiving the wounds of the Cross. On the right a companion., print, prent, prints, height 293 mm, width 433 mm, print maker, printmaker, 1530 - 1530, second quarter 16th century, paper, papier, ink, inkt, woodcut, pen, Work conception, Italian, 1488 - 1576-08-27, after print by, 1500

Everdingen, Allart van, work name: Koski, (1000 - 2000), line etching, graphics, plate width 10.7 cm, plate height 12.8 cm

Hilly landscape with a river and a town. on the right on a hill a castle. In foreground Rebekah giving Eliezer water to drink from a pitcher. To the left a fountain. To the right a caravan of camels. In ornamental border with flowers and fish at top and bottom. Birds in the corners. The print has an ornamental border with flowers and animals. It is part of a twenty-four-part series of landscapes with Biblical, mythological scenes and hunting scenes., Rebekah and Eliezer at the Well Landscapes with Biblical, mythological scenes and hunting scenes (series title), print maker: Adriaen Collaert, (mentioned on object), Hans Bol, (mentioned on object), publisher: Eduwart van Hoeswinckel, (mentioned on object), Antwerp, 1582 - 1586, paper, engraving, h 138 mm × w 207 mm

Christian Rothgesser (1630-1659), Illustration Til Adam Olearius, "Persian Rosenthal of a meal poet Schich Saadi ...", Schleswig 1660, 1660

Eliezer and Rebekka, Claes Moeyaert, 1612 - 1655 print Eliezer, the servant of Abraham, meets Rebekka at the well. She lets him drink from her jug. In the background the camels of Eliezer and buildings in a landscape. Amsterdam paper etching the meeting at the well: Eliezer sees Rebekah coming with a pitcher

The Hut of the Carpenter Allart van Everdingen Dutch. The Hut of the Carpenter 427721

Farmers take revenge on soldiers, Anonymous, After Jacques Callot, 1677 - 1690 print On the outskirts of a village, farmers with scythes and bates take soldiers. Under the show a six -line French verse. This print is part of a series of 17 (18 incl. Title print) prints with performances of various types of misery that warfare entails. print maker: Netherlands (possibly)publisher: Amsterdam paper etching soldiers and civilians. fight between farmers and soldiers. village

The Good Samaritan finds the traveler and nurses his wounds. In the background the priest and the Levite. The print is part of a four-part series of landscapes with scenes from the parable of the Good Samaritan, Landscape with the traveler being cared for by the Good Samaritan Landscapes with scenes from the parable of the Good Samaritan (series title), print maker: Julius Goltzius, Hans Bol, publisher: Johannes Janssonius, Antwerp, c. 1560 - 1595, paper, engraving, h 117 mm × w 174 mm

. Landscape with flute playing Mercury and Argus. Mounted on 16th-century album leaf together with other ETS Duperac and on verso two prints by Johannes Saderer

Two saters with a herd, Abraham Genoels, 1650 - 1724 print Two Staters. They float a herd of goats in a mountain landscape. paper etching satyr(s) (in general). goat. mountains

La Vera Perfettione del Disegno di varie sorti di recami, page 24 (recto). Dimensions: Overall: 6 5/16 x 8 7/16 in. (16 x 21.5 cm). Illustrator: Woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520-ca. 1575 Venice). Publisher: Giovanni Ostaus (Italian, active Venice ca. 1554-91) , Venice. Date: 1567.Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design depicts a scene from the story of Pryamus and Thisbe, who are both featured in this image. Lying dead on the ground is Pryamus, while Thisbe begins to stab herself with a sword. In the background on the left side is the lion gnawing on Thisbe's veil. Museum: Metropolitan Museum of Art, New York, USA.

Hesperia and Aesacus; Metamorphoses from Ovid. Aesacus, a son of king priamus from Troy, had fallen in love with the river Nymph Hesperia and haunted hair. During her flight, Hesperia was bitten by a snake and died. Aesacus finds her body. The hose winds around her ankle.

Philistines mute the wells from jealousy; Pressa virtus non opressa; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. In the foreground the Philistines dampen the wells that had dug the servants of Abraham. They were seized with earth. The Philistines were jealous of the richness of Abraham's son Isaac. King Abimelech recommended Isaak and Rebekah to leave. On the right in the background the herds of sheep, goats and cattle on the way to the valley of Gerar where Isaak went to live with his wife (Gen. 26:15). The print is part of an album.

Amor by a hand, complaining at Venus; Emblemes d'Amour. Amor has been put by one and comes to complain to his mother Venus. In the background Amor at beehives. One should not be bitter in love. Fourteenth emblem from emblemata amatoria.

Rider in the forest, Allaert van Everdingen, 1631 - 1675 print Netherlands paper etching forest, wood (+ landscape with figures, staffage)

Diana the Huntress in a Landscape ca. 1530-42 Vincenzo Caccianemici Italian. Diana the Huntress in a Landscape 370179

Mercury gives Bacchus to the nymphs, Gerard Melder, 1725.

Milking scene. Teniers, David II (Flemish, 1610-1690) (designed after) painter Leyniers, Urbanus (Flemish, 1674-1747) (workshop) weaver Leyniers, Daniel II (Flemish, 1669-1728) (workshop) weaver c. 1700-1750 Tapestry Dimensions: H 10' x W 12' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Inscriptions: Woven signature in central field, lower right partially legible in photograph: V or D LEYNIERS In landscape next to stream, figures smoking, musicians playing music, milking cow & tending sheep (BRD) stylized foliage, acanthus leaves in corners The signature in central field may stand for "V LEYNIERS". This signature is partially visible & interrupted by border; it may be obscurring the DL for Daniel (Cavallo). The signature in central field may stand for "D LEYNIERS" (Campbell). No French & Co. stock sheet in archive, no stock number Delmarcel, Flemish Tapestry (1999), 352-361, fig.13.7 Marillier, Teniers Tapestries (19

In the foreground several hunters with their hunting tackle In the background two mountain goats are attacked by a pack of hounds. The print has a Latin caption and is part of a 43-part series on hunting, Hunting Mountain Goats Hunting Scenes (series title) In quibus omne genus venationis, aucupij, piscatusque (series title), print maker: Philips Galle, Jan van der Straet, (mentioned on object), publisher: Philips Galle, print maker: Antwerp, Florence, publisher: Antwerp, 1578, paper, engraving, w 297 mm × h 210 mm

Johannicus of Bithynia, Saint.

Arnulf of Metz, Saint.

Sons of Jakob point with their herd to the approaching Joseph, Jan Luyken, 1706 print Amsterdam paper etching / letterpress printing Jacob works as a herdsman for seven years in exchange for Rachel. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Cupids at Play. Possibly by Hieronymus Wierix (Flemish, 1553-1619). Engraving;

The Death of Procris; Cephalus mournig the death of Procris on the right surrounded by Cupid and mourning satyrs and nymphs, the goddess of dawn in her chariot in the background ca. 1540 Giorgio Ghisi Italian. The Death of Procris; Cephalus mournig the death of Procris on the right surrounded by Cupid and mourning satyrs and nymphs, the goddess of dawn in her chariot in the background 367351

Jele He gets up and fights with dogs; Ridinger, Johann Elias (1698-1767); 18th century (1700-00-00-1800-00-00);

December: Pigs slaughter (Capricorn), Antonio Tempesta, 1575 - 1613 print Landscape that depicts the month of December. Landscape with people who slaughter a pig. In the middle of the symbol for the constellation Capricorn. paper etching landscape symbolizing December. Capricorn (zodiacal sign of December). butcher, slaughterman

August, Aegidius Sadeler, Marcus Christoph Sadeler, 1607

Kaneel, nootmuskaat, kruidnagel en bamboe; Kaneel en Nootmus / Canelle, Muscade, Chasse des Elephans, etc // Kruytnagelengewas / Girofle, Bambous, Montagne brulante, etc; Les Indes Orientales et Occidentales et autres lieux.Presentation in two parts. On the left a landscape with the nutmeg and cinnamon tree. Some monkeys are in the cinnamon tree. Two men are harvesting the bark. In the foreground is a nutmeg of nutmeg and film. A woman gets the oil from the nutmeg. In the background the elephant catch on Ceylon. On the right show a landscape with the clove tree and bamboo. Some men harvest the clove. In the background the Ternate volcano. With a legend in French and Dutch. The print is part of an album.

Lucas van Leyden, Mohammed and the Monk Sergius, 1508, engraving on paper.

Allart van Everdingen, Reynard is Released to Tell His Story, probably c 1645 1656 Reynard is Released to Tell His Story

Farm Buildings Seen Through a Screen ofTrees. Artist: Unknown After: Abraham Bloemaert, Dutch, 1566-1651

Landscape with pedestrian and castle; Landscapes, three series.Landscape with in the foreground two people sitting along a path that look at woman with basket on the head. A castle on the water in the background. Third print from the series of six.

Landscape with two river gods, one of them points to two coats of arms. In the margin a four-line caption in Dutch.

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