Biblical and Mythological Print Art

Engravings illustrating biblical stories and mythological narratives, depicting figures interacting with symbolic elements and dramatic landscapes.

Copper engraving depicting Priapus performing washing, showing the mythological figure in interaction with objects, created by Meister IB mit dem Vogel in the first third of the 16th century.

Mozes en de Koperen Slang, Virgil, 1552 print Nuremberg paper anyone who is bitten by a snake is cured by looking at the brazen serpent; the serpent (or dragon) is usually depicted on a tau-shaped cross or on a pillar

Woodcut 'The Apocalyptic Riders' (Apocalypse, Figure III) by Albrecht Dürer, circa 1497/98, depicting four riders and symbolic figures in detailed composition.

Master of the Miracles of Mariazell, Ain Man Schoss seinen nagsten , c 1503 Ain Man Schoss seinen nagsten ...

Copper engraving depicting Priapus performing washing, showing the mythological figure in interaction with objects, created by Meister IB mit dem Vogel in the first third of the 16th century.

The Last Judgment 1505 Hans Baldung (called Hans Baldung Grien) German. The Last Judgment 416203

Totent dance. Lurent death (B16). Woodcut

The Seven Angels with the Trumpets, from The Apocalypse, Latin Edition, 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 15 5/16 x 11 1/16 in. (38.9 x 28.1 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.

A circa 1497/98 woodcut by Albrecht Dürer depicting the angel with the key to the abyss from the Apocalypse, figure XIV, showing detailed figure work, composition, and early Renaissance printmaking techniques.

St. Christopher with the Birds, c. 1501-4. Albrecht Dürer (German, 1471-1528). Woodcut;

The Four Horsemen, from the series TheApocalypse. Artist: Albrecht Dürer, German, 1471-1528

Amsterdam, Luyken, Jan, Allegorical female figure describes a panel in the clouds, verso - stamped, An allegorical female figure describes a panel in the clouds that is held by an angel. Below, two angels guard the Ark of the Covenant., print, prints, height 144 mm, width 90 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1705 - 1705, paper, papier, etching, etchings

Woodcut by Leonhard Beck from 1517 showing Theuerdank concealing a wild boar with a sword while his horse is attacked in the foreground.

Albrecht Dürer, Saint Jerome in a Cave, 1512 Saint Jerome in a Cave

Saint Jerome in Penitence, in a Renaissance Frame Albrecht Altdorfer German. Saint Jerome in Penitence, in a Renaissance Frame 429666

Nuremberg, Dürer, Albrecht, The Four Avenging Angels, verso lower left - stamped, God watches from heaven as four angels with swords attack rulers and ordinary people. On the verso Latin Bible text in Gothic script in two columns., print, prints, images, height 394 mm, width 282 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1496 - 1498, fourth quarter 15th century, first quarter 16th century, paper, woodcut, letterpress printing, letterpress

Albrecht Dürer, Joachim and the Angel, c 1504 Joachim and the Angel

Martyrdom of Saint Catharina, Pierre Brebiette, 1608 - 1647 print Paris paper etching the wheel of St. Catherine of Alexandria is destroyed by a thunderbolt from heaven, or by angels with a sword

The Labors of Hercules: The Pillars of Hercules. Gabriel Salmon; French, active 1504-1542. Date: 1523-1533. Dimensions: 199 × 147 mm (image/plate); 254 × 174 mm (sheet). Woodcut on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Albrecht Dürer, The Apocalypse: The Four Angels Holding the Winds, 1497-1498, woodcut on paper.

Lucas de Leyde. Samson and Dalila (Bartsch 25). Chisel. 1508. Museum of Fine Arts of the City of Paris, Petit Palais. 78968-25 Religious art, bible, religious iconography, biblical character, 16th 16th 16th 16th 16th 16 century, engraving

The Struggle Between the Devil and St Francis of Assisi for the Soul of Guido da Montefeltro, plate three from Darstellungen aus Dante's Hölle. Joseph Anton Koch; German, 1768-1839. Date: 1807-1808. Dimensions: 400 x 316 mm. Etching on paper. Origin: Germany. Museum: The Chicago Art Institute, FLORENCIA, USA.

Woodcut by Albrecht Dürer, circa 1496, depicting a mounted knight and a Landsknecht soldier, showing figures, armor, posture, and composition.

Woodcut by Albrecht Dürer, circa 1496-97, depicting the Babylonian woman, Apocalypse series figure XIII, showing detailed figure, attire, and symbolic elements on a cut sheet.

The Beast with Seven Heads and the Beast with Lamb's Horns n.d. Albrecht Dürer German. The Beast with Seven Heads and the Beast with Lamb's Horns 387448

Lust, from the Vices Made 1552 Germany. Engraving in black on ivory laid paper . Heinrich Aldegrever

Woodcut by Albrecht Dürer, circa 1496-97, depicting the animal with lamb horns, Apocalypse series figure XI, showing figures, horns, and symbolic elements on a detailed sheet.

Samson and Delilah. Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: sheet: 11 1/8 x 7 15/16 in. (28.3 x 20.2 cm). Date: ca. 1507. Museum: Metropolitan Museum of Art, New York, USA.

Saint Michael and the Dragon, from the Apocalypse n.d. Jean Duvet French. Saint Michael and the Dragon, from the Apocalypse 386222

Nuremberg, Beham, Barthel, Saint Christopher, verso center right - stamped, Saint Christopher or Christopher seated on the ground with a broken branch as his staff and a drinking bottle. Above his head floats a putto., print, prent, prints, prenten, height 69 mm, width 48 mm, 1502 - 1540, print maker, prentmaker, 1520 - 1520, first quarter 16th century, paper, papier, engraving, engraving (printing process), Work conception, after own design by

Lucas Cranach the Elder, Christ on the Mount of Olives, in or before 1509 Christ on the Mount of Olives

Battle between cavalry and infantry in a wood. Artist: After Domenico Campagnola (Italian, Venice () 1500-1564 Padua); Hieronymus Hopfer (German, ca. 1500-1563). Dimensions: sheet: 9 1/2 x 8 11/16 in. (24.2 x 22 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Belagio is bitten by his horse and dies as predicted by H. Antonius, 1598 print Belagio is dead on the ground. His soldiers are around his body. In the background, Belagio is bitten by his horse. Italian and Latin text in two columns in the lower margin. print maker: Italyafter painting by: Romeafter painting by: Romepublisher: RomeItalyItaly paper etching the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig

The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds and Beasts (verso); The Last Supper (recto), pages 66 and 65 from the Treasury (Schatzbehalter) 1491 Germany. This curious allegory of Christ shows him in a wood surrounded by a wide variety of creatures embodying his virtues and the vices of his enemies. At his feet appear his foesóas a lion, bear, dog, fox, wolf and unicornówhile his intrinsic goodness causes an elephant, lamb, dove, pelican, eagle and owl, among other birds to emerge from behind his halo.. Woodcut on ivory laid paper . Michel Wolgemut

Lambert Hopfer after Nicoletto da Modena (German, active first half 16th century), Mythological Marine Subject, etching

Copper engraving by Nicoletto da Modena, early 16th century, depicting David holding the severed head of Goliath, illustrating the biblical story of David and Goliath.

Copper engraving by Monogrammist AC illustrating a nymph alongside a shepherd, created in the first half of the 16th century.

De Monnik and the Non, Heinrich Aldegrever, 1530 print Monnik and a non -sexing under a tree are caught by a soldier. paper engraving monks and nuns. man and woman cohabiting

Artist: Georg Lemberger, German, ca.1490 - 1540, St.Mark, Woodcut, sheet: 14.61 × 9.53 cm (5 3/4 × 3 3/4in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Drawing, Agony in the Garden; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Engraved by Cornelis Galle I; Published by Philips Galle (Flemish, 1537 - 1612); Netherlands; pen and ink, brush and gray and gray-brown wash over black chalk on laid paper

This 1517 woodcut by Leonhard Beck depicts Theuerdank controlling a broken horse during a jump, wearing a gold-plated harness, illustrating skill and heroism.

Saint George Killing the Dragon 1511 Albrecht Altdorfer German. Saint George Killing the Dragon 428955

Albrecht Dürer (1471-1528). "The apocalypse: the four horses of different colors and those that rose them, B. 64" - 2nd Latin edition. Engraving. Museum of Fine Arts of the City of Paris, Petit Palais. 34091-3 Allegorie, angel, apocalypse, arc, b 64, balance, bible, rider, horse, second Latin edition, pristine, fork, death, new will, skeleton, engraving

Hellevaart; The fall and redemption of humanity. Christ, on the back, with a banner in the left hand, draws Adam from the pre-borne. Eva stands next to him. Thirty-fourth print from a series of forty.

Saint Christopher crossing the river with Christ in the form of a putto on his shoulders and a hermit in the foreground, after Dürer. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 12 5/8 × 8 11/16 in. (32 × 22 cm)Plate: 8 3/8 × 5 11/16 in. (21.3 × 14.5 cm). Date: ca. 1500-1534. Museum: Metropolitan Museum of Art, New York, USA.

Mary Magdalen standing on clouds, being transported to heaven by angels 1570-1615 Cherubino Alberti (Zaccaria Mattia) Italian. Mary Magdalen standing on clouds, being transported to heaven by angels 651184

A copper engraving by Albrecht Dürer from 1508 depicting the capture of Christ, showing figures, composition, and early 16th-century German engraving techniques.

Hans Süss von Kulmbach, Apollo on Parnasus, published 1502 Apollo on Parnasus

The Weiss Kˆnig (White King) was one of three books commissioned by Emperor Maximilian I (1459-1519). The book chronicles Maximilianís life and represents his court as an ideal chivalric society. 1515

"Copper engraving by Marcantonio Raimondi around 1505-1510 depicting Semele and Endymion, showing figures, interaction, and mythological context."

The Martyrdom of St. Catherine. Albrecht Dürer (German, 1471-1528). Woodcut;

The four riders of the apocalypse. Four men on horseback, armed with an arrow and bow, a sword, a scales and a riek, people walk under the foot.

The fall, Lucas van Leyden, 1512 - 1516 print Eva hands Adam the forbidden fruit. On the right in the background the expulsion from paradise. Wood block and print damaged, stored with pen. Low Countries paper Eve offers the fruit to Adam. an angel chases Adam and Eve out of paradise with a (flaming) sword

Pyramus en Disbe, Albrecht Altdorfer, 1513 print The dead pyramus with a knife in his belly, lying on the floor. Thisbe stands next to him, something bent over him with her hands together. Germany paper Thisbe kills herself with Pyramus' sword (the scene may be represented near a fountain)

Albrecht Dürer, The Beast with Two Horns LIke a Lamb, 1498 The Beast with Two Horns LIke a Lamb

Allegory on the neutrality of the Republic in the Austrian Succession War, 1742; Malo Bonum Compensare Nefas; Zeus, Hercules and Neptunus. Sitting on the throne with the foreground on the left the sleeping Hercules and on the right the river god of the Amstel; In the background envy and deception. Possibly an allegory on the neutrality of the Republic in the Austrian Succession War, 1742. The Latin subtitle in the caption followed by a verse of six rules in Dutch.

The Trinity. Artist: After Frans Floris I; Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510-before 1566 Groningen). Dimensions: Sheet: 14 3/16 x 10 5/8 in. (36 x 27 cm). Museum: Metropolitan Museum of Art, New York, USA.

Saint Christopher Facing Right. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm). Date: 1521. Museum: Metropolitan Museum of Art, New York, USA.

Wittenberg, Cranach, Lucas (I), Christ healing the lame and the lepers, Christ healing the lame and the lepers. Book illustration in rectangular frame with fine ornaments. This print is printed with multiple wood blocks., print, book illustration, prints, height 120 mm, width 95 mm, height 189 mm, width 160 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1521 - 1522, first quarter 16th century, paper, woodcut

Master of the Miracles of Mariazell, Ein Briester wardt gefanngen , c 1503 Ein Briester wardt gefanngen ...

Saint John Devouring the Book, from The Apocalypse 1497-1498 Albrecht Dürer German. Saint John Devouring the Book, from The Apocalypse 397138

Nicoletto da Modena's copper engraving 'The Hunter' (c. 1500-1512) depicts a hunter in Renaissance attire, emphasizing the period's fashion and weaponry.

Democritus in Meditation. Artist: Salvator Rosa (Italian, Arenella (Naples) 1615-1673 Rome). Dimensions: Sheet: 18 7/16 x 11 1/8 in. (46.8 x 28.2 cm). Date: 1662. Museum: Metropolitan Museum of Art, New York, USA.

Jean Chartier in his workshop, Jean Chartier (attributed to), c. 1557 - 1580 print paper engraving portrait, self-portrait of artist. engraver, etcher. planets; planetary system, solar system. armillary sphere, skeleton celestial globe

CONQUISTADORES DE CHILE: MARISCAL MARTIN RUIZ DE GAMBOA, MELCHOR BRAVO DE SARAVIA Y ALVAREZ DE SOTOMAYOR MARQUES DE VILLAHERMOSA - SIG. Author: ALONSO DE OVALLE. Location: ACADEMIA DE LA HISTORIA-COLECCION. MADRID. SPAIN.

Jusepe de Ribera, The Martyrdom of Saint Bartholomew, Spanish, 1591 - 1652, 1624, etching and engraving

Conversion of Paul. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 11 9/16 × 7 11/16 in. (29.4 × 19.5 cm). Date: ca. 1514. Museum: Metropolitan Museum of Art, New York, USA.

Emblem with the final judgment for the consideration of life in virtue or sin, Boëtius Adamsz. Bolswert, Anonymous, Hendrik Aertssens, 1620 - 1623.

Calvary with the Three Crosses. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 8 3/8 x 5 13/16 in. (21.2 x 14.8 cm). Date: ca. 1503. Museum: Metropolitan Museum of Art, New York, USA.

The Betrayal, from The Passion 1508 Albrecht Dürer German. The Betrayal, from The Passion 391395

The whore of Babylon, Albrecht Dürer, 1511 print A beautifully dressed and felled woman drives on a beast with seven cups and ten horns. An army riders appears from heaven. In addition, two angels, one of whom has a millstone. On the right in the background you can see how a city goes up in flames. On Versozijde Latin Bible text in Gothic script in two columns. Nuremberg paper letterpress printing the scarlet woman, the whore of Babylon; she is usually sitting on a scarlet beast with seven heads and ten horns. the fall of Babylon

Albrecht Dürer (1471-1528). "The seven head dragon and the horned beast. Bartsch 74; German edition". Wood engraving, around 1496-1497. Museum of Fine Arts of the City of Paris, Petit Palais. Revelation, beast, beast horn, bible, catholic, chretian, seven head dragon, Roman emperor, wood engraving, New Testament

Albrecht Altdorfer, The Flight into Egypt, c 1513 The Flight into Egypt

Sleeping man on a bed dreams about a battlefield, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing sleeping in bed. battle

Saint George Standing 1506 Germany. Woodcut in black on cream laid paper . Lucas Cranach, the Elder

The Last Judgement loosely based on Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843

Woodcut by Albrecht Dürer around 1510 depicting Christ appearing to Mary Magdalene, part of the Small Passion series, showing figures, gestures, and early 16th-century German religious iconography.

The holy hieronymus writing in a cave, Albrecht Dürer, 1608 - 1618 print The Holy Hieronymus is writing in a cave. Behind him is a lion. Due to the opening of the cave you can see a town on a bay. Nuremberg paper personal devotion of St. Jerome

Photo production of an engraving by the BM monogrammist, 'Rest on the flight to Egypt', Alois Löcherer, 1854 paper. photographic support. cardboard salted paper print paper. photographic support. cardboard salted paper print

Simson kills De Leeuw, 1645 - 1646 print Simson in fight with a lion that he will eventually kill with his bare hands. He pulls the jaws of the animal with his hands. The print is part of an album. paper letterpress printing Samson kills the lion with his bare hands

Emblem with father Time to symbolize the passing of time, Boëtius Adamsz. Bolswert, Anonymous, Hendrik Aertssens, 1620 - 1623.

Nicoletto da Modena's copper engraving 'Saint John the Baptist in Front of a Tree Group' (c. 1500-1512) portrays Saint John the Baptist amidst a group of trees, emphasizing religious themes and natural elements.

Jean Duvet, Satan Bound for a Thousand Years, 1546 1556 Satan Bound for a Thousand Years

Abbot, from the Dance of Death. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 2 15/16 × 2 3/16 in. (7.5 × 5.5 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: Dance of Death, after Holbein. Date: 1651.Death, with mitrte and crozier, drags an abbot to the left by his gown. Museum: Metropolitan Museum of Art, New York, USA.

The Apocalypse: The Fall of Babylon. Jean Duvet (French, 1485-1561). Engraving; framed: 52.4 x 39.7 x 2.5 cm (20 5/8 x 15 5/8 x 1 in.); unframed: 30.6 x 21.7 cm (12 1/16 x 8 9/16 in.); plate: 30.2 x 21.2 cm (11 7/8 x 8 3/8 in.).

Albrecht Dürer, The Last Judgment, probably c 1509 1510 The Last Judgment

Enious, Heinrich Aldegrever, 1552 print Personification of envy. Woman sitting on a monster, in her right hand a banner with an image of two snakes. At the top right a coat of arms with a scorpion, above it a bat. Under the show a two -line text in Latin. Second print from a series of seven. Germany paper engraving Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins

Christ Sleeping During the Storm on Lake Tiberias, from The Story of Christ 1534-35 Georg Pencz German. Christ Sleeping During the Storm on Lake Tiberias, from The Story of Christ 432117

Lucas Cranach the Elder (German, 1472-1553), Saint Bernard Adoring the Man of Sorrows, woodcut

Peruzzi, Baldassare, Italy, Carpi, Ugo da, Avarice Expelled from the Temple of the Muses, verso - stamped, Avarice (Avaritia) in the guise of a woman is expelled from the temple of the Muses by Hercules. In the left foreground sits Apollo with his lyre and behind him stands Minerva. They are surrounded by the Muses, among whom are Euterpe with a flute and Melpomene with a mask., print, prent, prints, height 300 mm, width 230 mm, Italian, print maker, printmaker, 1502 - 1532, third quarter 15th century, fourth quarter 15th century, first quarter 16th century, second quarter 16th century, paper, chiaroscuro woodcut, Work conception, 1481 - 1563-01-07

Artist: Albrecht Dürer, German, 1471-1528, The Entombment, from The EngravedPassion, Engraving, 11.9 × 7.6 cm (4 11/16 × 3in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

St. George Killing the Dragon. Telman of Wesel; German, active 1490-1510. Date: 1499-1510. Dimensions: 78 × 113 mm. Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

The Martyrdom of Saint Catherine ofAlexandria. Artist: Albrecht Dürer, German, 1471-1528

Jean Duvet, The Multitude Which Stands before the Throne, 1546 1556 The Multitude Which Stands before the Throne

Jacques Callot, Paradise, 1608 1611 Paradise

Mercury. Dated: 1534. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Gabriele Giolito de' Ferrara.

Ercole d'Este, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) 1611-19 Jacques Callot French. Ercole d'Este, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence). Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze. Jacques Callot (French, Nancy 1592-1635 Nancy). 1611-19. Engraving; second state of two (Lieure). Prints

Print, The Flight into Egypt; Martin Schongauer (German, 1450-91); Germany; engraving on off-white laid paper

Saint Francis Receiving the Stigmata. Dated: c. 1530. Dimensions: block: 29.5 x 43.4 cm (11 5/8 x 17 1/16 in.) sheet: 29.8 x 43.7 cm (11 3/4 x 17 3/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: TITIAN.

The Alchemical Properties of Metal: Mercury, Vulcan, and the Alchemist in the Cave, 1530s. Domenico Beccafumi (Italian, 1486-1551). Woodcut;

Caution prevents its time to destroy antique images; Title page for: Collectorum Signorum Veterum Icones, 1671. The time (chronos, winged hourglass) wants to play with a stick to hit an antique image. He is stopped here by caution (prudentia, hose with mirror) that has been grabbed its arm. Left is a already destroyed image on the ground.

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