Biblical and Mythological Prints

Engravings illustrating scenes from the Bible and mythology, showcasing dramatic narratives involving figures like Noah and David with elaborate compositions.

Amsterdam, Visscher, Claes Jansz. (II), Italy, Tempesta, Antonio, Alexandri magni praecipvae res gestae, The deeds of Alexander the Great, Alexander the Great in India, Entry of Alexander the Great into Babylon, verso - stamped, The entry of Alexander the Great into Babylon. People along the side offer Alexander gifts. An old man offers Alexander the keys to the city. Four-line verse in Latin in two columns in the lower margin., print, prints, height 224 mm, width 285 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1608 - 1608, paper, papier, etching, etsen, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Hercules and Scipio led by Minerva on the path of virtue, Jan Harmensz. Muller, After Bartholomeus Spranger, 1589 - 1593 print Minerva, as a personification of virtue, leads Publius Cornelius Scipio Africanus and Hercules on the path of virtue to the temple of eternal fame. The sensible Cupido shows them the way. Drinking and lover -chosen people as the imagination of the vice, which is left behind by Scipio and Hercules. Amsterdam paper engraving / pen (Story of) Minerva (Pallas, Athena). Hercules at the cross-roads, 'Hercular am scheidewege': The Choice of Hercules (+ Varariant). (Story of) P. Cornelius Scipio Africanus Minor (P. Cornelius Scipio Aemilaianus). (Story of) Cupid, Amor (Eros)

Moses Striking the Rock. Dimensions: sheet: 26.6 x 41.4 cm (10 1/2 x 16 5/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Master IV after Francesco Primaticcio.

Trojans enter the wooden horse. A procession Trojan soldiers takes the wooden horse into the city of troy.

Huybrechts, Adriaen (I), Southern Netherlands, Borcht, Pieter van der (I), Navis Ecclesiae Militantis, The ship of the militant Catholic church, The ship of the militant Catholic church. Sailing ship representing the Roman church with the pope at the helm and manned by other officials of the Catholic church. At the top of the mast Christ, Mary and saints. The ship is threatened by storm winds and from boats and from the shore by heretics, unbelievers, heresies, tyranny, the devil etc. With inscriptions and a caption of 4 lines in Latin. Cartoon on the Reformation, theme from ca. 1560., print, prints, Frederik Muller History plates, height 272 mm, width 194 mm, South Netherlands, 1545 - 1608, print maker, printmaker, 1560 - 1608, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, etching, etchings, Publication (Event), Publication, - 1614, publisher

The Betrayal of Christ. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 15 9/16 x 10 7/8 in. (39.5 x 27.7 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Antwerp, Galle, Theodoor, David, Jan, Typus occasionis in quo receptae commoda, Emblems about time and the use of opportunities, Partvtienti in angvstiis svbventitvr, Sinful youths squander the opportunities that life offers through play and fun, verso - stamped, Sinful youths play, together with devils, with the attributes of the personification Chance (Occasio). One of the youths puts a mask on Chance. In the background the angel of Faith. At the top God looks on. The print has a Latin caption with legend and is part of a 12-part series on the use of opportunities., print, prints, height 154 mm, width 87 mm, South Netherlands, 1571 - 1633, print maker, printmaker, 1603 - 1603, paper, engraving, engraving (printing process), Work conception, after a design by, 1543 - 1613, writer, Publication (Event), Publication, publisher

Reconciliation between the Sabines and the Romans; Performances from Roman history. The Sabin women were knocked down at Roman and Sabinian soldiers on horseback and took them out of the fight. In the margin below the show, a text is listed in Latin, lower right: 2. The print is part of a series of prints that depict events from Roman history.

Combats et Triomphes. Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg). Dimensions: sheet: 2 11/16 x 8 11/16 in. (6.9 x 22 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Triumph of Job; Triumph of the livelihood; Patientiae trivmphvs. In the foreground job, driving on a turtle. In his right hand a cross with a banner. On the banner a scales, a winged heart and a flaming sword that releases the heart of the world. Follow behind Job: The devil tries to lift him with all kinds of pests of his faith, his wife who encourages him to lose weight and his three friends who don't believe in Him. In the background the trials that Job underwent: the death of his herd, the death of his children and job on the manure heap, covered with ulcers. The print has a Latin text of six lines on a separate piece of paper and is part of an eight-language series about the triumph of the livelihood.

A Clair-obscur woodcut by Andrea Andreani from 1585 depicting the robbery of the Sabiners using three pressure sticks in four plates with ocher and brown inks across six leaves, showing figures and gestures.

Hieronymus Hopfer after Raphael, Combat between Horsemen and Foot Soldiers Combat between Horsemen and Foot Soldiers

Ulysses Entering Troy 1780s Antoine François Callet French. Ulysses Entering Troy 336573

The Hebrews defeat the Canaans. Dated: 1613. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

A woodcut by Albrecht Dürer from 1510 depicting the capture of Christ, showing figures, composition, and early 16th-century German printmaking techniques.

Envy causes a battle between the gods. On the left is the envy at a table, two hoses, her attributes, crawl on the ground. Mercury, Jupiter (in the form of an eagle), Neptune and amor have a fight. Neptunus has thrown his trident on the ground, Mercury is about to walk away. Other gods watch.

Battle Scene. Tempesta, Antonio, 1555-1630. 1601 - 1650. Merian, Matthaeus, 1593-1650. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Canto III. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 16th century. Prints; etchings. Etching

The Virtuous Man on a Chariot on his Way to Heaven, from Hymmelwagen auff dem, wer wol lebt... 1517 Hans Schäufelein German. The Virtuous Man on a Chariot on his Way to Heaven, from Hymmelwagen auff dem, wer wol lebt... 670506

Andrea Andreani (active in Mantua around 1540-1623). "The triumph of Julius César", after Mantegna: warriors carrying eagles and flags preceded by several musicians (Bartsch, volume XII, section 6, n ° 11). Color in color. 1599. Museum of Fine Arts of the City of Paris, Petit Palais. 112278-23 16th 16th XVI 16th 16th 16 Center, engraving

The Martyrdom of St. Barbara Lucas Cranach the Elder German. The Martyrdom of St. Barbara 624953

Alexander the Great, King of Macedonia.

A woman who trampled her husband, Cornelis van Kittensteyn, after Adriaen Pietersz van de Venne, 1610 - 1663 print In a landscape near a city, a woman with one big step tramples her husband, while another man pulls her skirt and gets an egg from her basket in his face. At the tree on the right a person is sitting with his hands folded and behind the trample is a woman who holds her hands next to her head. In the image a cartouche with a two -line Dutch -language text. paper engraving eggs, egg-dishes. falling. dominating wife

Southern Netherlands, unknown, Antwerp, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, Dutch and Germans attack the Roman camp and capture the boat of Cerialis, Dutch and Germans jointly attack the Roman camp and capture the boat of Cerialis. Caption in Dutch and Latin., print, prints, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, letterpress printing, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

The Betrayal of Christ, from The Passion 1508 Albrecht Dürer German. The Betrayal of Christ, from The Passion 391399

Martin Schonguer (around 1450-1495). The fight of Saint Jacques in Clavijo (Bartsch 53). Engraving (chisel), 1475-1480. Museum of Fine Arts of the City of Paris, Petit Palais. 76854-22 Art medieval, Christianity, engraving in chisel, Christian iconography, religious iconography, Middle Ages, New Testament, biblical character, 15th XV 15th 15th 15th century, engraving

This late 15th-century copper engraving by Andrea Zoan depicts a Bacchanal with Silen, emphasizing mythological figures, composition, and Italian Renaissance engraving technique.

The Betrayal of Christ, from The EngravedPassion. Artist: Albrecht Dürer, German, 1471-1528

Ruy Velazquez is looking for revenge and injures Gonzalo Gomez; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

Section B: Isaac, Noah and other figures, from The Triumph of Christ 1836 Andrea Andreani Italian Pasted together with 22.73.3-139. Section B: Isaac, Noah and other figures, from The Triumph of Christ. Andrea Andreani (Italian, Mantua 1558/1559-1629). 1836. Lithographic copy of a woodcut. Callisto Ferranti (Italian, active Rome, 1626-47). Prints

Joust of Two Wild Men, c. 1480, Israhel van Meckenem, German, c. 1445-1503, 5 1/16 x 7 1/2 in. (12.86 x 19.05 cm) (image), Engraving, Germany, 15th century, In this spoof on the excesses of courtly pageantry, the headgear of the jousting wild men indicates their loyalties. The beets (left) clash with the leeks (right). Through their extravagant plantlike armor, we catch a glimpse of the intense gaze of the beet jouster and the unfazed smile of the rider for the leeks.

Elsheimer, Adam, Inhabitants of the Sunda Islands and a sea battle, verso bottom center - stamped, Sheet with four representations. At the top left and right inhabitants of the Sunda Islands including Sumatra and Java. Men and women in various clothing pose in landscapes. Below left a sea battle with large ships and small rowing boats on the coast of the islands. At the bottom right a male inhabitant of the islands rides sitting on a cart pulled by two oxen and surrounded by his servants. The figures are accompanied by numbers that seem to refer to an explanation, print, prints, height 228 mm, width 290 mm, 1578-03-18 - 1610-12-11, print maker, printmaker, 1598 - 1598, fourth quarter 16th century, paper, etching, etchings

Copper engraving by Cornelis Cort from 1564 depicting 'The Triumph of War' from 'The Cycle of Human Life,' illustrating military conflict and allegorical figures.

Hercules and the Pygmies, Cornelis Cort, After Frans Floris (I), 1563 print In his sleep, Hercules is attacked by the pygmies who want to avenge the death of the giant Antaeus. The Dead Antaeus is on the left, Hercules is sleeping on the right. Somnus brings Hercules to sleep. The pygmies try to steal Hercules' club. But Hercules wakes up, takes his opponents in his lion's skin and continues. In heaven you can see the struggle between Antaeus and Hercules, the gods look at the scene from the Olympus. paper engraving Hercules falls asleep after having slain Antaeus, and is attacked by a swarm of pygmies (Philostratus, Imagines II 22)

After Albrecht Dürer, Knight, Death, and the Devil, After 1513, engraving on paper.

Parabola du Bon Samaritan No. 1: Thieves strutting a man (Hollstein 40) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). Parabola du Bon Samaritan No. 1: Thieves strutting a man (Hollstein 40). Burin, 1554-1555.

Alexander Mastering Bucephalus ca. 1540-45 Léon Davent French. Alexander Mastering Bucephalus 337381

Britomartis Jumps into the Sea. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Etienne Delaune.

Roman weapent trophies.

The Resurrection, plate eleven from the Life of the Virgin and Christ. Attributed to Francesco Rosselli; Italian, 1448-c. 1513. Date: 1465-1475. Dimensions: 221 x 162 mm. Engraving, printed in gray, on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

The abduction of Helena. Helena is abducted by Paris and the Trojans. Trojans put her a boat in the foreground. Another figure pulls her robe. In the background a battle is going on between the Greeks and the Trojans. Trojan ships are off the coast. In the background right a palace.

Rome, Callot, Jacques, Paintings and sculptures in Rome, Paradise, verso lower left - stamped, Representation of Paradise, with many saints and biblical figures (including Catherine, John the Baptist, Paul, Simon, Mary and King David). At the very top Religion and God. This print is part of (the second state of) a series of 29 representations of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print)., print, prent, prints, prenten, height 111 mm, width 84 mm, French, 1592-08-21 - 1635-03-24, print maker, prentmaker, 1608 - 1611, first quarter 17th century, paper, papier, engraving, engraving (printing process)

Hercules in battle with the Trojans; Hercvlt Mvltis Bellis Lacessit Troiaam; Working from Hercules.

Agli Amatori delle BuoneArti. Artist: Sir Nicolas Dorigny, French, 1658-1746, active Italy After: Carlo Maratti, Italian, 1625-1713

Noah and the Animals Leaving theArk. Engraver: Giulio di Antonio Bonasone, Italian, ca. 1510-after 1576

Venus and Adonis, surrounded by many putti, reclining after the hunt, with a dead boar in the lower right 1631-37 Pietro Testa Italian. Venus and Adonis, surrounded by many putti, reclining after the hunt, with a dead boar in the lower right. Pietro Testa (Italian, Lucca 1612-1650 Rome). 1631-37. Etching. Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Prints

Albrecht Dürer, Knight, Death and the Devil, 1513, engraving on paper.

Siege of the Elephant, Anonymous, After Alart du Hameel, After Jheronimus Bosch, 1601 print In the middle is an elephant with a castle on his back, a symbol in force. He is attacked by warriors on all sides. The warriors wear flags and shields with various craft symbols, such as fishing nets and an ax. They symbolize the bourgeoisie that attacks the central authority. On the left tower of the castle is a half moon, the symbol of unbelieving. Under the performance in the margin a single -line text in Latin, the translation of which is: 'The impulses of the rash are just as sudden as intense: The human mind is brought out of balance by their incentive, and is no longer able to eight refers to your own dangers and to assess other people's acts. print maker: Low Countriesprint maker: Low Countriesafter print by: Den Boschafter design by: Den Boschpublisher: Paris paper engraving siege. trunked animals: elephant. crafts and industries (+ labourers ~ crafts, industries, agriculture). weapon

Under the supervision of King Sedekiah, Jeremiah is pulled up with ropes from the well of Prince Malkiah. Below the scene is a Latin reference to the biblical text in Jer. 38, Jeremiah is pulled from the well History of Jeremiah Theatrum biblicum , print maker: Adriaen Collaert, (mentioned on object), intermediary draughtsman: Maerten de Vos, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), print maker: Antwerp, publisher: Amsterdam, 1585 and/or 1643, paper, engraving, h 191 mm × w 263 mm

Washing the donkey, Gillis van Breen, after Karel van Mander (I), 1595 - 1645 print A group of men tries to wash a donkey. The men are busy with buckets, soap and wipes. It is not thanked them. The donkey kicks its legs and bite one of the men in the back. In the lower margin a verse in Latin, signed C.C., and a Dutch proverb. print maker: Netherlandsafter design by: Haarlempublisher: Haarlem paper engraving proverbs, sayings, etc.. ass, donkey

Italy, Tintoretto, Jacopo, Sacchi, Carlo, Adoration of the Shepherds, verso - stamped, View of a stable with a void. The Holy Family on the void. Mary shows the Christ Child to two shepherdesses. Below, shepherds with their cattle in the stable. Dedication in Latin in the lower margin., print, prent, prints, height 522 mm, width 392 mm, Italian, 1616 - 1707, print maker, printmaker, 1626 - 1706, paper, papier, etching, etchings, Work conception, 1519 - 1594

Germanic ambassador visits Civilis, 69-70, 1612 print The Germanic ambassador visits Civilis and promises support. Print number 7 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. On the back of text in Latin. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME) Netherlands

Woodcut 'The Calm on the Escape to Egypt' by Lucas Cranach the Elder, 1509, in chiaroscuro technique on two plates, depicting the Holy Family during the flight into Egypt.

Alexander the Great as the third king from the vision of Daniël, Adriaen Collaert, after Maerten de Vos, 1646 print Alexander the Great drives on a horse, in his hand a flag with the image of a mountain goat (Greece). The horse tramples King Cyrus of Persia and Ninus of Babylonia. A cityscape in the background. In addition to Ninus, a four -member leopard with wings appears from the sea, a reference to a vision of Daniël about the rise of four kingdoms in the world. Under the show a reference in Latin to the Bible text then. 7. This print is part of an album. paper engraving the leopard with four bird's wings and four heads ~ Daniel's visions. the world empires symbolized by four beasts (Daniel ch. 7). (story of) Alexander the Great

Illustrations to Proverbs 10: 4-7. Artist: Daniel Hopfer (German, Kaufbeuren 1471-1536 Augsburg). Dimensions: sheet: 8 3/8 x 11 5/16 in. (21.3 x 28.7 cm). Date: 1534. Museum: Metropolitan Museum of Art, New York, USA.

The Road to Calvary. Master of the Housebook; German, active c. 1470-1500. Date: 1470-1485. Dimensions: 129 x 193 mm (image); 130 x 194 mm (sheet, trimmed within platemark). Drypoint in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Achior for Holofernes; History of Judit and Holofernes. Holofernes is in a tent from the army camp on a throne and listens to the message from Achior, the captain of the ammonites.

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Balaam, History of Moses after the Exodus, Balaam and King Balak, Balaam stands with Balak, the king of Moab, on a mountain and they look out over the tent camp of the Israelites. Balak wants Balaam to curse the people, but Balaam blesses them instead. Altars have been erected on the mountain and there are Moabite warriors. Below the representation is a reference in Latin to the Bible text in Num. 23-24. This print is part of an album., print, album sheet, prints, height 192 mm, width 261 mm, Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Fight between Roman soldiers, monogrammist AC (16th century), 1520 - 1562 print Fourteen of sixteen fighting Roman soldiers. Left is cut off. Low Countries paper engraving fighting

The Apocalypse: Four Angels Holding Back the Winds, 1546-1556. Jean Duvet (French, 1485-1561). Engraving;

Saint Andrew, from The Martyrdom of the Apostles 1507-1517 Germany. Woodcut in black on ivory laid paper . Lucas Cranach, the Elder

David returns to Jerusalem, Pietro Aquila, After Rafaël, 1675 print King David and his soldiers return to Jerusalem in Triumph. David stands on a triumphal wagon that is drawn by two horses. Bible verse under the show. Print is part of an album. paper etching David's triumph: the women of Israel come out to welcome David, singing, dancing, and playing tambourines and lyres; David holding the head of Goliath

Men Gathered Around a Camel. Artist: Léon Davent (French, active 1540-56); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: Sheet (trimmed): 13 1/16 × 17 5/16 in. (33.1 × 44 cm). Date: mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Ships with soldiers; The arrival of the Etrusus in Latium (copies) .ships with rowing soldiers at Sea.

Plate 4: The victory of Goleta, near Tunis, from the Triumphs of Charles V 1614 Jacques de Gheyn, III Dutch. Plate 4: The victory of Goleta, near Tunis, from the Triumphs of Charles V. Jacques de Gheyn, III (Dutch, Amsterdam () ca. 1596-1641 Utrecht). 1614. Etching and engraving. Prints

Kindermoord Te Betlehem, Giovanni Battista de'Cavalieri, 1561 print Desperate mothers try to protect their children against the soldiers of Herod. From his throne, on an elevation, Herod looks at the violent practices. Rome paper engraving the massacre ot the innocents; sometimes Herod looking on

States of Holland and West Friesland, Amsterdam, Roman, Jan (II), Schley, Jacob van der, Ville de Cochin, The city of Coetsijen, Map of Kochi and surroundings, recto - stamped, Southwest oriented map of the city of Kochi and surroundings., map, book illustration, prints, topography, height 204 mm, width 288 mm, Northern Netherlands, 1715-07-26 - 1779-02-12, print maker, printmaker, 1767 - 1767, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, Dutch, publisher, granter of privilege

Print, Hercules Abducting Iole; Designed by Hans Sebald Beham (German, 1500-1550); engraving on off-white laid paper

The flood, Dirck Vellert, 1544 print Low Countries paper etching / engraving the ark is floating on the waters, while life on earth is destroyed ~ story of Noah

Pieck, Nicholas.

The kidnapping of Helena, Marco Dente, After Marcantonio Raimondi, After Rafaël, 1498 - 1532 print Helena is abducted by Paris and the Trojans. Trojans pull her in a boat in the foreground. Another figure pulls her robe. In the background there is a battle going on between the Greeks and the Trojans. Trojan ships are off the coast. In the background on the right a palace. Italy paper engraving (story of) Helen. the abduction of Helen and some of her companions: Paris carries them off by sea, and takes a part of the palace-treasure with him

Antwerp, Jode, Gerard de, Coxie, Michiel (I), Sadeler, Johann (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Josephi, History of Joseph, Joseph sold by his brothers, Joseph is pulled out of the pit and sold by his brothers to a group of Ishmaelites. Below the representation a reference in Latin to the Bible text in Gen. 37. Print is part of an album., print, album page, prints, height 211 mm, width 263 mm, South Netherlands, 1550 - 1600-08, print maker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, 1499 - 1592-03-10, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Fifth bas-relief of a 12th century sarcophagus. Knights and ladies on horseback hunting deer with sword, bow, horn and hounds. Women hunting birds with hawk and snare. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Martin Schongauer, Christ in Limbo, c 1480 Christ in Limbo

Roman arms, standards, and trophies, a composition divided into two horizontal bands 1774 Giovanni Domenico Tiepolo Italian. Roman arms, standards, and trophies, a composition divided into two horizontal bands 397635

Frost in a triumphal wagon, accompanied by riders, herauten and foot soldiers, anonymous, anonymous, 1500 - 1599 print paper ruler, sovereign. travelling; tourism

Southern Netherlands, Collaert, Hans (I), Complaintes des desoles paijs bas, Belgicae Delaceratae Lamentatio, Beclaghinghe der Nederlantscher destruction, Wailing of the torn Netherlands, ca. 1577, The personification of the Netherlands (Belgia) is attacked, stripped and robbed of its heart by four Spanish soldiers. On either side Ambition (Ambitio) and Avarice (Avaritia). At the top Distrust tries (Diffidentia) and Envy (Invidia) to tear a cord with the arms of 17 provinces, Trust (Fiducia) prevents this. In the background ruins and war scenes. In the caption under the representation 3 verses of each 2 columns of 6 lines in Dutch, Latin and French., print, prent, propaganda print, prints, Frederik Muller Historieplaten, height 362 mm, width 465 mm, South Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1576 - 1577, third quarter 16th century, derde kwart 16th century, paper, engraving, engraving (printing process)

The sinful man driven to hell by God's wrath; Heilsweg of man. Two biblical allegories in architectural frame. On the left, man is taken to the arm by the personification of eternal death, while the personification of God's wrath on the clouds his other hand holds. The eternal death, as God's punishment for sin, manages man to the Hellemond, while he is driven by the persons of sin, conscience and despair. Under both performances a four-line verse in the Nederduits and a four-line text in Latin. The representation on the right is numbered: 8. Print from a reformational series about the sinity and justification of man.

Triumph by Silenus. The Drunk Silenus is sitting on his donkey and is supported by Saters. In front of the procession, Saters and Maenaden walk. Left jumps a goat through a hoop.

Cartoon of Oliver Cromwell and England at the time of the First English War. Cromwell as a tightrope walker held up by Fairfax and a courtier. On the left, the English look on. Among them are a devil, some musicians and Master Pieter Cornel (probably the preacher Hugh Peters). In the background, two monkeys swing. On the right the young Prince William III standing between a Dutchman with peace branch and Pallas, on the right the Dutch Lion, in the background the members of the States. In the air the Fame. The print is accompanied by a text sheet, Cromwell as a Tightrope Dancer, 1652 Den Engelschen Koort-Dansser ., print maker: Dirk Stoop, (attributed to), Northern Netherlands, 1652, paper, etching, h 240 mm × w 290 mm

Copper engraving by Cornelis Cort from 1564 depicting 'The Triumph of Pride (Superbia)' from 'The Cycle of Human Life', showing allegorical figures and symbols.

Northern Netherlands, Hooghe, Romeyn de, Netherlands, Emrik & Binger, Cartoon on the French, 1674, Reproduction of a cartoon on the French after the conclusion of peace between the Republic and England, 1674. A fleeing rooster (France) is pecked in the comb by an eagle (Germany). On the right, a Spaniard is stringing a rooster on his sword to roast, here also a Dutchman is putting a rooster in a cooking pot. Lower left a cartouche with a 6-line verse in Dutch., print, prent, cartoon, prints, Frederik Muller Historieplaten, height 238 mm, width 301 mm, print maker, printmaker, 1877 - 1879, fourth quarter 19th century, paper, papier, lithografie (techniek), Work conception, Noord-Nederlands, 1645-09-10 - 1708-06-15

Fishermen and families collect oysters, Antonio Tempesta, 1605 print Coastal landscape with fishermen and families, on the waterfront and in boats, which collect oysters. Text in Latin in STUDMARGE. paper etching hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). fisherman. molluscs: oyster

Joseph Sold into Slavery. Dated: 1783. Dimensions: image: 21.4 x 28.7 cm (8 7/16 x 11 5/16 in.) mount: 34.2 x 40.2 cm (13 7/16 x 15 13/16 in.). Medium: chiaroscuro woodcut in gray and black from three blocks on old mount. Museum: National Gallery of Art, Washington DC. Author: John Skippe after Raphael.

Simi cursed King David; The Gheschiesis of Absalon; History of David and Absalom; Den Grooten Figuer Bibel (...). Simi cursed King David and throws stones to him. The soldiers of David want to defend him but the king stops them. Under the show a reference in Latin to the Bible text in 2 SAM. 16: 5. This print is part of an album.

Etienne Delaune, Latona Insulted Latona Insulted

Julius Caesar riding a horse, in his hand a flag depicting an eagle (Rome). The horse tramples King Cyrus of Persia, Ninus of Babylonia and Alexander the Great. In the background a cityscape. Next to Julius Caesar, a many-horned monster emerges from the sea, a reference to a dream of Daniel (Daniel 7) about the rise of four kingdoms in the world. The print has a Latin caption and is part of a four-part series relating four rulers of antiquity to Daniel's predictions, Julius Caesar as the fourth king from Daniel's vision Rise of four world kingdoms and four rulers from Daniel's vision , print maker: Adriaen Collaert, (mentioned on object), Maerten de Vos, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), print maker: Antwerp, Antwerp, publisher: Amsterdam, 1570 - 1618, paper, engraving, h 224 mm × w 269 mm

Print, Trajan Crowned by Victory, ca. 1520; Print Maker: Marc Antonio Raimondi (Italian, 1483 - 1527); Italy; engraving on paper; 29.5 × 44 cm (11 5/8 × 17 5/16 in.); Bequest of George Campbell Cooper; 1896-3-59

Vulcan's Forge Master FG Italian. Vulcan's Forge 368740

This copper engraving print by Pieter Bruegel the Elder, created after 1570, depicts a fantastical landscape filled with abundance and prosperity. The scene serves as a satirical commentary on human desires and the pursuit of utopian ideals.

Master IB, The Triumph of Bacchus, 1528 The Triumph of Bacchus

Virgin and Child with Angels Dancing in a Landscape. Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg); After Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar); After Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); Daniel Hopfer (German, Kaufbeuren 1471-1536 Augsburg). Dimensions: sheet: 4 7/8 x 13 7/16 in. (12.4 x 34.1 cm). Date: 1530s. Museum: Metropolitan Museum of Art, New York, USA.

Germany, Cranach, Luke (I), Martyrdom of the Twelve Apostles, Martyrdom of Matthew, lower left - stamped, Fragment of the martyrdom of Matthew. Matthew is beheaded with a device that is a precursor of the guillotine, a guillotine., print, book illustration, prints, height 133 mm, width 111 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1482 - 1553, fourth quarter 15th century, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, woodcut

Paris, Duchange, Gaspard, Rubens, Peter Paul, Sic Victoria Victis, Battle with Amazons, Amazon battle on a bridge., print, prints, height 361 mm, width 458 mm, 1662-04 - 1757-01-06, print maker, printmaker, 1700 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Koningen Abia, ASA and Josafat, Lucas van Leyden, 1518 - 1522 print One of four woodcuts, part of Frisian with kings of Israel. Abia, Asa and Josafat on horseback. Above all three banderole with name and by name. paper brush kings of Israel and Judah ~ the Old Testament (not in biblical context). male persons from the Old Testament (with NAME) (not in biblical context). male persons from the Old Testament (with NAME) (not in biblical context). male persons from the Old Testament (with NAME) (not in biblical context)

Herod in Bed is prevented by a warpower to kill himself / Antipater is killed in prison / Peter, surrounded by a cheering crowd, has a dead leakage to life / Simon the wizard tries to fly, Jan Luyken, 1698 print Uncuted leaf with four performances, numbered: 129, 130 and 192. Amsterdam paper etching seeking death, suicide. attempt, political murder. prison, jail. the son of a widow is raised from the dead by Peter. helped by demons Simon alights from a tower and flies over Rome

Den Haag, Hondt, Pieter de, Hoet, Gerard (I), Amsterdam, Blois, Abraham de, List of the Gibeonites concerning Joshua, Gibeonites trick Joshua into signing a peace treaty, The Hague, verso middle - stamped, The Gibeonites stand before Joshua, dressed in rags and carrying old bread and broken wineskins. They claim to have come from far away and ask him for a peace treaty. Below the image is the title in six different languages., print, book illustration, prints, height 350 mm, width 217 mm, - 1717-10-06, print maker, printmaker, 1679 - 1717, paper, papier, engraving, engraving (printing process), 1648-08-22 - 1733-12-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Servant buries his talent; Parable of the talents; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. The servant, who has received a talent from his Lord to manage, digs a hole to burial his talent. Right a ruin and left a harbor on the left in the background. Under the show a reference in Latin to the Bible text in mat. 25:18. This print is part of an album.

The Village Fair 1549 Possibly by Peeter van der Borcht. The Village Fair 698684

In the background the construction of the tower of Babel. Surrounding the tower clouds and lightning, symbolizing the anger of God. In the foreground all kinds of people of different races. They are trying to work on the tower, but cannot understand each other's language. Some are holding tablets with different kinds of scriptures. On the right people are already fleeing from Babylon, Babylonian confusion of tongues Confvsio Babvlonica , print maker: Zacharias Dolendo, (mentioned on object), Karel van Mander (I), (mentioned on object), publisher: Jacob de Gheyn (II), (mentioned on object), Leiden, 1597 - 1600 and/or 1614 - 1718, paper, engraving, h 448 mm × w 642 mm

Carriage with the seven head sins, Petrus Cool, After Maerten de Vos, c. 1665 - c. 1680 print The seven main sin, personified by seven women, ride in a carriage drawn by two horses. The carriage has the shape of a mouth of a grotesque monster. In addition to and on the coach also fabulous creatures. Front left two ladies who sink back for the carriage. paper engraving the Seven Deadly Sins (personified). (group of) the Seven Deadly Sins (symbolized)

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