Biblical and Mythological Prints

Engravings illustrating scenes from the Bible and mythology, showcasing dramatic narratives involving figures like Noah and David with elaborate compositions.

Amsterdam, Visscher, Claes Jansz. (II), Italy, Tempesta, Antonio, Alexandri magni praecipvae res gestae, The deeds of Alexander the Great, Alexander the Great in India, Entry of Alexander the Great into Babylon, verso - stamped, The entry of Alexander the Great into Babylon. People along the side offer Alexander gifts. An old man offers Alexander the keys to the city. Four-line verse in Latin in two columns in the lower margin., print, prints, height 224 mm, width 285 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1608 - 1608, paper, papier, etching, etsen, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Amsterdam, Visscher, Claes Jansz. (II), Straet, Jan van der, Collaert, Adriaen, Galle, Philips, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Acts of the Apostles, Acta Apostolorum, Beheading of James the Greater, The apostle James the Greater is beheaded by order of King Herod, who is watching from a balcony. In the background, the apostle Peter is arrested and locked up in prison. Below the scene is a reference in Latin to the Bible text in Acts 12:2. This print is part of an album., print, album sheet, prints, height 210 mm, width 268 mm, print maker, printmaker, 1643 - 1643, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1537 - 1612-03-29, after print by, Southern Netherlands (before 1775), 1560 - 1618-06-29, 1523 - 1605-11-02, after design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Fight between the money bags and the money boxes. Father battle between the money bags and the money boxes. There are coins on the floor, a dog at the front right to a chain. With caption of three columns, each with two lines in Latin and two lines in Dutch.

EL APOSTOL SANTIAGO FAVORECE A LOS CASTELLANOS Y PERSIGUE A LOS INDIOS. Apóstol Santiago el Mayor.

Shepherds float and in the background Job on a dung heap, Anonymous, Hans Weiditz (II), 1514 - 1532 print The show illustrates Bible passage Job 2: 7-13. Print is part of an album. paper letterpress printing Job covered with sores (or boils) takes his abode on a dunghill (pile of ashes) and scrapes his body with a potsherd. animals (+ excrement, dung of animal(s))

Artist: Elias Hainzelmann, German, 1640-1693, After: Jonas Umbach, German, 1624-1693, Elector Ferdinand Maria of Bavaria and hisSpouse, Engraving, sheet: 22.2 × 16.4 cm (8 3/4 × 6 7/16in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Wierix, Johannes, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Iudae Machabei, History of the Maccabees, Five heavenly horsemen fight against Timothy, Timothy's army advances against Judea and fights against the Jews. Five horsemen on horses with golden reins appear in the sky, who take charge of the Jewish troops. They harass Timothy's men with arrows and lightning. Below the image is a reference in Latin to the Bible text in 2 Macc. 10:29. The print is part of an album., print, album leaf, prints, height 201 mm, width 286 mm, South Netherlands, 1549 - 1618, print maker, printmaker, 1574 - 1574, paper, papier, engraving, engraving (printing process), Work conception, 1515 - 1599, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Shrove, Balthazar van den Bos, Marten van Cleve (I), 1528 - 1580

Quately tournament (Hutttein 119, Barten 127) Fourth Tournament (Hollstein 119, Bartsch 127).

Wonder of the Torn Nederlanden, ca. 1577, 1576 - 1577 print The personification of the Netherlands (Belgia) is attacked by four Spanish soldiers, undressed and robbed of her heart. On both sides of ambition (Ambitio) and Geiginess (Avaritia). At the top, distrust (diffidentia) and envy (invidia) try to draw a cord with the weapons of 17 provinces, trust (Fiducia) prevents this. Ruins and war scenes in the background. In the caption under the performance 3 verses of 2 columns of 6 lines each in Dutch, Latin and Frans. Southern Netherlands paper engraving personifications of countries, nations, states, districts, etc.. Ambition; 'Ambitione', 'Amor di Fama' (Ripa). Covetousness; 'Avaritia' (Ripa) ~ personification of one of the Seven Deadly Sins. Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins. Distrust, Suspicion; 'Sospitione' (Ripa) Netherlands

Plate 1: A procession figures walking to the right carrying various objects. Artist: After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina); Pietro Santi Bartoli (Italian, Perugia 1615-1700 Rome). Dimensions: Sheet: 6 3/8 in. × 18 in. (16.2 × 45.7 cm). Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Date: ca. 1660-90. Museum: Metropolitan Museum of Art, New York, USA.

Domenico Campagnola, Battle of Nude Men, 1517 Battle of Nude Men

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Collaert, Hans (I), Den Grooten Figuer-Bibel, Geschiedenis van Salomo, Van den Coninck Salomon, Oordeel van Salomo, lower right - handwritten in brown ink, King Solomon sits on his throne and passes judgment. In front of the throne are the two women who both claim the motherhood of the living child. The deceased child lies on the ground. Solomon gives the order to have the living baby cut in two to determine who is the mother of the child. A man draws his sword and grabs the child by the arm. Below the image is a reference in Latin to the Bible text in 1 Kings 3:16. This print is part of an album., print, prent, albumblad, prints, prenten, 168, height 186 mm, width 241 mm, Zuid-Nederlands (voor 1775), 1540 - 1581, print maker, prentmaker, 1579 - 1579, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1544 - 1638-10-01, after a design by, Publication (

Masked Figures Dancing and Playing Music Arent van BoItem Dutch; about 1573 -Defore 1633

Plate 4: animals transporting goods being led by figures going to the right. Artist: After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina); Pietro Santi Bartoli (Italian, Perugia 1615-1700 Rome). Dimensions: Sheet: 6 9/16 × 18 1/8 in. (16.6 × 46 cm). Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Date: ca. 1660-90. Museum: Metropolitan Museum of Art, New York, USA.

Antwerp, Jode, Pieter de (I), Italy, Tempesta, Antonio, Metamorphoses of Ovid, Metamorphoseon sive transformationum, Phaetontis casus, Fall of Phaëthon, verso - stamped, Phaëthon, his chariot and four horses tumble from the sky. They have been struck by a bolt of lightning from Jupiter who is sitting on top of a cloud. Title in Latin in the lower margin., print, prints, height 104 mm, width 117 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1606 - 1606, paper, papier, etching, etchings, Publication (Event), Publicatie, Zuid-Nederlands, 1570 - 1634-08-09, publisher

The Abduction of Helen. Sebald Beham (German, 1500-1550); after Barthel Beham (German, 1502-1540). Date: 1520-1550. Dimensions: 26 x 116 mm (image/plate); 25 x 114.5 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: Hans Sebald Beham.

Triumph of Caesar. Andrea Andreani (Italian, 1558/59-1629); after Andrea Mantegna (Italian, 1431-1506). Date: 1599. Dimensions: 380 x 374 mm (image/sheet); composite approx. 385 x 3420 mm. Chiaroscuro woodcut from four blocks in black and light, medium and dark greenish gray on off-white laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Galle, Philips, Den Grooten Figuer-Bibel, History of King Josia, Van den Coninck Josias, King Josia gives the order to murder the priests of the temples in Samaria, bottom right - handwritten in brown ink, King Josia stands in the temple of Samaria and has the priests murdered on the sacrificial altars. Josia's soldiers beat the priests with axes and swords. Below the image a reference in Latin to the Bible text in 2 Kings 23:20. This print is part of an album., print, album leaf, prints, 222, height 216 mm, width 257 mm, print maker, printmaker, 1643 - 1643, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1537 - 1612-03-29, after print by, North Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, Noord-Nederlands, 1586 - 1652-06-19, publisher, uitgever, 1592 - 1656-04

Plate 4: animals transporting goods being led by figures going to the right ca. 1660-90 Pietro Santi Bartoli Italian. Plate 4: animals transporting goods being led by figures going to the right 400170

Pencz, Georg, Monogrammist IB (16th century), Claesz., Allaert, Monogrammist AC (16th century), Triumph of Bacchus, verso lower left - stamped, Triumphal procession with Bacchus on a chariot drawn by two horses, behind him a group of satyrs with wine jars. Mirrored copy., print, prints, verso center left - stamped, height 49 mm, width 180 mm, print maker, printmaker, 1528 - 1555, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), 1508, Work conception, after print by, German, 1500 - 1550-10-11

Etienne Delaune (aka Étienne Delaune) (French, ca. 1519 - 1583). Triumphal March (Marche Triumphale). Engraving. First state.

Haarlem, Galle, Philips, Junius, Hadrianus, Heemskerck, Maarten van, De misery of wealth, Famous and notorious rich men, A procession of famous examples of rich men from Antiquity. At the head of the procession Pythius, with in his hand a vine made of gold and precious stones. Then Lucullus, the rich Roman magistrate and glutton. He carries a banner with a chicken pie. Behind him Crassus, who drinks from a cup. This is an allusion to his thirst for money and his death (stitched in molten gold). After Crassus come the dictator Sulla with a sword and a lance, Croesus as a richly dressed king and Midas with Midas ears under his crown. Below the representation a verse in Latin and a French and Dutch caption in letterpress. This print is part of an album., print, prent, albumblad, prints, enten, height 170 mm, width 225 mm, height 264 mm, width 343 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, printmaker, 1563 - 1563, paper, papier, engraving, engraving (printing process), letterpres

Medieval torture scene. The Estrapade, or Question Extraordinary. Torture consisted of gradually tightening the prisoner's restraints by turning a wheel until a confession was extracted or his life was endangered. Facsimile of an engraving in "Praxis Criminalis Persequendi", by J. Millaeus, published in Paris in 1541. "Moeurs, usages et costumes au moyen-ge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

Venus in De Smidse Van Van Vulcan, Léon davent, after Luca Penni, 1540 - 1556 print paper etching Venus asks Vulcan to forge Aeneas' armour

Annunciatie, Justus Sadeler (possibly), after Jacopo Tintoretto, 1600 - 1620 print Maria sits on a chair on the right in the foreground. She is visited by the angel Gabriël. He tells her that she will give birth to a son, which will be called Christ. Above Maria de Duif as a symbol for the Holy Spirit. A group of angels fly in the air. Joseph is at work on the left. Venice paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation) (+ angel(s)). Joseph at work in his carpenter's workshop. cupids: 'amores', 'amoretti', 'putti'

Antwerp, Jode, Pieter de (I), Italy, Tempesta, Antonio, Metamorphoses of Ovid, Metamorphoseon sive transformationum, Graecorum Troianorumque concursus, Greeks fighting the Trojans, verso - stamped, A tangle of Greek and Trojan soldiers fighting. Title in Latin in the bottom margin., print, prints, height 104 mm, width 117 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1606 - 1606, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1570 - 1634-08-09, publisher

Perseus Holding the Head of Medusa sketch after eighteenth century Italian Baroque painter Francesco Solimena. In Greek legend Perseus was son of Zeus and Danae legendary founder of Mycenae and rescuer of Andromeda.

The Death of Camilla Antonio Tempesta Italian. The Death of Camilla. Antonio Tempesta (Italian, Florence 1555-1630 Rome). Etching; first state of three (Bartsch). Prints

Print, A water mill; Designed by Jan van der Straet, called Stradanus (Flemish, 1523-1605); Engraved by Philips Galle (Flemish, 1537 - 1612), Hans Collaert II (Flemish, 1560 - 1628); Netherlands; engraving on paper; 18.5 × 27.2 cm (7 5/16 × 10 11/16 in.)

The Betrayal of Christ by Judas, 1508. Albrecht Dürer (German, 1471-1528). Engraving;

Antwerp, Jode, Gerard de, Heemskerck, Maarten van, Amsterdam, Muller, Harmen Jansz, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Dinae Jacobi filiae, History of Dina and Shechem, Simeon and Levi take Dinah home to Antwerp, Simeon and Levi take their sister Dina home with them, after they have taken revenge on Shechem, who had dishonored their sister. In the background, the brothers kill Shechem and his men, who were feverish after their circumcision and could not fight back. At the bottom in the margin a reference in Latin to the Bible text in Gen. 34. Print is part of an album., print, album page, prints, height 200 mm, width 247 mm, Dutch, 1540 - 1617-10-07, print maker, 1579 - 1579, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publicatio

The Cage of Fools (La gabbia de' matti) 1557-63 Sebastiano di Re Italian. The Cage of Fools (La gabbia de' matti) 352434

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Wierix, Antonie (II), Den Grooten Figuer-Bibel, Passie van Christus, Van het lyden en Passie Christi, Kruisdracht, bottom right on album page - handwritten in brown ink, Christ falls while carrying his cross to Golgotha. Simon of Cyrene helps him carry the cross. A Roman soldier urges him to get up. A woman and her small child look on sadly. Below the image a four-line verse in Latin. This print is part of an album., print, album leaf, prints, 140, height 205 mm, width 123 mm, South Netherlands, 1559 - 1604-03, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), pasting, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher, uitgever, Publicatie, 1592 - 1656-04

Triumph of Mirjam. Mirjam and other women play instruments. Moses looks at how Egyptians drown in Red Sea.

Workshop of Andrea Mantegna or Attributed to Zoan Andrea, The Triumph of Caesar: The Elephants, c. 1485-1490, engraving

'Neptune and Amymone', 1615. Artist: Leonard Gaultier

Ark des Covenant in the Temple of Dagon, Battista Franco, 1520 - 1561 print The Philistines place the Ark of the Covenant in the Temple of Dagon. Pieces of a broken image lie on the floor. Italy paper etching the statue of Dagon in Ashdod falls down

Dirk Jacobsz Vellert (Flemish, active 1511-1544), The Deluge, 1544, etching and engraving

Woodcut showing the fourth row of horses and the front section of Emperor Karl V's triumphal car by Hans Schäufelin, produced between 1551 and 1556, emphasizing the arrangement of horses and ornamental features.

A frieze depicting the revelling of Ariadne and Bacchus, accompanied by fawns, centaurs and satyrs. Etching and engraving.

Hercules kidnaps Jole, Hans Sebald Beham, 1544 print paper engraving Hercules wooing Iole

Victors in a city, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing siege

Drawing, Fight between Pygmies and Cranes; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Engraved by Adriaen Collaert (Flemish, ca. 1560 - 1618); Published by Philips Galle (Flemish, 1537 - 1612); Subject: Homer (Greek (active 8th or 9th century BCE)), Pliny the Elder (Roman, 23 - 79 CE); Netherlands; pen and brown ink, brush and brown wash on paper

Italian landscape with buildings and a bridge, Bartholomeus Breenbergh, 1639 print paper etching rocks

The Adoration of the Shepherds. Dated: probably 1530/1540. Dimensions: image: 32.8 x 51.7 cm (12 15/16 x 20 3/8 in.) sheet: 34.1 x 52.2 cm (13 7/16 x 20 9/16 in.). Medium: woodcut printed from two blocks on two sheets (joined) of laid paper. Museum: National Gallery of Art, Washington DC. Author: Master of the Adoration of the Shepherds.

Battle Scene. Artist: Francesco Allegrini (Italian, Cantiano () 1615/20-after 1679 Gubbio ()). Dimensions: 5-3/8 x 7-7/8 in. (13.7 x 20.0 cm). Date: 1624-63. Museum: Metropolitan Museum of Art, New York, USA.

Noah Leaving the Ark, 1544, engraving on laid paper, sheet: 30.4 × 38.4 cm (11 15/16 × 15 1/8 in.), cut to platemark, Bartsch, no. 4, Giulio Bonasone (artist) Bolognese, c. 1500/1510-after 1574, Raphael (artist after) Marchigian, 1483 - 1520

Ceiling painting with Olympic gods around a classic building, Lorenz Beger (Possible), After Paul Decker (I), 1687 - 1725 print Putti, whether or not with fasses, around a building with columns. In the clouds some Olympic gods, including Jupiter, Apollo and Faam. Under 100 numbered. Nuremberg paper etching (decorated) ceiling. column, pillar ~ architecture. Roman deities, and foreign deities included in the classical Pantheon

Sheet 9: Julius Caesar in his horse-drawn chariot, from The Triumph of Julius Caesar 1599 Andrea Andreani Italian See comment for 2017.449. Sheet 9: Julius Caesar in his horse-drawn chariot, from The Triumph of Julius Caesar. Andrea Andreani (Italian, Mantua 1558/1559-1629). 1599. Hand-colored woodcut. Prints

Smell, Peter Cool, After Maerten de Vos, c. 1565 - c. 1580 print Personification of the smell in the form of one young woman with flowers in her hands, sitting on a car that is pulled by two Hazewinden. The car is also embellished with flowers. In the background two biblical scenes: Left behind God creates Adam, and back right the house of Simon the Pharise with the Holy Mary Magdalene that dries Christ feet. Print is part of a series with the senses. print maker: Southern Netherlandspublisher: Antwerp paper engraving smell, smelling (one of the five senses). flowers. chariot, triumphal car. dog (with NAME of kind)

The Inferno According to Dante, from the Campo Santo Frescos in Pisa 1475-1505 Italy. Engraving in black on paper . Baccio Baldini

Fight of gladiators. Naked gladiators fight to death. In the background a died gladiator ritual is burned. His corpse and his possessions are thrown on a stake. The print has a Latin caption.

Middle Ages. Judgement of God. Trials by means of duels and combats to elucidate who was the possessor of the truth or to be right. Each side chose a champion to act on their behalf. The winner was proclaimed the possessor of the truth. Two knights fight a duel. Engraving from a miniature of "Conquetes de Charlemagne", 15th century. Vie Militaire et Religieuse au Moyen Age et a l'Epoque de la Renaissance'. Paris, 1877.

Arnulf, Dirk III, Dirk IV and Floris I, Jacob Cornelisz van Oostsanen, 1518 print The Counts Arnulf, Dirk III, Dirk IV and Floris I on horseback. Without coats of arms and captions. paper equestrian state-portrait

A 1515 woodcut from Albrecht Dürer's workshop depicting the Venetian War 1508-1510, part of the honorary gate of Emperor Maximilian I, showing battle scenes, historical figures, and detailed composition.

Maarten van Heemskkk (1498-1574), God commands NOA to build the ark, 1558

The Pygmies are riding goats and sheep and battle with lances and bows. They attack from the right. The birds come from the left. In the right back Pygmies mounted and on foot flee. Verso: inscription referring to Pliny the Elder's account in the Natural History, book 8 chaper 26. Pen and brown ink, brush and brown wash on paper. Publisher: Philips Galle, Flemish, 1537 - 1612. Date: ca. 1596. Museum: Cooper Hewitt, Smithsonian Design Museum.

The Tournament. Jost Amman; Swiss, 1539-1591. Date: 1565. Dimensions: 247 x 359 mm. Woodcut on paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

Answer to a Pater Arent pass against the Dutch, 1615, 1615 print Political allegory with the left the Roman representation of Father Arents against the Dutch, in the middle a monstrous head, on the right the anti-room answer in which the roles are reversed. On the left, the imperial eagle Gulik roasts on the spit. Spinola and the Duke of Parma mow the land of the rebels through which the frogs (the rebels) flee. On the river bank a German marten with a lute (Luther). On the left a church with a cage of geese (geuzen), on the right a church service of the frogs. On the right side, the frogs and geese chase the Spanish pigs and the seven -member Roman dragon. The Hollandse Leeuw houws a head of the eagle. The German marten climbed the tree and throws out the Roman relics. With caption of 4 columns in Dutch with the legends A-H and 1-9. Northern Netherlands paper etching / letterpress printing political caricatures and satires. tailless amphibians: frog

Pencz, Georg, Germany, Monogrammist IB (16th century), Triumph of Bacchus, verso lower left - stamped, Triumphal procession with Bacchus on a chariot drawn by two horses, behind him a group of satyrs with wine jars., print, prent, prints, height 75 mm, width 285 mm, print maker, prentmaker, 1528 - 1528, second quarter 16th century, paper, papier, engraving, engraving (printing process), German, 1500 - 1550-10-11

GRANDES VIAJES-1590. AMERICA-PARTE 6-INDIOS ECHADOS A LOS PERROS-S XVI GRABADO FLAMENCO. Author: THEODORE BRY (1528-1598). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. VASCO NUNEZ DE BALBOA.

Colos of Rhodes; Colossvs Solis; The eight world wonders. The bronze statue of Helios, also known as Rhodes colossis, is widely above the harbor, while the ships sailed under its legs. At his feet of people in worshiping attitude. After the earthquake approx. 227 BC. the image was destroyed. The enormous head of the image is cleaned in the foreground. A man front left has a sketch of the colossal on a tablet in his hands. The print has a Latin caption and is part of a series about the eight wonders.

Amsterdam, Netherlands, Histoire metallique de la république de Hollande, Cartouche with harbour, On either side of the cartouche is a heron. From a series of vignettes with sea gods and allegories, used as an illustration in the book Histoire metallique de la république de Hollande by P. Bizot., print, ornament print, prints, ornamental prints, height 98 mm, width 127 mm, print maker, printmaker, 1688 - 1688, fourth quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Hercules Fighting the Centaurs, Hans Sebald Beham, German, 1500-1550, Engraving on off-white laid paper, 1542-48, figures, Print, Print

Answer a Paskwil of Father Arent against the Dutch, 1615; A pasquil to reproach the Hollanders masked with the responsibility: who already wants it, NO will not be warned. Political allegory with the Roman representation of Father Arents against the Dutch, in the middle a monstrous head, on the right the anti-Roman answer in which the rollers are reversed. On the left roasts the imperial eagle Gulik on the spit. Spinola and the Duke of Parma mow the land of the rebels through which the frogs (the rebels) flights. On the riverside a German marten with a lute (Luther). On the left a church with a cage of geese (geuzen), right a church service of the frogs. On the right side, the frogs and geese drive the Spanish pigs and seven-member Roman dragon. The Dutch lion weans a cup of the eagle. The German marten climbed the tree and throws out the Roman relics. With caption of 4 columns in Dutch with the legendas A-H and 1-9.

Hercules performs diomedes to his horses; Working from Hercules. The horses of Diomedes were lined with human meat. In a fight, Hercules strikes Diomedes dead and then perform his body to his horses. In the background, Hercules can be seen that kill the giant cacus. Cacus has stolen a beef from Hercules herd and drags it to his state to his cave. Hercules surprises him with his knots.

Julius Caesar swimming a manuscript above water, Jan Luyken, 1690 print Above the show a Vellum with the display of two pairs of inflated bags. Print at the bottom right marked: T.I. P. 164. print maker: Amsterdampublisher: Utrecht paper etching swimming (movement in water). siege

Simson destroys the columns of the temple; The history of Samson; History of Simson; Den Grooten Figuer Bibel (...). Simson destroys the columns of the temple with his last powers and kills themselves and the filistines present. Under the show a reference in Latin to the Bible text in RI. 16:25. This print is part of an album.

Cart with Horn Musicians, The Triumphal Procession of Emperor Maximilian I Hans Burgkmair German. Cart with Horn Musicians, The Triumphal Procession of Emperor Maximilian I 431364

Etching by Augustin Hirschvogel, 1548, showing Christ being scourged, including figures, drapery, and spatial composition.

The Labors of Hercules: Hercules Defeating the Centaurs, 1542. Hans Sebald Beham (German, 1500-1550). Engraving;

GRABADO-MATRIMONIO DE INDIOS DE PANAMA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Lazio Roma Rome S. Croce in Gerusalemme39. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Attributed to Philip Galle after Pieter Bruegel the Elder, Charity, published 1559 Charity

Den Haag, Hondius, Hendrick (I), Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope at Bologna after his coronation as emperor, 1530, Lansquenets with the Habsburg banner and Italian nobles, plate 32, The Hague, plate 32. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, engraving, propaganda print, album sheet, prints, Frederik Muller Historieplaten, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, first quarter 17th century, paper, papier, etching, engraving (printing process), Publication (Event), Publication, Noord-Nederlands, 1573-06-09 - 1650-10-25, publisher, uitgever, 1615 - 1620

Martyrdom of ten thousand. Achatius van Ararat, a Roman army leader, and his 10,000 followers are brought to death because they had converted to Christianity. Men are thrown and deducted from the rocks.

Engraving taken from Trajan's Column, Building a fort.

Attributed to Philip Galle after Pieter Bruegel the Elder, Fortitude, published 1559 Fortitude

Simon de Montfort is killed fighting the Albigensian heretics at Toulouse.

Parable of the bad rich n � 1: the rich at table (Hollstein 44) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). Parable of the bad rich n � 1: the rich at table (Hollstein 44). Burin, 1554.

Copper engraving by an anonymous artist from the second half of the 15th century showing Caesars triumph with elephants, highlighting composition and ceremonial display.

Hercules Fighting against the Trojans, Hans Sebald Beham, German, 1500-1550, Engraving on off-white laid paper, 1542-48, figures, Print, Print

Children's Crusade ca. 1550-80 Monogrammist LIW The sheets have the same watermark. They are most similar to Briquet 1854 and 1855, which are late sixteenth-century watermarks from France, specifically Troyes and Toulouse. The print is probably a later reprint of a German block on French paper.. Children's Crusade 692296

Christophorus Columbus Ligur (Americae Retectio) by Galle, Philipp (1537-1612) / Museum Boijmans Van Beuningen, Rotterdam / 1591 / The Netherlands / Etching / Mythology, Allegory and Literature,History / 19,8x28,2

Fig. XXCV. Haustrum, Additional, Antlergon, 1662, Coloniæ Agrippinæ, Publisher, Sumptibus Pauli Principis, Technempolæi Noribergici. Mechanical engineering, Machinery, Mills and mill-work, Horses, Oxen, Troughs, Cranks and crankshafts, Engravings

Drake's landing in California, 1579 , engraving published 1599 by Theodor de Bry

Painting depicting a scene from the triumph of Julius Caesar (100-44 BC) a Roman statesman, general and notable author of Latin prose, and his legions on the coast of England.

Native Americans along the coast of Panama pour molten gold into the throat of a tied-up Spaniard. The torture retaliated against the relentless European greed for gold. In background Indians butcher and roast human limbs. This 1585 engraving published by Theodor de Bry is based on an image in Girolamo Benzoni's, 'Historia del Mondo Nuovo,' Venice, 1565 (BSLOC_2020_1_121)

Speculum Romanae Magnificentiae: Wild Animals, from antique wall paintings, plate 1 late 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bou

Copper engraving by Pieter Bruegel the Elder from 1559 depicting stone cutting or the witch from Mallghem, showing figures, tools, gestures, and landscape.

Woodcut depicting a figure hooded in Spanish costume holding lanterns during Emperor Maximilian I's triumphal procession, by Hans Burgkmair, 1517, wooden stick.

Venetian print of the seventeenth century. engraving. parade gondola.

Combat of Centaurs and Lapiths. Etienne Delaune; French, 1518/19-c.1583. Date: 1540-1583. Dimensions: 67 × 221 mm (image/plate); 361 × 266 mm (sheet). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

A masquerade in which King Charles VI of France and some others, dressed as wildmen in shaggy costumes, are nearly burned to death by accident. Aquatint by J. Harris after J. Froissart.

Catching two large fish, Adamo Scultori, After Giulio Romano, c. 1540 - c. 1585 print Three fishing boats with fishermen who try to pull a fishing network on board. A head and two tails of large fish are visible in the fishing network. Italy paper engraving fisherman. monsters ~ swimming mammals

Sadeler, Aegidius, Gheeraerts, Marcus (I), Praag, Fable of the Wolf and the Lamb, The wolf notices a lamb drinking water from a stream next to him. The fable describes how the wolf takes offense at this and devours the lamb. The moral of the story is that when one wants to harm someone, one can always find a pretext., print, book illustration, prints, height 96 mm, width 112 mm, South Netherlandish, 1570 - 1629, print maker, printmaker, 1608 - 1608, paper, etching, etchings, engraving, engraving (printing process), letterpress printing, Work conception, English, 1520 - 1590, after print by, after design by, Publication (Event), Publication, publisher

The prodigal son., circa 1496, Germany, by Albrecht Dürer. Gift of Sir John Ilott, 1958.

Italy, Bonasone, Giulio, Men and women in a large bathtub, verso - stamped, A group of naked men and women in a large bathtub in a bathhouse. On the left a man, a woman and a child (or putto) walking towards the bathtub with jugs. In the foreground on the left lies a caduceus. Above the bath fly two putti with bows and arrows, aiming their arrows at the bathing figures., print, prints, height 230 mm, width 351 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, engraving, engraving (printing process), Work conception, after own design by

Right Side of King Cochin, from Set of Exotic Races, in Holzschnitte alter Meister gedruckt von den Originalstöcken der Sammlung Derschau im besitz des Staatlichen Kupferstich-kabinetts zu Berlin. Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Dimensions: Sheet: 11 7/8 × 16 13/16 in. (30.2 × 42.7 cm)Plate: 10 5/16 × 15 11/16 in. (26.2 × 39.8 cm). Editor: Max J. Friedländer. Publisher: Kupferstichkabinett, Staatliche Museen zu Berlin; E. A. Seemann. Series/Portfolio: Set of Exotic Races. Date: Printed 1922.From the 1922 publication in four volumes by Max Friedlander with impressions from wood blocks previously in the collection of Baron Hans Albrecht von Derschau. Derschau is said to have discovered hundreds of original wood blocks by German masters in a trunk in Nuremberg, and in 1808 Rudolph Zacharias Becker produced the first of three volumes with restrikes from these blocks. This print, however, comes from the 1922 series of impressions, made after the collection en

Africa; America. 1806 - 1870. McAlpin, Charles Williston, 1865-1942. Prints, Portraits. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Washington, George, 1732-1799, Abolition movement

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