Biblical and Mythological Scenes

A collection of paintings depicting biblical and mythological themes, featuring vibrant colors and dramatic compositions from various artists, including historical religious narratives.

Birth of Marie de Medici by Peter Paul Rubens, 1622, (1577-1640), France, Paris, Musee du Louvre

'Moses Striking the Rock'. Italy, 1630s. Dimensions: 94x116 cm. Museum: State Hermitage, St. Petersburg. Author: Giovanni Maria Bottalla (Raffaellino).

Birth of Marie de Medici by Peter Paul Rubens, 1622, (1577-1640), France, Paris, Musee du Louvre

EL SUEÑO DE ENDIMION - SIGLO XIX. Location: PRIVATE COLLECTION. MADRID. SPAIN. ENDYMION. DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA.

Francisco Bayeu y Subías / 'Abraham and the Three Angels', 1771, Spanish School, Oil on canvas, 59 cm x 33 cm, P02482. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Orpheus and Euridice, by Enrico Scuri (1806-1884), oil on canvas, 46x34 cm.

The Angel Raphael Takes Leave of Old Tobit and his Son Tobias. Date/Period: 1618. Painting. Oil on panel. Height: 620 mm (24.40 in); Width: 930 mm (36.61 in). Author: Pieter Lastman.

Bacchanalian Scene - 17th century - 121x175 cm - oil on canvas. Author: NICOLAS POUSSIN. Location: LOUVRE MUSEUM-PAINTINGS. France.

Aurora Taking Leave of Tithonus; Francesco Solimena, Italian (Neapolitan), 1657 - 1747; 1704; Oil on canvas; Unframed: 201.9 x 151.8 cm (79 1/2 x 59 3/4 in.), Framed: 232.4 x 181.9 x 10.2 cm (91 1/2 x 71 5/8 x 4 in.)

Apollo and Daphne, by Sebastiano Mazzoni (1611-15 -1678), oil on canvas, 172x144 cm.

Ulysses Lands on the Isle of Calypso 1737. Oil on canvas. Ulysses, on way home from Trojan Wars, shipwrecked on Ogygia (Gozo) and kept there for 7 years by the nymph. Calypso Pierre Charles Tremolieres (1703-1739) French painter.

Abraham and the Three Angels by Tiepolo, Giandomenico (1727-1804) / Museo del Prado, Madrid / ca 1770 / Italy, Venetian School / Oil on canvas / Bible / 196x151

Rape of Europa and Contest of Apollo & Marsyas Before King Midas, School Bolognese, painting, UK, England, London, Christie's

APOLO VENCEDOR DE PAN - HACIA 1637 - OLEO/LIENZO - 181x223 cm - ESCUELA FLAMENCA - NP 1712. Author: JACOB JORDAENS (1593-1678). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. Apollo. PAN DIOS.

Bacchanal, ca 1770, by Jacopo Guarana (1720-1808), fresco, Room of the Triumph of Bacchus, Villa Pisani, Stra, Veneto. Detail. Italy, 18th century.

Drunken Silenus Supported by Satyrs ca. 1620 Anthony van Dyck (1599-1641 Flemish) Oil on canvas National Gallery, London, England

The Flight in to Egypt by Jacob Jordaens, oil on canvas, (1593-1678)

The Rest on the Flight into Egypt, by Giovanni Battista Pace, (Circa 1650), England, London, Christie's Images

Jean Jouvenet (1644-1717). "The triumph of justice", an original replica of the central compartment of the Ceiling of the Council Chamber of the Grande Chamber of the Parliament of Brittany, around 1695. Oil on canvas. Paris, Museum of Fine Arts of the City of Paris, Petit Palais. 26396-2 Allegory, Chalice, Consulting Chamber, Central compartment, Grande Chambre, Justice, Brittany Parliament, Ceiling, Original Replica, Triumph, Oil on canvas

The Birth of Henri IV of France by Peter Paul Rubens.

Scene from the Martyrdom of St. Andrew( Saint Andrew, Brought by His Tormentors, Refuses to Worship the Pagan Gods). Jean-Baptiste Deshays (France, Rouen, 1729-1765). France, 1758. Paintings. Oil on canvas

Peter Paul Rubens / 'The Triumph of the Eucharist over Idolatry'. Ca. 1625. Oil on panel. Museum: Museo del Prado, Madrid, España.

Pedro Pablo Rubens / 'Rest on the Flight from Egypt, with Saints', 1632-1635, Flemish School, Oil on panel, 87 cm x 125 cm, P01640. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PETER PAUL RUBENS.

The Birth of Louis XIII (Life of Marie de Medici, Queen of France) 1622 Peter Paul Rubens (1577-1640/Flemish) Musee du Louvre, Paris, France

LA MUERTE DE ADONIS. Author: JOSE MARIA ARANGO (1790-1835). Location: ACADEMIA DE SAN FERNANDO-PINTURA. MADRID. SPAIN. CUPID. Adonis. AMOR MITOLOGIA.

Pedro Pablo Rubens / 'The Death of Consul Decio', 1616-1617, Flemish School, Oil on panel, 100 cm x 140,5 cm, P02456. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PETER PAUL RUBENS.

Jacopo Bassano, The Annunciation to the Shepherds, Italian, c. 1510-1592, probably 1555-1560, oil on canvas

Aphrodite and Adonis by Etienne Jeaurat, oil on canvas, 1750s, 1699-1789, Russia, Moscow , State A. Pushkin Museum of Fine Arts, 65x53

The sacrifice of Abraham (Il sacrificio di Abramo), by an artist of the centre of Italy, 17th Century, oil on canvas, 161 x 124 cm

Victorious Hero Takes Occasion to Conclude Peace. Date/Period: 1720. Painting. Watercolor. Height: 438 mm (17.24 in); Width: 521 mm (20.51 in). Author: BERNARD LENS.

Saint Lorenzo holed by men by Gaspare Diziani, oil on canvas, 1689-1767, Russia, St. Petersburg , State Hermitage, 53x62

LAS TENTACIONES DE SAN JERONIMO, 1657, O/L 224x126. Author: VALDES LEAL, JUAN DE. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD, SEVILLE, SPAIN.

Project of the Death of Sardanapalus by Eugene Delacroix (1798-1863). 1826. Louvre Museum. Paris. France. Exposition Babylon.

Luca Giordano / 'Santa Brígida salvada de un naufragio por la Virgen', ca. 1700, Italian School, Oil on canvas, 62 cm x 77 cm, P00182. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Scenes of Witchcraft: Day, c. 1645-1649. Salvator Rosa (Italian, 1615-1673). Oil on canvas; framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); unframed: 54.5 cm (21 7/16 in.). Rosa's scene at noon showcases several hoary hags that exemplify his treatment of witches. Clutching skulls, wielding brooms, and slicing lizards, the witches prepare to travel to the Sabbath, an orgy of witches. One witch flays the skin of a thrashing lizard to extract the innards needed to concoct magical unguents, while her companions brandish skulls. Goats were the common mode of transportation for witches, but Rosa substitutes an owl, a harbinger of evil. Although Rosa foregrounds the violent cruelty of witchcraft, situating the grotesque hags in the full light of day introduces a comic aspect to the scene. Rosa's use of comedy and the unexpected to critique the world around him stemmed from the satirical poetry he wrote throughout his stay in Florence and his return to Rome in 1649. By lightening the palette and mood

'Apollo and the Muses', 1772. Artist: Angelika Kauffmann.

Luca Giordano (b. 18 October 1634, d. 3 January 1705), called Fa Presto, Italian Baroque painter and etcher, Diana and Endymion (c. 1675-1680), Diana and Endymion (c. 1675-1680), Painting, Reproduction of the painting in its original state, Work of art, Historical, Mythological scene with sleeping man and woman in elegant pose, accompanied by a dog

Helios and Phaeton with Saturn and the Four Seasons. 1629/30. (Nicolas Poussin 1594 -1665 Rome)

Pan and Syrinx, 1637, by Nicolas Poussin (1594-1655), oil on canvas, 106.5 cm x82.

'The Annunciation to the Shepherds'. Holland, 1640s. Dimensions: 108x110cm. Museum: State Hermitage, St. Petersburg. Author: Benjamin Gerritsz Cuyp.

Raphael (Raffaello Sanzio da Urbino) (1483-1520). Italian painter. The Transfiguration of Christ, 1516-1520. Pinacoteca Vaticana. Vatican City.

SAN JERONIMO PENITENTE - 1638 - OLEO/LIENZO - 177 x 209 cm - NP 626 - BARROCO ESPAÑOL. Author: ALONSO CANO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN JERONIMO (347-420).

SACRIFICIO A PAN. Author: FRANCISCO DE GOYA (1746-1828). Location: PRIVATE COLLECTION. Barcelona. SPAIN. PAN DIOS.

Moses Saved From The Waters Paolo Veronese (1528-1588 Italian) Oil On Canvas

Helios and Phaeton with Saturn and the Four Seasons - Nicolas Poussin, circa 1635

LA MUJER ADULTERA - SIGLO XVII - BARROCO FLAMENCO. Author: VAN DYCK, ANTHONY. Location: BANCO EXTERIOR-COLECCION, MADRID, SPAIN.

TIEPOLO , GIANDOMENICO. PINTOR ITALIANO . 1727 - 1804. " INSTITUCION DE LA EUCARISTIA " , OLEO. GALERIA DE LA ACADEMIA . VENECIA. Author: GIOVANNI BATTISTA TIEPOLO.

Cadmus, Guided by Minerva, Observes the Spartoi Fighting, Peter Paul Rubens (after), before 1747 painting Cadmus sows the dragon teeth. In a landscape there is Cadmus on the left next to the killed Dragon of Ares, Minerva floats above him. On the right the warriors come out of the ground and fight each other. paper. panel. oil paint (paint) on Minerva's advice, Cadmus sows the dragon's teeth; a host of armed men springs up

Eugène Delacroix / 'Death of Sardanapalus', 1827, Oil on canvas, 392 x 496 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France. SARDANAPALO.

Pieter Codde / The Verdict of Midas

Martyrdom of St. Sebastian. unknown, author, Aachen, Hans von (1552-1615), painter

Tobias and the Angel, 1750s. Francesco Guardi (Italian, 1712-1793). Oil on canvas; framed: 70.5 x 90.5 x 6.5 cm (27 3/4 x 35 5/8 x 2 9/16 in.); unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.).

CORREGGIO, Antonio Allegri, also called (1489-1534). Noli Me Tangere. ca. 1534. Christ, as a farmer, appears before Mary Magdalene. The Duke of Medina de las Torres offered this canvas to Philip IV. Renaissance art. Cinquecento. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

The Fountain of Love C.1784 Jean Honoré Fragonard (1732-1806 French) Wallace Collection, London, England

Unknown artist. Venus and Cupid, 1600s. Oil on canvas. National Museum of Fine Arts. Valletta, Malta.

Cupids and Geniuses by Poussin, Nicolas (1594-1665) / State Hermitage, St. Petersburg / 1630-1633 / France / Oil on canvas / Mythology, Allegory and Literature / 95,5x72

Deucalion and Pyrrha. Date/Period: 1655. Painting. Oil on canvas. Height: 1,549.40 mm (61 in); Width: 1,206.50 mm (47.50 in). Author: Giovanni Benedetto Castiglione.

Andrea Vicentino (1539-1614). Italian painter. The Raising of Lazarus, c. 1600. Oil on canvas, 114 x 146 cm. National Museum of Fine Arts. Valletta. Malta.

Old Age in Search of Youth (1650s), painting by David Teniers (baptised 15 December 1610 in Antwerp, died 25 April 1690 in Brussels), Flemish painter, draughtsman and curator. He was an innovator in a variety of genres such as history painting, genre painting, landscape, portrait and still life. He is most remembered today as the leading Flemish genre painter of his time, reproduction from a 17th century painting. Authentic, file restored for optimal use, exact date of original unknown

Girls In A Wood (Fragment) Bordone, Paris(1500-1571 Italian) Oil On Wood Panel Cummer Museum of Art & Gardens, Jacksonville, FL

Venus, Satyr and Cupids, attributed to Lauri Filippo, 17th Century, oil on canvas, cm 34 x 46

Mateo Cerezo / 'Estigmatización de San Francisco', ca. 1660, Spanish School, Canvas, 170 cm x 110 cm, P03256. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Painting titled 'Cyparissus' depicts a young male mourning the death of his pet deer. Painted by Jacopo Vignali (1592-1664) Italian painter of the early Baroque period. Dated 1670

Captives. Lesser, Aleksander (1814-1884), painter

Achilles W Family of the daughters of Likomedes; Boeckhorst, Jan (1604-1668); Ok. PO. XVII century (1645-00-00-1650-00-00);Achilles (Mitol.), Licomedes (Mitol.), Odysseus (Mitol.), Ovidius Naso, Publius (43 A.C.-Ca 17). Metamorphoses, Papinius Statius, Publius (Ca 43-96). Achilleis, jewelry, weapons, white weapons, Flemish painting, fashion, landscapes, mythological scenes, costumes, women's costumes, men's costumes, theater styles, theater, purchase (provenance)

Italy - Veneto Region - Venice - Church of Angel Raphael - Departure of Tobiolo by Giovanni Antonio Guardi

Peter Paul Rubens (1577-1640). Was a German-born Flemish Baroque painter. Lion Hunt, 1621. Baroque style. Alte Pinakothek. Munich. Germany.

Erminia and the Shepherd, 1619-20. By Giovanni Francesco Barbieri.. The scene is taken from Torquato Tasso's epic poem, La Gerusalemme Liberata published in 1575. Erminia, a pagan princess in love with the crusader, Tancred, disguises herself in armour to follow him. She is chased from the Christian camp and flees to Arcadia where she meets an old shepherd weaving baskets. The reversal of gender roles was a popular theme amongst the playwrights of the period.

Triumphant Entry of Constantine into Rome, Peter Paul Rubens, 1620-1622, Indianapolis Museum of Art, Indianapolis, Indiana, USA, North America

The Birth of the Virgin. Artist: Francesco Solimena (Italian, Canale di Serino 1657-1747 Barra). Dimensions: 80 1/2 x 67 1/4 in. (204.5 x 170.8 cm). Date: ca. 1690.Painted in the 1690s, the picture must have served as an altarpiece in a church in Naples. In the foreground the infant Virgin Mary is shown to nurses and her adoring father, while in the distance, enveloped in a heavenly radiance, is the child's mother, Anna, lying in bed, attended by servants. Solimena became the leading painter of Naples, training a generation of artists. However, in this painting, with its dark shadows and vigorous figures, he has notably recalled the work of his celebrated predecessor, Luca Giordano, who in 1692 had moved to Madrid to work for King Charles III. Museum: Metropolitan Museum of Art, New York, USA.

Expulsion of Heliodorus from temple by Bernardo Cavallino, oil on copper, circa 1650, 1616-1656, School of Naples, Russia, Moscow, State Pushkin Museum of Fine Arts, 62x88

Series of the Four Parts of the World. Asia. Date/Period: 1634 - 1705. Painting. Oil on canvas. Height: 600 mm (23.62 in); Width: 750 mm (29.52 in). Author: Copy of Luca Giordano.

Scenes of Witchcraft, c. 1645-1649. Salvator Rosa (Italian, 1615-1673). Oil on canvas; framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); unframed: 54.5 cm (21 7/16 in.). A huge upturn in interest in witchcraft emerged during the 1500s in Europe, but by the middle of the next centuryat least among the cultured elite of Florencea backlash arose against the many accusations of sorcery. Artists and writers explored the topic more out of curiosity and amusement, chief among them the poet, painter, and satirist Salvator Rosa, who examined witchcraft with gusto in numerous poems and works of art, including these four paintings. They show a range witch types, from the beautiful enchantress to the old crone to the male sorcerer, and represent activities commonly associated with black magic: levitation, love potions, devil worship, the invocation of demons, and transformation. A common subject in Italian art of the 1600s, transformation was usually seen in interpretations of myths based on Ovid's ancie

Jacob Wrestles with the Angel Eugene Delacroix (1798-1863/French)

Hendrick ter Brugghen. The Martyrdom of Sant Catherine, ca. 1618-20. 99,1 x 73, 3 cm. Oil on wood.

The Dream. Frederik Ludvig Storch (1805-1883). Oil on canvas. Signed and dated 1870. 78.2 x 91.4cm.

St Zita's miracle, painting by Valerio Castello (1624-1659), White Palace (Palazzo Bianco), Genoa. Italy, 17th century.

The Holy Family with the Infant Saint John the Baptist and Saint Elizabeth, and with Six Putti Carrying a Ewer and Basin, in a Classical Landscape. Nicolas Poussin (1594-1665). Oil on canvas, 100 x 132cm.

Allegory of the Poet, Painting by Jacob Jordaens, Historical, Digitally restored reproduction from a historical work of art

Dido and Aeneas; Nicolas Verkolye, Dutch, 1673 - 1746; early 18th century; Oil on canvas; Unframed: 87 x 114.9 cm (34 1/4 x 45 1/4 in.), Framed: 121.3 x 143.5 x 11.4 cm (47 3/4 x 56 1/2 x 4 1/2 in.)

Luca Giordano (born 18 October 1634, died 3 January 1705), called Fa Presto, Italian painter and etcher of the Baroque period, Allegory of Magnanimity (About 1670), Painting, Reproduction of the painting in its original state, Work of art, Historical, Majestic woman sitting on a lion surrounded by angels in an antique scene

The Plague of Naples, ca 1660, by Mattia Preti (1613-1699), sketch, oil on canvas.

Allegory of the Declaration of Human Rights, 1790, by Jean-Baptiste Regnault (1754-1829).

Our Lady Queen of Genoa with a view of the city, by Domenico Fiasella (1589-1669), oil on canvas, Church of San Giorgio dei Genovesi, Palermo, Italy.

Dead Christ Supported by Angels. Artist: Francesco Trevisani (Italian, Capodistria 1656-1746 Rome). Dimensions: 51 1/2 x 38 1/4 in. (130.8 x 97.2 cm). Date: ca. 1710.Trevisani, of Venetian origins, spent most of his life in Rome, working for the papal court. He depicted the subject of the body of Christ held by angels on several occasions, most importantly for Pope Clement XI, and for the Papal Nephew Cardinal Pietro Ottoboni. This canvas may be the one commissioned in 1707 by Giovanni Fonticelli, a friend of the artist. Museum: Metropolitan Museum of Art, New York, USA.

Apotheosis of Aeneas Giovanni Battista Tiepolo (1696-1770 Italian) Oil sketch

Genius Crowning Religion. Sketch for the Apotheosis of King James I by Rubens, Pieter Paul (1577-1640) / Louvre, Paris / 1630-1634 / Flanders / Oil on wood / Mythology, Allegory and Literature / 41,5x49 / Baroque

The Bronze Serpent, Rubens, Peter Paul, 1750.

Diogenes Maillart (1840-1926). "The city of Paris instructs its children. Sketch for the town hall of the 3rd". Oil on canvas. 1883. Museum of Fine Arts of the City of Paris, Petit Palais. 75329-24 Allegorie, counter-the-line, child, staircase, sketch, canvas oil, IIIEM IIIe 3rd 3rd 3 arrondissement, instruct, town hall, city, city

Susanna and the Elders (Susanna, bathing in her garden, is spied on by two Elders and refuses their advances)

Nymphs in a grotto. Dietrich, Christian Wilhelm Ernst (1712-1774), painter

'Diana and her Companions', 1655-1656, Oil on canvas, 98,5 x 105 cm. Author: JOHANNES VERMEER (1632-1675). Location: MUSEO MAURITSHUIS. LA HAYA. HOLANDA. DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA.

VISION DE SAN BASILIO- 1639-PINTURA BARROCA ESPAÑOLA. Author: FRANCISCO HERRERA THE ELDER. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN.

Peasant Dance by Rubens, Pieter Paul (1577-1640) / Museo del Prado, Madrid / 1630-1635 / Flanders / Oil on wood / Music, Dance,Genre / 73x106 / Baroque

Diana's hunt, 1616-17 (detail)

An Allegory Of The Pursuit Of The Pursuit Of Fame Sustris Lambert Oil On Canvas Christie's Images, London, England

Thetis Dripping Achilles in the Waters of the Stix, by Creti Donato, 1710, 18th Century, oil on canvas. Italy: Emilia Romagna: Bologna: National Gallery of Art. Detail. Women handmaids tunics trees yellow light blue/azure blue gray

Peace Embracing Plenty. Date/Period: Between 1633 and 1634. Painting. Oil on panel. Height: 629 mm (24.76 in); Width: 470 mm (18.50 in). Author: PETER PAUL RUBENS.

Abraham Entertaining the Three Angels. Dating: 1660 - 1663. Measurements: h 404 cm × w 282.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Ferdinand Bol.

Dream of Aeneas by Salvator Rosa (1615 - 1673); Oil on canvas; 1660 - 65

Calumny, Apelles, 1560.

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