Biblical and Mythological Scenes

Engravings illustrating dramatic biblical and mythological narratives, exhibiting dynamic poses, emotive scenes, and historic costume details.

Hunting partridges by camouflage. The print has a Latin caption and is part of a 43-volume series on hunting, Hunting Partridges Hunting Scenes (series title) In quibus omne genus venationis, aucupij, piscatusque (series title), print maker: Philips Galle, Jan van der Straet, (mentioned on object), publisher: Philips Galle, print maker: Antwerp, Florence, publisher: Antwerp, 1578, paper, engraving, w 297 mm × h 209 mm

Alliance between David and Jonatan, Anonymous, After Aegidius Sadeler (II), After Maerten de Vos, 1705 - 1775 print David kneels in the foreground for Jonatan, because Jonatan has fulfilled his promise. In the background, Jonatan shoots the cave where David hides. A young servant picks up the arrows. Because of this action, David knows that Saul wants him to die. Twice a four -line German and Latin text in the lower margin. Augsburg paper etching David consulting Jonathan (in the field); Jonathan pledges his loyalty. Jonathan shoots the arrow(s), while David is hidden in a shelter; a boy runs after the arrow(s). David kneeling before Jonathan

The Rest on the Return fromEgypt. Engraver: Cornelis Cort, Dutch, 1533?-1578 After: Federico Barocci, Italian, 1528-1612 Publisher: Carlo Losi, Italian, active 18th century

Depiction of Kimbrian women in battle against Marius, showing figures, posture, gestures, and combat scene, created with gray brush in 1788.

Jacques Callot (1592-1635). "The penitents, Saint Jérôme: fourth issue of a series of 5 pieces" (Lieure 1318, Meaume 151). Etching. Around 1630. Museum of Fine Arts of the City of Paris, Petit Palais. 99593-7 Etching, engraving

Landscape with a man driving a satyr away from a nymph bound to a tree 1650-1704 Louis Cossin. Landscape with a man driving a satyr away from a nymph bound to a tree. Louis Cossin (French, Troyes 1627-1704 Paris). 1650-1704. Engraving. Prints

Ceres turns Ascalabus into a lizard, Anonymous, Johann Wilhelm Baur, 1639 - c. 1700 print paper etching Ascalabus (Stellio, Abas) changed into a lizard: Ceres changes the boy into a lizard as punishment for mocking her, when quenching her thirst too avidly (Ovid, Metamorphoses V 456)

Hunting partridges by camouflage. The print has a Latin caption and is part of a 43-volume series on hunting, Hunting Partridges Hunting Scenes (series title) In quibus omne genus venationis, aucupij, piscatusque (series title), print maker: Philips Galle, Jan van der Straet, (mentioned on object), publisher: Philips Galle, print maker: Antwerp, Florence, publisher: Antwerp, 1578, paper, engraving, w 297 mm × h 209 mm

Rest on the flight to Egypt, Ignaz Bendl, 1700 print paper etching rest on the flight into Egypt

Offer by Abraham van Isaak, Georg Pencz, 1541 - 1545 print Abraham raises his knife to kill his son Isaac, who kneels bound on the altar. However, an angel stops him and points to a ram that can be sacrificed. paper engraving the sacrifice of Isaac (Genesis 22)

Diana discovers the pregnancy of Callisto, 1565 - 1630 print Landscape with trees, a cave and water. Diana and her nymphs bathe in the water. In the foreground left, Diana discovers the pregnancy of the Nymph Callisto. Italy paper etching Diana with her nymphs discovers the pregnancy of Callisto. pregnancy

. Peleus, in harness, the Waternimf Thetis catches her neck with a cloth. Thetis is on the waterfront, against the reeds. In the middle of: 2. Second print from a series of fourteen with scenes from the life of Achilles.

Soldaat valt een vrouw aan.Two women are in a forest. The right woman covers her eyes with her hands. A soldier fits her from behind with a spear. On the left is a second soldier against a tree. A hunter with a dog stores the scene remotely. At the top right: 7. B.

Mercury kills Argus, Crispijn van de Passe (I), 1602 - 1607 print With his sword, Mercurius turns Argus' head. Left in the background, Juno puts the eyes of Argus in the tail of her peacock. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Mercury beheads Argus. Argus' eyes changed into peacock's 'eyes' (ocelli): Juno sets Argus' eyes on her peacock, after Argus, while watching Io, has been slain by Mercury (Ovid, Metamorphoses I 723)

Scene with a Warning Against Venereal Disease in a Circle at Center 1580-1600 Theodor de Bry Netherlandish An allegorical scene with a warning against venereal disease set in a landscape in a circle at center. At right, a figure plays the lute in front of a fountain with Venus and Cupid. At center, a man gestures towards the fountain, while facing left towards a figure with a spear standing over a man crouching to drink from a stream into which a dog is urinating. Around the central circle, strapwork ornaments on a crosshatch background. The scene is a reverse copy of a print by Johannes Sadeler (Hollstein XXI.163.492) after a print by Christoph Schwarz.. Scene with a Warning Against Venereal Disease in a Circle at Center 425332

Mercury changes battus into a stone; Metamorphoses from Ovid. Mercury stole the herd of Apollo. Battus broke his promise to keep this secret on which Mercury changed him in a stone. In the undermarge a four-line explanation, in two columns, in Latin.

The Holy Family with the Virgin holding Christ over the cradle 1640-60 Giulio Carpioni. The Holy Family with the Virgin holding Christ over the cradle. Giulio Carpioni (Italian, Venice 1613-1678 Venice). 1640-60. Etching; second state of two. Matteo Cadorin (Italian, active ca. 1648). Prints

Artist: Hendrick Goltzius, Dutch, 1558-1617, Christ on the Mount of Olives (The Agony in the Garden) , from The Passion, #2 in a series of 12engravings, Engraving, 20.2 × 13.3 cm (7 15/16 × 5 1/4in.), Made in The Netherlands, Dutch, 16thcentury, Works on Paper -Prints

Amor flight for Psyche; Story of Amor and Psyche. The royal daughter is psyche in a landscape while she is leaving her beloved Amor. In the background, Psyche tries to deposit into a river and she is comforted by the god pan. Italian text in two cartouches in undermarge. Twice numbered bottom left: 14.

St. Jerome. 1511. Baldung, Hans, -1545. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The princess Granida stands beside her horse, the simple shepherd Daifilo kneels before her., Pastoral scene with Granida and Daifilo, print maker: Justus Brouwer, (mentioned on object), after: Justus Brouwer, (mentioned on object), Northern Netherlands, c. 1635 - c. 1690, paper, etching, h 245 mm × w 200 mm

Les cerises. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Ponce after Pierre-Antoine Baudouin.

Pastoral scene; Dietrich, Christian Wilhelm Ernst (1712-1774); 1740 (1750-00-00-1764-00-00);Gawet - collection, Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945), Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, German graphics, sheep, shepherds, shepherds, landscapes, pastoral scenes, herds

Copper engraving by Albrecht Altdorfer from around 1515 depicting Mary with the blessing child in a landscape, showing figures, gesture, and natural surroundings.

The Fall of Man ca. 1517 Lucas van Leyden Netherlandish. The Fall of Man 364674

Abraham SacrificingIsaac. Etcher: Jean Mignon, French, active 1535-ca. 1555 After: Luca Penni, Italian, ca. 1505-1556

Lot and his daughters. For a cave fate with one of his daughters. He embraces his daughter. The other daughter gives him wine. Right a table on which a scale is fruit. In the background the fire of the cities of Sodom and Gomorra.

Love couple sitting in front of a fence, anonymous, after Hans Sebald Beham, 1522 - 1599 print Copy in mirror image to print by Hans Sebald Beham paper etching / brush embracing each other, kissing

Soul removes its old snake skin; The worthy change.

Drunk Silenus; Vinum Cautis Innocum. Silenus, the teacher of Bacchus, lies drunk under a tree. Under his left leg lies a wine jug, next to him sleep two drunk satin children. Seeing three women Silenus mocking, the right woman lays a grape food on his head. Pendant of a print with the depicting of a bacchante surrounded by children.

Plate Two, from Five Wise and Five Foolish Virgins. Jan Saenredam; Netherlandish, 1565-1607. Date: 1606. Dimensions: 266 x 370 mm (plate); 273 x 375 mm (sheet). Engraving on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Engel appears to Hagar, J. Alexander Janssens, c. 1700 print Landscape with Hager, lying at the foot of a tree. In her left hand she holds a staff and with her right hand she writes the letters a r in the trunk of the tree. A pointing angel behind her. On the left a goat and a grazing sheep. South of the Netherlands paper engraving / etching sheep. an angel appears and reveals a well of water to Hagar

Love couple in the forest, Albrecht Altdorfer, 1511 print Two lovers are sitting on the floor in a forest. The man put his arm around the woman. Germany paper couple of lovers

Abraham and De Engelen, Claes Moeyaert, 1612 - 1655 print Abraham gets the three angels to visit and sits with them under a tree. Sara is in the doorway. Amsterdam paper etching Abraham entertaining the three angels

Jean Honoré Fragonard, The Satyrs' Dance (Danse de satyres), 1763 The Satyrs' Dance (Danse de satyres)

Four Bacchic Children. Dated: 1620s. Dimensions: plate: 7.1 x 10.1 cm (2 13/16 x 4 in.) sheet: 9.8 x 12.7 cm (3 7/8 x 5 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Laurent de La Hyre.

Tobias, Tobit and the Engel, Moyses van Wtenbrouck, 1628 - 1659 print In a hilly landscape, Tobit states that his son Tobias trusts to the angel. Numbered as I. print maker: The HagueThe Haguepublisher: Amsterdam (possibly) paper etching Tobias and the angel Raphael with Tobit (and Anna)

Albrecht Altdorfer (German, 1480 or before-1538), Saint Christopher, c. 1515-1520, engraving

Nobody can serve two masters, Dirck Volckertsz. Coornhert, After Willem Thibaut, 1556 print A fool, dressed as a hunter, stands on a crossroad. He has a stick in his hand and a hunting horn on his belt. Next to him his hunting dog. A rabbit runs away from him on both roads. The crazy must now choose which animal it will pursue. It is foolish with only one dog to pursue two hares. The print can be interpreted as an allusion on the life of man. At a certain moment he will have to choose between the virtuous road, which leads to paradise and the way of earthly lusts. The print has a Dutch and Latin caption. paper etching / engraving proverbs, sayings, etc.. fool, simpleton, numskull. hare-hunting, rabbit-hunting. hunting dogs. cross-roads, bifurcation

St. John in theDesert. Artist: Pietro Menarola, Italian, 1665-1700

Table of the Museum Temple: Aurore and Tithon (Dutuit 36, White 106) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Museum Temple: Aurore and Tithon (Dutuit 36, White 106). Burin, 1655. Museum of Fine Arts in the city of Paris, small palace.

Aphrodite falls in love with Adonis, son of Myrrha : alas, their happiness is short-lived for he is killed by a boar while hunting

Rome, Testa, Pietro, L' Historia Del Figliolo prodigo, Story of the Prodigal Son, Prodigal Son as a Swine Herder, verso - stamped, The prodigal son praying with a group of pigs at his feet. In the background a mountainous landscape., print, prent, prints, height 204 mm, width 301 mm, Italian, 1612 - 1650, print maker, printmaker, 1621 - 1650, paper, papier, etching, etchings, plaattoon, Work conception, after own design by

Tobias catches the fish, anonymous, after Maarten van Heemskerck, 1556 print The Archangel Rafaël orders Tobias to remove the fish from the Tigris River. Tobias' dog stands at Rafaël. In the background, Tobias cuts the fish open to remove the heart, liver and bile. At the bottom of the margin a single -line caption in Latin from Tobit 6. paper engraving Tobias captures the fish and pulls it on the land. Tobias cuts up the fish and removes the heart, liver and gall

Pastoral, according to Rubens (Dutuit 61) Pastoral, according to Rubens (Dutuit 61). Floor, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Vellert, Dirck, Calling of Peter and Andrew, verso bottom center - stamped, Landscape with river. Peter and Andrew in boat with fishing net. Christ on the shore., print, prent, prints, height 147 mm, width 112 mm, South Netherlands, 1485 - 1547, print maker, printmaker, 1523-05-30 - 1523-05-30, first quarter 16th century, paper, engraving, engraving (printing process)

The autumn; The four Seasons. A boy and a girl harvest fruit in the presence of a goat and a boar. The boy picks grapes, the girl wears a basket with pears.

Stanze di M. Pietro Aretino January 23, 1537 Pietro Aretino Rosand and Muraro (1976, pp. 191; 194-45, no. 42), plausibly attribute the cutting to Britto, who produced another woodcut for Marcolini in1536 and is known to have had associations with both Titian and Aretino. In 1550 for example he produced a woodcut based on a self-portrait by Titian and persuaded Aretino to write a sonnet praising the woodcut.The woodcut perfectly illustrates the conceit of the poem, depicting the poet Aretino as a rustic shepherd, singing to his love, Angela Sirena, who appears as a winged siren in the heavens. These poems of praise were not well received by the husband and family of the woman Aretino admired. Her death in 1540 has been attributed to the troubles she experienced after being singled out in this way by the notorious Aretino.. Stanze di M. Pietro Aretino 345058

Omnia Vincit Amor. Amor in battle with pan in a landscape. On the right are two nymphs.

The Garden of Charity ca.1631-37 Pietro Testa Italian. The Garden of Charity. Pietro Testa (Italian, Lucca 1612-1650 Rome). ca.1631-37. Etching. Prints

Venus sends psyche to a source guarded by dragons. Venus wears psyche the task to get water from a source that is guarded by dragons. On the right on a mountain the eagle of Jupiter that brings Psyche water from the Styx.

Apollo OP of Berg Parnassus, Gerard de Lairesse (rejected attribution), 1669 print Apollo is, surrounded by muses, on Mount Parnassus. In his left hand he holds a scepter, with his right hand he points heavenly. Pegasus has appeared in the air to his right. Lower on the mountain is a poet to write and looks at Apollo for inspiration. paper etching (story of) Apollo (Phoebus). Parnassus, sacred to Apollo Musagetes. Pegasus, the winged horse. inspiration of the poet; 'Furore poetico' (Ripa)

Rest on the Flight into Egypt Artist's working dates 1632-1684 Italy. In this etching, Mary and Joseph feast on the fruits of their guardian angelsí laborsóharvested from a tall date palm and drawn from a hidden springóduring a respite on their way to Egypt. Simone Cantariniís broad etching style gives the scene an openness and feeling of immediacy and calm lacking in other treatments of the subject. No vignettes hint at the ghastly Massacre of the Innocents, which the Holy Family has journeyed to avoid. The influence of Cantariniís one-time teacher Guido Reni is also suggested by the placid intimacy of the mother and child.. Etching on ivory laid paper . Simone Cantarini

Italy, Rosa, Salvator, Scylla flees from Glaucus, verso - stamped, The sea nymph Scylla flees from Glaucus who on the left with a beard and a writhing fish tail stretches out his arms to her. Glaucus was a fisherman who, after eating magic herbs, turned into a sea centaur and fell in love with Scylla., print, engraving, prints, engravings, height 340 mm, width 231 mm, Italian, 1615-06-20 - 1673-03-15, print maker, printmaker, 1661 - 1661, paper, papier, etching, etchings, drypoint, dry needle, plaattoon

Amsterdam, Wolsgrein, Aart, Luyken, Jan, Man fighting a dragon with a stick that has emerged from its hole, print, book illustration, prints, height 91 mm, width 77 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1693 - 1693, paper, papier, etching, etchings, Publication (Event), Publication, publisher

Landscape with nymphs sitting on the rock and with two sundles; Dietrich, Christian Wilhelm Ernst (1712-1774); 1742 (1750-00-00-1764-00-00);Kupidydin (Mitol.), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945), Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, German graphics, nymphs (mitol.), Landscapes, mitological scenes, bands, bands

Satyr, Cupid, and Goat, Italy, 16th-19th centuries, Drawing, Drawing

Amor with a woman who picks flowers, Jan van Vianen, 1686 print Amor has spread his arms in a gesture gesture to a woman who is busy picking flowers. Just as someone continues to pick with bows when he sees more and more beautiful, so a lover can trade in lovers until only the worst remains. Nineteenth emblem from Emblemata amatoria. Northern Netherlands paper etching (story of) Cupid, Amor (Eros). picking flowers

Salvator Rosa, Apollo and the Cumaean Sibyl, c 1661 Apollo and the Cumaean Sibyl

Landscape with reading hieronymus. Saint Hieronymus is sitting in a mountainous landscape on a rock. Next to him a book and a hourglass. The lion, its attribute, strulses between the rocks.

Illustration for Robinson younger J.H. Caam Chodowiecki, Daniel Nikolaus (1726 1801)

Vignette (Tome 1.er, page 200, lib. III, fab. 3), depicting Diana Turning Actaeon into a Stag, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi 1766 Augustin de Saint-Aubin French. Vignette (Tome 1.er, page 200, lib. III, fab. 3), depicting Diana Turning Actaeon into a Stag, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi 427994

God does not warn Isaac to Egypt; Paintings in the Loggia of Rafaël. Isaac is on a knee in a landscape. For him God who warns him does not appear to go to Egypt. On the left a woman under a tree.

Simone Cantarini, The Rest on the Flight into Egypt The Rest on the Flight into Egypt

Sylvio and Dorinda, Print made by William Faithorne, 1656-ca. 1701, British, Published by John Bowles & Son, 1701-1779, British, between 1752 and 1768, Mezzotint on moderately thick, slightly textured, cream laid paper, Sheet: 10 5/16 x 14 1/8 inches (26.2 x 35.9 cm), Plate: 9 1/16 x 12 3/4 inches (23 x 32.4 cm), and Image: 8 3/4 x 12 3/4 inches (22.2 x 32.4 cm), archer, arrows, bow, bushes, cape, dog (animal), drama, dying, falling, genre subject, holding, hunter, hunters, Il Pastor Fido (The Faithful Shepherd), 1590, leopard, literary theme, men, mythology, nymph, old, pastoral, pelt, putti, running, sandals, togas, tragedy, tree, trees, woman, woods, wound

Mercury beheaded Argus after playing him to sleep with his shepherd's flute. With the severed head in one hand and the sword in the other, Mercury hovers above Argus' lifeless body. On the ground, a dog barks after Mercury. The print is one of a four-part series of prints depicting scenes from the mythological story of Argus, Mercury with the severed head of Argus History of Argus , print maker: Gerard de Lairesse, (mentioned on object), Gerard de Lairesse, (mentioned on object), publisher: Nicolaes Visscher (I), (mentioned on object), Amsterdam, 1670 - 1672, paper, etching, h 113 mm × w 152 mm

Abraham and Isaac with the sacrificial ram History of Abraham (series title), Italian landscape with Isaac standing on the left in the foreground and Abraham kneeling beside a ram. Behind them an altar with burning branches. Fourth print from a series of five with the history of Abraham, a ram caught in a thicket is sacrificed instead of Isaac, Claes Moeyaert, Amsterdam, c. 1625 - c. 1635, paper, etching, h 111 mm × w 190 mm

Gnoom attacked by a lion, Simon Fokke, 1722 - 1784 print Illustration from the fairy tale Le Prince Lutin by Mme d'Aulnoy. A Gnoom attacked by a lion tries to get rid of. A man grabbed the lion with his moons and takes it out with his sword. In the background a barking dog, a horn blowing figure and a man on horseback who is approaching with raised sword. Print at the top right marked: no 5. p. 142. Amsterdam paper etching man struggling with animals. goblins, hobgoblins. tales and fairy tales (THE IMP PRINS)

Antwerp, Caspeel, Joan, Lancelottus, L., Dyck, Anthony van, Jode, Pieter de (II), Rinaldo and Armida, verso lower left - stamped, Rinaldo rests in the lap of the young Armida. He looks into her eyes at his own reflection. She looks into a mirror that is held up by a putto. In this way they both behold their own amorous appearance. The two knights who were looking for Rinaldo watch from the bushes. In the margin an eight-line caption, in two columns, in Latin., print, prints, height 615 mm, width 423 mm, South Netherlands, 1606-11-22 - 1674, print maker, printmaker, 1644 - 1644, paper, papier, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09, after, after painting by, writer, Publication (Event), Publication, publisher

Nicolò Boldrini (Italian, born ca. 1500) after Titian (Italian (Venetian), ca. 1488 - 1576). Venus and Amor, 1566. Woodcut.

Lost son like boar hazy; Story of the lost son; LA 'Historia del Figliol Prodigo. The lost son in prayer with a group of boar to his feet. In the background a mountainous landscape.

The Entombment. Giulio di Antonio Bonasone (Italian, active 1531-1574); after Titian (Italian, c. 1488-1576). Date: 1563. Dimensions: 292 x 178 mm (plate); 296 x 183 mm (sheet). Engraving on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Laurent de La Hyre, Four Bacchic Children, 1620s Four Bacchic Children

A Kind Shepherd André Laurent French. A Kind Shepherd 394667

The daughters of Cecrops open the basket that Minerva has entrusted them, print maker: Hendrick Goltzius workshop of, Hendrick Goltzius, Franco Estius, 1590.

Hercules holds the Nemean lion in a stranglehold, Charles David, after Frans Floris (I), After Cornelis Cort, 1613 - 1638 print Numbered in the bottom right: 2. print maker: Francepublisher: Paris paper engraving (1) Hercules chokes the Nemean lion with his arms

The Dream ofJoseph. Engraver: Pietro Testa, Italian, 1611/12-1650 After: Giovanni Jacopo de Rossi, Italian, active 17th century

Woodcutter: Unknown, After: Titian (Tiziano Vecellio), Italian, Venice, ca. 1488-1576, The Destruction of Pharaoh in the RedSea, Woodcut, one of twelve blocks, block: 41.1 × 56 cm (16 3/16 × 22 1/16 in.), Made in Italy, Italian, 16thcentury, Works on Paper -Prints

Elia fed by the Raven. Elia sits on the ground by a river in a forest, where the raven comes to bring it bread and meat. The print is part of an album.

Print marked top right: I Part. Page 104., Don Clarazel embraces Gandales, whom he chooses to be his squire, print maker: Caspar Luyken, publisher: Johannes Broersz, publisher: Nathanael Holbeex, Amsterdam, 1697, paper, etching, h 138 mm × w 84 mm

Gaetano Zompini, after Giovanni Benedetto Castiglione, Chiron Teaches Music to Achilles, 1758 1759 Chiron Teaches Music to Achilles

Print made by Bernard Lens, 1659-1725, British, Mythological Scene, undated. Mezzotint on moderately thick, moderately textured, beige laid paper.

Telemachus Doodt Adrastus Simon Fokke, 1775 print Telemachus has overpowered the King Adrastus on the battlefield. The king is on the ground and Telemachus lashes out with his dagger. In the background there are soldiers with arrow and bow, on the left a warrior with raised arms. Print on top left marked: Page 397. Amsterdam paper etching (story of) Telemachus. battle, fighting in general

At the direction of the angel, Tobias cuts the fish into pieces, Anonymous, after Chrispijn van den Broeck, 1570 - 1580 print Tobias is kneeling on the banks of a river. The angel instructs him how to cut the fish into pieces. The dog is behind him on the right. paper engraving the angel Raphael tells Tobias to cut the fish to pieces

Circe changes picus in a woodpecker; Metamorphoses from Ovid. The Magicians Circe had fallen in love with Picus, king of Ausonia. However, he rejected her love because he was already in love with the Nymph canens. From anger CIRCE changes him into a woodpecker. In the distance, the page of Picus waits with the falcon and the hunting dogs at his horse.

Augsburg, Nilson, Johann Esaias, Eisen, Charles Joseph Dominique, Rugendas, Johann Georg Lorenz (I), Pastoralen, Le Contentement pastorale, Coridon and Amaryllis, verso - stamped, In a landscape beside a waterfall Amaryllis listens to her beloved Coridon, he plays the bagpipes. In the bottom margin two columns with three-line German text., print, ornament print, prints, ornament prints, height 290 mm, width 193 mm, German, 1730 - 1799, print maker, 1740 - 1778, paper, etching, Work conception, French, 1720-08-17 - 1778-01-04, after a design by, Publication (Event), Publication, 1721-11-02 - 1788, publisher

The Meeting of Ulysses and Telemachus.

Herder and Herderin, Moyses van Wtenbrouck, 1645 - 1760 print A shepherd, seen on the back, sits by a shepherdin, who looks at a sheet of paper on her lap. The shepherd's staff is on the floor, their herd is behind them. The Hague paper drypoint / engraving Pastoral, Arcadian Scenes

. Landscape with thetis and the young Achilles with arrow and bow taught by Chiron. On the left a wild boar, hare and bird, referring to the lessons in the hunt. In the background a man hunts with arrow and bowed to a deer. In the middle of: 7. Seventh print from a series of fourteen with scenes from the life of Achilles.

THE PENITENCE OF SAINT JEAN CHRYSOSTOME Lucas Cranach the old (1472-1553). The penance of Saint Jean Chrysostome, 1509. Engraving in Burin.

Farmer with basket in a landscape, c. 1640 - c. 1700 print Next to a tree stump is a farmer with a basket in one hand and a stick in the other hand. On the left a grazing goat on a clip. paper etching farmers. inland cliff face. landscapes. goat

Elia fed by Raven, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching Elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food

Tobias, Tobit and the Angel, Moyses van Wtenbrouck, Hendrick Hondius (I), 1620

The Fall of Man. Lucas Cranach the Elder; German, 1472-1553. Date: 1509. Dimensions: 345 x 240 mm (image/block/sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Arcas focuses his arrow on Callisto, Hendrick Goltzius (workshop of), After Hendrick Goltzius, 1590 print Arcas, the son of Jupiter and Callisto, focuses his arrow on a bear, not knowing that that is his mother. It changed his form fifteen years earlier. In the background on the right you can see how Jupiter mother and son, before Arcas can shoot, places in the sky, as constellations. Two times two lines of Latin text under the performance. This print is part of a series of 52 prints that represent stories from Ovid's metamorphoses. This series falls into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the second series. Haarlem paper engraving Callisto is hunted by her son Arcas. Arcas changed into a constellation: when Arcas is about to shoot the bear into which his mother, Callisto, has been changed, Jupiter turns him into a constellation (Ovid, Metamorphoses II 506). Callisto changed into a constellation: Jupiter changes Callisto into a constella

Venus donates Aeneas his armor. Venus donates Aeneas the armor that vulcanus has made for him. A harness hangs on the left in a tree and a shield, helmet and sword are presented by Putti to Aeneas. Right a river god.

Venus tying a blindfold over Cupid's eyes 1617 Odoardo Fialetti Italian. Venus tying a blindfold over Cupid's eyes 397865

Calling by Petrus and Andreas, Dirck Vellert, 1523 print Landscape with river. Peter and Andreas in Boot with Visnet. Christ on shore. paper engraving calling of Peter and Andrew; they are called away from their fishing-boat (Matthew 4:18-20; Mark 1:16-18)

Sleeping Shepherdesses, Adriaen van der Kabel, 1648 - 1705 print Three scantily dressed women at the foot of a column after which a standing man, a cow and some goats. France (possibly) paper etching sleeping; unconsciousness. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Leda and the swan; Jupiters love adventures. Jupiter seduces Leda in the form of a swan. Leda is sitting on the shore of a water with the swan between her legs. Print from a series of 10 prints that illustrate Jupiter's love life.

Christian Wilhelm Ernst Dietrich, The Satyr's Family The Satyr's Family

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