Biblical and Mythological Scenes

Engravings illustrating dramatic biblical events and allegorical themes depicting time, human life, and historical triumphs in classic artistic styles.

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Antwerp, Wierix, Antonie (II), Theatrum biblicum, History of Jeremiah, Capture of King Zedekiah, When King Zedekiah flees the city at night in the direction of the Jordan Valley, he is captured by the Chaldean army on the plain of Jericho. Below the representation is a reference in Latin to the Bible text in Jer. 39., print, prent, prints, height 192 mm, width 260 mm, Southern Netherlands, 1559 - 1604-03, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Youth, from "The Course of Human Life" 1570 Pieter Jalhea Furnius Flemish. Youth, from "The Course of Human Life". The Course of Human Life. Pieter Jalhea Furnius (Flemish, 1545-1610). 1570. Engraving. Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Prints

Antonio Tempesta, The Triumph of David over Goliath, 1613 The Triumph of David over Goliath

Plate 3: Abraham Taking Lot and His Family to His Own Land, from 'The Battles of the Old Testament' ca. 1590-ca. 1610 Antonio Tempesta Italian. Plate 3: Abraham Taking Lot and His Family to His Own Land, from 'The Battles of the Old Testament'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-ca. 1610. Etching. Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Prints

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Abimelech saxo percussus moritur, The death of Abimelech, verso - stamped, Abimelech and his army storm a city. The inhabitants of the city fight back from the city wall. On the left, Abimelech sits on his horse and has a stone thrown at his head by a woman on top of a tower. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever van privilege

Sea Chariot on which Time (Tempus), as a winged graybeard with crutches, sits. At his feet is an hourglass indicating the passage of time. His chariot - with the dials of a clock as wheels - is pulled by quick-footed deer. Time is accompanied by the four seasons. The buildings in the background have fallen to ruins. An obelisk, erected to commemorate a powerful man, has fallen from its pedestal. Thus Time overcomes Fame. The print has a Latin caption and is part of the series on the triumphs of Petrarch, Triumph of Time Triumphs of Petrarch (series title), print maker: Philips Galle, (mentioned on object), Maarten van Heemskerck, (mentioned on object), Hadrianus Junius, Haarlem, c. 1565, paper, engraving, h 194 mm × w 263 mm

Junius, Hadrianus, Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Muller, Harmen Jansz, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, The Eight Beatitudes, Blessed are the Peacemakers, David and Abigail, When a greedy farmer refuses to help David and his men, they threaten to punish him. Abigail, the farmer's wife, kneels before David and offers him and his soldiers food and drink. In doing so, she appeased David. Print is part of a series on the eight beatitudes of Christ and illustrates the beatitude: Blessed are the Peacemakers. On a square plaque at the bottom this text from Mat. 5:9 in Latin. At the bottom in the margin a verse in Latin about the beatitude and the representation. This print is part of an album., print, album leaf, prints, height 214 mm, width 248 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1564 - 1568, paper, engraving, engraving (printing process), Northern Netherlands, 1498 - 1574, in

Lucas Cranach the Elder (German, 1472-1553), Saint Bartholomew, woodcut

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Antwerp, Wierix, Antonie (II), Theatrum biblicum, History of Jeremiah, Capture of King Zedekiah, When King Zedekiah flees the city at night in the direction of the Jordan Valley, he is captured by the Chaldean army on the plain of Jericho. Below the representation is a reference in Latin to the Bible text in Jer. 39., print, prent, prints, height 192 mm, width 260 mm, Southern Netherlands, 1559 - 1604-03, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Title page for the pamphlet: De Schooren Hoop, 1702, Romeyn de Hooghe, 1702 print Arrival of a ship at a Turkish or North African city where the French flag is fluttering. Title is on a separate text sheet. Netherlands paper etching / engraving

Sheet 6: Men carrying trophies, from The Triumph of Julius Caesar. Artist: After Andrea Mantegna (Italian, Isola di Carturo 1430/31-1506 Mantua); Andrea Andreani (Mantua, 1558/1559-1629); Intermediary draughtsman Bernardo Malpizzi (Italian, 1555-1623). Dimensions: Sheet: 15 9/16 × 15 3/8 in. (39.5 × 39 cm)Image: 14 7/16 × 14 3/4 in. (36.7 × 37.5 cm). Date: 1599. Museum: Metropolitan Museum of Art, New York, USA.

Battle between the Horatii and the Curatii, Anonymous, After Giulio Romano, 1541 print Duel between the Horatii and Curiatii, two triplets of Roman and Albeaning respectively. Here, Publius Horace kills the wounded curiats one by one. Romans encourage him. paper engraving two Horatii being killed, the surviving brother defeats the three Curiatii one by one

Representatives from the University of Bologna and two drum slods, plate 30, 1620 - 1699 print Representatives from the University of Bologna and two drumslagers, plate 30. Procession of Charles V with the Pope Clemens VII in Bologna after his coronation until Emperor, 24 February 1530. Mechelen paper etching / engraving festivities (+ parade, pageant, cavalcade ~ festive activities) Bologna

After Albrecht Dürer, Calvary with the Three Crosses, 1514, etching on paper.

Antwerp, Galle, Theodoor, Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Parable of a Wedding Feast, Second pretext: the new herd, The king's messenger comes to the second guest and invites him to the wedding feast. The guest excuses himself with the pretext that he has bought a new herd of cattle. The man points to the herd in the background. The print has a Latin caption and is part of a six-part series on the parable of a wedding feast., print, prints, height 206 mm, width 250 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1558 - 1559, paper, papier, engraving, engraving (printing process), etching, Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1571 - 1633, publisher

Scipio receives gifts, Enea Vico (Possible), Antonio Salamanca, 1542 print Scipio Africanus and his soldiers are on the right. The inhabitants of the city on the left bring their gifts and the keys to the city. print maker: Italyprint maker: Italypublisher: Rome paper engraving (Story of) Cornelius Scipio (Cornelius Scipio)

Return from the Flight into Egypt. Dated: c.1592. Dimensions: plate: 17.8 x 25.2 cm (7 x 9 15/16 in.) sheet: 18.9 x 26.4 cm (7 7/16 x 10 3/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Karel van Mander Jacques de Gheyn II I.

Youth, 1570 print Two adult women walk outside with two boys on their side. Next to them, Father runs time with two wild horses. Under the performance is a text in Latin, numbered in the margin: 2. The print is part of a series of allegorical prints on the lives of man. Antwerp paper engraving Childhood (alleg.)

Plate 17: David Returning in Triumph with the Head of Goliath, from 'The Battles of the Old Testament' ca. 1590-ca. 1610 Antonio Tempesta Italian. Plate 17: David Returning in Triumph with the Head of Goliath, from 'The Battles of the Old Testament'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-ca. 1610. Etching. Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Prints

Mutilation of the bodies of the De Witt brothers, 1672, Bernard Picart, After Romeyn de Hooghe, 1728 print The mutilation of the bodies of the brothers Johan and Cornelis de Witt, August 20, 1672. In the foreground parts of the body are torn and sold. Northern Netherlands paper etching attempt, political murder. violent death, being killed; being mishandled and maltreated; seeking death (+ death by lynching). lynching. mutilation of the corpse The Hague

Jacob Dirksz. with both sons in Antwerp taken to the stake, 1568, Jan Luyken, 1685 print Amsterdam paper etching persecution of heretics. violent death by burning at the stake; pyre Antwerp

Triumph car with wealth (Opulentia), 1564 - 1633 print On a triumphal wagon the personification of the wealth (opulentia) with crown and scepter, pockets with money under her throne. The car is accompanied by personifications of usury (usura), lust (libido), betrayal (proditio) and list (dolus) who ensure that wealth is created. Print from a series of nine prints with triumphal cars from the Antwerp circumcision commitment of 1561. The personifications on the cars together represent the cycle of human action. Antwerp paper engraving Vicissitudes of Life (+ allegorical scene, i.e. two or more personifications involved in an action). Wealth, Opulence; 'Opulenza', 'Richezza' (Ripa). chariot, triumphal car

Plate 2: The city of Rome taken by Constable of Bourbon, from the Triumphs of Charles V 1614 Cornelis Boel Netherlandish. Plate 2: The city of Rome taken by Constable of Bourbon, from the Triumphs of Charles V. Cornelis Boel (Netherlandish, Antwerp ca. 1576-after 1621). 1614. Etching and engraving. Prints

Triumphar with peace (Pax); Circulus vicissitudinis Rerum Humanarum. Triumphag decorated with garlands of fruits, drawn by two horses (Concordia and Utilitas). The car is stated by amor. On a seat, the peace, olive branches in the right hand and on the head, laurel wreath is in the left hand. To the right of her is wealth (opulentia) that ceases a crown. In addition to the car, Truth, Vlijt and Justice (Veritas, Diligentia and Justice). Print from a series of nine prints with triumph trolles from the Antwerp circumcision-circumction of 1561. The personifications on the cars represent the cycle of human acting together.

Andrea Andreani (active in Mantua around 1540-1623). "The triumph of Julius Caesar", after Mantegna: a man standing on a tank of triumph followed by a few riders and people on foot (Bartsch, tome XII, section 6, n ° 11). Color in color. 1599. Museum of Fine Arts of the City of Paris, Petit Palais. 112278-17 16th 16th XVI 16th 16th 16 Center, engraving

Triumph car with wealth (Opulentia), Cornelis Cort, After Maarten van Heemskerck, 1564 print On a triumphal wagon the personification of the wealth (opulentia) with crown and scepter, pockets with money under her throne. The car is accompanied by personifications of usury (usura), lust (libido), betrayal (proditio) and list (dolus) who ensure that wealth is created. Print from a series of nine prints with triumphal cars from the Antwerp circumcision commitment of 1561. The personifications on the cars together represent the cycle of human action. Antwerp paper engraving Vicissitudes of Life (+ allegorical scene, i.e. two or more personifications involved in an action). Wealth, Opulence; 'Opulenza', 'Richezza' (Ripa). chariot, triumphal car. Vicissitudes of Life (+ allegorical scene, i.e. two or more personifications involved in an action)

Leiden, Aa, Pieter van der (I), Wassenaar, Nicolaas Jansz. van, Tempesta, Antonio, Northern Netherlands, Boel, Cornelis, The life of the emperor Charles V. in very beautiful, engraved on the drawings of the famous A. Tempeste, by two of the most successful masters J. de Gein & C. Boel. A Leide, Chez Pierre van der Aa, Avec Privilège, Scenes from the life of Charles V, Conquest of Rome, 1527, no. 2, Armies under command of Charles V conquering Rome, 1527. In the foreground soldiers prepare for battle, in the background the armies storm a gate of the city. With four-line caption in Latin., print, history print, prints, Frederik Muller History plates, height 326 mm, width 430 mm, height 460 mm, width 570 mm, 1580, print maker, printmaker, 1614 - 1614, first quarter 17th century, fourth quarter 17th century, first quarter 18th century, first quarter 18e eeuw, paper, papier, etching, etchings, engraving, engraving (printing process), Italian, 1555 - 1630-08-05, intermediary draughtsman, aft

Romans fire treasures the country but promise peace, 69-70, Antonio Tempesta, After Otto van Veen, 1612 print Romans fire treasures the country but cerialis promises peace and grace to civilis. Print number 34 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. Without text on the back. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Netherlands

Scene from the dacic wars. Scene from the dacerous wars to the bass relief on the column of Trajanus in Rome.

Jacques Callot (1592-1635). "Notre-Dame de l'Annonciade de Florence miracles", "Le execution". Sixth issue of a suite of 42 pieces (Lieure 83, Meaume 265). Froz, 1615-1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99595-13 Burin, Gravure

Christ Carrying the Cross ca. 1475-80 Martin Schongauer German The largest and most painterly of his prints, Christ Carrying the Cross is Schongauer's masterpiece. This engraving depicting Christ's procession to Golgotha is the artist's most visually complex. He created a spectrum of tones from white to gray to black by altering the density of the hatching. Throughout the print, he masterfully offset light and dark areas: for example, he placed the fully shaded figures on the right against a landscape delineated only by outlines and did almost the reverse with the boy in the lower left, situated in front of an area of shadowed ground. Schongauer was inspired by a painting of the subject by Jan van Eyck, now lost and known only through copies, and similarly created an image packed with lively characterizations of exotic figures and incidental detail. Yet he pushed the entire procession to the foreground and, as in devotional icons, he turned Christ's head to confront the viewer, emphasi

Receipt of Prince Willem III in London, 1688; The Inhaalingh from Syn Koninglycke Hoogheyt in London den 28 December. 1688; Chronicle of the house Stuart; Cornyck or Stuarts Nootlot Synde all the pre-inaugural disasters and belly that T 'Since her start to thesen Tyt that stemme transferred syn. Festive reception of Prince Willem III in London on December 28, 1688. Part of a series about the fortunes of the English royal family of Stuart of 1558-1711, of which are included here, sixteen prints about the battle between Jacobus II and Willem III in the 1688 years -1689.

Picart, Bernard, Folkema, Jacob, Triumphal procession of Emperor Aurelian in 274, verso - stamped, Zenobia, queen of Palmyra, is taken along in chains on the triumphal procession of Emperor Aurelian. The emperor is driven around on a cart drawn by four deer. In front walks a prisoner with his hands tied behind his back., print, engraving, book illustration, prints, engravings, height 151 mm, width 194 mm, Dutch, 1692 - 1767, print maker, printmaker, 1720 - 1767, paper, papier, etching, etchings, Noord-Nederlands, 1673-06-11 - 1733-05-08, intermediary draughtsman

Triomf van een Romeins keizer.A Roman emperor on a triumphar in a procession of soldiers and musicians.

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Wierix, Johannes, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of David and Absalom, Simi curses King David, Simi curses King David and throws stones at him. David's soldiers want to defend him but the king stops them. Under the representation a reference in Latin to the Bible text in 2 Sam. 16:5. This print is part of an album., print, album sheet, prints, height 193 mm, width 258 mm, Southern Netherlands, 1549 - 1618, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Allegory around the battle with Bavaria and Burgundy, Romeyn de Hooghe, 1704 - 1706 print Allegorical representation around the battle with Bavaria and Burgundy. With caption of two lines in one line. Netherlands paper etching / engraving

Reconciliation between the Romans and the Sabines; Sabinea Muloes Bello (...) affine conciliant; Life of Romulus and Remus. The mothers of the Sabini virgins throw themselves between the two fighting armies of Sabines and Romans and do a call to peace. The print is part of an album.

Burning of a corpse ca. 1543 Antonio Fantuzzi Italian. Burning of a corpse 411224

Offer van Iphigenia, Pierre 2 Biard, 1602 - 1661 print France paper etching (story of) Iphigenia - death

Philip Galle after Maerten van Heemskerck, The Conversion of Saint Paul The Conversion of Saint Paul

Civilis is forced to flee swimming, 69-70, Antonio Tempesta, After Otto van Veen, 1612 print Civilis is recognized and shot at and has to get rid of his horse and swimming flights. Print number 31 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. Without text on the back. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Netherlands

Youth; Allegory on the life of man. Two adult women walk outside with two boys to their side. In addition to them, father walks time with two wild horses. Under the show a text in Latin, links in the margin is numbered: 2. The print is part of a series of allegorical prints on human life.

Judit presented to Holofernes; History of Judit and Holofernes; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Judit and her maid are presented to Holofernes. The Assyrian army looks. Under the show a reference in Latin to the Bible text in Judit 10:10. This print is part of an album.

Romans misled to think that civilis is dead or injured, 69-70, 1612 print Civilis falls from his horse to mislead the Romans and make it think that he is dead or injured. Print number 17 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. On the back of text in Latin. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Netherlands

Illustration at Canto XX from Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print On the left is Altamore, the king of Sarmatand, surrounded by soldiers. He surrenders to Godfried van Bouillon who stands for him on horseback. Army and the city of Jerusalem in the background. Italian verses by Tasso in two columns in Submarge. paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. surrender ~ war Jerusalem

Canto XX. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 16th century. Prints; etchings. Etching

Plate 11: Civilis' Troops Crossing the Maas River, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome); After Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: Sheet: 6 5/16 × 8 1/4 in. (16.1 × 21 cm). Date: 1611. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Gradoli Palazzo Farnese9. Hutzel, Max 1960-1990 Exterior views of the palazzo and surrounding area. Extensive photo coverage of the restored interior and its poorly preserved frescoes. Details of wall frescoes, including a mythological frieze and an ornamental frieze. An extensively decorated wooden, coffered ceiling. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Amsterdam, Luyken, Caspar, David takes away Saul's spear and cup, verso - manuscript in brown ink, print, prints, verso - stamped, 108, height 113 mm, width 149 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier

The Masquerade, Cornelis de Wael, 1630 - 1648

Woodcut by Albrecht Dürer from 1510 depicting the capture of Christ, part of the Great Passion series, showing soldiers seizing Christ.

. The H. Florianus van Lorch is held by soldiers on the shore of the river enns and beheaded. Light rays break through the dark clouds in the sky. The print has a Latin caption and is the fifth print of a 60-part series with the saints of Bavaria.

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Two Women before a General 1700-1780 Anonymous, German, 18th century German. Two Women before a General 362777

Jacques Callot, Restoration of the Aquaduct at Pisa, c 1614 Restoration of the Aquaduct at Pisa

Oproer in Brussels, where after mistreatment by Spanish soldiers, farmers chase on the Schaerbeekse Poort and set the guard house on fire, 1670, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing plundering ~ riot. on fire, ablaze Brussels

Johann Wilhelm Baur, Capricci di varie battaglie, 1635 Capricci di varie battaglie

TRIOMFTOCHT van Julius Caesar, Andrea Andreani, After Bernardo Malpizzi, After Andrea Mantegna, 1599 print Numbered bottom left: 6. print maker: Italyafter drawing by: Mantuaafter painting by: Mantua paper triumph of Caesar. armour

Geneva, Gisling, Netherlands, Hooghe, Romeyn de, Caricatures of Jacobus II and Lodewijk XIV and the events in the years 1688-1689, The Duytse Doctor, and the strange Patients, Arlequin Deodat, et Pamirge Hypochondriaques, Cartoon on the interference of Louis XIV in the English succession to the throne, 1689, 1689. Childbed in which Queen Mary of Modena lies in bed and is visited by a German doctor who examines her urine. In the middle an angry Louis XIV (Harlequin) who is restrained by William III, on the left three Algerians or Turks. In the foreground on the left Cardinal von Fürstenburg is given an enema, on the right the child Jacobus Frans Eduard, the neglected child (the Prince of Wales) with a windmill with two wet nurses who take an oath of silence. With a caption of 2 x 2 lines and on the page below the image a verse of 2 columns with an explanation of the numbers 1-12 in Dutch., print, picture, cartoon, prints, pictures, Frederik Muller History plates, height 553 mm, width 40

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Den Grooten Figuer-Bibel, Geschiedenis van Judit en Holofernes, De Historie van Iudith, Overwinning op de Assyrisches, lower right - handwritten in brown ink, The Israelites attack the fleeing Assyrian army. On the city wall of Bethulia, in the background, the head of Holofernes hangs on a stake. Below the scene a reference in Latin to the Bible text in Judit 14:8. This print is part of an album., print, album sheet, prints, 291, height 205 mm, width 265 mm, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Allegory with Utrecht, Romeyn de Hooghe, 1704 - 1706 print Netherlands paper etching personifications of countries, nations, states, districts, etc. Eemland

Roman ruler and justitia on a chariot; Title page for: Salustius Crispus, Gaius, Gronovius, Johannes Fredericus and Thysius Jr., Antonius. C. Salustii Crispi Quae Extant, 1665. A Roman ruler in a clock-deposited cloak is on a chariot, which is being pulled by horses. He carries a scepter and a laurel wreath. Justitia is for him. To the right of him are two soldiers with a banner. Left of him two prisoners, one of whom a crown bears. In the distance fighting with a castle. Verso a typographus lectori, a message from the printer to the reader.

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Muller, Harmen Jansz, Gelijkis van de talents, Terugkeer van de heer, The lord, seated in a carriage, returns home. Soldiers accompany him and a boy with a trumpet announces his arrival. His servants await him in the house. Below the representation is a reference in Latin to the Bible text. This print is part of an album., print, album sheet, prints, height 204 mm, width 289 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1572, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Collaert, Adriaen, Den Grooten Figuer-Bibel, Opkomst van vier wereldrijken en vier rulers uit het visioen van Daniel, Van de vier Monarchen, Ninus van Nineve als eerste koning uit het visioen van Daniel, bottom right - handwritten in brown ink, Ninus, founder of Nineveh and notorious general, riding a horse, in his hand a flag with the image of a lion (Babylonia). The horse tramples King Oxyartes of Bactria. In the background a cityscape. Next to Ninus a lion with eagle's wings emerges from the sea, a reference to a vision of Daniel about the rise of four kingdoms in the world. Below the image a reference in Latin to the Bible text in Dan. 7. This print is part of an album., print, prent, albumblad, prints, prenten, 266, height 218 mm, width 263 mm, Zuid-Nederlands (voor 1775), 1560 - 1618-06-29, print maker, prentmaker, 1570 - 1618, paper, papier, engraving, graferen (drukprocedé), Zuid-Nederla

Saint Ephysius. Engraving by C. Lasinio.

Plate 11 for Ariosto's 'Orlando Furioso'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801)Daniel Berger (Germany, Berlin, 1744-1824). Germany, 1772. Prints; etchings. Etching, laid down

The Triumph of Love, plate one from The Triumphs of Petrarch Made 1534-1544 Germany. The German painter and printmaker Georg Pencz is known as one of the Little Masters (Kleinmeister), along with brothers Barthel and Sebald Beham. These artists were active in Nuremberg, where they likely worked for Albrecht D¸rer. They produced jewellike engravings on a small scale. Although still modestly sized, these six Triumphs are some of Penczís largest engravings. He traveled throughout Italy around 1539, where he found inspiration in the celebrated 14th-century Triumphs by the poet Petrarch Love is at first victorious, but Chastity conquers; Fame defeats Chastity, then Time ends Fameís rule; next, Death stops Time. Finally, Eternity triumphs over Death.. Engraving in black on ivory laid paper . Georg Pencz

Artist: Jacques Callot, French, 1592-1635, Les deuxpantalons, Etching, image: 9.3 × 14.1 cm (3 11/16 × 5 9/16in.), Made in France, French, 17thcentury, Works on Paper -Prints

Dropout of Pietro Strozzi, Philips Galle, After Jan van der Straet, 1583 print Pietro Strozzi does a failure from the besieged Sienna (1554). In the foreground Strozzi and his army. In the background an abbey near Siena and the Florentine army. The print has a Latin caption and is part of a series about the family history of the genus De 'Medici. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving battle (+ land forces) Siena

Victory of the Israelites on the Amorites, Nicolas Henri Tardieu, After Rafaël, 1684 - 1749 print publisher: ParisFrance paper etching / engraving battle of the Israelites againts the Amorites during their journey through the desert

Samson strikes the Philistines dead with the jawbone of a donkey. Below the image a reference in Latin, Samson defeats the Philistines with a donkey's jaw History of Samson Thesaurus sacrarum historiarum veteris testamenti , print maker: Antonie Wierix (II), Maerten de Vos, publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 207 mm × w 287 mm

All the Horsemen Who Come to the Aid of the Infantes are Slain. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 1612. Prints; etchings. Etching

A copper engraving by Marcantonio Raimondi from around 1524-1527 depicting a lion hunt, with hunters, lions, dynamic movement, and detailed landscape.

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in brown ink, print, book illustration, prints, illustrations, Christiaan Langedul and three others in Antwerp before the stake, 1567, verso - stamped, 79, Christian Langedul Ao 1567, height 116 mm, width 143 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, publisher, uitgever, - 1693-06-26

Copper engraving by Martin Schongauer from the late 15th century depicting a complex architectural and narrative scene, illustrating a religious subject.

Bataven break down the bridge over the IJssel, 69-70; The Batavian rebellion; Batavorum Cum Romanis Bellum, à Corn. Tacito / De Batavian Olt Oude Hollandtsche Karhe Tenghen De Romeynen. Batava will be scared and break down the bridge over the IJssel to be able to negotiate with Cerialis. Print number 35 in the prints about the Batavian uprising: Batavorum Cum Romanis Bellum / à Corn. Tacito lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, AUCHE Othone Vaenio Lugdunobatava = The Batavian Olt Oude Hollandtsche Karhe Tenghen De Romeynen. Otto Vaenius, Antwerp 1612. Bottom two verses of four rules in Dutch and in Latin. Without text on the back.

Wagon Laden with Wounded Soldiers. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Étienne Pierre Motte (French, 1785-1836). Date: 1818. Dimensions: 290 × 295 mm (image); 295 × 312 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Decapitation of Jakobus de Memper, Jan Luyken, 1712 print Amsterdam paper etching beheading of James

Crossing the RiverJordan. Engraver: Pietro Aquila, Italian, 1630-1692 After: Raphael, Italian, 1483-1520

Ecce Homo. Artist: Hans von Aachen (German, Cologne 1552-1616 Prague). Dimensions: 14 1/4 x 10 7/8 in. (36.2 x 27.6 cm). Date: ca. 1590-1600. Museum: Metropolitan Museum of Art, New York, USA.

Noordelijke Nederlanden, Hooghe, Romeyn de, The murder of the De Witt brothers in four performances, Two episodes from the murder of the De Witt brothers, 1672, Northern Netherlands, 20 August 1672. Above the murder of Johan and Cornelis de Witt and below the mutilation of the bodies on the scaffold., print, news print, prints, Frederik Muller Historieplaten, height 315 mm, width 198 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1672 - 1672, third quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of

Viktor Amadeus, Prince of Savoy Sardinia.

Jacques Callot, Arrival at Valencia, 1612 Arrival at Valencia

Théodore Gericault, Cart Filled with Wounded Soldiers (Chariot charge de soldats blesses), 1818 Cart Filled with Wounded Soldiers (Chariot charge de soldats blesses)

Martyrdom of Saint James the Great. Etching by G. David after A. Mantegna.

Entry into Jerusalem, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, letterpress printing, h 110 mm × w 154 mm

The Triumph of Caesar: Soldiers Carrying Trophies. 1475. Mantegna, Andrea, 1431-1506. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Ornament for a dish border. Jacob and Rachel embrace at the well of Haran. Rachel was watering her father's sheep. Jacob's men remove the stone from the well for her. With Latin text in cartouches. With text in Latin in cartouche above image., The meeting of Jacob and Rachel at the well The history of Jacob (series title), print maker: Cornelis Cort, (mentioned on object), Frans Floris (I), (mentioned on object), publisher: Julius Goltzius, print maker: unknown, publisher: Antwerp, after 1563 - before c. 1601, paper, engraving, h 132 mm × w 224 mm

Capture of Christ, Pieter Coecke van Aelst (I), 1512 - 1550, Design for a glass pane., draughtsman: Pieter Coecke van Aelst (I), 1512 - 1550, paper, pen, brush, h 240 mm × w 120 mm

Jojada Ointment Joas, Harmen Jansz Muller, After Maarten van Heemskerck, 1585 print The high priest Jojada pours ointment oil over the head of Joas and calls him King. Bystanders blow on trumpets and play the harp. Between the soldiers on the right, Queen Atalja looks, while she tears her clothes. Koningin Atalja is killed on the right in the background. At the bottom of the margin a verse in Latin over the show. print maker: Amsterdampublisher: Antwerp paper engraving Joash, protected by the soldiers, is crowned and anointed king; the people acclaim him. Athalia hearing the noise of the people acclaiming King Joash, comes to the temple and sees the new king standing by a pillar; she tears her clothes in dismay. death of Athalia: she is seized by soldiers, brought to the palace and killed at the Horse gate

Triumph of Caesar: The Corselet Bearers. Artist: School of Andrea Mantegna (Italian, Isola di Carturo 1430/31-1506 Mantua). Date: ca. 1490. Museum: Metropolitan Museum of Art, New York, USA.

Antiochus Epiphanes Rooft de Temple of Jeruzalem empty, 1643 print After his victory over Egypt, Antiochus moves to Jerusalem with a large army. There he robes the temple and turns on a massacre among the inhabitants. Under the show a reference in Latin to the Bible text in 1 bubble. 1:22. This print is part of an album. Amsterdam paper engraving Antiochus IV Epiphanes robbing the temple of its treasures (1 Maccabees 1:21-23)

Romans Defeated near the Rhine. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, publshed 1612. Prints; etchings. Etching

Albrecht Dürer (1471-1528). "The great passion: the arrest of Jesus (B 7/II)". Museum of Fine Arts of the City of Paris, Petit Palais. 33396-8 Arrest, Catholic, Christian Christian, Christ, Son God, strike, strike, guard, great passion, New Testament, biblical scene, violence

Jacques Callot, Conversion of Paul, 1635 Conversion of Paul

Georg Pencz, The Triumph of Love The Triumph of Love

Charles V of Habsburg (German Emperor and King of Spain), Netherlands, Bessemers, Marie, Coecke van Aelst, Pieter (I), Customs and Manners of the Turks, Procession of Suleiman I, verso lower right - stamped, Fourteenth block of fourteen, together forming a frieze of seven images with the customs and manners of the Turks. Second part of the procession of Suleiman I: Archers on foot followed by Suleiman I on horseback. Istanbul in the background with the Aya Sofia, the obelisk of Theodosius, the Serpentine Column and the hypostyle hall of Sphendone. On the far right a caryatid., print, prent, prints, prenten, height 299 mm, width 394 mm, 1502 - 1550-12-06, print maker, printmaker, 1553 - 1553, third quarter 16th century, paper, papier, woodcut, Publication (Event), Publicatie, Zuid-Nederlands - 1600, publisher, uitgever, 1500-02-24 - 1558-09-21, verlener van privilege

Return from Babylonian Exile, print maker: Jan Luyken, publisher: Jan Rieuwertsz. (II), publisher: Barent Visscher, Amsterdam, 1706, paper, etching, letterpress printing, h 92 mm × w 80 mm

Lucas Cranach the Elder, The Second Tournament with the Tapestry of Samson and the Lion, 1509 The Second Tournament with the Tapestry of Samson and the Lion

Feather drawing by Antonio Tempesta depicting Alexander giving a speech from horseback to his army with warriors in the background, showing figures, horse, and composition on brown paper.

Christ carrying the cross surrounded by soliders, several on horseback. Artist: Master of the Die (Italian, active Rome, ca. 1530-60). Dimensions: sheet: 9 1/4 x 7 11/16 in. (23.5 x 19.5 cm). Date: 1530-60. Museum: Metropolitan Museum of Art, New York, USA.

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