Biblical and Mythological Themes

Prints illustrating dramatic biblical and mythological scenes, such as the Raising of Lazarus and depictions of heroes. Emotional expressions and dynamic compositions are prominent.

Italy, Castiglione, Salvatore, Raising of Lazarus, Christ raises Lazarus from the dead. Lazarus rises from his grave. A group of onlookers react with astonishment and amazement., print, prent, prints, prenten, height 114 mm, width 215 mm, 1620-04-21 - 1696, print maker, prentmaker, 1645 - 1645, paper, papier, etching, etchings

Italy, Castiglione, Salvatore, Raising of Lazarus, Christ raises Lazarus from the dead. Lazarus rises from his grave. A group of onlookers react with astonishment and amazement., print, prent, prints, prenten, height 114 mm, width 215 mm, 1620-04-21 - 1696, print maker, prentmaker, 1645 - 1645, paper, papier, etching, etchings

Hercules adds Bow and Arrow to Philactetes, Felice Giani, Italian, 1758-1823, Pen and brown ink, over traces of black chalk on light blue laid paper, Hercules lies at left. Philactetes receives arrows; he holds bow in left hand. Funeral pile is in background., Italy, 1813, figures, Drawing, Drawing

Gustave Doré, Staircase of the Opera during Mid-Lent, c. 1857, lithograph on wove paper.

A dark brown ink drawing with white highlights on pea-green paper by Martin Johann Schmidt from around 1782 depicting Saint Sebastian.

Table of Museum Temple: Tantalus (Dutuit 36, White 144) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Temple of Muses: Tantalus (Dutuit 36, White 144). Burin, 1655. Museum of Fine Arts in the city of Paris, small palace.

Lot and his daughters. .

Dante and Virgil enter Hell through a gate, Aegidius Sadeler, Giacomo Ligozzi, 1580 - 1629

. In the midst of antique debris, animal skulls and half-dribe trees the antique philosopher democritus of Abdera is sleeping. In addition to him there are an oil lamp and a heavenly globe. He is in the traditional attitude of sleeping and night: the arm bent over the head. With inscription derived from the preamble of an ode to Horace: Integer Vitae Scelerisque Purus (Hor: Lib. I. OD: 22), who refers to a righteous walks, free from sins.

The Roman of Fox: 11- The bear assailed by the peasants (Bartsch 11) ALLART VAN EVERDINGEN (1621-1675). The Roman Roman: 11- The bear assailed by the peasants (Bartsch 11). Water-strong on paper, black way, 1650-1655. Museum of Fine Arts of the city of Paris, small palace.

Maria appears to Saint Hieronymus, Agostino Carracci, After Jacopo Tintoretto, 1588 print The saint Hieronymus scares his prayer through the appearance of Mary and Angels in the air. Next to Hieronymus are a book, his cardinal hat and a lion. print maker: Italyafter design by: Venice paper engraving St. Jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'Vanitas' symbols), sometimes a scorpion and a snake beside him (+ Mary)

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Horses, Hills, Cities & towns, Alphonse Legros (1837-1911)

A Fountain in a Park, Clement Jayet, French, 1731 - 1804, Pen and black ink, brush and white gouache on paper, The obliquely shown fountain consists of a basin in the shape of a boat in which a shell with children and sea animals is supported by a dragon and children. The children pour water at each other or the dragon. A hedge with arched openings is supposed to form an enclosure. Framing ink lines. Paper margin., 1763, architecture, Drawing, Drawing

MURDER OF PRINCE ARTHUR

Leonora, Plate 5, opp. p. 33. Beauclerk, Diana, Lady, 1734-1808. Illustrations, Prints. 1796. Carl H. Pforzheimer Collection of Shelley and His Circle. Death (Personification)

Allegory on History. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 326 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

Achilles Drags the Body of Hector, Felice Giani, Italian, 1758-1823, Pen and brown ink on light blue laid paper, Achilles looks from his chariot at the dragged body. At left horrified Trojans look on., Italy, ca. 1790, figures, Drawing, Drawing

Jacob Hears the Voice of the Lord 1865-81 After Frederick Augustus Sandys British. Jacob Hears the Voice of the Lord 642927

Bon Voyage (Buen viage) Francisco de Goya y Lucientes (Spanish, 1746-1828). Bon Voyage (Buen viage), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 8 in. (30.2 x 20.3 cm). European Art 1797-1798

Rustick Dance, Robert Blyth, 1750-1784, after John Hamilton Mortimer, 1740-1779, British, 1780, Etching

Rosa, Salvator, work, Soldier Medsa-patterned shield in hand, (1000 - 2000), etching, graphics, leaf width 9.2 cm, leaf height 13.8 cm

A Group of Ancient Britons, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpin, 1857

Drawing, Sketches for Paintings; Italy; pen and ink, brush and watercolor, white heightening on paper

Amsterdam, Scheltema & Holkema's Boekhandel, The Hague, Tresling & Comp., Netherlands, Bauer, Marius, Saulus-Kouveld or the converted radicalism, Cartoon on Ch. Kouveld, an opponent of the supply of gas by the municipality of Amsterdam. Koufeld as Saul who converts in the light of the Imperial Continental Gas Association. Published in the supplement of 'De Kroniek' of November 8, 1896., print, prent, cartoon, prints, prenten, height 405 mm, width 300 mm, Dutch, 1867-01-25 - 1932-07-18, print maker, printmaker, 1896-11-08 - 1896-11-08, fourth quarter 19th century, vier kwart 19e eeuw, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, publisher

Enrag'd Monster. Dated: 1778. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: John Hamilton Mortimer.

Lorna Doone and Jan Ridd.

Lovis Corinth, The Sacrifice of Isaac, c. 1920, drypoint and etching on paper on vélin paper.

Allegory of Death. Clement-Auguste Andrieux; French, 1829-1880. Date: 1855-1865. Dimensions: 456 × 375 mm. Pen and brown ink with black fabricated chalk, opaque and transparent watercolors, touches of lead white and white chalk, and traces of red fabricated chalk on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Judgement of Paris.

'Mark thou each dire Erynnis', c1890. Creator: Gustave Doré.

Amor as a arsonist, Jan van de Velde (II), 1621 print Amor with a burning torch runs away from a house that goes up in flames. In the background a figure with a torch on a tower and a swimmer in the sea (Hero and Leander). paper etching / engraving Leander swims across the Hellespont at night, usually guided by a torch reared upon a tower by Hero. burning as process. flame. angel(s) with torch

Soldier and small girl 1829 Hippolyte Bellangé. Soldier and small girl. Hippolyte Bellangé (French, 1800-1866). 1829. Lithograph. Prints

'My teacher sage aware, thrusting him back', c1890. Creator: Gustave Doré.

Building workers working on Heiwerk, Johannes Josephus Aarts, 1881 - 1934 print Two workers together place a pole in the ground. They both wear a hat. Left behind them a machine and another worker. paper working class, labourers. ramming, driving piles (~ building activities)

Rijn, Rembrandt van, Four illustrations for Spanish book, Daniel's vision of the four beasts, verso central, print, prints, Rembrandt f 1655, lower left, verso middle top, Harding, verso middle top - pen in brown, height 107 mm, width 76 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1655 - 1655, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, plate tone, Work conception, after own design by

THE FURIES BEFORE THE GATES OF DIS, BY GUSTAVE DOR. Gustave Dore, 1832 - 1883, French. Engraving for The Divine Comedy, Divina Commedia, by Dante. 1870, Art, Artist, romanticism, colour, color engraving

Jacob wrestles with the angel on a hilltop. Etching by R. Earlom, 1766, after S. Rosa.

The Holy Family by a River, from the series Idee pittoresche sulla fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Horses, Hills, Cities & towns, Alphonse Legros (1837-1911)

Mentor throws Telemachus into the sea and rushes with him to escape from the Isle of Calypso. Old 18th century engraving from the book the adventures of Telemachus son of Ulysses by Francois de Salygnac 1767

Defeat of the Titans. The Titans try to conquer the Mount Olympus, but are dropped back by Jupiter and the other gods and pelted with lightning and stones. The titans fall from heaven and end up in Tartarus, the underworld.

Le triomphe de la Mort: Les bouches inutiles , Victims, Alphonse Legros (1837-1911)

Calvert, Edward, England, The Christian ploughing the Last Furrow of Life, The ploughman, De ploeger, verso middle - stamped, A man behind a plough drawn by two horses in a field in a wooded area. Around the trunk of the tree on the left is a snake. Its head is held back by a lightning bolt, held by a female figure. At the back of the wood three female figures are making music, on the right stands Christ as the good shepherd with a flock of sheep. A representation of Christ's saying 'He who puts his hand to the plough and looks back is not fit for the kingdom of God' (Luke 9:62), and God's curse of the battle (Genesis 3:14-15)., print, prent, prints, height 83 mm, width 127 mm, height 261 mm, width 360 mm, 1799 - 1883-07-14, print maker, printmaker, 1827 - 1827, second quarter 19th century, tweede kwart 19e eeuw, fourth quarter 19th century, vier kwart 19e eeuw, paper, papier, houtgravure, Work conception, after own design by, 1893 - 1893

November: A hunter with his loot, Anonymous, After Reinier van Persijn, after Joachim von Sandrart (I), 1670 - 1726 print The month of November: Winter landscape with a hunter who wears his loot on the back. Left in the background a wild boar hunt. At the top left the sign archer. Under the show a poem in the Dutch of Joost van den Vondel and a verse in French. Amsterdam paper engraving November and its 'labours' (+ with zodiacal signs). boar-hunting. return from the hunt

Félicien Rops, Le Vice suprème Frontispiece, 1884 Le Vice suprème: Frontispiece

Holy Martinian van Caesarea as a recluse, Raphaël Sadeler (I), After Maerten de Vos, 1594 print Saint Martinian van Caesarea, an early Christian hermit, in front of a cave along the coast. He is braiding baskets. In the background a stormy sea with a ship in need. A woman tries to get ashore from the sea. München paper engraving male saints (MARTINIANUS). anchorite, hermit. cave, grotto. shipwreck. storm at sea. container made of plant material other than wood: basket. weaving

Assyrians - The empire of Sanherib destroyed, Jeremias Falck, after Claude Vignon, 1645 print King Sanherib of Assyria is pushed over by an angel holding the wing of a winged lion. At the top left, the four wind directions blow. Copy in mirror image to print with the same title. print maker: Parisafter print by: Parisafter design by: France paper engraving destroying angel

Gunner and marketent star, Anonymous, After Willem Pietersz Buytewech, 1616 print Copy in mirror image to original print gun and market tent star paper etching

The Enchantress, Print made by Richard Earlom, 1743-1822, British, after David Teniers, 1610-1690, Flemish, Published by John Boydell, 1720-1804, British, 1786, Mezzotint and etching on medium, slightly textured, cream laid paper, Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm), Plate: 28 3/8 × 26 3/4 inches (72.1 × 67.9 cm), and Image: 17 7/8 × 25 7/8 inches (45.4 × 65.7 cm), animals, anthropomorphism, basket, cave, chains, dogs (animals), enchantress, fish, grotesques, heads, jewelry, metamorphoses ~ classical mythology, owl, religious and mythological subject, reptiles, swords, vines, wings, woman

Untitled: Classical scene with statue, George Knapton, 1698-1778, British, after Giovanni Paolo Panini, Italian, 1691-1765, Italian, Arthur Pond, ca. 1705-1758, British, 1740, Sheet: 7 1/4 x 4in. (18.4 x 10.2cm)

High-pressure fotogal vanography print depicting Refugeing Wildschütz, created in 1856.

Algarotti, Francesco Nova Radier: Sasso, Giovanni Trassoosich: Bosio, Francesco (1725) Dataerung: UM 1809/1816

Wreckers, Saint-Jean-de-Monts (Pilleurs d'epaves, Saint-Jean-de-Monts). Dated: 1915. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Martyrdom of St. Stephen. Giovanni Domenico Tiepolo (Italian, 1727-1804). Etching;

Jacobs Ladder, Rembrandt van Rijn (Follower of), 1616 - 1719 print Jakob is sleeping in a landscape with his head resting on a stone. He dreams about a ladder that reaches to heaven. On the ladder there are angels and God is at the top. paper etching the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder

Italy, Fragonard, Jean Honoré, Flight of Cloelia, Two women on horseback, verso bottom center - stamped, A woman, seen from the back, climbs onto the bank. Two women on horseback ride into the water. Possibly Cloelia fleeing the camp of Porsenna by crossing the Tiber., print, prints, verso middle - stamped, height 89 mm, width 143 mm, French, 1732-04-05 - 1806-08-22, print maker, printmaker, 1742 - 1806, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, first quarter 19th century, paper, etching, etchings, Work conception

Saint Jerome (DuTUIT 5) Lievens, Jan. Saint Jerome (DuTUIT 5). Etching.

One of Six Illustrations to Fenelon's 'The Adventures of Telemachus son of Ulysses', Thomas Stothard, 1755-1834, British, ca. 1784, Pen and gray ink and gray wash on medium, slightly textured, cream wove paper, Sheet: 4 9/16 x 2 13/16in. (11.6 x 7.1cm) and Sheet: 4 5/8 × 2 7/8 inches (11.7 × 7.3 cm), cliffs, Greek mythology, literary theme, mythology, nymphs, religious and mythological subject, Telemachus and Calypso, the nymphs of Calypso set Telemachus' ship on fire, water

Iberian Peninsula. The Navarran Pyrenees. Pass of Roncevaux or Roncevaux gorge. In August 15, 778 the Battle of Roncevaux Pass took place between the Vascones and the army of Charlemagne, led by Roldán. Illustration by Vallejo. Engraving by Severini. Historia General de España by Father Mariana. Madrid, 1852. Author: Vallejo, Spanish artist. José Severini (1838-1882). Spanish xylograph.

A black and white chalk drawing by Martin Johann Schmidt depicting Socrates with Alcibiades on gray-green primed paper, circa 1786.

The torture of Prometheus, Johannes Josephus Aarts, 1881 - 1934 print Prometheus is chained to a rock naked. An eagle comes to pick his liver. On the left in the foreground a burning torch, the fire that Prometheus stole the gods. In the air Mercurius, that Prometheus stuck on the rock. paper punishment of Prometheus; he is chained to a rock, usually by Vulcan and/or Mercury

Tuscany Siena Poggibonsi S. Lucchese8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

LOmbre de Marguerite apparaissant à Faust (Marguerites Ghost Appearing to Faust). Artist: Eugène Delacroix, French, 1798-1863

Lot and his daughters, Jan Gillisz. van Vliet, after Rembrandt van Rijn, 1631 print Leiden paper etching / engraving Lot's daughters make their father drunk

Lazio Roma Rome Stimmate di San Francesco6. Hutzel, Max 1960-1990 Baroque church built over an early Roman church; crypt of church still in existence. Views of sculpture, stucco, painting, fresco, gilding. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

"Samson und Dalila, " woodcut depicting Samson and Delilah, from "Moderne Kunst in Meisterholzschnitten" 1903

Mephistopheles and Faust Fleeing after the Duel. Eugène Delacroix; French, 1798-1863. Date: 1828. Dimensions: 265 × 225 mm (image); 325 × 242 mm (sheet). Lithograph in black on white China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: EUGENE DELACROIX.

Two men vill a horse; Various exercises of the cavalry; Diverses Exercices The Cavalry. .

Allegory of the Peasant and Fortune (Le paysan et la fortune: Sujet allegorique). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Der neue Tag (The NewDay). Artist: Ernst Barlach, German, 1870-1938

Ocean, 1589 - 1590 print The god Oceanus, seated on a large fish (dolphin), a rowing span in the left hand. This print is part of a series of seven oval prints of classical gods and goddesses. paper (story of) Oceanus

Francisco de Goya (1746-1828), War Bedsler (30), 1810-1820

The Sacrifice of Abraham 1642-1651 Holland. Etching on paper . Ferdinand Bol

The Man of Sorrows Mocked by a Soldier, Frontispiece to the Great Passion n.d. Albrecht Dürer German. The Man of Sorrows Mocked by a Soldier, Frontispiece to the Great Passion 387882

Miren Que Grabes Francisco de Goya y Lucientes (Spanish, 1746-1828). , 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 8 in. (30.2 x 20.3 cm). European Art 1797-1798

Tobias Healing His Father. Dated: c. 1752. Dimensions: plate: 24 x 18.5 cm (9 7/16 x 7 5/16 in.) sheet: 25.3 x 19.6 cm (9 15/16 x 7 11/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Franz Sigrist the Elder.

Symbolic representation of the entry of the Allies in Paris, March 31, 1814, Jurriaan Andriessen, 1814 drawing paper. ink. graphite (mineral) pen / brush march into the conquered place. historical events and situations Paris

The Mourning of the Dead Abel 1818 Germany. Tint lithograph on cream wove paper . Joseph Anton Rhomberg

GOYA Y LUCIENTES, Francisco de (1746-1828). A Spanish knight kills the bull after having lost his horse. 1816. Plate 9 of 'The Art of Bullfighting'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Study for Justice and Divine Vengence Continuing Crime

Goya, Francisco de, Spain, Los Caprichos, ¿No hay quien nos desate, Kan niemand ons los maken, recto top right - handwritten, A man and a woman, back to back each other and tied with a rope. Above them a large owl., print, engraving, prints, engravings, No se pueden desatar!, recto bottom - pencil, 75, height 215 mm, width 150 mm, Spanish, 1746-03-30 - 1828-04-16, print maker, printmaker, 1797 - 1799, fourth quarter 18th century, paper, papier, etching, etchings, aquatint, Work conception, after own design by

Attack of the bear. (IFF 13 p.225) (registered title)

James Gillray, 1757-1815, British, Maniac Ravings or Little Boney in a Strong Fit, 1803. Etching.

La Caverne de Brigands (The Cave of Thieves), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. La Caverne de Brigands (The Cave of Thieves), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Bliżej Kultury Orgelbrand, Samuel (1810 1868), Kotarbiński, Miłosz (1854 1944), Pyrowicz, L.

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Nine embarrassments." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101789-3 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

William Blake, "Then two I marked, that sat propped 'gainst each other," Inferno XXIX:71, 1824-1827, engraving (re-strike) on paper.

Speke and Grant Expedition 1860-1863, sponsored by the Royal Geographical Society, reached Lake Victoria and the Ripon Falls. John Tenniel cartoon from Punch, London, 1863.

OTHELLO Theodore Chasseriau (1819-1856). Othello (Board 1): Iago. Museum of Fine Arts of the city of Paris.

Dédale and Icare, La Caricature, no 229, pl. 477 Unknown, Lithography Leununois, Imprisame Auberty (Parry)

Persian slave, from Travels in central Asia 1863 by Armin Vambery. Old engraving El Mundo en la Mano 1878

Deposition from the Cross 1893 France. Lithograph in black on ivory chine . Henri Fantin-Latour

Design for the title page of the farce The decorated cheaper, Bernard Picart, 1683 - 1733 drawing paper. ink pen / brush group of actors, troupe; actors on the stage. (scenes from) specific works of literature (with AUTHOR, Title)

Ship with suffering crew, Adolphe François Pannemaker (Possible), After Gustave Doré, 1877 print Print on unadulterated leaf with RP-P-OB-33.985. Paris paper letterpress printing shipping accident; sickness and death at sea. thirst

Philips, Jan Caspar, Amsterdam, Title page for: PL de Saumery, Les Avantures De Madame La Duchesse De Vaujour, 1741, Man saves woman from burning castle, verso - stamped, A man saves a woman from a burning castle, by taking her on his back and running into the forest. In the background a company drinking water from a well and a fleeing group of horsemen. In the margin the title in French., print, engraving, title page, prints, height 136 mm, width 83 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1740 - 1740, paper, etching, etchings, engraving (printing process), Work conception, after own design by

An old man with a blindfold and wearing parts of armour on his arms and legs is holding out a begging bowl. Etching by Christian Wilhelm-Ernst Dietrich.

Print numbered top right: 41., Christian fears being crushed by a falling boulder, print maker: Jan Luyken, (mentioned on object), publisher: Johannes Boekholt, Amsterdam, 1684, paper, etching, letterpress printing, h 121 mm × w 69 mm

General Bertay on the Spit, Anonymous, 1787 - 1790 print Cartoon on General Bertay who is roasted by the Brabant lion on a spit. The Devil bands the General with Kokardes. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Southern Netherlands paper etching spit ~ cooking - CC - in the open air Brabant

Theater - Henry IV - The artist Eug�ne Delacroix (1798-1863). The artist: The young Clifford finds his father's body on the battlefield of Saint-Albans. Scene of the room Henry IV of Shakespeare. Museum of Fine Arts of the city of Paris.

Gustave Doré, Christian Martyrs, 1869 1871 Christian Martyrs

Blow, blow, you will never turn it off Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "Blow, blow, you will never turn it off." Board published in "caricature" of April 3, 1834. Lithograph. Paris, House of Balzac.

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