Biblical and Religious Themes

Engravings depicting significant biblical narratives and figures, featuring detailed scenes of morality, faith, and heroism from classical and Renaissance art.

The Six Angels Pouring Out the Lord's Wrath and Filling the Ocean; additional titles include Six Angels Emptying the Bowls of Wrath, The False Prophet, and The Apocalypse. Created in 1547, this woodcut has a plate mark measuring 9 1/8 x 6 5/16 inches (23.1 x 16.1 cm), with the paper/sheet dimensions being 9 3/4 x 6 15/16 inches (24.7 x 17.7 cm)

David en Goliath (right. .

St. Christopher. 1509. Cranach, Lucas, 1472-1553. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Saint Jerome in a Cave. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 6 11/16 x 4 15/16 in. (17 x 12.5 cm). Date: 1512. Museum: Metropolitan Museum of Art, New York, USA.

Huber, Wolfgang, Dream of Paris, verso lower left - stamped, Paris sits asleep and dreams while Mercury brings the three goddesses Minerva, Venus and Juno to him to give an opinion on who is the most beautiful woman., print, prent, prints, height 118 mm, width 92 mm, 1490 - 1553, print maker, prentmaker, 1500 - 1553, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, papier, houtsnede

The Six Angels Pouring Out the Lord's Wrath and Filling the Ocean; additional titles include Six Angels Emptying the Bowls of Wrath, The False Prophet, and The Apocalypse. Created in 1547, this woodcut has a plate mark measuring 9 1/8 x 6 5/16 inches (23.1 x 16.1 cm), with the paper/sheet dimensions being 9 3/4 x 6 15/16 inches (24.7 x 17.7 cm)

This woodcut from around 1530-1540 depicts the capture of Christ, showing soldiers, Christ, gestures, and the architectural setting.

The Great St. Sebastian, 1514. Hans Baldung (German, 1484/85-1545). Woodcut;

The Martyrdom of Saint John, from The Apocalypse, Latin Edition 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 1/4 x 11 15/16 in. (43.8 x 30.3 cm)image: 15 9/16 x 11 1/8 in. (39.5 x 28.2 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.

Vessel, with electricity and woman, 1550 print The construction rests on a turtle. Leaf from series of 8 blades with triumphal cars from Grotesken and of rolling work with saters, animals and various other creatures, decorated with trophies, garlands and leaf ranks. paper engraving fabulous animals ~ tortoises. river-gods. (other) ornaments derived from objects (with NAME)

The Agony in the Garden, from Speculum passionis domini nostri Ihesu Christi. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Ulrich Pinder (German, active 1493-before 1519). Dimensions: Sheet: 9 7/16 × 6 7/16 in. (24 × 16.4 cm). Publisher: Published for Ulrich Pinder, by Friedrich Peypus (Geman). Date: 1507. Museum: Metropolitan Museum of Art, New York, USA.

Nuremberg, Dürer, Albrecht, An angel throws a dragon into a pit; an angel shows John the Evangelist the New Jerusalem, verso lower left - stamped, In the foreground an angel with a large key makes a devilish dragon disappear into a pit. On the right in the middle ground an angel shows John the Evangelist the New Jerusalem from a mountaintop, which can be seen in the background on the left., print, prent, prints, enten, height 393 mm, width 280 mm, German, 1471-05-24 - 1528-04-05, print maker, prentmaker, 1497 - 1498, fourth quarter 15th century, first quarter 16th century, paper, papier, houtcut

Vision of the unclean animals, anonymous, Anton von Woensam, 1529 print paper Peter's vision of the unclean beasts on the roof of the house of Simon the Tanner: a sheet descends from heaven full of four-footed beasts, creeping things and fowl of the air

Speaking animals; Title page for: J. Hilaarides, Fabulae æsopiæ, 1695; Phaedri Fabulae. Group of several figures, half man and half animal, grouped around a throne. Above a figure on a cloud with a roll of paper in his hands, looking down. Image from Fabulae æsopiæ, behind it three pages with text in Dutch, in letterpress.

Nuremberg, Traut, Wolf, Dürer, Albrecht, Penitent Saint Jerome, Saint Jerome strikes himself on the chest with a stone, kneeling before a crucifix. A lion lies before him. On the verso Latin text in letterpress (title page of a book)., print, book illustration, prints, height 153 mm, width 103 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1511 - 1520, first quarter 16th century, paper, woodcut, letterpress printing, 1486 - 1520

A 1496 woodcut by Albrecht Dürer depicting Hercules, showing the mythological hero with classical attributes and detailed composition.

The Beast with Two Horns Like a Lamb, from The Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm)plate: 15 3/8 x 11 in. (39.1 x 27.9 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

The flight to Egypt, Martin Schongauer, c. 1470 - 1491 print Maria drives the Christ child in her arm on a donkey. Joseph grabs a bunch of fruits on a palm tree that bend down a number of angels in front of him. Germany paper engraving the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass. miracle of the bending palmtree ~ rest on the flight into Egypt

Artist: Albrecht Dürer, German, 1471-1528, The Knight on Horseback and theLansquenet, ca.1496-97, Woodcut, 39.4 × 28.7 cm (15 1/2 × 11 5/16in.), Made in Germany, German, 15thcentury, Works on Paper -Prints

Lützelburger, Hans, Holbein, Hans (II), Dance of Death, Creation of Eve, God creates Eve from Adam's rib in paradise. In the margin above the print is the text Gen I & II., print, book illustration, prints, height 65 mm, width 50 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1524 - 1526, first quarter 16th century, second quarter 16th century, paper, woodcut, - 1526-06-23, block cutter, 1538 - 1538

Albrecht Dürer, The Babylonian Whore, probably c 1496 1498 The Babylonian Whore

Woodcut by Hans Schäufelin depicting the expulsion from paradise, created around 1512.

Copper engraving by Monogrammist AC from the first half of the 16th century depicting Lot and his daughters, illustrating the biblical narrative.

A copper engraving by Jean Duvet from 1546-1555 showing John witnessing seven candlesticks, illustrating a biblical scene from the Book of Revelation.

The Opening of the Seventh Seal, from The Apocalypse 1511 Albrecht Dürer German. The Opening of the Seventh Seal, from The Apocalypse 397139

Lützelburger, Hans, Holbein, Hans (II), Dance of Death, Abbot and Death as Bishop, An abbot is dragged by his robes by Death. Death is mockingly depicted as a bishop with a mitre and a staff. The text Prover is in the margin above the print. V., print, book illustration, prints, height 65 mm, width 50 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1524 - 1526, first quarter 16th century, second quarter 16th century, paper, woodcut, - 1526-06-23, block cutter, 1538 - 1538

The Martyrdom of the Ten Thousand. 1496. Dürer, Albrecht, 1471-1528. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Woodcut by Albrecht Dürer, circa 1496-97, depicting the Babylonian woman, Apocalypse series figure XIII, showing detailed figure, attire, and symbolic elements.

Albrecht Dürer, The Apocalypse: The Babylonian Whore, 1496-1497, woodcut on paper.

Copper engraving by Benedetto da Montagna from the first half of the 16th century depicting a family of satyrs, showing mythological figures in a detailed composition.

Woodcut by Leonhard Beck from 1517 depicting Figure 71 of 'Theuerdank', showing Theuerdank shooting with a crossbow at a chamber that is about to collapse.

Weapons of the Scheurl and Tucher families, Albrecht Dürer (School of), 1540 - 1560 print Weapons of the parents of Christoph Scheurl (Christoph Scheurl and Helena Tucher), held together by a young lady with waving hairs. In the foreground a dog. Above the show two lines of text in Latin. Nuremberg paper armorial bearing, heraldry

Woodcut by Albrecht Dürer from circa 1510 depicting the Proclamation in the Small Passion series, showing figures, gestures, expressions, and architectural elements.

Hans Baldung Grien, The Martyrdom of Saint Sebastian The Martyrdom of Saint Sebastian

Leiden, Luchtmans, Samuel (I), Spyck, Johannes van der, Title page for: Pomponius Mela, De situ orbis libri III, 1744, Allegory of geometry, verso - stamped, Under a map of the world sits Geometry, with drawing and measuring instruments in her hands and a map. In the background on the right a man draws a map using the world map. In the foreground sits a woman with fragments from classical antiquity. Title page for a book by Pomponius Mela, the earliest Roman geographer., print, engraving, title page, prints, engravings, height 122 mm, width 66 mm, Northern Netherlands, print maker, printmaker, 1744 - 1744, second quarter 18th century, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Netherlands, 1685-11-20 - 1757-01-13, publisher

Collecting the Manna, Virgilius Solis, 1552 print Nuremberg paper the gathering of manna (in baskets and pots)

Joris (Georgius) standing with lans and two angels, Lucas Cranach (I), 1506 print Saint Joris (Georgius) is dressed in armor and with a lance in his right hand in a landscape. Two small angels or putti hold parts of the harness, such as a helmet with feathers, a few parts are on the floor. At the top, two shields with the Electoral and Ducal Wapen van Saxony are depicted. Germany paper the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword

Lützelburger, Hans, Holbein, Hans (II), Dance of Death, Emperor and Death, The emperor sitting on his throne under a canopy with symbols of his power on a cushion in front of him on the ground, a scepter and the orb. The emperor holds a sword in his hand and Death sits on his back. Subjects stand around the throne. In the margin above the print is the text Isaie XXII., print, book illustration, prints, height 65 mm, width 50 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1524 - 1526, first quarter 16th century, second quarter 16th century, paper, woodcut, - 1526-06-23, block cutter, 1538 - 1538

Saint George. Dated: c. 1510. Dimensions: sheet: 15.1 x 10.5 cm (5 15/16 x 4 1/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: NICOLETTO DA MODENA.

Wittenberg, Cranach, Lucas (I), Birth of Christ, Mary and Joseph kneel in adoration at the Christ child lying in a manger. In the dilapidated stable stand an ox and a donkey. In the background an angel brings the message of the birth to the shepherds. Book illustration in a rectangular frame with fine ornaments. This print is printed with multiple woodblocks. At the top of the page is the half title of the publication: Passional Christi, at the bottom is the word Christus., print, book illustration, prints, height 121 mm, width 95 mm, height 188 mm, width 160 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1521 - 1522, first quarter 16th century, paper, woodcut

Venus with constellations bull and scales; VENVS; Seven planets and constellations ..

Provoost on horseback with five soldiers ..

Vellert, Dirck, Man with a fish, verso lower left - stamped, Man fighting a fish. Bird of prey above him in the sky., print, prints, height 65 mm, width 44 mm, South Netherlands, 1485 - 1547, print maker, printmaker, 1522-08-16 - 1522-08-16, first quarter 16th century, paper, etching, etchings, engraving, engraving (printing process)

Hercules wears the columns, Albrecht Altdorfer, c. 1506 - 1538 print Hercules, walking with a large column over each shoulder. Germany paper engraving Hercules carrying the pillars which bear his name

Paartje at a table, Nicolaes van Geelkercken, after Pieter Feddes van Harlingen, 1614 print A fashionably dressed young man and woman are sitting at a set table, outdoors. The man plays the lute. The woman offers him a glass of wine. Behind her, death is in the form of a skeleton. With caption that refers to death that is always lurking. paper engraving lovers; courting, flirting. one person playing string instrument (plucked). loose company. dog. Death as skeleton. Lust, Luxury, 'Luxuria'; 'Lussuria' (Ripa) ~ personification of one of the Deadly Sins. ear-rings (+ men's clothes). neck-gear: collar (+ women's clothes). clothes covering the entire body

David ziet Batseba baden in zijn tuin.King David looks out of a window of his palace (top right) and sees the beautiful Batseba take a bath in his garden. She is helped by a servant that can help her a treness. The palace is in the background.

Theodard Von Maurn layer, Headgers.

The Large Passion: The Crucifixion, c. 1497-1500. Albrecht Dürer (German, 1471-1528). Woodcut;

Hercules in fight with the Nemean lion, Gabriel Salmon, c. 1528 print paper (1) Hercules chokes the Nemean lion with his arms

Woodcut by Hans Baldung, circa 1505-1507, illustrating Paulusburz, a religious or historical subject, showing detailed engraving and composition.

Barthel Beham, Saint Christopher, 1520 Saint Christopher

Officeier Te pairs; The profit the renses ..

Hans Holbein the Younger, Queen Queen

Map playing and fighting soldiers, Jost Amman, 1573 print print maker: Neurenbergpublisher: Frankfurt am Main paper warfare; military affairs. the soldier; the soldier's life. playing-cards. fighting

Woodcut by Jan Swart van Groningen from 1528/1529 depicting Judith and Holofernes, showing figures, gestures, sword, and architectural background.

Adam and Eva surrounded by animals in Paradise, Lucas Cranach (I), 1509 print Eva picks an apple from the tree of knowledge of good and evil. Adam is sitting next to her under the tree with an apple in his hand. The snake curls around a branch. Around the tree lying and standing animals, including red deer with large antlers but also a lion. Rear right are a deer and a deer accompanied by horses, sheep and a boar. At the top left of the branch of a tree, two shields hang with the Electoral and Ducally Weapon of Saxony. Germany paper Eve takes the fruit from the serpent (or the tree) in the presence of Adam (who may be trying to stop her)

Copper engraving by Benedetto da Montagna, early 16th century, depicting Apollo and Marsyas in a mythological scene, with detailed figures and narrative composition.

Christ in Limbo, from The Small Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 5 1/16 x 3 7/8 in. (12.8 x 9.8 cm). Date: ca. 1509. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by Lucas Cranach the Elder after 1510 depicting Frederick the Wise, Elector of Saxony, venerating St. Bartholomew, showing detailed figures and gestures.

Naked Child Seen from Back Seated in Front of a Vessel mid-17th century Barthel Beham German. Naked Child Seen from Back Seated in Front of a Vessel 392899

Rebekka en elite bij de bron, monogramst iqv (atatributed to), after francesco primatico, c. 1540 print Rebekka lets Eliezer drink from her bucket. Around other women are at a source. paper etching Rebekah offers Eliezer a drink from her pitcher

Judit mines the head of Holofernes; Women's Listen. Holofernes is located on a bed with canopy. Judit has fixed him at his hair with her left hand, her right hand with the sword has been lifted. Her maid is waiting outside the tent. The print is part of a six-part series about women's listen.

Benedetto Montagna, Shepherd with a Platerspiel, c 1500 1515 Shepherd with a Platerspiel

Thou Shalt Have No Other Gods before Me, from the Ten Commandments. Hans Baldung Grien; German, c. 1480-1545. Date: 1511-1521. Dimensions: 134 x 104 mm (image/block); 139 x 110 mm (sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

The Agony in the Garden. 1509. Graf, Urs, approximately 1485-approximately 1527. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

St.Mark. Artist: Georg Lemberger, German, ca.1490 - 1540

The Labors of Hercules Hercules and Cacus Made 1523-1533 France. Woodcut on paper . Gabriel Salmon

De Koopman and Death, Wenceslaus Hollar, After Abraham van Diepenbeeck, After Hans Holbein (II), 1651 print A merchant at the port has his money on a bundle of merchandise. Death pulls him on his jacket. 23rd print from a series of 30 death prints; With a frame with Democritus and Heraclitus. paper etching dance of Death; Death together with one or more human beings. (story of) Heraclitus, the philosopher. (story of) Democritus, the philosopher

Moses Found by Pharaoh's Daughter (recto) and Judas's Betrayal (verso), pages 53 and 54, from the Treasury (Schatzbehalter) Made 1491 Germany. Woodcut on cream laid paper . Michel Wolgemut

The Dream of Paris. Albrecht Altdorfer; German, c.1480-1538. Date: 1500-1538. Dimensions: 60 x 40 mm (image/plate/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Personification of Rome. Dimensions: plate: 22.6 x 16 cm (8 7/8 x 6 5/16 in.) sheet: 22.9 x 16.5 cm (9 x 6 1/2 in.). Medium: etching (iron) on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hieronymus Hopfer after Giovanni Battista Palumba.

Albrecht Dürer, The Flight into Egypt, c 1504 The Flight into Egypt

The Virgin with the Pear Made 1520 Germany. Engraving in black on ivory laid paper . Hans Sebald Beham

Christ Sleeping During the Storm on Lake Tiberias, from "The Story of Christ" 1534-35 Georg Pencz German. Christ Sleeping During the Storm on Lake Tiberias, from "The Story of Christ" 432115

Hercules, c. 1496-97. Albrecht Dürer (German, 1471-1528). Woodcut; platemark: 39.1 x 28.5 cm (15 3/8 x 11 1/4 in.).

The Beast with Seven Heads and the Beast with Lamb's Horns, from the Apocalypse series 1497-1498 Albrecht Dürer German. The Beast with Seven Heads and the Beast with Lamb's Horns, from the Apocalypse series 397141

Bartolomeo. Dated: 1619. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques Callot after Matteo Rosselli.

Javanese and a merchant in Bantam, 1596. Javanese and a merchant in Bantam (Banten), 1596. Printing the worked plates for the original illustrations in the travelogue of the first Schipvaert of Cornelis de Houtman to the East Indies in 1595-1597. No 25.

This 1503 woodcut by Michael Wolgemut's workshop depicts the Adoration of the Kings, highlighting figures, composition, and Northern European woodcut technique.

The Opening of the Fifth and Sixth Seals, from the Apocalypse ca. 1497/98 Albrecht Dürer German. The Opening of the Fifth and Sixth Seals, from the Apocalypse 397058

Copper engraving by Meister E.S. from the second third of the 15th century depicting Samson tearing the lion, showing figure, action, and muscular detail.

St. Catherine., 1505-1507, Germany, by Hans Baldung. Gift of Bishop Monrad, 1869.

Saint Simon, from The Martyrdom of the Apostles 1507-1517 Germany. Woodcut in black on ivory laid paper . Lucas Cranach, the Elder

Fall (or Temptation of Adam), from The Dance of Death ca. 1526, published 1538 Designed by Hans Holbein the Younger German. Fall (or Temptation of Adam), from The Dance of Death. Designed by Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). ca. 1526, published 1538. Woodcut. Prints

Hans Baldung's woodcut from 1515-1517 depicts Christ surrounded by figures representing the spread of Christian civilization, highlighting religious teachings and societal influence.

Hercules en de Nemeïsche Leeuw, Virgil, 1524 - 1562 print Nuremberg paper engraving / etching (1) Hercules chokes the Nemean lion with his arms

Apollo and Daphne. Dated: published 1502. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Süss von Kulmbach.

Albrecht Altdorfer, Christ Crowned with Thorns, c 1513 Christ Crowned with Thorns

Adam Cultivating. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Holbein the Younger.

Albrecht Dürer, The Life of the Virgin: Joachim and the Angel, 1504, woodcut on paper.

Woodcut by Hans Baldung, around 1505-1507, showing Mary seated with the infant Jesus on a lawn, depicting the Madonna and Child.

Rosselli, Matteo, Florence, Callot, Jacques, The Miracle of Giovanni Fieschi, verso lower left - stamped, A horseman is stabbed in the face with a sword by another. In the background a troop of spearmen. Below the image two lines of Latin text., print, prent, prints, prenten, height 125 mm, width 80 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1614 - 1614, first quarter 17th century, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1578-08-10 - 1651-01-08

Haarlem, Numan, Hendrik, Representation of a story from the Aesop's fables, verso lower left - stamped, A man in a carriage whips the harnessed donkey., print, engraving, folk print, prints, engravings, height 102 mm, width 82 mm, 1736-03-21 - 1788, print maker, printmaker, 1746 - 1788, paper, papier, houtsnede

Antwerp, Woons, Cornelis, Sallaert, Antoine, Jegher, Jan Christoffel, Temptation of Christ, verso lower left - stamped, The devil in the guise of an old man in a monk's habit offers Christ a stone and asks him to turn it into bread., print, engraving, book illustration, prints, engravings, height 88 mm, width 63 mm, 1618-11-03 - 1667-09-18, print maker, printmaker, 1649 - 1649, paper, papier, houtcut, letterpress printing, Work conception, Zuid-Nederlands, 1585 - 1650, after a design by, Publication (Event), Publication, publisher

Gentleman and Lady Riding to the Hunt. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Sheet: 6 15/16 × 4 15/16 in. (17.6 × 12.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

Seconde incarnation, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743. Plate, 38, follows p. 116 (suppl.) and precedes p. 117 (suppl.). Plate 38, consists of four engraved images; this is a detail view of the top right image only (it is not an overall view of Plate, 38).

Nuremberg, Dürer, Albrecht, Resurrection, verso - stamped, Christ, holding a staff with a banner in his hand, stands between two sleeping soldiers., print, engraving, book illustration, prints, engravings, height 62 mm, width 42 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1503 - 1503, first quarter 16th century, paper, woodcut

Depicts Christ on the Mount of Olives, created as a woodcut by Albrecht Dürer for Salus Animae, Nuremberg, 1503.

Ninth ninety-year-old's phase of life with a man who is not safe for his children; XC; Ten life phases. Ninth ninety-year-old life phase represented as an old man who is based on a stick and his life is no longer safe for the hatred of his children. They try to fall him by leaving him over a rope and they keep a bat ready. In the margin among texts in Latin, French and Dutch. Only the Dutch text relates to the performance.

Four Angels holding back the Winds, from the Apocalypse. Artist: Jean Duvet (French, ca. 1485-after 1561). Dimensions: plate: 11 15/16 x 8 7/16 in. (30.3 x 21.5 cm)sheet: 12 3/16 x 8 3/4 in. (30.9 x 22.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Biblia Sacra.Lugduni. Artist: Woodcuts by Bernard Salomon (French, ca. 1508-ca. 1561). Dimensions: Overall: 7 1/2 x 5 1/2 x 2 9/16 in. (19 x 14 x 6.5 cm). Publisher: Published by Jean de Tournes (French, 1504-1564). Date: 1554. Museum: Metropolitan Museum of Art, New York, USA.

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