Biblical Annunciations and Visitations

A collection of engravings depicting key Biblical moments, including angelic announcements, struggles, and sacred figures in natural settings, emphasizing faith and divine interaction.

A man, most likely Moses, kneels before an angel who appears to him in a tree. In the background two shepherds with their flock, Angel appears to Moses, print maker: Franz de Wilde, (mentioned on object), Noord-Nederland, 1705, paper, etching, h 95 mm × w 73 mm

Announcement of the birth of Simson; Annunciations from the Bible. The announcement of the birth of Simson to Manoach. Second plate in a series of six. The fresh in the margin is attributed to Cornelius Schonaeus.

A man, most likely Moses, kneels before an angel who appears to him in a tree. In the background two shepherds with their flock, Angel appears to Moses, print maker: Franz de Wilde, (mentioned on object), Noord-Nederland, 1705, paper, etching, h 95 mm × w 73 mm

Jacob struggles with the angel. Jacob is in the foreground. He struggles with an angel. In the background the river Jabbok and Jacob's fellow travelers (gene. 32:24). The print has a Hebrew, Latin, French, English, German and Dutch caption.

Cyriacus of Corinth, saint.

Rest on the Flight into Egypt. Saraceni, Carlo, 1579-1620. 1601 - 1652. Ribera, Jusepe de, 1591-1652. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Antwerp, Collaert, Adriaen, Kiliaan, Cornelis, Vos, Maerten de, Solitvdo sive vitae foeminarvm anachoritarvm, Female hermits, Maria Aegyptiaca, Maria van Egypte, recto lower right - written, a repentant prostitute, withdraws into the wilderness. She kneels before the hermit Zosimus and receives communion. Next to her lie three small loaves of bread, her food in the desert. In the background, Zosimus discovers her body and buries her with the help of a lion. The print has a Latin caption and is part of a series on the subject of female hermits., print, prints, verso middle - stamped, 260, height 178 mm, width 220 mm, South Netherlandish (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1570 - 1618, paper, papier, engraving, engraving (printing process), Work conception, South Netherlandish, 1532 - 1603-12-04, after a design by, 1530 - 1607-04-15, writer, Publication (Event), Publication, publisher

Elisa mocked by children; History of Elisa; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Elisa is called on the way to Betel by children because of his bald head and he curses them. Two bears then devour the children in the background. Under the show a reference in Latin to the Bible text in 2. 2:23. This print is part of an album.

Engel of the Lord appears to Gideon, Caspar Luyken, 1712 print Amsterdam paper etching Gideon and the angel of the Lord (Judges 6:11-24)

St. Francis of Assisi Receiving the Stigmata, 1640-60. Giovanni Francesco Grimaldi (Italian, 1606-1680). Etching;

Holy Bavo van Gent as a recluse, Raphaël Sadeler (I), After Maerten de Vos, 1594 print Holy Bavo van Gent, an early Christian hermit, is kneeling praying for a crucifix. Behind him a wooded landscape. München paper engraving the hermit Bavo of Ghent; possible attributes: falcon, hollow tree, purse, stone, sword. anchorite, hermit. forest, wood

Mary is resting. On her lap, Christ is playing along with John the Baptist. Both are two-three years old. To her left, Joseph makes sure the donkey can graze a bit. In the background on the right a ruin with two men, probably the two thieves who will later be crucified together with Christ. The print has a Latin caption explaining the return from Egypt, an apocryphal story, Return from Egypt, print maker: Hendrik van der Borcht (II), (mentioned on object), Luca Bertelli, Titiaan, (mentioned on object), Italy, 1594 - 1660, paper, etching, w 392 mm × h 250 mm

Christ Praying in the Garden 1754 Francesco Bartolozzi Italian. Christ Praying in the Garden. Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). 1754. Etching and engraving. Published by Joseph Wagner (Italian, Thalendorf 1706-1780 Venice) , Venice. Prints

Personified Soul Meet Sin, Jan Luyken, 1714 print The personalized soul meets the personification of sin that holds a burning fire for her with a scythe in hand. Amsterdam paper etching The Soul. Deputy, Evil, Sin; 'Sin' (Ripa)

Christ on the Mount of Olives, Abraham de Bruyn, after Chrispijn van den Broeck, 1583 print Book illustration with the story of Christ on the Mount of Olives (Luke 22:39). Christ on the Mount of Olives, surrounded by his apostles. The print contains a caption with a reference to the accompanying Bible passage. Antwerp paper engraving Christ on his way to (or in) the Garden of Gethsemane (not yet praying)

Abraham dispels Hagar and Ismaël; History of Abraham; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Abraham gives Hagar and Ishmael bread and a jug of water and send them away. On the right in the background you can see the cause of this rejection: Ishmael mock Isaac. That is why Sara asked Abraham to reject Hagar and Ismaël. Left in the background Hagar and Ismaël in the wilderness. Ismaël is under a tree, the empty jug on the ground. An angel points the desperate Hagar on a source. Under the show a reference in Latin to the Bible text in Gen. 21:14. This print is part of an album.

Rest on the road to Egypt; FRVCTVVM refectio; Scenes from the life of the Holy Family. The holy family rests on the road to Egypt. The Christ child picks fruit from a tree. The print has a Latin caption and is part of a sixteen partner with scenes from the life of the Holy Family.

Herman van Swanevelt, Saint Jerome in the Wilderness Saint Jerome in the Wilderness

Christ appears to the holy women; Eodem that Mllieribvs apparet. Christ appears to the holy women on a path in the forest. They all kneel in worship for him. At different elements from the show are letters that correspond to the legend in the margin.

Christ curses the fig tree.

. Christ is at a source. A Samaritan woman offers him to drink water from her jug. On the right a Roman monument and a colonnade between trees. Under the image a Latin fresh from Joh. 4.

Christ drops a fountain in the heart of the Personified Soul, Jan Luyken, 1714 print Amsterdam paper etching Christ and the Soul

Angel protects child against vain woman; Pia Desideria ..

Christ heals ten people with Lepra, Antonie Wierix (II), After Bernardino Passeri, 1593 print Christ travels through the border area of Samaria and Galilee. Outside of a village he meets ten people with Lepra, whom he heals. In the foreground you can see how only one of them, a Samaritan, kneels down to Christ's feet to thank Him. Lucas 17: 11-19. Antwerp paper engraving one leper, a Samaritan, sent to the priest by Christ, returns and kneels before him

Rebekah and Eliezer at De Put. Rebekka allows Eliezer, the servant of Abraham, from a jug of a jug at De Put. On the right in the background his camels. At the top right numbered: 56.

Fable of the great mountain. A large mountain starts to trick. In the foreground, spectators look full of excitement. A mouse crawling out of the mountain: the mountain has a mouse bare. This fable applies to someone who has great threats, but ultimately does nothing.

Landscape with the Holy Hieronymus, 1579 - 1586 print Hieronymus, praying for a crucifix in a landscape, books next to him and a skull. Two lions in the background. This print is part of an album. paper engraving St. Jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'Vanitas' symbols), sometimes a scorpion and a snake beside him

Adam and Eva mourn about the Dead Abel, Jan Luyken, 1706 print Amsterdam paper etching Adam and Eve discover the dead body of Abel and grieve over it

Men are looking at a tree to fruits.

Conrad Meyer, Burying the Dead Burying the Dead

Rest on the Flight into Egypt, Cornelis Galle (I) (possibly), after Peter Paul Rubens, c. 1610 - 1650 print Maria and the child rest during the flight to Egypt under a tree. Jozef sleeps a little further, leaning against another tree. John the Baptist as a child and two angels play with a lamb. One of the angels urges John with a hand gesture to silence, pointing to the sleeping child. Southern Netherlands paper engraving rest on the flight into Egypt. Holy Family with John the Baptist (as child)

Spiridon van Cyprus as a recluse, Johann Sadeler (I), After Maerten de Vos, 1583 - 1588 print Cyprus's Holy Spiridon for a cave in the desert. He lies against a rock and reads a Bible. Three monks from a Bible read in the cave. Antwerp paper engraving male saints (with NAME). anchorite, hermit. cave, grotto

Abraham drives Hagar and Ismaël, Adriaen Collaert (attributed to), after Maerten de Vos, 1585 print Abraham gives Hagar and Ismaël loaves and a jug of water and sends them away. On the right in the background, the cause of this reversal can be seen: Ismaël mocked Isaäk. That is why Sara asked Abraham to reject Hagar and Ismaël. On the left in the background Hagar and Ismaël in the wilderness. Ismaël is located under a tree, the empty jug on the floor. An angel points the desperate Hagar to a source. Under the performance a reference in Latin to the Bible text in Gen. 21. Antwerp paper engraving Abraham provides Hagar and Ishmael with bread and a jug of water. Hagar sits weeping after having put Ishmael under a bush to die. an angel appears and reveals a well of water to Hagar

Rebekah and Eliezer at the source. Rebekka lets Elezian drink out of her jug. Behind her are two women. On the left, a few more women with jugs water from the source. Left rear camels and restaurants between the trees. Right rear a castle on a rock. Under the show a six-line, Latin text with an explanation of the scene.

Saint Cyriacus the Hermit; Male hermits and renewal; Sylvae Sacrae Monumenta. H. Cyriacus, an early Christian hermit from Palestine. He's in front of a cave in a wooded landscape. A river flows next to him. H. Cyriacus reads a Bible and carries a large pointed hat.

Flight to Egypt. Joseph leads the donkey on which Maria is with the Christ child through a stream. A cow walks next to him. Left three angels.

Flight to Egypt; Nocte sub Obscura Puerum Cum Matre iosephus Ducit in Aegiptum Barbariemque Fugit; Spacious bible. The holy family flight to Egypt. Maria is with the Christ child on the donkey, which is led by Jozef. For him three putti with a cow walk to a rope. One of them wears a basket on his head. In a landscape with trees and an empty stone base. Under the show four four-line verses in Dutch and a reference to the Bible text in mat. 2:13.

Lot and the two angels, Hans Collaert (I) (attributed to), after Frans Menton, 1596 - 1643 print Lot invites the two angels for the meal and an overnight stay at his home. In the background you can see what this scene preceded: Lot runs from the city gate with the angels to his house. Under the performance a reference in Latin to the Bible text in Gen. 19. Amsterdam paper engraving Lot and the two angels (Genesis 19:1-23)

Sara funeral.

Christ and the Samaritan woman, Jan van Orley, c. 1685 - Before 1700 print Christ is at a source. A Samaritan woman offers him water from her jug. On the right a Roman monument and a column gallery between trees. Under the image a Latin verse from Joh. 4. Brussels paper etching / engraving Christ and the woman of Samaria: sitting at Jacob's well he asks her for a drink from her jug

H. Hieronymus in the wilderness; Landscapes with penitent saints. In a rocky landscape with tree arties, the Holy Hieronymus is bent on the right in the foreground over a book. He holds writing utensils in his right hand. For him lies a skull and inkwell on a piece of stone. There is a cloak and a cardinal hat on the rock for him. On the right is a cross and in the background are two lions opposite each other.

. The apostle Tomas kneels before Christ, who shows him his cross wounds.

Proclamation to the shepherds, Cornelis Galle (I), After David Teniers (I), c. 1610 - c. 1633 print An angel proclaims the birth of Christ to the shepherds who sit in front of an antique ruin. In the sky, angels sing between clouds and light rays. Under the performance a Latin Bible from Luc. 2. Antwerp paper engraving annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

. Print at the top right labeled: second boeck fol 57.

Landscape with John the Baptist; Landscapes with saints. Sloping river landscape with praying John the Baptist. In addition to the kneeling figure is a lamb. Under the show a reference in Latin to the Bible text in mat. 3. This print is part of an album.

Two men consider a shrub, raised from mustard seeds, Jan Luyken, 1712 print Amsterdam paper etching the mustard seed becomes a tree in which birds make nests (Matthew 13:31-32; Mark 4:31-32; Luke 13:18-19)

Renovate aliens.

Holy Family, accompanied by Catharina van Alexandria, Hieronymus Wierix, After Denys Calvaert, 1563 - Before 1611 print Mary sits on a tree with the Christ child. She gives the child a fruit. Joseph is sitting next to them and looks at the viewer. The Holy Catharina of Alexandria kneels in worship for Christ and Kusten his foot. A hilly landscape in the background. In the margin a four -line caption, in two columns, in Latin. Antwerp paper engraving Holy Family, and derived representations. the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel

Church father Hiëronymus as a recluse, Johann Sadeler (I), After Maerten de Vos, 1583 - 1588 print The Holy Hieronymus as a recluse in the wilderness. He is kneeling praying for a table with a Bible and a Crucifix. Next to him the lion. On the floor next to the table are cardinal hat and mantle. Antwerp paper engraving personal devotion of St. Jerome - renouncing worldly goods, ascetic life of male saint. anchorite, hermit

Baptism of Chamberlaing; Acts of the Apostles; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. Philippus boxes the Kamerling from Ethiopia. Three figures wait behind the chamberlick at its carriage. Under the show a two-legged text in Latin. This print is part of an album.

Young Saint John the Baptist kneeling before the infant Christ who caresses his face, the Virgin and Joseph in the background at right ca. 1600-1640 Guido Reni Italian. Young Saint John the Baptist kneeling before the infant Christ who caresses his face, the Virgin and Joseph in the background at right 396936

Walking Soul meets Noah, Jan Luyken, 1706 print Amsterdam paper etching the soul. male persons from the Old Testament (with NAME) (not in biblical context)

Or the hermit in the wilderness. It is raining. Or is kneeling before a Bible and crucifix. On the right a hut with an icon of Mary, Or the hermit Male hermits (series title) Solitudo Sive Vitae Patrum Eremicolarum (series title), print maker: Johann Sadeler (I), print maker: Raphaël Sadeler (I), intermediary draughtsman: Maerten de Vos, Antwerp, 1586 - 1588, paper, engraving, h 170 mm × w 214 mm

God appears to Isaac, Marco Dente, After Rafaël, 1498 - 1532 print God appears to Isaac, who kneels in a landscape. God tries to warn Isaac not to go to Egypt. Rebekka is on the left. A city wall in the background. Italy paper engraving story of Isaac. God appears to Isaac and warns him not to journey into Egypt

Sacred Christoffel. The Sacred Christoffel waiting by the river with the Christ child on his shoulders.

Landscape with the Holy Hieronymus, Cornelis Cort, After Girolamo Muziano, 1573 print Hieronymus, praying for a crucifix in a landscape, books next to him and a skull. Two lions in the background. paper engraving martyrdom, suffering, misfortune, death of St. Jerome

Rest on the Flight into Egypt, Lucas van Leyden, 1504 - 1508 print Maria and Joseph sitting under a tree. Mary gives the Christ child the breast, Joseph holds the grazing donkey and offers Mary a fruit. Low Countries paper engraving rest on the flight into Egypt

. Maria gives the Christ child's breast on the break to Egypt. A view to a river landscape in the background.

Christ appears to Mary Magdalene. After the rebellion, Christ appears to Mary Magdalene. His cross wounds are visible. Maria Magdalena was kneeling right before Christ.

Lot and the two angels; Hospitalitas; History of Lot; Theatrum Biblicum (...). Lot invites the two angels for the meal and an overnight stay at him at home. In the background you can see what about this scene preceded: Lot walks from the city gate with the angels to his house. Under the show a reference in Latin to the Bible text in Gen. 19.

John the Baptist goes the pharires (right half) ..

. Maria and Elisabet greet each other on the stairs and in the doorway of a house. Behind Elisabet is her husband Zacharias. Joseph comes into the hand with a staff and the donkey the corner.

Temptation of Christ in the Desert, print maker: Cornelis Galle I, Maerten de Vos, 1598 - 1618

Abraham and the three angels; History of Abraham; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. The three angels visit Abraham and sit at the table, which he has covered for them. They promise him that he and Sara will get a son. Abraham hears the news kneeling. Sara listens in the doorway. Under the show a reference in Latin to the Bible text in Gen. 18. This print is part of an album.

Expulsion from Paradise.An angel with a flaming sword dispels Adam and Eva from paradise. Adam and Eva hide their nudity.

Christ leaves a fountain in the heart of the personalized soul; Jesus does a living fountain escaped in the heart of the soul.

Ruth reads Aren in the field of Boaz, 1580 print Ruth and Boaz in the foreground. The ears are harvested in the background. Two lines of Latin and twice two lines of German in margin under print. paper engraving Ruth in the field of Boaz (Ruth 2:3-17). Boaz speaks to Ruth; Ruth usually bowing down, or kneeling before him

Orpa leaves Ruth and Naomi; History of Ruth and Boaz. Naomi travels with her two daughters to Judah. Along the way she sends the women back to their parental home. Orpa leaves, but Ruth stays with Naomi. Ruth and Naomi are sitting on stones on the shore of a river. Orpa leaves her luggage under the arm. Under the show a reference in Latin to the Bible text in Ruth 1.

Christ and the personified soul contemplate nature The soul with Jesus contemplating the budding green, print maker: Jan Luyken, publisher: Pieter Arentsz (II), Amsterdam, 1678 - 1687, paper, etching, letterpress printing, h 93 mm × w 70 mm

Christ shows the personalized soul His wounds, Jan Luyken, 1714 print Amsterdam paper etching the soul. Christ and the Soul. Christ showing his wounds. Holy Ghost represented as a dove (in flames)

Christ appears to Mary Magdalene; Rabbouni! Dear Master! (...). After the rebellion, Christ appears to Mary Magdalene. His cross wounds are visible. Maria Magdalena was kneeling right before Christ.

Daniel in the lion's owl. Daniel, sat with the left hand in the heart of seven lions in a cave. Right in the back of the cave is a fencing for an opening visible; On the left in the background a castle on a rock. In the upper left corner of the performance you can see how a man floats through the air under the guidance of an angel (habakuk that comes to daniel food). Under the show a four-line Latin caption.

Birth of Christ. Maria is with the Christ child on your lap for a temple. Joseph is behind her and leans against a wall. An angel adores the Christ child. Upstairs God watch the father and putti.

. The holy family sat under a tree in a landscape. John the Baptist holds the hand of Christ. Elisabet kneels at the group.

Nicholas from the Flee, Saint.

Manoach and his wife see the angel take off in the flame of their sacrifice.

Landscape with the penitent Maria Magdalena, Cornelis Cort, after Girolamo Muziano, c. 1774 print Landscape with Saint Mary Magdalena praying for a crucifix in a canyon. Rome paper engraving the penitent St. Mary Magdalene (often before a cave, possibly at La Sainte-Baume hill): her long hair covers her (naked) body, she reads, meditates or raises her tear-filled eyes towards heaven

St. Joseph and the Christ Child. Franceschini, Marcantonio, 1648-1729. 1700. Meloni, Francesco Antonio, 1676-1713. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Sadeler, Raphael (I), Johann (I), Vos, Maerten de, München, Sylvae Sacrae Monumenta, Male anchorites and hermits, Saint Disibodus as a hermit, verso lower left - stamped, Saint Disibodus, an Irish bishop from the eighth century AD who founded the Disibodenberg monastery in Germany. Disibodus sits in a forest reading. In the background three monks at work., print, prints, width 199 mm, height, 164 mm, South Netherlands, 1560, print maker, printmaker, 1594 - 1594, paper, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1550 - 1600-08, publisher

Maria Magdalena In de Wildernis, Johann Sadeler (I), 1580 - 1600 print Maria Magdalena in the wilderness. She kneels for a crucifix for the cave in which she lives. A mountainous landscape in the background. paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge - apotheosis, glory, triumph of female saint. mountains

Adoration by the Kings, Antonie Wierix (II), 1565 - Before 1604 print The Christ child, put in the cave by Mary in the feeder, is worshiped by the three sages from the East who kneel with their gifts for the child. In the background their entourage. In the sky is the star that shines the place where the Christ child is located. In the margin a caption, and below an assignment in Latin. Antwerp paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Requirement of Saint Antonius, Jan Luyken, 1701 print Saint Antonius in the wilderness. He makes a sign of the cross when seeing a man with the head and the legs of a donkey. Amsterdam paper etching the early Christian Churches, e.g. Armenians, Copts, Syrians. St. Antony Abbot tormented by devils, attacking him on the ground or carrying him aloft. ass, donkey. monsters with animal head

Saint Francis of Assisi receiving the stigmata of Christ from a seraph; two angels beside him. Etching by C. Alberti, 1577.

Reynofia, 1 of 24 prints from the series Solitudo Sive Vitae Foeminarum Anachoritarum (Female Hermits inLandscapes). Publisher: Adriaen Collaert, Flemish, 1560-1618 After: Maarten de Vos, Flemish, 1532-1603

Lucas van Leyden's 'Abraham Going to Sacrifice Isaac' woodcut, created around 1517-1519, illustrates the biblical narrative of Abraham's test of faith. The print captures the moment before the sacrifice.

Hermit visited by two figures, Jan Luyken, 1704 print Amsterdam paper etching anchorite, hermit. visiting; receiving guests; elegant company (+ variant)

For a straw hut a man reads to three pilgrims, Jan Luyken, 1687 print Print on top left marked: Foli 118. Amsterdam paper etching reading to somebody. pilgrim(s). hut, cabin, lodge

Christ and the Samaritan woman. In a forest, Christ speaks with the Samaritan woman at the well.

Sadeler, Raphael (I), Johann (I), Vos, Maerten de, München, Sylvae Sacrae Monumenta, Male hermits and anchorites, Saint Nicholas of Flüe as a hermit, verso lower left - stamped, Saint Nicholas of Flüe, a Swiss hermit from the fifteenth century AD. He is kneeling and praying the rosary in front of a chapel. In the background a mountain landscape and a church., print, prints, width 199 mm, height, 162 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1594 - 1594, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever, Publicatie, 1560

Amsterdam, Danckerts, Cornelis (I), Royaalbijbel, Venit priceps huius mundi et in me non habet quicquam, Temptation of Christ, The Temptation of Christ: On the left, Christ sits under a tree. In front of him stands the devil, holding a stone in front of him. The devil has the form of a satyr with a horn on his head and goat's legs instead of feet. He is dressed in a monk's robe. On the right, a river, palm trees and a city in the background. On the far left in the background, Christ and the devil on top of the mountain. Below the image, a title in Latin and four four-line verses: three in Dutch and one in Latin., print, picture, prints, images, ro in the text margin: C. Danckertz. Excudit ., in the lower margin: VENIT PRINCEPS HUIUS MUNDI ET IN ME NON HABET QUICQUAM; below that 3 columns with text in Dutch: When Christ forty days without eating something....And the angels immediately serve our Lord. Next to that, on the far right, 4 lines of text in Latin: Aggreditur Sathanas...nostra

The Raising of Lazarus. 1601 - 1700. Castiglione, Giovanni Benedetto, 1609-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Saint John the Baptist. Etching after P.F. Mola.

Moses is laid in a piping basket in the Nile, Simon Fokke, After Louis Fabritius Dubourg, 1722 - 1784 print Moses is placed in a piping basket in the Nile under the watchful eye of his parents Amram and Jocheper and his brother Aaron. In the background view of Egypt with its inhabitants. Amsterdam paper etching Jochebed makes an ark (or basket) of bulrushes daubed with pitch and puts Moses in it

Etching and ledge on Japanese paper by Rembrandt depicting Jesus with his parents leaving the temple, 1654.

Rebekka and Eliezer at De Put, Bernard Picart, 1683 - 1733 print Rebekka lets Eliezer, the servant of Abraham, drink from a jug at the well. His camels on the right in the background. Numbered at the top right: 56. paper etching Rebekah offers Eliezer a drink from her pitcher

Two men view an anthill; The ant.

Elia predicts King Achab that drought will come; History of Elia; Thesaurus Sacrarum historiarum Veteris Testamenti (...). Elia predicts king Achab that no dew or rain will fall a few years. In the background, Elijah is at the Kirit brook where raven lies with food. Under the show a reference in Latin to the Bible text in 1. 17.

Parable of the lost son.

. The holy family on the flight to Egypt. Maria and Joseph walking next to the donkey that is drawn by angels. Maria wears Christ in a shawl. Under the image a latin fresh from matte. 2.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Den Grooten Figuer-Bibel, Jeugd van Christus, Van de Wysen uyt den Oosten, Vlucht naar Egypte, lower right - handwritten in brown ink, Mary gives Christ the breast, while she is sitting on the donkey during the flight to Egypt. Joseph leads the donkey. In the background the Massacre of the Innocents in Bethlehem and the legend of the rapidly growing corn. Some soldiers on horseback ask a farmer if he has seen a family pass by. The farmer tells him that he saw the family when he was sowing the corn. The soldiers then conclude that that must have been a long time ago and they abandon the search. On the right against the tree a pointing man with a sun on his head. Perhaps an idol that will soon fall from its pedestal. Under the representation a reference in Latin to the Bible text in Mat. 2:14. This print is part of an album., print, picture, album sheet, prints, pictures, 5, bottom center - handwr

Two sitting pilgrims and a horizontal man; Various performances; Caprice. .

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