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Biblical Anointings and Teachings

Engravings depicting key biblical events, including anointings and preaching, illustrating important moments from religious history.

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, S. Otho episcopvs Babenberg. pomer. apostolvs, Saint Otto of Bamberg christianizes the heathens of Pomerania, verso lower left - stamped, In the foreground Saint Otto, Bishop of Bamberg, preaching in a church to the inhabitants of Pomerania. In the background some pagans worship the statue of Jupiter. The print has a Latin caption and is the 41st print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlands, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Women at the empty grave; Quid Inter Mortuos Quaeritis Eum Qui Vivit, Non Est HIC, Sed Suscitatus EST; Passion, resurrection and ascension of Christ; Spacious bible. The women who came to Christ's grave find an open grave and meet two men who say them that Christ is raised from death. Under the show the title in Latin, four four-line verses in Dutch and a reference to the Bible text in Luc. 24: 1.

Requirement of H. Antonius, Anonymous, c. 1610 - c. 1650 print paper etching / engraving temptations of St. Antony Abbot

. Pope Paul v on a throne under a canopy. In his left hand he holds a cross staff and with his right hand he makes a blessing gesture. In addition to him his coat of arms. There are two hoses on his feet and are two pigeons. Left in the foreground is the wolvin that suckles the twins romulus and remus. In the background the festive entry of Pope Paul V. Bottom left a Bible quote from Matt. 10 in Latin. In the margin a eight-arranged predicted position, in four columns, in Latin. First print from a series of four with world rulers.

Christ appears on the Apostles, Antonie Wierix (II), After Bernardino Passeri, 1593 print In Jerusalem, Christ appears on the twelve apostles. He shows them his hands and feet. The apostles are stunned and offer him a piece of roasted fish to eat. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ appears to the apostles (gathered behind locked doors)

The last Supper. Christ is with his students around a table on the last supper.

Marten de Vos depicts the circumcision of Christ using brown ink with brown and gray lavated, showing figures, ritual, and surroundings.

Catharina appears for a group at the table, Cornelis Galle (I), 1603 print Catharina appears in front of an eating company that is sitting at the table. Above the fire, the saint is visible in a jet wreath. Part of a series about Catharina from Siena consisting of a title print, a portrait and 32 numbered scenes from her life. print maker: Southern Netherlandspublisher: Antwerp paper engraving the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata

Copper engraving print depicting the martyrdom of Saint Cecilia, showing figure, posture, religious symbolism, and instruments of martyrdom, 1520-1590.

Amsterdam, Visscher, Nicolaes (II), Nicolaes (I), Claes Jansz. (II), Rubens, Peter Paul, Vorsterman, Lucas (I), Royaalbijbel, Adoration by the shepherds, verso - stamped, The shepherds adore the Christ child in the crib. Joseph stands next to Mary. An old woman sits in a kneeling position in front of the crib. Behind her three shepherds and a young shepherdess with a jug on her head. On the right in the background the proclamation to the shepherds. Below the representation four four-line verses in Dutch and a reference to the Bible text in Luke. 2:7., print, picture, prints, pictures, left of center: C Visscher excu., right of center: Lucas Capit 2 verse 7, In the lower border 4 columns of Dutch text: Of our great joy, the basts of heaven are filled with water...That he has almost nothing to rest his head on. . right of center: Lucas Capit 2 verse 7, In the lower border 4 columns of Dutch text: Of our great joy, the basts of heaven are filled with water...That he has almost nothing to

Italy, Rotari, Pietro, Heathen sacrificial ritual, verso - stamped, Landscape with two priests at an altar with a burning sacrifice on it. Various figures are sitting and standing around. In the background a temple., print, prints, height 115 mm, width 135 mm, Italian, 1707-09-30 - 1762-08-31, print maker, printmaker, 1717 - 1762, paper, papier, etching, etchings

Last Supper. Christ is sitting with his students around a table during the last supper. He blesses the bread and let his students eat. With various elements from the show are letters. The print is part of an album.

Portret van Guillaume Natalis, Michel Natalis, after Walther Damery, 1620 - 1668 print Portrait of Guillaume Natalis, abbot of the abbey of Sint Laurent in Liège. Bust to the left in Ovaal with edge script. The portrait stands on a column, in which a woman with a helmet on the head: Corde et Animo pays. She lets her other hand rest on the head of a lion. On the left a woman holds a burning heart while she holds a cross in her other hand. Angels surround the portrait. Two angels wear miter and staff. Shutter paper engraving tools, aids, implements ~ crafts and industries: chisel. heart symbolism. beasts of prey, predatory animals: lion

Last Supper, 1628 print Christ sits with his students around a table during the Last Supper. He blesses the bread and lets his students eat it. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing communion of the apostles: Christ giving bread (host) and/or wine to the (standing) apostles

Léonard Gaultier, Christ Teaching, probably c 1576 1580 Christ Teaching

A circa 1480 copper engraving by Israhel van Meckenem depicting Christ appearing to disciples in Emmaus, featuring detailed Gothic figures and religious narrative composition.

Martyrdom of the Holy Felicitas, Anonymous, After Marcantonio Raimondi, After Rafaël, 1520 - 1575 print paper engraving St. Cecilia is put in a cauldron of boiling oil

A 1510 woodcut by Albrecht Dürer depicting the Last Sacrament, part of the Big Passion series, highlighting detailed German Renaissance engraving techniques.

Pierre Hubert Subleyras, The Feast in the House of Simon, 1738 The Feast in the House of Simon

Copper engraving depicting the Circumcision of Christ and the mystical marriage of St. Katharina with the child Jesus, showing figures, gestures, and architectural elements. Produced between 1605 and 1676.

unknown, Italy, Oselli, Gaspare, Si Christum bene scis, satis est, si Caetera nescis., Si Christum nescis, nihil est, si caetera discis, Christ on the world globe, verso - stamped, Christ seated on the world globe with a scepter in his right hand. With his left hand he makes a gesture of blessing. He is flanked on either side by a female saint and an angel. He is standing in front of an architectural niche with various inscriptions and shields. Below are devilish figures and a skeleton. Above is an angel with a sword and a banderole with text. Dedication in Latin in lower margin., print, prints, height 535 mm, width 379 mm, Italian, 1536, print maker, printmaker, 1568 - 1568, paper, engraving, engraving (printing process), granter of privilege

Connection Coring. A soldier places the thorns crown on the head of Christ. Another man gives Chitus a staff of reeds.

Graphics of Christ.

Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Galle, Philips, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Acts of the Apostles, Acta Apostolorum, Outpouring of the Holy Spirit, The Holy Spirit appears in the form of a dove and is poured out over Mary and the apostles who are gathered in an upper room. Tongues of fire appear on their heads. Below the image a reference in Latin to the Bible text in Acts 1:14. This print is part of an album., print, prent, albumblad, prints, prenten, height 210 mm, width 265 mm, print maker, prentmaker, 1643 - 1643, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1537 - 1612-03-29, after a print by, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Julius Civilis tells Dutch the elderly that they are treated as slaves by the Romans; The Batavian wars against the Romans; Batavorum Cum Romanis Bellum. Julius Civilis tells Dutch elderly people who are around a large table that they are treated by the Romans as slaves. Caption in Dutch and in Latin.

Paralyzed through the roof to Christ. A paralyzed man is lowered on a bed bed through the roof of a house between the crowd and before Christ. Christ let the man walk again. In the background left he walks away with his baby bed bed. With various elements from the show are letters. The print is part of an album.

The Last Supper, pl. 2 from the series Passio, Mors, et Resurrectio, Dn. Nostri Iesu Christi (The Passion, Death, and Resurrection ofChrist). Engraver: Jan Collaert II, Flemish, ca. 1561-ca. 1620 After: Stradanus (Jan van der Straet), Flemish, 1523-1605 Publisher: Philip Galle, Flemish, 1537-1612

Prayer for meals. In a living room there is a family on a set table, praying for the meal. The parents and the oldest daughter are, the four younger children stand. The smallest child stands on the mother's lap. Links runs a clerk with a bowl. On the right a doorway to the garden. At the door a grape rank grows, this symbol refers to the mother of the family as a fertile vine (Psalm 128). The children are compared with olive sprouts (the plants are shown behind the children).

The Last Supper. 1523. Dürer, Albrecht, 1471-1528. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

. The apostle Paul reveals to some spectators the sitting figure of Moses. Moses has fixed the ten commandments and leans against a stone with the title of the book. A ruin in the background.

A Priest Celebrating Mass ca. 1600-5 Giorgio Picchi, the Younger Italian. A Priest Celebrating Mass 648559

The priests eat at night with their families the food for bubble; History of Daniel, bell and the dragon. The priests and their wives and children arrive at night through a secret door the temple inside and eat the food that calls the deity on the table.

Saint Carlo Borromeo administering communion to plague victims. Etching by C. Carlone.

The five senses; The essence of human existence. Man sits in a tree, surrounded by his five senses. They enjoy food and drink. Under the table is chewing a monkey on a piece of fruit. The Latin caption shows that man uses his senses only for pleasure, instead of assisting God. He lets himself lead through his earthly desires just like the monkey.

John Baptist Jackson after Veronese, Holy Family and Four Saints, 1739 Holy Family and Four Saints

Naming by Johannes de Baptist, 1564 print After birth, John the Baptist is washed by three maid. Elisabet is in bed and gets porridge to strengthen. Zacharias writes with a pen Johannes' name on a table. Haarlem paper engraving naming of John the Baptist; Zacharias writing John's name

Wedding in Kana, Jacob Matham, After Francesco Salviati, 1678 - 1749 print Christ at a table, surrounded by many figures, during the wedding in Kana. On the left, a clerk discusses with the groom that there is no more wine. On the right in the foreground, six jugs with water are filled at the request of Christ, which will change to wine. Paris paper engraving the marriage-feast at Cana (John 2:1-11). (dinner-)service displayed on sideboard. laid table: table-ware, table-decoration, etc.

Ark des covenant in the Temple of Dagon.

Christ child speaks from the manger to an orientation; Unser Lieber Herr! Ey so lüg.

Drawing by Andrea Meldolla showing Christ healing the sick, using gray-brown ink with white highlights on yellowish primed paper, depicting figures and gestures.

Pharisees want Christ again, Antonie Wierix (II), After Bernardino Passeri, 1593 print Christ stands in the temple of Jerusalem, in the column of Solomon, where the feast of the Tempersoing is celebrated. The Pharisees want to stonen him again because of blasphemy. In heaven God the Father. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving attempts to stone Christ (John 8:59, 10:31-33). God the Father

Wachters on the walls of Jerusalem, Johannes Wierix, 1579 print Wachters on the walls of Jerusalem. Allegory of political events in the Netherlands on September 19, 1579. Personifications of fighting (Proeliari), Waken (Vigilare) and praying (Orare) standing on the city wall of Jerusalem. Possibly in relation to the conquest of the Schans at Willebroek on September 19, 1579. In the caption 2 verses of 4 lines each in Dutch and French. Southern Netherlands paper engraving Alertness, vigilance; 'Guardia', 'Vigilance', 'Supervision to defend yourself & oppose others' (Ripa). (private) prayer; 'Oratione', 'Prayers', 'Prayers to God' (Ripa). The Christian Knight, 'Miles Christianus' Willebroek. Jerusalem

Marta Leidt Maria Magdalena Naar Christus, Marcantonio Raimondi, After Giulio Romano, 1520 - 1525 print Italy paper engraving Martha meets Christ at the gate of Bethany

Martha and Magdalen Ascending the Steps of the Temple, Georg Matheus, German, active 1551 - 1572, Raphael, (Italian, 1483-1520), Chiaroscuro woodcut on paper, Martha and Magdalen ascending the steps of the temple, Germany, 1550-1570, Print, Print

The rebirth of humanity, Antonio Tempesta, 1606 - 1638 print Deucalion and Pyrrha throw stones over their shoulders that turn into children. In the background Deucalion and Pyrrha praying at the temple of Gaea theme. Title in Latin in STUDMARGE. paper etching Deucalion and Pyrrha pray, usually at the shrine of Gaea-Themis. stones turning into men: stones thrown by Deucalion and Pyrrha, as directed by the oracle of Themis, turn into men (Ovid, Metamorphoses X 400)

Wedding in Kana, Georg Pencz, 1534 - 1535 print paper engraving the marriage-feast at Cana (John 2:1-11)

Pen and wash drawing by Paolo Farinato showing Pope Gregory the Great sharing a meal with attendants, executed in pen with washes and white highlights.

Anonymous painting depicting the awakening of a dead man on the bier of St. Filippo Benizzi, showing figures, drapery, and ceremonial elements, executed with feather and whitewashed details.

The Holy Spirit descends in the form of a dove, to the wonder of the disciples

A Pharisee prays in the temple at the altar. In the foreground, a tax collector is kneeling. He doesn't dare come close and asks God for forgiveness of his sins. In the aisles of the temple people are busy talking, the Pharisee and the tax collector in the temple Memorabilivm Novi Testamenti in templo gestorvm icones tredecim elegantissimi ac ornatissimi (series title)., print maker: Lucas van Doetechum, Gerard van Groeningen, publisher: Gerard de Jode, Antwerp, c. 1572, paper, engraving, etching, h 205 mm × w 290 mm

The bride looks in the mirror of science. Science (Scientia) again holds up her mirror for the bride (sponsa), who looks into it. Justice (justitia), godliness (Timor dei), chastisation (castigatio), satisfaction (satisfaction), penalty skills (poenitentia) and confession (Confessio) watch. In the margin a four-line caption, in two columns, in Latin.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Kiliaan, Cornelis, Straet, Jan van der, Den Grooten Figuer-Bibel, Actelingen van de eeuwige, Acta Apostolorum, Van de Pingster-Daegsche Wercken, Maria en de eersten om Christus, bottom right - handwritten in brown ink, In the middle of a living room the apostles, Maria and some women. They mourning the ascension of Christ and praying. Below the image a reference in Latin to the Bible text in Acts 1:14. This print is part of an album., print, prent, albumblad, prints, prenten, 151, height 199 mm, width 266 mm, print maker, prentmaker, 1547 - 1612, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1523 - 1605-11-02, after a design by, 1530 - 1607-04-15, writer, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher, uitgever, 1592 - 1656-04

Christ as a fountain of life. Christ, with cross, is on top of a fountain. From the wound in his side flows blood collected in a basin. Different rays flood from this basin into the fountain. Around the fountain men, women and children who drink from the fountain. In the background two scenes from the passion of Christ: the last supper and the crucifixion with Maria and John.

Jesus and the Samaritan woman at the well. Gospel of John. New testament. Engraving.

Haarlem, Goltzius, Hendrick, The medical profession, The doctor as the devil, mo twice three-line, In a house a man stands in front of his bed, family members around him. A doctor stands with his arm outstretched in front of him. In the room to the right you can see what happened after the man's recovery (see the first three prints in the series): his family members refused to pay the doctor for his services. In the foreground a devilish figure, standing among medical textbooks and instruments. Below the image are engraved Latin and Greek texts and (outside the plate edge but on the same sheet) a printed Dutch text explaining that the physician is treated like a devil when it comes to payment for his services. This print is part of a series of four prints depicting how the physician is regarded and valued during his visit to a sick person: upon arrival as a god, after first aid as an angel, upon healing as a human being and when payment has to be made as a devil., print, prints, verso

Skiopticone image with religious motifs. "Inaediev's Vatikanis".

Albrecht Dürer, The Last Supper, 1510 The Last Supper

Meal in Emmaus, Hans Witdoeck, after Peter Paul Rubens, 1638 print Christ and two apostles sit around a table in an inn. Christ breaks the bread and thus announces his identity. The apostles react shocked. A parrot above the table. In the background a landscape and a bat that flies through the air. In the margin a Bible quote from Luc. 24 in Latin. Antwerp paper engraving the supper at Emmaus: Christ is recognized while blessing or breaking the bread. ornamental birds: parrot. flying mammals: bat

Sebald Beham, The Marriage at Cana The Marriage at Cana

Unknown (1650-1700), a Madrassa, (1647)

Healing from the mother-in-law of Petrus; Vita, Passio et Resvrrectio IESV Christi; Life, passion and resurrection of Christ. The mother-in-law of the apostle Petrus is sick in bed. Christ bows about her and bless her. Immediately it is healed (Luke 4: 38-39). The other apostles around the bed. The print has a Latin caption. The print is part of a series about the life of Christ.

Last Supper, Adriaen Collaert, 1570 - 1618 print Christ and his apostles sit together at a table and share bread and wine. The print has a Latin caption paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Tribal faders aser and naphthali; The twelve tribal fathers of Israel; Theatrum Biblicum (...). Links Asiter's axle, the eighth son of Jacob. On the ground next to him a bowl of fruits and a jug. Right female father Naftali, the sixth son of Jacob. Next to him a deer. Among the performances a reference in Latin to the Bible text.

Christ Healing at the Pool of Bethesda 16th century Lambert Lombard Netherlandish. Christ Healing at the Pool of Bethesda 339970

A pencil drawing by Caspar Jele depicting the Adoration of the Three Kings, created in 1849, showing figures and composition.

The Parable of the Beam and the Mote ca. 1520-30 Netherlandish Netherlandish Christs Parable of the Beam and the Mote, part of the Sermon on the Mount, was intended to criticize those who are blind to their own weighty faults. Christ is shown admonishing his subjects to remove the beam from their own eyes before endeavoring to clean the specks of dust from the eyes of others. The sheet may have belonged to a series representing various parables.. The Parable of the Beam and the Mote. Netherlandish. Netherlandish, Leiden. ca. 1520-30. Pen and brown ink over traces of black chalk; original borderlines at left and right edges.. Drawings

Wedding in Kana. Guests at the wedding in Cana are sitting around a table. A man fills jars with water and Christ blesses this on which the content changes to wine.

Vos, Maerten de, Sadeler, Johann (I), Outpouring of the Holy Spirit, The Virgin Mary and the Twelve Apostles Sitting in a Chamber. Fiery tongues, as a sign of the outpouring of the Holy Spirit, burn above the heads of some of them. The Holy Spirit, in the form of a dove, hovers above the apostles, surrounded by rays of light. Marked at the bottom right: a. At the very top right a reference to the Bible text in Acts 2. This print was added to an album., print, prent, albumblad, prints, prenten, height 172 mm, width 244 mm, print maker, prentmaker, 1578 - 1646, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1550 - 1600-08, after print by, 1532 - 1603-12-04

Passion of Christ: Trial and tortures of Christ. unknown c. 1650-1675 Tapestry Dimensions: H 6'6" x W 7'7" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: Charles M. Ffoulke coll. (1903). French & Co. received from C. M. F. Charles M. Ffoulke, n.d.; returned, 9/19/1922 SS 11504. French & Co. purchased from J. Roberts Ffoulke, invoiced 4/281926 SS 14143. Within architectural setting, Christ, surrounded by soldiers & with bound wrists, stands before Sanhedrin with Caiaphas as high priest (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71) (L & R BRD) Corinthian columns; (UPR BRD) egg-&-dart molding, headed by cartouche; (LWR BRD) central cartouche French & Co. stock sheet in archive, 11504-b also lists: 1001-b French & Co. stock sheet in archive, 14143-b also lists: 32263-b Ffoulke, Collection of Tapestries (1913), 122, no.I Related Works: Panels in set: GCPA 0240015-0240016

Simson a Samuel, Hans Collaert (I) (attributed to), after Jan Snellinck (I), 1643 print The judges Simson and Samuel. Samson keeps the skin of the lion in one hand and the jawbone of a donkey in his other hand. In the background in the landscape you can see how Simson kills a lion with his bare hands and carries the gates of Gaza above his head. Next to him is the prophet Samuel. Samuel Saul is king in the background. Under the show explaining texts in Latin. Among the judges references to the Bible texts in Ri. 14: 1 and 1 Sam. 3:19. Amsterdam paper engraving the time of Samson ~ the book of Judges. Samson kills the lion with his bare hands. the anointment of Saul by Samuel

A drawing by Jan van der Straet depicting the sacrament of the last oil, using brown and gray lavated ink, highlighted with white on brownish paper, showing religious figures and ritual objects.

Zes StaDando Apostelen (), Jan de Bischop, After Baccio Bandinelli, After Giovanni Di Benedetto Bandini, 1668 - 1671 print Six standing saints, maybe six apostles. All hold a book, the holy top left leans on a bat. paper etching other groups of apostles

Pastor, Jan Luyken, 1694 print Amsterdam paper etching preaching (in general)

Antwerp, Galle, Philips, Florence, Straet, Jan van der, Passio, mors et resurrection dn. Nostri Iesu Christ, Passion, death and resurrection of Christ, Entombment of Christ, verso bottom center - stamped, Christ is laid in a tomb by his family and friends (Matthew 27:59-61). The print has a Latin caption. The print is part of a series on the passion, death and resurrection of Christ., print, prints, 357, recto top right - written, verso, height 194 mm, width 264 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1585 - 1586, paper, engraving, engraving (printing process), Work conception, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, publisher

Jesus warns his disciples of what he must suffer in Jerusalem. Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853

Portrait of a man with a high priest and personifications of faith, truth and vigilance, Claude Mellan (attributed to), 1608 - 1688 print paper engraving Historical Persons. Faith, 'fides'; 'Fede', 'Catholica Faith', 'Christian faith', 'Christian faith Catholica' (Ripa) ~ one of the Three Theological Virtues. Truth; 'TRAPE (RIPA). Alertness, vigilance; 'Guardia', 'Vigilance', 'Supervision to defend yourself & oppose others' (Ripa)

Woodcut by Albrecht Dürer from 1510 depicting the Last Sacrament, part of the Big Passion series, showing Christ with the apostles.

The rebirth of humanity, Antonio Tempesta, 1606 print Deucalion and Pyrrha throw stones over their shoulders that turn into children. In the background Deucalion and Pyrrha praying at the temple of Gaea theme. Title in Latin in STUDMARGE. print maker: Italypublisher: Antwerp paper etching Deucalion and Pyrrha pray, usually at the shrine of Gaea-Themis. stones turning into men: stones thrown by Deucalion and Pyrrha, as directed by the oracle of Themis, turn into men (Ovid, Metamorphoses X 400)

Temple is rededicated. unknown c. 1560-1580 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Inscriptions: City mark on lower guard, right; unidentified weaver mark on right guard, bottom not visible in photograph as it has torn Before altar, King Hezekiah assembles Levites & priests, he orders them to prepare temple for worship; 7 bulls, 7 rams, 7 lambs & 7 goats are offered (2 Kings 18-20; 2 Chronicles 29-32) (BRD) garland of oversize flowers & fruit with partially hidden strapwork & grotesques in corners No French & Co. stock sheet in archive, no stock number Related Works: Panels in set: GCPA 0239023-0239024; compositionally similar tapestry: GCPA 0239026

Christ teaches the disciples. Christ is in a landscape and makes a talk. On the right two disciples that listen to him. In the middle two angels have a cloth with a Latin bible verse. 6.

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Doetechum, Joannes van (I), Lucas van, Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi, Memorabilium, novi testamenti, in templo gestorum icones tredecim elegantissimi ac ornatissimi, Events in and around the temple, Circumcision of Christ in the temple, Christ is circumcised in the temple. The priest performs the procedure while Joseph holds the child. Mary and other women wait in another part of the temple. Below the representation a reference in Latin to the Bible text in Luke. 2. This print is part of an album., print, album sheet, prints, height 205 mm, width 291 mm, - 1589, print maker, printmaker, 1585 - 1585, fourth quarter 16th century, paper, engraving, engraving (printing process), Northern Netherlands, 1530 - 1605, Work conception, Southern Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, 1509 - 1591-02-05, publisher

Christ in the Hof van Getsemane. Christ prays to God in the court of Getemane. In a vision he sees a mislift as a symbol of his upcoming self-sacrifice. His three students cannot stay awake and sleep next to him. Christ is arrested in the background. The print has a Latin caption.

Christ heals the paralyzed man at the bath of Betesda, Anonymous, 1688 - 1698 print Christ heals the paralyzed man at the Badesa bath. The man gets up from his bed. In the column, the sick and crackling have gathered in the hope of being healed in the water of the bath. Netherlands paper engraving / etching sick people lying near the pool of Bethesda ~ Christ healing paralytics (John 5:1-9). Christ says to a paralytic man: 'Rise, take up your pallet (bed)'

Cartoon on the greed and the richness of the Catholic clergy; L'Abregé du Clergé Romain. Cartoon on the greed and the richness of the Catholic clergy. A number of monks press finishes from the body of Christ. At the bottom of a 16-arrangy French fresh.

The Last Supper (Desiderio Desideravi) n.d. Hieronymus (Jerome) Wierix Netherlandish. The Last Supper (Desiderio Desideravi) 360396

Umbria Perugia Spoleto S. Maria Assunta, Cathedral8. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the wo

Last Supper, Anonymous, After Johann Sadeler (I), After Peter de Witte, 1560 - 1650 print Christ and his students around a rectangular table. John with his head on Christ's shoulder. Judas, centrally in front, with a money pouch on his belt, symbol of his betrayal. The print has a Latin caption with a verse from the Bible (Luc. 22). unknown paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Last Supper; The Great Passion. Johannes Vleit is at the breast of Christ during the last supper. Latin text printed on versow. This print is part of the 'De Grote Passie' print series, consisting of a title print and 11 scenes from the suffering story.

Worshippers of Bacchus 2 of 2

Heads of elders (Christ teaching in the Temple). Bruckner, A., graphic artist, Rubens, Peter Paul (1577-1640), draughtsman, cartoonist

This copper engraving by Adriaen Collaert depicts the apostles Johannes, Philippus, and Bartholomäus, showing traditional religious attire and poses.

Synagogue where a rabin reads a WeTrol, Jan Luyken, 1702 print In a synagogue a rabin is on the pulpit (BIMA). He reads from a WeTrol from the Torah, which he holds in front of him. Some audience keep their right hand up. Probably the Jewish party Simchat Torah (joy of the law). print maker: Haarlempublisher: Leidenpublisher: Leiden paper etching reading of the Torah ~ Jewish religion. 'Simhat Torah', Rejoicing in the law ~ 'Sukkot'

The Wedding Feast of Peleus and Thetis. Jacques de Gheyn II (Flanders, Antwerp, 1565-1629). Flanders, 1589. Prints; engravings. Engraving

Susanna accused by the elders, Harmen Jansz Muller, After Maarten van Heemskerck, 1570 - 1612 print In the court, Susanna Vals is accused by the elders. They pull her veil off her head. Print is part of a series about the Ten Commandments and displays a violation of the eighth commandment: you will not make a false witness. At the bottom of the margin a reference to the Bible text in Latin. print maker: Amsterdampublisher: Antwerp paper engraving the elders accusing Susanna before the people, laying their hands on her head or unveiling her. 'you shall not bear false witness' ~ separate representation of the ninth of the ten commandments

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