Biblical Art and Iconography

Historical prints depicting biblical scenes, focusing on moments of worship, family reunion, and reverence in sacred narratives.

Men, women and children at a tree, Johannes Josephus Aarts, 1936 print A group of men, women and children, possibly Roma, arrives at a tree. A man with two crutches runs right in the foreground. Behind the group an open landscape that is bordered by hills paper etching / engraving wandering communities: Romani or Roma. crutches

The worship of the shepherds: with the oil lamp.

The worship of the shepherds: with the oil lamp.

. The lost son returns home and is welcomed by his father who takes him in his arms.

Rembrandt van Rijn, The Adoration of the Shepherds with the Lamp, c 1654 The Adoration of the Shepherds: with the Lamp

The Circumcision: Small Plate, Rembrandt van Rijn, c. 1630 print paper etching / drypoint circumcision of the Christ-child by the priest in the temple (Luke 2:21)

Artist: Christian Wilhelm Ernst Dietrich, German, 1712-1774, Adoration of theShepherds, Etching, platemark: 18.8 × 26.8 cm (7 3/8 × 10 9/16in.), Made in Germany, German, 18thcentury, Works on Paper -Prints

Men, women and children at a tree, Johannes Josephus Aarts, 1936 print A group of men, women and children, possibly Roma, arrives at a tree. A man with two crutches runs right in the foreground. Behind the group an open landscape that is bordered by hills paper etching / engraving wandering communities: Romani or Roma. crutches

Depicts the Adoration of the Shepherds with a lamp by Rembrandt, created as an etching around 1654, showing figures, infant, gestures, and interior lighting.

Preaching of John the Baptist, Jean Pierre Norblin de la Gourdaine, After Rembrandt van Rijn, 1808 print paper etching John the Baptist preaching (perhaps Christ among the bystanders)

Dentist. A quack (dentist) treats a man for an inn. The patient has divided his fists. A group of bystanders is around the spectacle.

The presentation in the temple with the angel.

Children of Bethel. Punishment of the children who mock Elisa. Elisa standing at the edge of a forest, two bears attacked the children.

Christ and the adulterous woman.

Jesus chasing temple merchants Harmensz van Rijn Rembrandt (1606-1669). Jesus chasing the temple merchants (B 69 - 1st state), 1635.

The presentation in the temple; The praise of Simeon.

Christ Disputing with the Doctors: A Sketch. Rembrandt Harmensz. van Rijn (Netherlands, Leiden, 1606-1669). Holland, 1652. Prints; etchings. Etching and drypoint

. Maria and Joseph show the Christ child to the three ways and their consequences. They offer the child their gifts. The front king coast the child's feet. In the background the star that led them. The print is part of a series with biblical, mythological and allegorical representations.

Christ disputing with the Doctors: small plate, Rembrandt van Rijn, 1630 print paper etching Christ explaining his doctrine

Peter and John Healing the Cripple at the Gate of the Temple Made 1659 Holland. Etching, engraving, and drypoint on ivory laid paper . Rembrandt van Rijn

The Tribute Money, Anonymous, After Rembrandt van Rijn, After 1634 print paper etching Christ discussing the temple tribute with the apostles

Worship by De Herders, Giulio Bonasone, After Giulio Romano, 1501 - 1580 print The worship of the Christ child in a stable by the shepherds, Joseph and Mary and the OS and the donkey. In the background on the left the annunciation to the shepherds by an angel. Italy paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present. annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

Worship of the shepherds, Pieter Cornelisz. Van Rijck, 1578 - 1628 drawing paper. chalk. ink pen / brush adoration of the Christ-child by the shepherds; Mary and Joseph present

Christ ran the money changers from the temple.

The burial laying.

The circumcision in the stable.

Opwekking van Lazarus.Christ raises Lazarus from death. Lazarus comes up from his grave. A group of spectators reacts surprised and surprised.

Adoration of theMagi. Artist: Adolphe Marie Timothée Beaufrère, French, 1876-1960

Joseph's jacket is shown to Jacob.

A lead and ink drawing by Christian Winck showing the Holy Family, including Mary, Joseph, and the infant Jesus.

La mort de St. François , Monks, Death, Saints, Francis, of Assisi, Saint, 1182-1226, Alphonse Legros (1837-1911)

Christ in Emmaüs: Large plate.

Christ at Emmaus: The Larger Plate, Rembrandt van Rijn, 1654 print paper etching / drypoint the supper at Emmaus: Christ is recognized while blessing or breaking the bread

The Mocking of Christ, plate from Giulio Aleni's 'Tianzhu jiangsheng zhuxiang jingjie' (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637, Unknown Chinese; Publisher: Giulio Aleni, 6 5/8 x 5 11/16 in. (16.83 x 14.45 cm) (image), Woodcut, China, 17th century

Plate 20: a priest giving food to the poor, from the series of customs and pastimes of the Spanish people 1850 Francisco Lameyer y Berenguer. Plate 20: a priest giving food to the poor, from the series of customs and pastimes of the Spanish people. Francisco Lameyer y Berenguer (Spanish, 1825-1877). 1850. Etching. Prints

Abraham in Isaac.

The preaching Christ (the hundred gulnd print); The one hundred guilders print.

The Death of the Virgin, Rembrandt van Rijn, 1639 print Japanese paper etching / drypoint the Dormition: Mary on her deathbed; the apostles are gathered around her (John the Evangelist may be shown sleeping or dreaming)

Study of Christ Raising Lazarus, Benjamin Robert Haydon, 1786-1846, British, undated, Pen and brown ink, and brown wash on medium, slightly textured, cream, laid paper, Sheet: 3 5/8 × 5 11/16 inches (9.2 × 14.4 cm), Christianity, crowd, figure study, figures, kneeling, miracle, New Testament, pointing, religious and mythological subject, staff, the raising of Lazarus ('Lazarus, come out')

The cross reduction in torch light.

La messe de minuit , Religious services, Alphonse Legros (1837-1911)

Harmenszoon van Rijn Rembrandt (1606-1669). "The death of the Virgin" 1639, engraving. Museum of Fine Arts of the City of Paris, Petit Palais. 27006-10 Accompanies children jesus, alitee, appearance angel, catholic, bedside, chretian chretian, deces, surrounds, grave print, large, read holy writing, balldoquin bed, mother jesus, death, die, new testament, first state, holy, biblical scene , Virgin Mary, engraving

Parable of the Merciful Samaritan, Maurice Valette, After Edmond -Louis Dupain, 1877 - 1880 print paper the good Samaritan (Luke 10:30-37)

Peter and John Healing the Cripple at the Gate of the Temple 1659 Rembrandt (Rembrandt van Rijn) Dutch. Peter and John Healing the Cripple at the Gate of the Temple 392071

The entombment of martyrs by SS Abdon and Sennen, circa 1657, by Guillaume Courtois.

. The shepherds and their wives are shear around the Christ child, which is in a manger. The front woman kneels. Maria is next to the child, behind her Joseph and the OS. In the background members of their consequences. The print is part of a series with biblical, mythological and allegorical representations.

Judas receives silver pieces for his betrayal. Judas Iskariot visits the high priests who want to take Christ caught. They pay him thirty silver pieces for his betrayal.

Elisabetta Sirani, The Deliverance of the Demoniac of Constantinople by Saint John Chrysostom, c 1659 The Deliverance of the Demoniac of Constantinople by Saint John Chrysostom

Christ Raising the Widow's Son (Luke 7:13-16), Richard Westall, 1765-1836, British, before 1836, Graphite on medium, smooth, cream wove paper, Sheet: 3 3/8 x 5 3/8 inches (8.6 x 13.7 cm), Christ touches the bier of the son of the widow of Nain: the young man sits up, death, illustration, men, miracle, New Testament, pillow, prophet, religious and mythological subject, robe, sheets (bed coverings), son, widow, woman

Anonymous drawing shows twelve-year-old Jesus in the temple, executed in brown ink with graphite pencil, created around 1655, highlighting religious figures and temple setting.

Adoration of the Kings, Giovanni Coli, 1600 - 1699 drawing paper. deck paint. ink. graphite (mineral) pen / brush adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh). adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Rembrandt van Rijn (Dutch, 1606 - 1669), Peter and John Healing the Cripple at the Gate of the Temple, 1659, etching, drypoint and burin

L'adoration des bergers , Biblical events, Shepherds, Putti, Jesus Christ, Mary, Blessed Virgin, Saint, Alphonse Legros (1837-1911)

The Death of the Virgin, Rembrandt van Rijn, 1639 print paper etching / drypoint the Dormition: Mary on her deathbed; the apostles are gathered around her (John the Evangelist may be shown sleeping or dreaming)

Etching by Rembrandt Harmensz. van Rijn depicting Christ on the cross, circa 1635, showing the crucifixion scene with figures and plate tone details.

Les moines à l'église , Monks, Churches, Alphonse Legros (1837-1911)

Petrus and John heal a paralyzed man at the Tempelpoort, Rembrandt van Rijn, 1659 print The performance is based on the text from Acts 3: 4-31. Japanese paper (handmade paper) etching / drypoint healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31). disabilities, deformations

Prisoners in dungeon; Genre scenes. The prisoners are closed to blocks. One of them talks to someone through the hatch in the door. Another looks out through the bars in the window.

Worship of the shepherds. A group of shepherds scissors around Maria and the Christ child. Two of them kneel. In the foreground a horizontal dog, in the background a hilly landscape with settlement.

Three philosophers in a mountainous landscape. On the left an old man with a passer and a meant leaf. In addition to him a man with turban. On the ground there is a man with a passer and a shopping hook. He looks at a cave. This print is part of an album.

Christ Preaching ('La Petite Tomb'), Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on paper, Christ stands on an elevation, slightly to left of center of composition, in the middleground. In the foreground, left and right, groups of seated and standing figures, listening to Christ, who raises both his arms in gesture of speaking., Netherlands, ca. 1657, religion, Print, Print

Jeremiah, with a long beard and aure dole, speaks the people around him. Behind him the temple gate with an inscription in Hebrew above it. The show depicts the first verses of Chapter Seven in the Bible book Jeremiah. Perhaps the performance is also intended as a cartoon.

The parable of the rich man (Dives) and Lazarus 1700-1800 Anonymous. The parable of the rich man (Dives) and Lazarus. Anonymous (F.I. Perl). 1700-1800. Engraving. Prints

Worship of kings ..

Spiritual tells from the Bible, Jan Luyken, 1691 - 1693 drawing Spiritual tells from the Bible for a bed in which an old man lies. Possibly a design for a print. paper. ink pen / brush reading the Bible or other religious books. visiting the sick, 'aeger curatur' ~ one of the (seven) Acts of Mercy. visiting the sick; sick person together with others. consoling the sorrowful ~ one of the (seven) spiritual Acts of Mercy

Worship of the Christ child by the three kings, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Worship of the Christ child by the kings. Under the show is a quote from Bible text Matthew 2. paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Netherlandish 17th Century, Market Scene, 17th century Market Scene

Christ Driving the Money-Changers from the Temple. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: 1635. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

Meeting of David and Abigaïl.

"Etching by an anonymous artist circa 1635 showing Christ expelling the money changers from the temple, using eldering and flat tone techniques."

H. Martinus shares his cloak with a beggar. .

'Nothing is Known of This' ; two figures picking up a body in front of a church, a monk singing next to them and another in the background; page 7 from the Witches and Old Women Album (D) ca.1819-23 Goya (Francisco de Goya y Lucientes) Spanish This drawing has been interpreted as depicting a funerary procession, with two hooded monks carrying what appears to be a shrouded corpse in the foreground, followed by figures exiting a church. Strangely, the two men holding the supposed corpse barely touch it, as if it were weightless. This could be because it is not a corpse, but rather a skeleton, recently exhumed by the Inquisition. If the drawing is a reference to their persecution, its caption might refer to the "secrecy laws"the lack of accountability and transparencythat cloaked the Inquisition’s procedures.. 'Nothing is Known of This' ; two figures picking up a body in front of a church, a monk singing next to them and another in the background; page 7 from the Witches and Old Women A

Rembrandt van Rijn, Peter and John Healing the Cripple at the Gate of the Temple, Dutch, 1606-1669, 1659, etching, drypoint and burin

The crucifixion: small plate. prints, etchings, works on paper

Rembrandt van Rijn, Dutch (1606-1669), Christ Preaching (La petite Tombe), c. 1652, etching, engraving, and drypoint

Expulsion of the money changers from the temple, Albrecht Altdorfer, c. 1506 - 1538 print Christ standing in the temple, with raised whip. For him two money changers kneel on the floor, they collect their money. Germany paper engraving purification of the temple ('first' and 'second'): Christ driving the money-changers from the temple with a whip (Matthew 21:12-13; Mark 11:15-17; Luke 19:45-46; John 12:12-19)

Abraham sacrifice.

This drawing by Norbert Baumgartner depicts the farewell of the apostle prince before a martyrdom scene, executed with lead handle, gray brush, and white highlights on blue-gray paper, emphasizing figures, posture, and ceremonial context.

Christ disputing with the Doctors: small plate, Rembrandt van Rijn, 1630 print paper. ink etching / pen Christ explaining his doctrine

Alphonse Legros, At the Foot of the Cross At the Foot of the Cross

Nativity 1727 Paul Ponce Antoine Robert-de-Seri French. Nativity 386031

Procession dans une église Espagnole , Musicians, Religious processions, Churches, Clergy, Alphonse Legros (1837-1911)

Study for the ordination of the apostles.

Extreme Unction, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Brown ink and wash on paper, Horizontal rectangle. Interior, with old woman in bed, at left, receiving the Lat Rites (Extreme Unction) of the Church. She holds a lighted candle in her right hand and a cleric holds a cross before her; at right a group of women, weeping. Inscription, lower left: 'AVEM...', Netherlands, ca. 1590, figures, Drawing, Drawing

Christ Disputing with the Doctors; a sketch 1652 Rembrandt (Rembrandt van Rijn) Dutch. Christ Disputing with the Doctors; a sketch 373087

Christ driving the money changers from the temple, Rembrandt van Rijn, 1635 print paper etching purification of the temple ('first' and 'second'): Christ driving the money-changers from the temple with a whip (Matthew 21:12-13; Mark 11:15-17; Luke 19:45-46; John 12:12-19)

Christ and two disciples for the inn in Emmaüs; Biblical performances for Matthijs Balen album.

Rembrandt van Rijn, Christ Crucified between the Two Thieves an Oval Plate, c 1641 Christ Crucified between the Two Thieves: an Oval Plate

Abraham welcomes the angels.

Crucifixion of Christ unknown

Christ preaching (The hundred guilder print), 1776 print paper etching Christ preaching or teaching (in general)

The Angel Departing From The Family of Tobias, Rembrandt van Rijn, 1641 print paper etching / drypoint other scenes ~ the book of Tobit

Christ Preaching, Léopold Flameng, After Rembrandt van Rijn, 1841 - 1874 print paper etching / drypoint Christ preaching or teaching (in general)

Christ at Emmaus The Smaller Plate Made 1634 Holland. Etching with drypoint on cream laid paper . Rembrandt van Rijn

Meal of officers in a tent in an army camp, at evening, Jacobus Buys, 1779 - 1784 drawing paper. ink pen / brush evening meal, dinner, supper. celebration meal, feast, banquet. (military) camp with tents

Christ and the Samaritan woman: plate with bent upper edge.

Adoration by De Koningen, Albrecht Dürer, 1501 - 1505 print Maria is sitting on his lap with the Christ child at the entrance of a derelict building. Behind her is Joseph. The three kings or pointing from the east offer Christ their gifts. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. Nuremberg paper adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Adoration by De Herders, Jan Lievens, 1625 - 1674 print paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Copper engraving and etching by Antoine Masson depicting the biblical scene 'The Meal in Emmaus,' created between 1651 and 1700.

The Entombment, Rembrandt van Rijn, c. 1654 print paper etching / drypoint Christ's entombment (possibly by angels)

Christ returns from the temple with Joseph and Maria, Dominique Vivant Denon (Baron) (Attributed to), after Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching / drypoint The print is part of an album. Paris paper etching / drypoint

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