Biblical Depictions in Art

Etchings and paintings illustrating significant biblical events including the Assumption, Baptism of Christ, and scenes of mourning, rich in symbolism.

De Kleine John and Maria worship the Christkind, 1576 - 1580 print Hexagonal representation of the Christ child as Salvator Mundi (with Rijksappel), worshiped by the little John on the left and by his mother Maria on the right. Two lines of Latin under the performance. paper engraving 'Salvator Mundi', making a blessing gesture; an orb in his hand or at his feet. Christian religion (+ Mary)

The Assumption of the Virgin. Dated: 1628. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Waldor after Jacques Callot.

Earth and heavenly trinity. Landscape with the Christ child, amid Maria and Joseph. Above the child, the Holy Spirit in the form of a pigeon and God the Father. The show is caught in an ornamental picture frame that has been awarded the monogram of Christ. In the corners medallions with the birth of Christ (top left), the flight to Egypt (top right), the holy family at work (bottom left) and the death of Joseph (bottom right). In the margin a caption in Latin.

Maria is growing with the dead body of Christ with angels. Maria is growing by the dead body of Christ that is supported by angels. The caption refers to Maria's role as a mother and the grief that she is wearing.

Holy Spirit appears to Chief Cornelius and his his, Anonymous, After Johann Jakob von Sandrart, 1697 print paper etching Peter in the house of Cornelius: the Holy Ghost descends upon Cornelius and his family, who are baptized by Peter

Baptism of Christ, Anonymous, After Philips Galle, After Jan van der Straet, 1580 - 1612 print Christ stands with his feet in the Jordaan and is baptized by John the Baptist. Angels are on either side of the two. A little further on, men and women are waiting for their baptism. In heaven God the Father and the Holy Spirit in the form of a pigeon, surrounded by the angel choir. Antwerp paper engraving baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

De Kleine John and Maria worship the Christkind, 1576 - 1580 print Hexagonal representation of the Christ child as Salvator Mundi (with Rijksappel), worshiped by the little John on the left and by his mother Maria on the right. Two lines of Latin under the performance. paper engraving 'Salvator Mundi', making a blessing gesture; an orb in his hand or at his feet. Christian religion (+ Mary)

The Annunciation 1632 Israël Crispin le Jeune French. The Annunciation 398256

Wszyscy Święci w MNK Lerehr, Vincenzo, Marchij, Ignatius

Ascension of Maria; The life of the Virgin Mary. Around the grave of Maria the collected apostles praying for her soul. In the clouds above them the crowned Mary floats, surrounded by angels who honor her. The print has a Latin caption and is part of a series about the life of Mary.

Maria as Queen of Engelen, Albrecht Dürer, 1518 print Mary, the Christ child standing on the lap, is surrounded by many large and small angels. Two of them crown hair, a few make music and one offers her grapes. Nuremberg paper Mary sitting or enthroned, the Christ-child in front of her, standing in her lap (or in front of her bosom). angels

The apostles around the empty tomb watch the Assumption of the Virgin. Engraving.

The groom receives the five wise virgins; Parable of the five way and the five foolish virgins; Parabola V. Virginum Typis AEN: Expressa .. The groom (Christ) receives the five wise virgins who are ready for the wedding party. In the background the foolish virgins are looking for oil to top up their lamps. In the margin a four-line caption, in two columns, in Latin that refers to the virgins that are received in heaven and to the virgins that are excluded.

Madonna Standing up the MaanSikkel, Anonymous, After Jakob Lucius (who Älter), 1556 print paper pen Madonna on the crescent of the moon (sometimes called Queen of Heaven) (in mandorla)

Maria with Kind and Catharina from Alexandria, Vespasiano Strada, c. 1592 - 1613 print Maria sitting with the Christ child on his lap. On the right, the Holy Catharina of Alexandria kneels on her broken wheel. On the left an angel with a crown and a palm branch. print maker: Italyafter own design by: Italypublisher: Rome paper etching / engraving the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel. Madonna: i.e. Mary with the Christ-child

Assumption and Coronation of the Virgin, from The Life of the Virgin Made 1510 Germany. Woodcut in black on ivory laid paper . Albrecht Dürer

Christ on the cross. .

The ropes of the Holy Francis. Christ is sitting on a throne on an increase. There is a crowd of Franciscans around the increase. Christ gets the ropes of the Saint Francis provided by Francis standing on clouds above Christ. Saint Francis is surrounded by Putti and Six Franciscan Saints. In the undergarment the coats of arms of Nicolo Cicaglia and Pope Sixtus V.

Visioen from H. Francesca Romana, Hieronymus Wierix, 1563 - Before 1608 print The Holy Francesca Romana, dressed in the habit of the Olivetan Oblaten, receives the Christ child of the crowned Virgin Mary in a vision. She descends on a cloud, surrounded by cherubies, with the child on their lap. An angel, with an olive branch in hand, watches in worship. In the margin a two -way Bible quote from PS. 72 and a rule with biographical data in Latin. Antwerp paper engraving the widow and foundress of the Oblates of Tor de' Specchi, Frances of Rome (Francesca Romana); possible attributes: guardian angel, infant Christ - miraculous activities and events ~ female saint. Madonna: i.e. Mary with the Christ-child

Rome, Callot, Jacques, Paintings and sculptures in Rome, Ascension of Christ, verso lower left - stamped, Christ rises in a cloud with angels to heaven, while the apostles, Mary, Mary Magdalene and two other holy women kneel on earth. This print is part of (the second state of) a series of 29 representations of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are not numbered, also includes a title print)., print, prent, prints, prenten, height 112 mm, width 84 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1608 - 1611, first quarter 17th century, paper, papier, engraving, engraving (printing process)

Ascension of Maria, Hieronymus Wierix, 1563 - Before 1619 print Maria is taken to heaven on the crescent moon. Christ takes her hand. Above Him the Holy Spirit as a pigeon and God the Father. They are surrounded by angels on the clouds. In the margin a six -line caption, in two columns, in Latin. Antwerp paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels (+ Holy Trinity)

Léonard Gaultier, Les Festes du mois de Mars (March The Annunciation), 1603 Les Festes du mois de Mars (March: The Annunciation)

Maria protects members of a Brotherhood, Agostino Carracci, After Paolo Veronese, 1582 print Maria stands with spread arms. Two cherubies lift her cloak. Two clergymen kneel for Maria. Italian text in the lower margin. paper engraving the Virgin Mary. Mary devotion

De Berggrede, Jan Luyken, 1694 print Amsterdam paper etching 'command these stones to become loaves of bread' ~ temptation of Christ in the wilderness

Saint Clara from Montefalco. In an interior, the Saint Clara of Montefalco receives the sacrament of Christ. Four-line text in Latin under armcharge.

Saint Francisca Romana presented by the Virgin with the infant Christ. Engraving by H. Wierix, 160-.

Christ appears to Mary, Hieronymus Wierix, 1563 - before 1619

Triumph of eternity, Matthäus Greuter, 1596 print With caption in Latin. paper engraving 'Trionfo della Divinità', 'Triumphus Aeternitatis'; 'Carro della Divinità'. Trinity represented by tripartite symbols. God the Father. cherubs, i.e. children's heads with wings. Father Time, man with wings and scythe

Turibius de Mogrovejo kneeling with a book; Life of the Holy Turibius de Mogrovejo. The Holy Turibius de Mogrovejo, Archbishop of Lima, kneeling with a book in the hands. Three angels around him. At the bottom of a blank cartouche.

Italy, Maratti, Carlo, Life of Saint Turibius de Mogrovejo, Turibius de Mogrovejo kneeling with a book, recto lower left - handwritten in brown ink, Saint Turibius de Mogrovejo, archbishop of Lima, kneeling with a book in his hands. Around him three angels. At the bottom an empty cartouche., print, prints, verso - stamped, Car: Maratus inv: et fec:, height 327 mm, width 237 mm, print maker, printmaker, 1625 - 1625, paper, papier, etching, Work conception, Italian, 1625-05-15 - 1713-12-15

Worship of the Christian child by Martelaren, Hieronymus Wierix, 1563 - Before 1619 print Martelaren, including St. Laurentius, St. Sebastiaan (left) and St. Barbara and the H. Catharina (right), worship the Christ child. The child looks down on them from the clouds, a crown and flowers in his hands. In the margin a six -line caption, in two columns, in Latin. Antwerp paper engraving Christ-child together with others. saints. female saints

The little Johannes and Maria worship the Christ child. Hexagonal representation of the Christ Child as Salvator Mundi (with a migration), worshiped by the little John left and by his mother Mary. Under the show two Latin lines.

Vision of H. Francesca Romana; S. Francisca Romana. The Holy Francesca Romana, dressed in the habt of the Olivanicotlans, receives the Christ child of the Crowned Virgin Mary in a vision. She drops down on a cloud, surrounded by cherubs, with the child on his lap. An angel, with an olive branch in hand, looks in worship. In the margin a two-legged bible quote from PS. 72 and a line with biographical data in Latin.

Mary of the Immaculate Conception. Maria standing on a globe that is worn by three angels. It is surrounded by angels with the symbols of the immaculate conception including an olive branch, a lily and a flawless mirror. Among Mary a landscape with a number of structures. Two Columns Latin text in undermarge.

In the clouds Mary in the Mandorla. Two angels hold a crown above her head.

Mary with the Christ Child on the crescent moon, Johann Sadeler (I), Clemens VIII, 1595 - 1600

Annunciatie, Bernard Picart, After Guido Reni, 1683 - 1733 print Depart with the Virgin Maria. She is visited by the angel Gabriel, who announces the birth of Christ. In the air the pigeon as a symbol of the Holy Spirit, surrounded by angels and light rays. Amsterdam paper etching the Annunciation: Mary kneeling - AA - Mary to the left, the angel to the right. Holy Ghost represented as a dove (in flames)

Christ as an example of virtue; Allegorical scenes from the life of Christ. A woman is sitting behind an easel and paints the Christ child into a heart to the example that Christ maintains her. Around the show a frame with various virtues of Christ combined with allegorical elements. In the margin down two Latin lines. This print is part of a series of six allegorical scenes from the life of Christ.

Christ as a twelve-year-old in the temple; Dominica I. Post Epiphaniam. Christ is in the temple on a throne. He explains the Scripture to the scribes. Joseph and Maria walk in the temple and find their twelve-year-old son among the scholars. At different elements from the show are letters that correspond to the legend in the margin.

Seven Archangels, Hieronymus Wierix, 1563 - before 1619

Annunciation. Maria sits at a table with a book on it. The angel Gabriel stands for her on a cloud. Two putti behind him. The pigeon drops past a light beam.

Virgin Mary flanked by symbols from the Lauretan Litanie. Maria is in a Mandorla on the crescent nickel. She is wearing a crown with stars. Above her the sun and the moon and the trinity. Under her a dragon. Devils shoot arrows to her that are disclosed by cherubs with shields. On either side medallions with symbols from the Lauretan Litanie (Litanie of the Holy Virgin Mary). In the margin a two-legged caption in Latin.

Opstanding, Jacques Callot, 1621 - 1635 print Christ, a staff with a vane in hand, floats above his grave. A number of soldiers are shocked. Under the show an empty margin. Nancy paper etching Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Copper engraving from 1515-1599 showing Christ, the Virgin Mary, John the Baptist, Saint Katharina of Alexandria, and Saint Paul in a religious composition.

Offer by Abraham, Willem van de Passe, After Crispijn van de Passe (I), 1607 - 1637 print Abraham raises his sword to kill his son Isaac, who kneels before the altar. However, an angel stops him. In the background in the forest the ram that Abraham can sacrifice. In the margin a four -line caption, in two columns, in Latin. Below that a second caption from Hebrews in Latin. unknown paper engraving the sacrifice of Isaac (Genesis 22)

Saint Catherine. Engraving by A. Wierix III.

Presentation of the Blessed Virgin Mary, Philip Fruytiers, 1620 - 1666.

Antwerp, Sande, Jan van de, Mary of the Rosary with Saint Dominic and Saint Catherine of Siena, verso - stamped, Mary and Christ on her arm are giving rosaries to Saint Dominic and Saint Catherine of Siena. Mary is standing on the crescent moon and is surrounded by a rosary. Next to Saint Dominic are an orb and a dog with a burning torch. Saint Catherine is holding a cross in her hand., print, prints, height 277 mm, width 200 mm, print maker, printmaker, 1615 - 1664, paper, engraving, engraving (printing process), Publication (Event), Publication, South Netherlands, 1600 - 1665, publisher

Folkema, Jacob, The Annunciation, verso - stamped, Mary looks up from her book when the angel Gabriel visits her to announce the birth of Christ. In the sky flies a dove, the Christian symbol of the Holy Spirit, with angels scattering flowers on the left and right., print, prints, height 179 mm, width 118 mm, Dutch, 1692 - 1767, print maker, printmaker, 1702 - 1767, paper, papier, etching, etsen

H. Anna, with Maria and the Christ child. The holy Anna has the Christ child on the arm. She has hit her other arm around the shoulders of the kneeling Mary. About a rose hedge behind them a face on Jerusalem.

Christ in the court of Getemane; Passion of Christ; Passio Domini Nostri IESV Christi. Christ prays in the court of Getemane. An angel appears from heaven with a chalice. His students are sleeping in the background. Judas enters the garden through the gate and points the soldiers where Christ prays. In the margin a three-legged bible quote from Luc. 22 in Latin.

Christ Disputing in the Temple 1568-77 Orazio de Santis Italian. Christ Disputing in the Temple. Orazio de Santis (Italian, active 1568-77). 1568-77. Etching and engraving. Prints

Ascension and coronation of Mary. Maria stands on a small crowbar on a cloud, in a wreath of fire. Left knees the Holy Nicolaas, on the right the Saint Clara. Left under to Maria Current men, on the right women. In the air musician angels with in the middle, above the head of Mary, the Holy Spirit in the form of a pigeon. Italian text and a coat of arms in a cartouche in the middle.

Torture death of H. Barbara, Johannes Wierix, after Jan van der Straet, 1559 - Before 1612 print The execution of Saint Barbara by her father. He is about to behead her with his sword. On the left in the background, her father is killed by lightning and his body consumed by fire. In the context of the margin, an inscription in Latin. Antwerp paper engraving St. Barbara is beheaded by her father Dioscuros, who usually wears a turban and brandishes a scimitar (sword); sometimes Dioscuros is struck by lightning

Triumph of the Holy Trinity, Adriaen Lommelin, After Peter Paul Rubens, 1664 print The holy trinity on clouds, held up by a group of angels. On the right God is like old man with globe and scepter, on the left is Christ with the cross. Above them the Holy Spirit has appeared in the form of a pigeon. From the sky, cherubin are look left and right. In the margin a coat of arms and a caption in Latin. Antwerp paper engraving Trinity in which God the Father and Christ are represented as persons, the Holy Ghost as dove (+ donor(s), supplicant(s), whether or not with patron saint(s)). angels in adoration

Copper engraving by Marcantonio Raimondi around 1520 depicting Christ, Virgin Mary, John the Baptist, Saint Katharina of Alexandria, and Saint Paul, showing interaction and religious symbolism.

Crowned Mary with child. Mary with the child on her arm. The Christ child holds a rich apple. Maria wears a crown, her head is surrounded by a ray wreath. In the background a mountainous landscape with a city at a river. Under the show a Latin fresh.

The Birth of the Virgin Mary, from The Life of the Virgin Artist's working dates 1612-1635 France. Etching on paper . Jacques Callot

Maria coronation. Maria is crowned in heaven by Christ, on her left side and by God the father, to the right of her. At the top of the pigeon, the symbol of the Holy Spirit. Both God the Father and Christ hold a rich cone, symbol of the world's Savior (Salvator Mundi). Mary is surrounded and supported by angels and cherubs. Under the show two lines in Latin.

King Ferdinand IV. King Ferdinand IV on a base, surrounded by allegorical figures. Angels float above him. One of the angels has a crown in his hands. Justitia is at the foot of the base. Probably a clearance is made by the second crown on the impending coronation of Ferdinand to emperor of the Holy Roman Empire.

Fons Vitae, Abraham Hogenberg, after Augustin Braun, 1608 - 1658 print Christ standing in fountain, his blood yellows from his five wounds. Behind him in the clouds two rows of angels and cherubins. paper engraving Christ standing on or near a fountain, shedding his blood (+ angel(s)). the instruments of the Passion and the five wounded limbs

Lucas; Four evangelists. The Evangelist Lucas sitting on a cloud, the gospel in his left hand and in his right hand a pen, to the right of him the OS.

Jacques Callot (1592-1635). "Assumption" (Lieure 677, Meaume 96). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99591-29 Etching, engraving

A circa 1600 brown ink drawing by an anonymous artist showing the Madonna in the choir of saints and martyrs, executed with wash and slight white highlights.

Christ In the Temple, Hieronymus Wierix, After Bernardino Passeri, 1593 print Christ sits on a throne in the temple. He explains the Scripture to the scribes. Joseph and Maria walk into the temple and find their twelve -year -old son among the scholars. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ's dispute with the doctors in the temple; he counts his arguments on his fingers

Léonard Gaultier, The Transfiguration, probably c 1576 1580 The Transfiguration

Maria as Queen of Engelen, Albrecht Dürer, 1518 print Mary, the Christ child standing on the lap, is surrounded by many large and small angels. Two of them crown hair, a few make music and one offers her grapes. Nuremberg paper Mary sitting or enthroned, the Christ-child in front of her, standing in her lap (or in front of her bosom). angels

Antwerp, Galle, Theodoor, Poland, Galaminio, Augustino, Nys, Joannes, Jode, Pieter de (I), Vita et miracula SP Dominici, Life and miracles of Saint Dominic, Apparition of an angel, verso bottom center - stamped, An angel appears to Saint Dominic during prayer. The angel offers him a palm branch and a crown. The print has a Latin inscription and caption and is part of a series of prints for a book about the life of Saint Dominic., print, book illustration, prints, width 90 mm, height, 150 mm, South Netherlandish, 1571 - 1633, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), 1570 - 1634-08-09, intermediary draughtsman, after a drawing by, Work conception, after a design by, 1552 - 1639, writer, Publication (Event), Publication, publisher

Annunciation; Sodalibus D.v. Mariae. Mary is kneeling her desk. She is visited by the angel Gabriel. He tells her that she will bare a son who will be called Christ. Above them the Holy Spirit in the form of a pigeon. The performance is caught in a rosary. At the bottom received praying men's rose wreaths of angels. The print is part of an album.

Ascension of Maria. .

Saint Mary (the Blessed Virgin) with the Christ Child, Saint John of Matha and Saint Felix of Valois. Engraving by Castellus.

The Crucifixion (Round) (copy) n.d. Jan (Johannes) Wierix Netherlandish. The Crucifixion (Round) (copy) 391219

Antwerp, Galle, Theodoor, Poland, Galaminio, Augustino, Nys, Joannes, Jode, Pieter de (I), Vita et miracula SP Dominici, Life and miracles of Saint Dominic, Vision of Saint Dominic, verso bottom center - stamped, Saint Dominic is kneeling on the ground. He has a vision that the Virgin Mary is protecting his order by covering them with her cloak. The print has a Latin inscription and caption and is part of a series of prints for a book about the life of Saint Dominic., print, prints, width 90 mm, height, 150 mm, South Netherlands, 1571 - 1633, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), 1570 - 1634-08-09, intermediary draughtsman, after a drawing by, Work conception, after a design by, 1552 - 1639, writer, Publication (Event), Publication, publisher

Saint Mary (the Blessed Virgin) with the Christ Child and Sigismundo de' Conti as a donor with Saint Jerome, Saint John the Baptist and Saint Francis of Assisi. Etching by V. Victoria after Raphael.

H. Stanislaus Kostka; Vier jezuïeten.The Polish Jesuit Stanislaus Kostka is kneeling in a church. He receives the holy communion (consaged hostie and a sip from the mislift) of two angels. In heaven the Holy Barbara, in her arms her attribute the tower surrounded by angels and cherubs. In the margin a six-line caption, in two columns, in Latin.

A metal cut by Hans Holbein the Younger after 1524 depicting the Pentecost, showing apostles, tongues of fire, and detailed figures, complemented with brush or spring enhancements.

Annunciatie, 1581 - 1633 print Announcement of the birth of Christ to Mary. Around the show a frame with various scenes from the life of Christ combined with allegorical elements. In the margin at the bottom two lines of Latin. This print is part of a series of six allegorical scenes from the life of Christ. paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Jacques Callot, The Assumption of the Virgin, in or after 1630 The Assumption of the Virgin

Coronation van Maria, Anonymous, After Cornelis Galle (I), After Francesco Vanni, 1586 - 1612 print The Christkind crowns Maria and hands her a scepter. Christ sits on a globe that is worn by an angel. Maria stands on a crescent, her head is surrounded by a wreath of cherubins. Under the show a Latin verse. Antwerp paper engraving the Christ-child crowning Mary ~ Madonna-representations

Simone Cantarini, The Coronation of the Virgin The Coronation of the Virgin

Adriaen Collaert (1561-1618); Philips Galle (1537-1612); , Christ and his bride, Ecclesia, in a garden, 1587-1589

Allegory of the Roman Catholic Church. Angels and putti sit on clouds with ecclesiastical attributes such as a cross, a ray monstrance, a book and the papal tiara. At the top a dove in a halo as a symbol of the Holy Spirit, Allegory of the Roman Catholic Church., draughtsman: anonymous, , 1600 - 1800, paper, pen, brush, h 272 mm × w 163 mm

The Assumption of the Virgin, from the Life of the Virgin Artist's working dates 1612-1635 France. Etching on paper . Jacques Callot

Maria with child in architectural frame. Sitting Maria with the Christ child on her lap and a book in her hand. On her head she wears a crown with stars. A landscape with a gazebo with vines is shown in the background. The performance is placed in a rectangular picture frame with architecture ornaments such as columns and lists. The print is printed with two logs.

The Fall and Redemption of Man: The Virgin as Queen of Heaven, c. 1513. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Seven sorrow from Maria. Sitting Maria, pierced with seven swords, who refer to her seven sorrows. Angels are shown around the rectangular frame with the vera icon and the suffering tools. A Latin fresh is on a cartouche.

. Christ sitting on the cold stone, flanked by two kneeling angels with torches. In his hands he has a rod and a whip used at the flogging, on his head the thorns crown.

Resurrection of Christ: Easter, Johann Sadeler (I), After Marcus Gheeraerts (I), 1560 - 1600 print Christ rises from his grave. An angel on either side of his grave. In ornament list left fleeing soldiers and on the right the three women who go to the grave. In the four corners scenes from the passion of Christ in Ovalen. In the middle of angel choirs with God the Father. Antwerp paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers. Easter. the episode of the Last Supper. crucified Christ with Mary and John on either side of the cross; Holy Rood. Christ's entombment (possibly by angels). Christ washes Peter's feet. God the Father as bearded old man, usually with crown or tiara or sceptre and/or globe. cherubs, i.e. children's heads with wings

Mary with Saint Anthony and Saint Niccolò Albergati, Mary on a cloud with cherubs. On the left St. Anthony of Padua with the Christ Child in his arms. On the right the saint Niccolò Albergati. Cardinal Antonio Albergati's coat of arms, Madonna accompanied by saint (s), the Franciscan monk Antony or Padua, possible attributes: ass, book, crucifix, flowered cross, flaming heart, infant Christ (on book), lily, cardinal, Niccolò Albergati, Lorenzo Loli (mentioned on object), Italy, 1622 - 1691, paper, etching, h 291 mm × w 196 mm

Ascension and coronation of Mary. Maria is crowned by Christ, crown and scepter, and God, with Tiara and Rijkeappel. Above her the Holy Spirit and some cherubs. Under her different angels. At the bottom right, the apostles are around her empty tomb. Under the margin a five-line oratory text in Latin.

Maria with child on a cloud; B. Maria D Bono SVCCESSV; Standing Maria's with child. Crowned Maria with child standing on a cloud with cherubs. Four angels on either side. Under the show a Latin text and a verse in two couplets. The text is referred to the St. Augustinus church in Brussels.

The Assumption of the Virgin, pl. 16 from the series Beatae intactae semper Virginis Mariae Vita (The Life of theVirgin). Publisher: Adriaen Collaert, Flemish, 1560-1618 After: Stradanus (Jan van der Straet), Flemish, 1523-1605

The Trinity, with the crucifixion at center and saints to both sides 1586 Giovanni Battista Cavalieri. The Trinity, with the crucifixion at center and saints to both sides. Giovanni Battista Cavalieri (Italian, near Trent ca. 1525-1601 Rome). 1586. Engraving. Prints

Het Mirakel van Turibius de Mogrovejo, Anonymous, After Carlo Marathta, in or After 1625 print Saint Turibius de Mogrovejo, Archbishop of Lima, with crooks. The miracle is depicted where he hits a source in a dry river bed in Peru. A group of men, women and children around him. At the bottom of an empty cartouche. Italy paper etching archbishop, bishop, etc. (Roman Catholic) Peru

Ascension of Maria. Maria is entrained by angels to heaven. She is flanked by musician angels. Two angels above her put a crown on her head.

Johannes de Baptist Legt de doctrine of the Immaculate Reception to H. Gregory, H. Augustine and Johannes Chrysostomos, Nicolas Dorigny, After Carlo Maratta, 1687 print paper etching / engraving series of scenes from the life of John the Baptist. Madonna (i.e. Mary with the Christ-child) in the air, or on the clouds. pope Gregory the Great; possible attributes: dove, emperor Trajan. Augustine, bishop of Hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen. the archbishop of Constantinople, John Chrysostom; possible attributes: beehive, dove

Jacques Callot, French (1592-1635), Attributes of the Virgin, in or after 1630, etching

The Virgin with the Symbols of the Lauretanian Litany ca. 1573-1619 Hieronymus (Jerome) Wierix. The Virgin with the Symbols of the Lauretanian Litany. Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553-1619 Antwerp). ca. 1573-1619. Engraving; second state of two. Prints

Christ preaches the parable of the five way and the five foolish virgins; The praedictione excidii Ierosolymitani; Vitae Passionis et Mortis Jesu Christ ..

. On the island of Patmos, the apostle and Evangelist Johannes is writing his gospel, along with the eagle, his evangelical symbol. He looks at the air. The crowned Mary appears in the clouds with the Christ child and the seven-member beast of the apocalypse.

The Crucifixion, Anthonie Wierix, Flemish, 1596 - 1624, Marten de Vos, Flemish, 1532-1603, Engraving on paper, Christ on the cross and the Virgin, St. Mary Magdalen, St. John. Broad frame with a glory and instruments of the Passion. Signed: 'Eduart. ab Hoeswinckel. excu. Anto. Wierinx scalp. M. de Vos inuentor U.', Netherlands, ca. 1590, religion, Print, Print

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