Biblical Engravings and Announcements

A collection of historic engravings depicting key biblical moments, including the presentation of Mary, the marriage of Tobias, and the birth announcement of John the Baptist.

Christ before Pilate, Johannes Wierix (mentioned on object), Antwerp, 1576, paper, engraving, h 167 mm × w 114 mm

Christ before Pilate, Johannes Wierix (mentioned on object), Antwerp, 1576, paper, engraving, h 167 mm × w 114 mm

Presentation of Maria in the temple; Life of the Virgin Mary; Vita Deiparæ Virginis Mariæ. The young Mary is accompanied by her father and mother and angels while walking up the stairs towards the altar and high priest. In the opened sky above them two angels with a crown. In the margin a six-line caption, in two columns, in Latin.

Marriage of Tobias and Sara; Story of Tobias. Raguel gives his daughter Sara to Marriage to Tobias. In the background, Tobias and the angel are welcomed at the table by Raquel and his wife Edna. At the bottom of the margin an explanatory text in Latin. To Tobit 7: 9-14.

Announcement of the birth of Johannes, Abraham de Bruyn, after Chrispijn van den Broeck, 1583 print Book illustration in the story of the announcement of the birth of John (Luke 1: 5-23). Zacharias is visited by an angel in the background in the temple during the smell offer. The angel tells him that he will have a son with the name John. Then Zacharias comes outside the temple (foreground). He tries to address the crowd, but can no longer speak because of the miracle. He is with gestures. The print contains a reference to the accompanying Bible passage. Antwerp paper engraving annunciation of the birth of John the Baptist to Zacharias: while he is offering incense in the temple an angel (Gabriel) appears to him. Zacharias speechless before the people

Connection Coring of Christ; The passion. Christ is between soldiers on the square of the Pilatus courthouse. He wears a cloak and gets a fake scepter in his hand, soldiers press the thorns crown on his head and bystanders react mockingly by kneeling for him.

Soldiers take Christ by the arm. Christ is being tried by Caiaphas. The high priest tears his robe and accuses Christ of blasphemy. Christ before Caiaphas Life and passion of Christ Dominica Passionis Mysteria Typicis Advmbrationibvs Adamussim Effigiata , print maker: Antonie Wierix (II), Maerten de Vos, publisher: Gerard de Jode, Antwerp, 1583 - 1587, paper, engraving, h 198 mm × w 124 mm

Christ captured and being dragged by hair up steps before the throne of the high priest Annas, after Dürer ca. 1500-1534 Marcantonio Raimondi Italian. Christ captured and being dragged by hair up steps before the throne of the high priest Annas, after Dürer 342726

Ecce Homo, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. Ecce Homo, from Speculum passionis domini nostri Ihesu Christi 666008

Christ shown to the people (Ecce Homo), Anonymous, After Hendrick Goltzius, 1597 - 1667 print Christ is shown to the people by Pilatus on a stage. Pilatus has asked the people if he will release Christ or Barabbas. The people calls that Barabbas must be released, which happens in the middle, and that Christ must be crucified. Pilatus washes his hands in innocence. Netherlands paper engraving Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6). Pilate washing his hands (in innocence)

The mocking of Christ 1644-52 Wenceslaus Hollar Bohemian Christ is seated at left wearing a crown of thorns. Monks threaten him with objects used to force the crown deeper and a Capuchin kneels before him and holds out a huge glass of beer.. The mocking of Christ 360709

Christ shown to the people (Ecce Homo), Christoffel van Sichem (II), After Hendrick Goltzius, 1657 print Christ is shown to the people by Pilatus on a stage. Pilatus has asked the people if he will release Christ or Barabbas. The people calls that Barabbas must be released and that Christ must be crucified. Pilatus washes his hands in innocence. Amsterdam paper Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6). Pilate washing his hands (in innocence)

Christ in conversation with the Pharisees and Scribes; Feria IIII. Post Domin. III. Qvadray. Pharisees and scribes have come from Jerusalem to ask Christ questions about his doctrine. At different elements from the show are letters that correspond to the legend in the margin.

Scourging Christ; The passion. Christ is tied to a pillar and is beaten by two men with a branch forest and a scourge. In the foreground a man binds a bunch of branches.

Holy Cunegundes of Luxembourg proves her innocence, Raphaël Sadeler (I), after Johann Mathias Kager, 1615 print At the court of Emperor Hendrik de Heilige, the Holy Cunegundes of Luxembourg runs over twelve glowing plow shears without burning her feet. For example, she proves her virginity after an accusation of unfaithfulness. The print has a Latin caption and is the 39th print of a 60-part series on the subject of the saints of Bavaria. München paper engraving / etching the trial by ordeal of St. Cunegunda: accused of marital infidelity, she walks over red-hot ploughshares unharmed; usually her husband King Henry II present. the Holy Roman emperor Henry II of Bamberg; possible attributes: crown, lily, model of church, orb, sceptre, sword Bavaria

The mocking of Christ. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 3 9/16 × 2 3/8 in. (9 × 6 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: The satirical passion. Date: 1625-77.Christ is seated at left wearing a crown of thorns. Monks threaten him with objects used to force the crown deeper and a Capuchin kneels before him and holds out a huge glass of beer. Museum: Metropolitan Museum of Art, New York, USA.

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, S. Virgilivs episc. Salisbvrg, Saint Virgil expels a devil from his grave, verso lower left - stamped, The grave of Saint Virgil in the church of Salzburg. A priest in front of the grave blesses a man and, with the help of Saint Virgil, expels a devil from him. The print has a Latin caption and is the 29th print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlands, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Coronation of Stanislaw I Leszczynski in 1705 by Anonymous / Private Collection / 1706 / Copper engraving / History / Baroque

At the city gates of Jerusalem Absalom embraces an Israelite. In this way he approached everyone from Israel who came to ask for a verdict from the king, and in this way he palmed the people of Israel. Below the image a reference in Latin to the Bible text in 2 Sam. 15. Absalom seizes power History of David and Absalom Thesaurus sacrarum historiarum veteris testamenti , print maker: Johannes Wierix, (mentioned on object), Maerten de Vos, (mentioned on object), publisher: Gerard de Jode, (mentioned on object), Antwerp, 1585, paper, engraving, h 197 mm × w 258 mm

Albrecht Dürer (German, 1471 - 1528), The Betrothal of the Virgin, c. 1504-1505, woodcut

This 16th-century copper engraving by Marcantonio Raimondi shows Pontius Pilate performing the hand-washing ritual, emphasizing gestures, figures, and detailed expressions.

Christ shown to the people (ECCE gay). Christ is shown to the people by Pilatus on a stage. Pilate has asked the people if he will leave Christ or Barabbas free. The people shout that Barabbas should be released and Christ should be crucified. Pilate washes his hands in innocence.

Woodcut by Hans Schäufelin from 1507 depicting Christ before the high priest Caiaphas, showing a biblical trial scene with figures in religious context.

Absalom Inviting David and His Brothers, from The Story of Amnon and Tamar 1540 Heinrich Aldegrever German Absalom standing with his sword at right addresses David, who is seated on his throne and holding his scepter at left. Two figures are visible in the background at center. Based on 2 Samuel 13:24-27. Plate 5 from a series of seven plates with the Story of Amnon and Tamar.. Absalom Inviting David and His Brothers, from The Story of Amnon and Tamar 428318

Footswassing van Petrus, Jan Luyken, 1681 print Amsterdam paper etching Christ washes Peter's feet

The young King Louis XIV welcomes and embraces Cardinal Mazarin. In the background a group of hovelizes and the queen of France.

Mission of Maria in the temple. Mission of Maria in the temple, she is received by the high priest. Four lines of Latin text in undergarment.

Albrecht Dürer, The Betrothal of the Virgin, c 1504 1505 The Betrothal of the Virgin

Christ and wife of Canaan, Balthazar van den Bos, after Lambert Lombard, 1553 print On a square in a city, Christ is approached by a Canaanite woman. She kneels and begs him to heal her daughter. Although the apostles about Christ recommend sending the woman, Christ talks to the woman and praises her steadfast faith. Then he shouts that her daughter was healed. (Matthew 15: 21-28). The print shows the twelve apostles, Christ, Mary and Mary Magdalena and the adulterous woman. In the background a gate with relief. The print has a caption with reference to Bible place. paper engraving a Canaanite woman kneels before Christ, asking him to heal her daughter; the metaphor of the dogs and bread (Matthew 15:21-28; Mark 7:24-30)

Antwerp, Galle, Theodor, Poland, Galaminio, Augustino, Nys, Joannes, Jode, Pieter de (I), Vita et miracula SP Dominici, Life and miracles of Saint Dominic, Miracle of Saint Dominic among the Abyssians, verso center bottom - stamped, Saint Dominic and the heretical leader of the Abyssians both throw their Bibles into the fire. The Bible of Saint Dominic does not burn, but jumps out of the fire. The print has a Latin inscription and caption and is part of a series of prints for a book about the life of Saint Dominic., print, book illustration, prints, width 90 mm, height, 150 mm, South Netherlandish, 1571 - 1633, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), 1570 - 1634-08-09, intermediary draughtsman, after a drawing by, Work conception, after a design by, 1552 - 1639, writer, Publication (Event), Publication, publisher

Woodcut by Hans Schäufelin from 1507 depicting the mockery of Christ, showing Christ, figures, soldiers, gestures, and instruments of ridicule.

Ten brothers from Jozef come to Egypt; History of Joseph. Ten brothers from Jozef come to Egypt to buy grain for their hunctual families.

Graflegging van Stefanus, in or after 1629 - in or before 1646 print Stefanus is buried in a shroud. The print is part of an album. paper letterpress printing burial of Stephen

Saint Bruno. Engraving by F. Chauveau and C. Simonneau after E. Le Sueur.

Woodcut by Albrecht Dürer from around 1504 depicting the circumcision of Christ, showing the infant Jesus, Mary, Joseph, and attending figures in a domestic and religious setting.

Jeremiah pulled out of the pit ..

Christ for Annas and the solochening of Petrus, Boetai Adamsz. Bolswert, 1622 print paper engraving Christ before Annas (Hanna); maybe a soldier about to strike Christ (John 18:13, 18:19-24). repentance of Peter

Netherlands, Doesburgh, Thomas, Clergyman in doorway of church, a king stands before him., print, book illustration, prints, height 115 mm, width 67 mm, print maker, printmaker, 1692 - 1714, paper, papier, etching, etchings

Christ for Annas, Anonymous, Hans Schäufelein, 1506 - 1507 print paper Christ before Annas (Hanna); maybe a soldier about to strike Christ (John 18:13, 18:19-24)

Appearance of three Dominicans, Egbert van Panderen, After Otto van Veen, 1610 print Cityscape with a group of figures in the foreground, looking up to heaven. There they see three times a half moon with the busts of Dominicans: the H. Thomas van Aquino, the blissful Ambrosius of Siena and the blissful Jacobus of Bevagna. In the margin a five -line caption in Latin. Third print from a series of thirty prints that represent the life story of Thomas of Aquino. Antwerp paper engraving the Dominican theologian, 'Angelic Doctor' Thomas of Aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast) - early life of male saint

Christ shown to the people (ECCE Gay); The passion. Christ is shown to the people by Pilatus on a stage. Pilate has asked the people if he will leave Christ or Barabbas free. The people evoke that Barabbas should be released, which happens in the middle, and that Christ should be crucified. Pilate washes his hands in innocence.

Christ is shown flogged to the people. He stands on an elevation so the crowd can see him. On the right, on a second elevation, stands a nobleman who is also imprisoned. His guard is a devil. Christ shown to the people (Ecce Homo), print maker: Cornelis Galle (II), (mentioned on object), print maker: Cornelis Galle (I), (mentioned on object), Nicolaas van der Horst, (mentioned on object), Antwerp, 1610 - 1678, paper, engraving, h 135 mm × w 88 mm

Christ shown to the people (ECCE Homo), Israhel van Meckenem, 1455 - 1503 print Christ stands for a shouting crowd of people. Pilate is next to him. In the foreground is a monkey on a rope. This print is part of a series of twelve prints with scenes from the suffering story. Bocholt (Germany) paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Saint John and Saint Peter Healing the Cripple 1553 Lambert Suavius Netherlandish. Saint John and Saint Peter Healing the Cripple 399886

Nuremberg, Dürer, Albrecht, Life of Mary, Marriage of Mary, verso lower left - stamped, Mary and Joseph stand hand in hand in a temple, surrounded by a group of men and women. The high priest has placed his hands on their arms. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary., print, prints, height 293 mm, width 209 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1502 - 1506, first quarter 16th century, paper, woodcut

Woodcut by Albrecht Dürer depicting the circumcision of Christ from the Marienleben series, showing figures, gestures, religious context, and composition, created around 1504.

Paul and Barnabas in Lystra; Acts of the Apostles. Paul and Barnabas had a paralyzed healed. The priest of the Temple of Jupiter and his followers wanted to sacrifice bulls as a gift because they were assumed that Paul and Barnabas were Mercury and Jupiter in human form. Paul tears off his clothes to prevent this. Under the margin a two-person caption in Latin.

Christ for Herod; Passion and resurrection of Christ; Passio et resdrrectio D.n. IESV Christi. Christ is introduced to Herod. The print has a Latin caption

Antwerp, Galle, Theodor, Poland, Galaminio, Augustino, Nys, Joannes, Jode, Pieter de (I), Vita et miracula SP Dominici, Life and miracles of Saint Dominic, Vision of Saint Dominic about the apostles Peter and Paul, verso center bottom - stamped, In St. Peter's Church in Rome, Saint Dominic receives a vision from the apostles Peter and Paul. They give him a staff and a book respectively and command him to spread the word of God. The print has a Latin inscription and caption and is part of a series of prints for a book about the life of Saint Dominic., print, book illustration, prints, width 90 mm, height, 150 mm, South Netherlandish, 1571 - 1633, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), 1570 - 1634-08-09, intermediary draughtsman, after a drawing by, Work conception, after a design by, 1552 - 1639, writer, Publication (Event), Publication, publisher

Albrecht Dürer, The Betrothal of the Virgin, c 1504 1505 The Betrothal of the Virgin

ECCE HOMO, ANONYMOUS, AFTER JOHANN SADELER (I), AFTER MAARDE DE VOS, 1590 - 1638 print Pontius Pilatus shows the brushed Christ to the Jewish people, who shouts him. The print has a Latin caption with a text from the Bible and is the seventh print of a fourteen -part series about the passion of Christ. Southern Netherlands paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, S. Maximilianvs archiep. Lavreacensis. M., Saint Maximilian refuses to sacrifice to Mars, verso lower left - stamped, St. Maximilian, the bishop of Lorch, refuses to sacrifice at the statue of the war god Mars. Around him other captured Christians. On the right a man with a machete, a harbinger of the martyrdom of St. Maximilian. The print has a Latin caption and is the fourth print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlandish, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Christ for Pilate, Zacharias Dolendo, after Karel van Mander, 1596 - 1598 print Christ is brought before Pontius Pilatus. He lets Christ remove and washes his hands in innocence. Print from a series of 13 prints and a title print manufactured by Z. Dolendo and J. de Gheyn II. paper engraving Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16)

The Circumcision, from The Life of the Virgin n.d. Albrecht Dürer German. The Circumcision, from The Life of the Virgin 387876

Christ voor Pontius Pilate; The prosecution at Pilate; Life's passion and death of Jesus Christ ..

Saint Bruno. Engraving by F. Chauveau and C. Simonneau after Le Sueur.

Book illustration accompanying the story of the Fall of Jericho (Joshua 6:15-20). The Ark of the Covenant is carried by the Israelite army seven times around the city of Jericho, accompanied by seven high priests, each blowing a ram's horn. At the seventh circumambulation, the walls and towers of the city break down and the Israelite army attacks. The print includes a caption with a reference to the accompanying Bible passage, Fall of Jericho Scenes from the Bible Biblia sacra , print maker: Pieter Jalhea Furnius, (rejected attribution), print maker: Abraham de Bruyn, (rejected attribution), Gerard van Groeningen, Antwerp, 1583, paper, engraving, h 168 mm × w 114 mm

In the presence of different hovelings kneels Bishop Mazarin for Louis XIII, king of France, and receives the cardinal hat from him.

Absalom grabs to power; History of David and Absalom; Theatrum Biblicum (...). Absalom an Israelite embraces at the city gates of Jerusalem. For example, he performed everyone from Israel who came to a statement asking the king, and in this way he palmed the people of Israel. Under the show a reference in Latin to the Bible text in 2 SAM. 15: 2.

Presentation of Christ in the Temple, Anonymous, After Francesco Villamena, After Paolo Veronese, in or after 1597 print Maria is kneeling with the Christ child in the arms. Next to her the high priest Simeon. On the right a woman with a cage with pigeons. A rule of Latin text in the lower margin. Italy paper engraving presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

Antwerp, Galle, Theodoor, Sterre, Johannes Chrysostomos van der, Cornelis (I), Saint Norbert defends himself against the Catholic Church, Saint Norbert must answer for his preaching before Conon, the papal legate. The print has two Latin inscriptions: one above and one below the image., print, book illustration, prints, height 152 mm, width 93 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1622 - 1622, paper, engraving, engraving (printing process), 1591 - 1652, writer, Publication (Event), Publication, 1571 - 1633, publisher

Christ Teaching in the Synagogue. Dated: probably c. 1576/1580. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Léonard Gaultier.

Life of the Virgin: Joachim and Anna Embracing under the Golden Gate, 1504-1505. Albrecht Dürer (German, 1471-1528). Woodcut;

Christ heals a man with water sky, Antonie Wierix (II), After Bernardino Passeri, 1593 print On the Sabbath, Christ goes to the house of a prominent Pharise, to which he was invited for a meal. He grabs a man with water sky by hand and heals him, even though it is Sabbath. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving healing of a man with dropsy (Luke 14:2-4)

Confirmation, from "The Seven Sacrements" 1767 Lorenzo Zucchi. Confirmation, from "The Seven Sacrements". Lorenzo Zucchi (Italian, Venice 1704-1779 Dresden). 1767. Etching. Prints

Susanna for the judges, Nicolaes de Bruyn, 1629 - 1631 print Susanna is led veiled for the elders, who accuse her of unfaithfulness and jerk off her veil. As judges they then condemn her. A large crowd around them. Rotterdam paper engraving the elders accusing Susanna before the people, laying their hands on her head or unveiling her

Israhel van Meckenem, Christ before Annas, c 1480 Christ before Annas

The Presentation of the Virgin in the Temple, from The Life of the Virgin Made 1503-1504 Germany. Woodcut in black on ivory laid paper . Albrecht Dürer

Jacques Callot, The Adoration of the Magi, 1623 1628 The Adoration of the Magi

Coronation of Willem III and Maria II Stuart by the Archbishop of Canterbury, 1689, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing during the coronation

Christ and the adulterous woman; Sabbatho Post Domin. III. Qvadray. In the Temple of Jerusalem, the Pharisees bring a woman to Christ who is caught overtime. He must judge her. Christ writes with his finger on the floor and says, "Which is without sin, the first stone". At different elements from the show are letters that correspond to the legend in the margin.

Woodcut by Albrecht Dürer around 1508-1509 depicting Christ before Pontius Pilate, showing detailed figures and narrative composition.

Absalom invites David and his brothers for a feast; History of Amnon and Tamar. King David sitting on his throne, his son Absalom stands for him that his father and brothers are invited for a party. Above a cartouche with text in Latin. Hijep print from a series of seven with the story of Amnon and Tamar.

Tobias and the angel say goodbye to Tobit and Anna; Story of Tobias. Tobias and the angel say goodbye to Tobias' parents Tobit and Anna. Right rear are Tobias, the angel and the dog of Tobias on the way to Media to pick up the money that someone is lying. At the bottom of the margin an explanatory text in Latin. To Tobit 5.

Debate with Pharisees and Herodians; Dominica XXII. Post PenteCost. Christ is put to the test by students of the Pharisees and a number of Herodians, but he has their angry intent. They show Christ a denarie with the images and the inscription of the emperor. This answers Christ: "" Give some of the emperor to the emperor, and give God what God belongs. " At different elements from the show are letters that correspond to the legend in the margin.

Footsing of Petrus, Anonymous, After Jan Luyken, 1720 print paper etching Christ washes Peter's feet

Christ and the Woman from Canaan, Hieronymus Wierix, After Maerten de Vos, 1593 print A Canaanite woman throws herself before Christ and begs him to heal her daughter, who is tormented by a demon. His students ask Christ to send the woman away. At first he does not approve the woman, but after he is convinced of her faith, he heals her daughter. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving a Canaanite woman kneels before Christ, asking him to heal her daughter; the metaphor of the dogs and bread (Matthew 15:21-28; Mark 7:24-30)

Turnus for the throne latinus; Working from Vergilius. Turnus speaks to the thrurnending king latinus in the presence of Queen Amata and daughter Lavinia.

Christ brought to Annas, 1629 print Christ is fascinated by soldiers at the house of Annas, the father -in -law of Kajafas. He then sends him to the high priest Kaja pas. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing Christ before Annas (Hanna); maybe a soldier about to strike Christ (John 18:13, 18:19-24)

Raffaello Schiaminossi, The Betrothal of Margaret of Austria to Philip III, King of Spain, 1612 The Betrothal of Margaret of Austria to Philip III, King of Spain

Susanna for the judges, Hans Collaert (I), After Maerten de Vos, 1581 - 1633 print Susanna is led for the elders, who accuse her of unfaithfulness. As judges, they also condemn her. The print has a Latin caption and is part of a series with the story of Susanna Antwerp paper engraving the elders accusing Susanna before the people, laying their hands on her head or unveiling her

Christ blesses the children; Let the children come to me. Christ is sitting on a square and blesses the children who come to him with their mothers. Besides and behind him, the apostles are looking at him in groups.

Worship of kings; The regible magis; Vitae Passionis et Mortis Jesu Christ.drie Koningen worship the Christ child. Two scenes in the landscape show two other events from the Bible story: the three kings on a journey follow the star that points their way to the king of the Jews and the angel warns the three kings not to return to Herod.

The Preacher is visited by Death. Facsimile of an engraving belonging to the series "The Dance of Death" by Hans Holbein the Younger, in "Les Simulachres et Histoires facees de la Mort", 1538. "Vie Militaire et Religieuse au Moyen Age et a l'Epoque de la Renaissance". Paris, 1877.

The Adoration of the Magi. Dated: 1513. Dimensions: sheet (trimmed within plate mark): 29.6 x 43 cm (11 5/8 x 16 15/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

Opwekking Dorkas (Tabita), Jan Luyken, 1708 print Amsterdam paper etching Tabitha is raised from the dead by Peter's prayer

Circumcision of Christ, Albrecht Dürer, 1502 - 1506 print In a temple room, the Christ child is circumcised, in the presence of a group of men and women. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. Nuremberg paper circumcision of the Christ-child by the priest in the temple (Luke 2:21)

Foot washing of Petrus ..

Cosimo de 'Medici for the College of Cardinals and Pope Pius V; Family history of the genus the 'Medici (Part 3); Mediceae Familiae Rerum Feliciter Gestarum Victoriae et Triumphi. Cosimo de 'Medici for the College of Cardinals and Pope Pius V. in the underwear two lines text in Latin. Numbered with pen 2. The print is part of an album.

Priester Alexander Sauli Deelt Brood Uit Op Corsica, Giovanni Antonio Faldoni, After Domenico Maria Fratta, 1700 - 1760 print The later legitimate priest Alexander Sauli hands out bread to a group of arms on the street in Corsica. Behind Alexander is a pilgrim. People drinking in the foreground. In the background a group of clergymen around a table where they have a meal. Italy paper engraving saints. giving food Corsica

Ecce Homo, from The Passion of Christ ca. 1598-1617 Anonymous. Ecce Homo, from The Passion of Christ 398298

Jozef accuses Benjamin of theft, Pieter Jalhea Furnius, 1572 print Joseph's brothers are kneeling in front of him. They beg Joseph not to leave Benjamin in Egypt. Young Benjamin is standing between his brothers with folded hands. In the background the reconciliation meal. Under the performance is a rule of text in Latin, numbered in the bottom right: 8. The print is part of a series of prints about the life of Joseph. paper engraving the brothers before Joseph: Judah pleads for Benjamin and offers to be retained as a slave in his stead

Albrecht Dürer, The Life of the Virgin: The Betrothal of the Virgin, 1504-1505, woodcut on paper.

Man addresses his weeping housewife, Jan Luyken, 1693 print Amsterdam paper etching crying, shouting. marriage, married couple, 'matrimonium'

Presentation in the temple; Life of the Virgin Mary; Vita Deiparæ Virginis Mariæ. The high priest Simeon holds the Christ child in his arms that has been brought to the temple by Mary and Joseph. They kneel for the altar with a pigeon couple in the hands. The pigeon of the Holy Spirit descends to the child. The Prophetes Hanna and others watch. In the margin a six-line caption, in two columns, in Latin.

Parable of the workers in the Wijngaard, 1629 print After their work in the vineyard, the workers receive the wages of one denarie of the steward of the landlord. At the top of the facade medallions in which it is shown how the landlord hires workers both in the morning and at three o'clock, six and nine hours. The times can be read from the position of the sun on the horizon. The steward gives every worker the same amount of money. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing the labourers in the vineyard ~ parable of Christ (Matthew 20:1-16). at the end of the day the lord pays all the labourers equally; those that worked all day object

Baptism of betters, 1535. Meeting of the reciprocates in a house where the better is applied. Print cut out of the book. Without the verse under the show.

Judit and her maid on the way to Holofernes; Judit and her slave on the way to Holofernes. Judit walks into her nicest clothing and accompanied by her service after the city gate the city of Bethulia. The urban winds accompanied her to the gate. Right in the distance lies Holofernes tent camp. The print is part of an album.

Antwerp, Galle, Theodoor, Sterre, Johannes Chrysostomos van der, Cornelis (I), Saint Norbert takes a vow of poverty., Saint Norbert takes a vow of poverty and removes all his valuable possessions. In the background he is ordained a priest by the Archbishop of Cologne. The print has two Latin inscriptions: one above and one below the image., print, book illustration, prints, height 152 mm, width 93 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1622 - 1622, paper, engraving, engraving (printing process), 1591 - 1652, writer, Publication (Event), Publication, 1571 - 1633, publisher

Two angels draw Lot the house; The history of Lot. The men from Sodom want Lot to deliver their two strangers, but Lot states for them. The two angels enters Lot the house and thus protect him for the furious crowd.

Emperor Otto III at the tomb of saint Adalbert of Prague, a somewhat devious cleric who was murdered on suspicion of being a Polish spy while working as a missionary.

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