Biblical Etchings and Engravings

A collection of historical etchings and engravings illustrating biblical scenes, featuring figures and symbols from sacred narratives, in detailed, classic style.

Copper engraving by Aegidius Sadeler the Younger, 1590-1629, depicting Saint Anne with the child Jesus and young Mary, alongside Mary with various animals.

Etching depicting the biblical story of the Sacrifice of Isaac, created in the 17th century, showing Abraham, Isaac, and an angel with altar and landscape.

Copper engraving and etching by Dirck Volkertszoon Coornhert depicting Christ and the personification of Truth, created between 1540 and 1590, showing figures, gestures, and symbolic composition.

Etching by Giovanni Battista Mercati from 1610-1645 depicting the Baptism of Christ, showing John the Baptist performing the ritual in a religious composition.

Copper engraving by Johann Sadeler the Elder illustrating the virtues of Jesus Christ, showing figures, gestures, symbolic objects, and biblical context, created around 1585.

An etching by Bernhard Rode depicting multiple biblical scenes, showing figures, gestures, expressions, interactions, settings, and religious narratives, created between 1748 and 1797.

This 17th-18th century etching by an unidentified engraver depicts women holding rosaries, focusing on devotional practices and religious attire typical of the period.

Copper engraving by Charles Le Brun depicting a king kneeling before the crucifix, created between 1680 and 1738, showing detailed religious composition.

Copper engraving by Aegidius Sadeler the Younger, 1590-1629, depicting Saint Anne with the child Jesus and young Mary, alongside Mary with various animals.

A copper engraving by an unidentified engraver depicting the dying St. Alexius with a cross on his chest alongside St. Dominikus, created between 1620 and 1688, illustrating religious figures and devotion.

Copper engraving by Adriaen Collaert depicting the commandment 'I am the Lord your God; you shall have no other gods before me,' produced between 1587 and 1636.

Copper engraving by Pierre Mignard around 1700 depicting Saint Charles Borromeo giving communion to plague patients, showing detailed figures and composition.

Copper engraving by Antonie Wierix II from 1588 showing the proclamation, with figures, gestures, symbolic elements, and religious context.

Copper engraving and etching by Jan van der Straet depicting Mary Magdalene in the wasteland and St. Nicholas of Tolentino, showing figures, gestures, and religious narrative from 1560 to 1618.

Zacharias Dolendo engraved a copper print between 1596 and 1598 depicting the Passion of Christ, illustrating key events from the crucifixion narrative.

Copper engraving and etching by Raphael Sadeler the Elder from 1580-1632 depicting the grave of Christ, illustrating the entombment scene with detailed 16th- and 17th-century religious figures.

Etching by William Unger depicting the mystical engagement of Saint Katharina with Saints Dominikus and Peter Martyr, created in 1886. The work highlights religious figures, gesture, and symbolic elements in Christian iconography.

Copper engraving by Marten de Vos, 1557-1612, depicting Christian allegories, showing figures, gestures, and symbolic elements from religious narratives.

Copper engraving and etching by Grégoire Huret from 1626-1670 showing the biblical announcement to Mary, depicting figures, gestures, expressions, and domestic or sacred setting.

This etching and copper engraving by Cosimo Mogalli from 1685-1739 depicts the birth of Christ, showing the infant, Mary, Joseph, and surrounding figures in a nativity scene.

Copper engraving by Johann Sadeler the Elder, created 1570-1600, showing a title leaf with multiple scenes from the Gospel of Paul, including figures, actions, and symbolic elements of early Christian narratives.

Copper engraving by Pieter de Jode depicting the martyrdom of St. Peter, created between 1585 and 1634, illustrating the crucifixion of the apostle and Christian religious themes in late 16th-early 17th century European engraving.

"Copper engraving by Claude Mellan serving as frontispiece for Bibles Sacra, depicting religious iconography, decorative elements, and symbolic motifs. Created around 1642, illustrating detailed engraving and sacred representation."

Etching by Giacinto Gimignani depicting Saint Ignatius of Loyola, created in 1649, showing the saint in Jesuit robes holding a book and cross with a contemplative expression.

Copper engraving and etching published by Hieronymus Cock from 1563 depicting Christ on the cross, illustrating the crucifixion with surrounding figures in a 16th-century religious scene.

Cornelis Cort created a copper engraving depicting St. Rochus and St. Dominikus, produced in 1573 and 1577, showing the saints, robes, gestures, and religious iconography.

Copper engraving and etching published by Hieronymus Cock depicting Christ on the cross, created in 1563, showing the figure, crucifixion scene, and religious symbolism.

Copper engraving by Lucas Vorsterman depicting Saint Mary Magdalene, created between 1622 and 1623.

Mocking of Christ, Adriaen Collaert, c. 1580 - c. 1590 print Magment of Christ. Part of the press series about the passion of Christ: Passio et Resurrectio D.N. Esu Christi. Edita et Excusa Ab Ad. Collaert. In Prentalbum with two series of 34 and 24 engravings with scenes from life and the suffering story of Christ respectively. paper. gold (metal). silver (metal) engraving mockings of Christ, who may be blindfolded

Copper engraving and etching by Theodor Galle depicting Saint Francis of Assisi and Saint Paul, created between 1591 and 1608. The print shows both saints with their traditional attributes.

A 19th-century lithograph by Josef von Führich illustrating the circumcision of Christ and the twelve-year-old Jesus in the temple as part of the rosary mysteries.

Copper engraving by Adriaen Collaert depicting the grave and resurrection of Christ. Created between 1560 and 1618, illustrating key New Testament events and religious figures.

Ferrantes Rosatti's etching 'St. Antonius with the Christ Child', created between 1640 and 1660, depicts St. Anthony of Padua adoring the Christ Child, showcasing his engraving skills and religious themes.

Copper engraving by Jan Collaert the Younger showing God the Father and the Holy Spirit in heaven, with figures, gestures, sacred symbols, and 16th-century religious context.

Copper engraving by Alexander Voet the Elder, 1638, depicting Saint Teresa and an allegorical representation of the Church triumphant with detailed religious figures and symbols.

Paulus Pontius engraved 'The Holy Family' around 1625, depicting Mary, Joseph, and infant Jesus together with symbolic objects in a domestic setting in copper engraving format.

Copper engraving by Philipp Galle, 1558, depicting Peter and Johannes taken by temple priests and Sadducees, and their appearance before the high priest, illustrating a biblical scene.

Copper engraving by Michel Natalis depicting a portrait of Maximilian Henri, Archbishop of Cologne, created around 1660, showing facial features, attire, and compositional detail.

Copper engraving and etching by Wolfgang Kilian illustrating the resurrection of Christ and scenes representing Christian civilization, showing figures and religious symbolism.

Christ for Herod; Passio et Resurrectio D.n. Iesu Christi. Edita et Excusa ab Ad. Collaert. Christ for Herod. Part of the print series about the passion of Christ: Passio et Resurrectio D.n. Iesu Christi. Edita et Excusa ab Ad. Collaert. In PrentalBum with two series of 34 and 24 engravings respectively with scenes from the life and breast story of Christ.

Etching by Vespasiano Strada depicting Saint Francis of Assisi receiving the stigmata between 1595 and 1622, showing figure, robes, gesture, and religious symbols.

Johann Sadeler the Elder's copper engraving shows Saint Cecilia with an angel at an organ and Saint Maria with musicians, depicting musical devotion and religious iconography between 1570 and 1600.

Copper engraving by an unknown engraver depicting Maria with child and St. Katharina, created between 1600 and 1651.

Etching by Lorenzo Lolli depicting the Immaculate Conception, created between 1630 and 1691.

Copper engraving published by Cornelis Galle the Elder showing the Immaculate Conception and Assumption of Mary, 1630-1650.

Etching by Johann Zimbal from 1740-1795 depicting St. Katharinas engagement with the Christ child and John the Evangelist writing the Revelation, showing figures, gestures, and symbolic elements.

Copper engraving and etching by Jean Audran between 1687 and 1722 showing Jesus presented to Caiaphas with detailed European baroque religious imagery.

Copper engraving by Ambrosius Francken depicting Christ in the house of Maria and Martha, created around 1580, showing figures, interior, and 16th-century European printmaking techniques.

Matthias Gerungs circa 1550 woodcut depicts Helias killing a priest and Christ driving the money changers from the temple, illustrating biblical narratives in early modern European printmaking.

Copper engraving by Adriaen Collaert, circa 1598, depicting the Passion of Christ with key events including the crucifixion, carrying the cross, and scenes of suffering and devotion.

Copper engraving by Cornelis Boel showing Mary with the child Jesus as part of the Holy Family, created between 1590 and 1659. Highlights religious iconography and devotional representation.

Copper engraving and etching by Adriaen Collaert depicting the resurrection of Christ and an allegory of faith cleansing human hearts with his blood. Created between 1560 and 1618.

Copper engraving by Aegidius Sadeler the Younger, created in 1615, depicting the burial of Christ with figures, tomb, and religious iconography.

An etching by Lorenzo Lolli from 1630-1691 depicting Mary in glory with Saint Anthony of Padua and Nikolaus Albergati, illustrating religious figures and veneration.

Etching by Giacinto Gimignani depicting Saint Dominic, created in 1649, showing the saint in religious attire with symbolic attributes and a serene expression.

An etching by William Unger from 1886 depicting Maria with the child and Saints Rosalia, Peter, and Paul, showing figures, posture, and garments.

Copper engraving by Adriaen Collaert, circa 1598, showing scenes from the life of Jesus including preaching, healing, and interactions with followers in biblical landscapes.

Copper engraving and etching by an unidentified engraver between 1676 and 1703 depicting a baptism ceremony in a church setting.

This copper engraving and etching by Nicolas Henri Tardieu, from 1694-1755, depicts Christ on the Mount of Olives, highlighting classical biblical composition and detailed engraving.

Copper engraving by Johann Sadeler depicting the biblical scene of the shepherds adoring the newborn Jesus, created in 1599.

Copper engraving by Adriaen Collaert, circa 1598, illustrating the Passion of Christ with scenes of crucifixion, Pilate, disciples, and symbolic religious elements.

Copper engraving and etching by Manuel Salvador Carmona from 1755 depicting 'Do not touch me' (Noli me tangere), showing Christ after resurrection with Mary Magdalene in a biblical encounter.

Copper engraving by Heinrich Aldegrever from the 16th century depicting Christ on the cross with representations of Mary, showing figures, gestures, and composition.

Copper engraving from the 17th century by an unknown artist depicting Saint Christopher. The artwork shows the saint carrying the Christ child, gestures, and symbolic religious elements in European style.

Copper engraving by Cornelis Cort depicting the adoration of the shepherds, produced in 1568, showing the Holy Family and shepherds in a Nativity setting.

Copper engraving by Cornelis Galle the Younger from 1630-1678 depicting Christ with repentant sinners, showing figures, gestures, postures, expressions, and surrounding setting.

Etching by an unknown artist showing Maria holding the child Jesus. Produced between 1560 and 1606, depicting maternal figure, clothing, and religious symbolism.

An etching by Ludwig Sommerau from 1779 depicting the adoration of the Magi, showing the three kings presenting gifts to the infant Jesus.

Christ heals the Blindborne, Adriaen Collaert, After Maerten de Vos, c. 1580 - c. 1590 print Christ heals a man who is blindly born. Part of the press series about the life of Christ: Vita iesu Salvatoris Varijs Iconibus Ab Adriano Collaert Expressa. In Prentalbum with two series of 34 and 25 engravings with scenes from life and the suffering story of Christ respectively. paper. gold (metal). silver (metal) engraving healing of a man born blind: Christ touches his eyes with an 'ointment' of dust and spittle (John 9)

Engraving and etching by Johan Barra (1601-1629) showing Christ with the twelve apostles. The artwork demonstrates early 17th-century religious illustration with precise linework and expressive detailing.

Etching and copper engraving by Gérard Audran between 1660-1703 depicting Saint Franziska of Rome, showing religious attire, halo, and devotional posture.

Christ heals a paralyzed man, Adriaen Collaert, after Jan Baptiste Collaert, After Maerten de Vos, c. 1580 - c. 1590 print Christ heals a paralyzed man who is lowered by the roof. Part of the press series about the life of Christ: Vita iesu Salvatoris Varijs Iconibus Ab Adriano Collaert Expressa. In Prentalbum with two series of 34 and 25 engravings with scenes from life and the suffering story of Christ respectively. paper. gold (metal). silver (metal) engraving a paralytic on his bed is brought to the house where Christ is preaching (Matthew 9:1-8; Mark 2:1-12; Luke 5:17-26)

Copper engraving by Marten de Vos, 1580-1590, depicting repentant sinners from the Old and New Testament, showing figures, gestures, and biblical narrative.

Photo production of the painting De Sixtine Madonna by Rafaël, Anonymous, After Rafaël, c. 1870 - in or before 1875 photograph Berlin paper albumen print Mary standing (or half-length), the Christ-child in front of her, close to her bosom; standing (+ donor(s), supplicant(s), whether or not with patron saint(s)). cupids: 'amores', 'amoretti', 'putti'

Copper engraving by an unidentified engraver, 17th century, depicting Jesus before Pilate with detailed figures, gestures, and religious iconography.

Copper engraving by Johann Sadeler the Elder depicting the coronation of Mary, showing figures, gestures, sacred symbols, and 16th-century religious context.

Copper engraving by Jan Harmensz. Muller around 1595 depicting the dead Christ accompanied by an angel. The artwork shows Christ, angel, gestures, expressions, and symbolic religious elements in late 16th-century European style.

A copper engraving and etching by Alexis Loir, produced between 1660 and 1713, depicting the baptism of Jesus by John the Baptist, showing figures, water, and a religious setting.

Christ in Limbo; Passio et Resurrectio D.n. Iesu Christi. Edita et Excusa ab Ad. Collaert. Christ decreases in the underworld. Part of the print series about the passion of Christ: Passio et Resurrectio D.n. Iesu Christi. Edita et Excusa ab Ad. Collaert. In PrentalBum with two series of 34 and 24 engravings respectively with scenes from the life and breast story of Christ.

Copper engraving after Nicolas Poussin, 17th-18th century, showing the Adoration of the Shepherds with the infant Jesus and surrounding figures.

Copper engraving depicting the crucifixion of Hamans, showing figures in biblical scene, created around 1550 by Melchior Lorch.

Etching by Jacques Callot depicting the Savior and Virgin Mary with Apostles' icons, created in the 17th century with religious figures and narrative composition.

Etching and copper engraving by Wolfgang Kilian depicting the Virgin Mary with the child Jesus and the martyrdom of St. Stephen by stoning.

A copper engraving and etching by Dominicus Custos from the 16th-17th century depicting the Adoration of the Three Kings, showing the biblical scene with figures and gifts.

Copper engraving by Adriaen Collaert, created around 1598, depicting the Passion of Christ with figures, gestures, and symbolic elements, including the crucifixion, carrying the cross, and surrounding observers.

Alexis Loir's copper engraving (1660-1713) depicts the Holy Family with an angel, showing figures, drapery, and symbolic religious elements.

Copper engraving by Adriaen Collaert from 1584-1587 depicting Passion scenes of Christ, showing figures, gestures, and religious symbols.

Etching by Bernardino Capitelli depicting the mystical marriage of Saint Katharina, created between 1605 and 1639, showing the saint receiving a ring from Christ with devotional iconography.

This copper engraving and etching by Cornelis Bloemaert, created between 1620 and 1692, depicts the Holy Family with John the Baptist as a child, highlighting devotional figures and detailed composition.

Copper engraving and etching by Bartholomäus Kilian from the 17th century depicting a saint, showing figure, gestures, attire, and symbolic attributes in early modern European prints.

Copper engraving by Pieter Valck from the mid-16th century depicting the Trinity, showing figures, religious symbols, and 16th-century engraving techniques.

Woodcut by Hans Schäufelin from the first quarter of the 16th century depicting the Holy Family and the presentation in the temple, illustrating biblical figures with woodcut technique.

Etching by Giacinto Gimignani depicting the birth of Christ, created in 1672, showing Mary, Joseph, and the newborn Jesus in a nativity setting with devotional gestures and symbolic elements.

Copper engraving by Josef von Führich from 1836 showing the eighth and ninth Stations of the Cross, depicting Jesus meeting mourning women and falling a third time, with expressive figures and detailed composition.

Copper engraving by Cornelis Galle the Younger showing St. Clare giving the Christ child a monstrance and St. Mary Magdalene of Pazzi presenting a flaming heart, created 1627-1678.

Copper engraving by Gijsbert van Veen, created between 1570 and 1628, depicting the allegorical marriage of Christ with the church, showing figures, symbolic elements, and composition.

Copper engraving and etching by Raphael Sadeler the Elder showing Saint Anthony and Saint Jerome, produced between 1580 and 1632, highlighting detailed religious iconography.

Copper engraving by Peter Paul Rubens from the 17th century showing the Coronation of St. Katharina and Maria Magdalena, including figures, crowns, and religious setting.

Woodcut from 1485 by Konrad Dinckmut illustrating the twelve articles of Christian faith, with symbolic figures, text, and detailed composition.

Copper engraving by Johann Sadeler the Elder from 1570-1600 depicts scenes from the Gospel of Paul, showing figures, gestures, and biblical narrative.

Copper engraving by Adriaen Lommelin depicting the Holy Family with John the Baptist as a child and St. Elisabeth, including a Pietà scene, created between 1630 and 1675.

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