Biblical Events Art Prints

Historical prints depicting significant biblical moments, including teachings and events from Christ's life, captured in intricate details with dramatic gestures.

Feeding and dressing the poor in the foreground. On the left a house, where a sick person can be seen being cared for through a window. In front of the house, a traveler is being sheltered. In the background right, a young man is led to heaven by an angel while trampling on an orb., Works of Mercy, print maker: Theodor Matham, (mentioned on object), publisher: Cornelis van Egmond, (possibly), 1626, paper, engraving, h 94 mm × w 49 mm

Angels stop the four winds. Four angels, bottom left, hold four winds (in the form of four blowing cups), while another angel signs a cross on the forehead at a number of people. On versose side Latin Bible text in Gothic script in two columns.

Christ teaches his disciples, 1629 - 1648 print Christ teaches his disciples. Used here as a teaching of the prophet Micha. The print is part of an album. paper letterpress printing Christ explaining his doctrine to the apostles and disciples

Crucifixion. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

"Woodcut by Albrecht Dürer from around 1510 depicting the Ascension of Christ, showing figures, gestures, and architectural elements within a small passion series."

Entry into Jerusalem; The small passion.uit series of 66 prints. Proof, no text on verso.

Feeding and dressing the poor in the foreground. On the left a house, where a sick person can be seen being cared for through a window. In front of the house, a traveler is being sheltered. In the background right, a young man is led to heaven by an angel while trampling on an orb., Works of Mercy, print maker: Theodor Matham, (mentioned on object), publisher: Cornelis van Egmond, (possibly), 1626, paper, engraving, h 94 mm × w 49 mm

Christ on the Mount of Olives, from The Large Passion 1511 Albrecht Dürer German. Christ on the Mount of Olives, from The Large Passion 388021

The Bearing of the Cross; Christ bearing the cross, supporting himself with one arm on the ground, after Dürer ca. 1500-1534 Marcantonio Raimondi Italian. The Bearing of the Cross; Christ bearing the cross, supporting himself with one arm on the ground, after Dürer 342729

Capturing of Christ. Christ is captured by a group of soldiers. Judas kisses him on the cheek. In the foreground Peter raises his sword to hit the ear of Malchus.

Feeding and dressing the poor in the foreground. On the left a house, where you can see through a window, seeing a sick person. A traveler is offered for the house. On the right in the background a young man is led by an angel to heaven, while he trampled a migger.

Albrecht Altdorfer, Christ on the Cross, c 1513 Christ on the Cross

Crossing, Albrecht Dürer, 1511 print Christ wears his cross, followed by a crowd of people; Veronica is standing next to him with the sweat cloth. Latin text printed on the fresh side. This print is part of the press series 'The Great Passion', consisting of a title print and 11 scenes from the suffering story. Nuremberg paper letterpress printing Christ meets Veronica, who has a cloth to wipe Christ's face

Gravestone; The Great Passion. The body of Christ is worn to a grave by three men. A number of people, including Maria and John, watches. Latin text printed on versow. This print is part of the 'De Grote Passie' print series, consisting of a title print and 11 scenes from the suffering story.

Revival of the son of the widow in Nain, Jacob Cornelisz van Oostsanen, 1520 - 1521 print From series of 66 prints. Proef pressure, no text on Verso. paper Christ touches the bier of the son of the widow of Nain: the young man sits up

The Fall and Redemption of Man: Christ Nailed to the Cross, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Presentation of Christ in the temple. The high priest Simeon keeps the Christ child in his arms.

Various saints, Antoine Sallaert, 1635 print In the foreground the Holy Rochus and Adrianus. The second has put his foot on the anvil in the middle and indicates his plague bumps. In the background, Saint Sebastiaan, pierced by arrows. At the back of the middle, possibly the holy Francis, and on the right Saint Christoffel. paper etching the warrior martyr Adrian(us) of Nicomedia; possible attributes: anvil, axe, hammer, lion, sword. saints

Resurrection of Christ, Anonymous, Hans Schäufelein, 1506 - 1507 print paper Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Albrecht Dürer, Christ Expelling the Moneylenders from the Temple, probably c 1509 1510 Christ Expelling the Moneylenders from the Temple

Copper engraving by Domenico Campagnola depicting the Virgin with the Child and a saint, created in 1517.

Adoration of the Magi, 1482. Martin Schongauer (German, c.1450-1491). Engraving; The print belongs to a set of four engravings considered to be an incomplete series of episodes of the Life of the Virgin, which also includes the Nativity (1939.448), The Flight into Egypt (1954.260), and The Death of the Virgin (1956.744). Here, Martin Schongauer portrayed the visit of the three magi and their long retinue as witnesses to the miraculous birth of Jesus Christ as recounted in the biblical book of Matthew. The Virgin Mary is seated in front of the entrance of a stable made up from the ruins of a building. She holds the Christ child on her lap and hands him a box containing gold, the gift from the oldest of the three Kings, Melchior, who is kneeling in front of them. Behind Melchior are the other two Kings, Caspar and Balthazar, who offer a censer in the shape of a Gothic monstrance and a goblet of myrrh, respectively. At the top of the roof of the stable, the star of Bethlehem blazes.

Christ on the olive mountain; The passion. Christ prays kneeling at a rock. Three of his disciples in the foreground, sleeping. Armed men come to the right in the background. This print is part of a series of twelve prints with scenes from the suffering story.

The martyrdom of John the Evangelist. For a man on a throne, John the Evangelist is folded with the hands in a boiler that is on a fire. A man holds the fire high with a bellows, another man pours with a large spoon boiling oil over John. Many bystanders watch.

Woodcut by Jacob Cornelisz van Oostsanen depicting Christ in spring, created 1520-1521.

Ecce Homo, anonymous, Hans Wechtlin (I), 1490 - 1526 print paper Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Sebald Beham, Christ on the Cross, 1521 Christ on the Cross

Kruisiging, anonymous, after Hendrick Goltzius, 1596 - 1667 print Christ on the cross between the other two cruised. At the foot of the cross, among others, the three Maria's and Longinus with his lance. In the foreground the soldiers who dice around his clothing. Netherlands paper engraving the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Christ is decreased his cloak; The little passion. Christ is at the cross with the thorns crown on his head. The cross is ready. A man pulls Christ his cloak. Another man beats Christ. Maria and John look. Print is part of a book.

Ascension of Christ in the presence of Mary and Apostles, Marcantonio Raimondi, After Albrecht Dürer, 1510 - 1515 print paper engraving the Ascension (Christ surrounded by radiant light or in a mandorla)

The seven angels with the bazuinen. God hands marazuin to seven angels in heaven. If they blow it, there will be a major disaster over the earth: cities stand fire, ships perish. An eagle meaves over the earth dwellers with the words 've ve ve'. On versose side Latin Bible text in Gothic script in two columns.

Albrecht Dürer, Christ Carrying the Cross, c 1498 1499 Christ Carrying the Cross

King is crowned outside on a field while a crowd attacks a young lawyer, Anonymous, Hans Weiditz (II), 1532 print paper coronation of a ruler

Different saints. In the foreground the Holy Rochus and Adrianus. The second has put his foot on the anvil in the middle and indicates his bullying. In the background the Holy Sebastian, pierced by arrows. At the center of the Saint Francis in the middle, and the Holy Christoffel on the right.

The Crucifixion, from The Large Passion Made 1498 Germany. Woodcut in black on ivory laid paper . Albrecht Dürer

Virtu is no more than a word; Calls is molds / doing is one thing; Destruction of images image Scripture or Height letters that is. Hieroglifa .. One of eight moralizing preches: rich young man points young woman on Christ, sitting on rainbow in the sky with sword and lily. Another man follows. Text under print.

The Passion: Christ Taken Captive, c. 1480. Israhel van Meckenem (German, c. 1440-1503). Engraving;

The cross reduction. Maria with Johannes, and Christ who is taken by three men from cross.

Christ on the Cross, from The Passion of Christ ca. 1623 Ludovicus Siceram. Christ on the Cross, from The Passion of Christ 387687

The Martyrdom of Saint John, from The Apocalypse 1511 Albrecht Dürer German The subject of this first print from the Apocalypse series is not contained in the book of Revelation, but Dürer included it to identify Saint John as its author. According to The Golden Legend, a collection of stories of the saints lives compiled in the Middle Ages, John was brought to Rome by the emperor Domitian and condemned to die in a cauldron of boiling oil for refusing to renounce his faith. Dürer shows him sitting naked in the bath as an executioner fans the flames with a bellows while another pours boiling oil over the saints body. Domitian is seated to the left of the saint, dressed as a Turkish sultan, an enemy of Dürers Holy Roman Empire.. The Martyrdom of Saint John, from The Apocalypse 387568

Christ in the Hof van Getsemane, Albrecht Dürer, 1510 print Christ prays in the court of Getsemane, while his disciples are sleeping around him. This print is part of the press series 'De Kleine Passie', consisting of a title print and 36 Biblical scenes (mainly from the suffering story). Nuremberg paper Christ's prayer in the Garden of Gethsemane during the night

Christ carries cross and meets Holy Veronica with whip-away to Golgotha; Crossword; Passion of Christ.

Christ on the Mount of Olives, Master Iam van Zwoll, c. 1480 - c. 1490 print Gothic frame around the presentation of Christ on the Mount of Olives. paper engraving Christ's prayer in the Garden of Gethsemane during the night. Christ summons the apostles to stay awake and pray ~ Garden of Gethsemane

Connection Coring; The fall and redemption of humanity. Christ sitting on the ground, gets a thorn crown on the head with a large stick by two men. A third man is sitting in front of him and hands him a staff. Twenty-fourth print from a series of forty.

James thrown the lesser from balcony; Martyrdom of twelve apostles. Jakobus De Minerere (Jacobus Minor) is thrown down from a balcony where a man is ready to hit him with a bat. Different men look at how the Holy Martiality dies. In the middle of top hanging two shields with the judicial and ducal weapon of Saxony.

Christ in Limbo, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. Christ in Limbo, from Speculum passionis domini nostri Ihesu Christi 666039

Woodcut by Albrecht Dürer from 1509 depicting the carrying of the cross, showing Christ and figures in detailed composition in the Passion series.

The Descent from the Cross, from The Small Passion ca. 1509 Albrecht Dürer German. The Descent from the Cross, from The Small Passion 388062

Moses receives the tables of the law and the worship of the golden calf; Ten commandments explained with biblical stories. Moses kneels on Mount Sinai and receives the dining of the law of God. At the foot of the mountain the Israelites are in worship at the Golden Calf. This Bible story refers to the commandment You shall not worship any idols. First print from a series of ten prints.

Imprisonment of Christ; Scenes from the breast story of Christ. Christ is captured by soldiers with torches and halibbled. Judas coast Christ on the cheek. Petrus Malchus fits in at the front with a sword. Under a mereotric explanation in Latin.

Christ on the Cross with brutal Mary and other saints, Pieter Huys, 1545 - 1577 print Christ on the cross. At the foot of the cross, the bridged Mary is supported by John and a woman. Standing and kneeling woman behind it. Left front a skull. At the back left the grave. On the right a cartouche with a reference to 1 dude. 2 and a Bible text in Latin. Antwerp paper engraving crucified Christ with Mary, John, and Mary Magdalene

Hans Baldung Grien, Christ on the Cross, 1505 Christ on the Cross

Annunciatie, Virgil, 1552 print Nuremberg paper the Annunciation: Mary sitting

Woodcut and type print by Albrecht Dürer showing Saint Francis in a scene of welcome, including figure, gesture, and robes, created around 1503-1504, sheet trimmed to the plate.

Christ in Limbo, from The Small Passion ca. 1509 Albrecht Dürer German. Christ in Limbo, from The Small Passion 387425

Crucifixion; The small Calvarieberg. Christ on the cross between the two crucified criminals. Maria Magdalena embraces the foot of the Cross of Christ. Left in the foreground falls the mother of Christ falls into swivel. On the right in the foreground Dice a number of men around Christ's clothes.

Christ Taking Leave of His Mother. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Passion: The Capture of Jesus, 1521. Lucas van Leyden (Dutch, 1494-1533). Engraving;

Christ Nailed to the Cross; verso: Christ Nailed to the Cross, from Speculum Passionis Domini Nostri Ihesu Christi 1507 Hans Baldung (called Hans Baldung Grien) German. Christ Nailed to the Cross; verso: Christ Nailed to the Cross, from Speculum Passionis Domini Nostri Ihesu Christi 416776

The announcement to Joachim, Albrecht Dürer, 1502 - 1506 print In a forest, Joachim kneels for an angel who announces the birth of his daughter Maria. In the background some shepherds and their herds. Even further in the background a bay. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. Nuremberg paper annunciation of the birth of Mary to Joachim by an angel

Christ Appears to the Magdalen. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Christ before Pilate, from The Little Passion Series, Albrecht Dürer, German, 1471-1528, Woodcut on paper, Interior, with Pilate standing in the background at the head of a stairway. Christ is brought before him by soldiers, in left foreground. A man, gesturing, stands at right. Monogram of Dürer near lower center., Germany, ca. 1509-1511, Print, Print

The Adoration of the Lamb, from The Apocalypse 1498 Albrecht Dürer German. The Adoration of the Lamb, from The Apocalypse 388125

The Crucifixion, 1540 print Eleventh print from a series of fourteen with the passion, used in the Passional Buch. In the middle the crucified Christ with the two murderers left and right. Under the cross of Christ are soldiers, one of them holds a lance with a sponge. On the left is a group of mourning women among whom Maria. On the right is Pontius Pilatus on horseback. paper the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Christ Driving Out the Money Changers, 16th century, Albrecht Dürer, German, 1471-1528, 4 15/16 x 3 13/16 in. (12.54 x 9.68 cm) (sheet), Woodcut, Germany, 16th century

Jonah in Nineve. A man at a gate tells the people around him bad news. Possibly it concerns Jonah who predicts the population of the city of Nineve that God will retard the city over forty days. People kneel of horror and repentance. The print is part of an album.

This 1516 woodcut by Meister IS mit der Schaufel depicts the burial of Christ, showing figures placing Christ in the tomb, emphasizing solemnity and religious ritual in Christian tradition.

Healing from Petrus' Mother-in-law. Christ enters Petrus's house. There he sees his mother-in-law with fever in bed. He touches her hand on which the fever disappears. With various elements from the show are letters. The print is part of an album.

The Passion: The Betrayal of Christ, before 1619. Hieronymus Wierix (Flemish, 1553-1619). Engraving; 8.8 x 5.5 cm (3 7/16 x 2 3/16 in.).

Grave of Christ, Anonymous, Hans Schäufelein, 1506 - 1507 print paper Christ's entombment (possibly by angels)

A man kneels before Christ who shows him his wounds. The man makes his arm which he renounces his earthly possessions, Boëtius Adamsz. Bolswert, Dating 1620 - 1623 and/or 1623.

Woodcut 'Christ on the Ölberg' by Lucas Cranach the Elder, 1509, depicting Christ praying on the Mount of Olives as part of the Passion series.

Copper engraving by Hendrick Goltzius depicting the capture of Christ in the Garden of Gethsemane, with soldiers and apostles, created in 1598.

Stoning by Stefanus, Lucas Cranach (I), 1528 - 1554 print The holy Stefanus kneels on the floor while men throw stones at him. This performance serves the name of God to illustrate the commandment. According to the Bible story, the main character Stefanus is punished by the court of the Jews, but precisely because of his respect for (the name of) God: He is a martyr. This event does not really fit well in the series. paper the stoning of Stephen; the witnesses lay down their clothes at Saul's feet

Italy, Tempesta, Antonio, History of the Order of Saint George, Isagogia historia de Constantino max: imperatore instatuta militia angelicae aureatae Constantinianae sub titulo magni martyris S Georgii, Crucis Christi inventio opera S Helenae aug, The Discovery of the Cross of Christ, verso - stamped, Constantine and his mother Helena, surrounded by their army, kneel before the three crosses on Mount Golgotha. They have just discovered the cross of Christ., print, engraving, prints, engravings, height 177 mm, width 137 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etsen

The four angels avenged. God believes from heaven how four angels with swords are attacked by rulers and ordinary people. On versose side Latin Bible text in Gothic script in two columns.

Crossing, Jacob Cornelisz van Oostsanen, 1520 - 1521 print From series of 66 prints. Proef pressure, no text on Verso. Low Countries paper descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Christ Scourged, from The Doctrine, Life, and Passion of Jesus Christ 1537 Hans Schäufelein German. Christ Scourged, from The Doctrine, Life, and Passion of Jesus Christ 665571

Two angels show two men the pleading souls in purgatory and encourage them to have compassion and show it by sacrificing, praying and giving alms., Emblem with angels encouraging men to have compassion on the pleading souls in purgatory Den wech des eeuwich levens (series title), Boëtius Adamsz. Bolswert, print maker: anonymous, publisher: Hendrik Aertssens (II), Antwerp, 1620 - 1623 and/or 1623, paper, engraving, h 136 mm × w 93 mm

The Temptation of Christ. Dated: probably c. 1576/1580. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Léonard Gaultier.

Copper engraving by Marcantonio Raimondi depicting the Holy Family fleeing to Egypt, created in the first half of the 16th century.

Albrecht Dürer (German, 1471-1528), The Ascension, probably c. 1509-1510, woodcut

The crucifixion; Maria's life. Christ on the cross, with the right and left of him a crucified man. Maria, Johannes and Maria Magdalena at the foot, behind it a large group of soldiers and bystanders.

Christ on the Mount of Olives, from The Large Passion ca. 1497-99 Albrecht Dürer German. Christ on the Mount of Olives, from The Large Passion 343133

Depicts the Holy Family accompanied by three rabbits, showing Mary, Joseph, Jesus, and the animals in domestic setting, executed as a woodcut by Albrecht Dürer around 1497.

Albrecht Dürer, The Holy Family with Two Angels in a Vaulted Hall, c 1504 The Holy Family with Two Angels in a Vaulted Hall

Germany, Altdorfer, Albrecht, The Fall and Redemption of Mankind, The Capture of Christ, verso bottom center - handwritten, Christ is captured by soldiers with lances. A torch in the center illuminates the group of people. On the left stands Peter with a raised sword, in front of him lies Malchus on the ground. Twentieth print from a series of forty., print, prent, prints, prenten, 58, height 72 mm, width 48 mm, 1480 - 1538, print maker, prentmaker, 1506 - 1538, first quarter 16th century, second quarter 16th century, paper, papier, houtsnede

Beweninging, Albrecht Dürer, 1498 - 1499 print The body of Christ is being taught by five women (including Mary) and a young man (John the Evangelist) near his grave. This print is part of the press series 'The Great Passion', consisting of a title print and 11 scenes from the suffering story. Nuremberg paper lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns)

Visitation; The fall and redemption of humanity. Maria and Elisabeth embrace each other, Joseph looks. Eighth print from a series of forty.

In the ruins of a high stable, Mary sits with the Christ child on her lap. Joseph stands behind her. To the right the three wise men with their gifts, the foremost in a kneeling position., Adoration of the Kings, print maker: Johannes van Londerseel (II), (mentioned on object), 1654, paper, engraving, h 122 mm × w 96 mm

Saint Roch and an angel. Woodcut, 15--.

Jesus Tells the Parable of the Good Samaritan. 1511 - 1515. Graf, Urs, approximately 1485-approximately 1527. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Christ in Limbo, from The LargePassion. Artist: Albrecht Dürer, German, 1471-1528

The Sojourn of the Holy Family in Egypt, from The Life of the Virgin after 1511 Albrecht Dürer German. The Sojourn of the Holy Family in Egypt, from The Life of the Virgin 388371

Crucifixion, Antonio Tempesta, 1612 print Christ hangs on the cross, between the two crosses with the two thieves. Under the cross, the Maria's, John and Maria Magdalena mourn. In the background, the crowd leaves spectators and soldiers back to the city. Text and assignment in Latin in the lower margin. paper etching crucified Christ, with particular persons under the cross - DD - the three crosses

Unknown, The Small Passion: Christ in Limbo, c. 1630-50, engraving on paper mounted on laid paper.

Copper engraving by an anonymous artist depicting Christ appearing to Maria Magdalena, titled 'Noli me Tangere', created at the beginning of the 16th century, showing biblical figures.

Israel Van Meckenem (v.1445-1503). La Déploration (Bartsch 19, Hollstein 151). Chisel, 15th century. Museum of Fine Arts of the City of Paris, Petit Palais. Curin, corpse, Catholic, Christian, Corps, Cross, Deplore, lamentation of Christ, thief, death, painful mystery, New Testament, Passion, Biblical scene, Stigmate, XVEME XVE XV 15th 15th 15th 15 Centile, Crucifixion

Collection of Christ, Anonymous, After Maerten de Vos, 1560 - 1600 print Christ is imprisoned by soldiers with torches and hella beds. Judas kisses Christ on the cheek. At the front, Petrus Malchus attacks with a sword. Under a one -line explanation in Latin. print maker: Low Countriesafter design by: Antwerp paper engraving the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ

Flight to Egypt, Johannes Wierix, after Pieter van der Borcht (I), 1573 print Maria sucks the Christ child, driving on the donkey. Joseph leads the animal to the reins, he wears his tools in a basket over his shoulder. In the background you can see how the Holy Family is refused at the inn. Antwerp paper engraving / letterpress printing the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass. Christ-child suckling, or beginning to suckle, e.g. Mary uncovering her breast ~ Madonna-representations

Copper engraving by Israhel van Meckenem depicting the capture of Christ, created around 1480, showing figures, gestures, and posture.

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