Biblical Frescoes and Mannerism

Dramatic frescoes depicting biblical themes, featuring strong chiaroscuro effects and dynamic figures, highlighting intense emotions and historical narratives.

David slaying Goliath (Loggia di Davide) by Romano, Giulio (1499-1546) / Palazzo del Te, Mantua / 1526-1534 / Italy, School of Mantua / Fresco / Bible /Mannerism

CORTES, HERNAN CONQUISTADOR ESPAÑOL. MEDELLIN 1485-1547 "BAUTIZO DEL REY TEZUCO ANTE LA PRESENCIA DE CORTES". ANONIMO DE LA SERIS" CONQUISTA DE AMERICA" MUSEO DE AMERICA. MADRID.

Palazzo Galleria, Florence Italy.

Second Floor, Northwest Pavilion. Mural of Science in the Pavilion of Art and Science by William De Leftwich Dodge. Library of Congress Thomas Jefferson Building, Washington, D.C.

'Head of Bacchus', ca. 1635, Oil on canvas, 55 cm x 46 cm, P01123. Author: JUSEPE DE RIBERA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Madonna della Misericordia, Virgin of Mercy, detail, Polyptych of the Misericordia, Piero della Francesca, 1445-1462, Museo Civico, Sansepolcro,Tuscany, Italy

Christopher. 1531. (Lorenzo Lotto; 1480 Venice 1556 Loreto)

ECCE HOMO-ESCULTURA S XVII. Author: LUISA ROLDAN (1654-1704) LA ROLDANA. Location: MUSEO CATEDRALICIO. Cadiz. SPAIN.

Love AIDS People 1989 AIDS Poster

UK, England, Norfolk, Close up of head of statue of woman

Detail from a painting titled 'St. Sebastian Tended by St. Irene' by Georges de La Tour (1593-1652) a French Baroque painter. Dated 17th Century

GOYA Y LUCIENTES, Francisco de (1746-1828). Boys Climbing a Tree. 1791-1792. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Spanish school. Apotheosis of Saint Thomas of Aquin (detail of Saint Augustine). Apoteosis of Santo Tomas de Aquino . 1631. Sevilla, Fine Arts museum. Author: FRANCISCO DE ZURBARAN (1598-1664). Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN. SAN AGUSTIN (354-430).

Francisco Bayeu y Subías / 'El Triunfo del Cordero de Dios', ca. 1778, Spanish School, Oil on canvas, 48 cm x 58 cm, P00601. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Antonello de Messina / 'The Dead Christ supported by an Angel', 1475-1476, Italian School, Panel, 74 cm x 51 cm, P03092. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ANTONELLO DA MESSINA.

TINTORETTO, Jacopo Robusti, called Il (1518-1594). Esther Before Ahasuerus. 1555. Renaissance art. Cinquecento. Venetian school. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Detail from the Allegory of Italy, fresco by Cesare Mariani (1826-1901), ceiling, Hall of the Majority, Palazzo delle Finanze (Palace of Finance), Rome. Italy, 19th century.

TRANSITO DE SAN JUAN DE DIOS - ESCULTURA. Author: FRANCISCO BUIZA (1922-1982). Location: CASA DE PISSA. GRANADA. SPAIN.

The Judgment Of Paris. Paris's opinion. On the right the shepherd Paris with an apple in hand, left the three goddesses of Hera, Athena and Aphrodite.

interiors of Raphael rooms, Vatican museum, Vatican VATICAN CITY, VATICAN, JUNE 12, 2015 : interiors and architectural details of Raphael rooms in Vatican museum, june 12, 2015, in Vatican city, Vatican Copyright: xZoonar.com/patrickxmichelettix 17112035

Lunette with St John the Evangelist and the Eagle, by Allegri Antonio known as Correggio, 1520, 16th Century, fresco. Italy, Emilia Romagna, Parma, San Giovanni Evangelista Abbey. Whole artwork. Lunette young man evangelist St John eagle book writing inscription.

Man with a spear (painting fragment). unknown, painter

Ecce Homo, by Andrea Mantegna, 1493, Musee Jacquemart-Andre, Paris, France, Europe

Saint Mark's Lion, Venetian Lion in a Painting, Interior, Doge's Palace, Palazzo Ducale, Venice, Veneto, Italy, Europe

Saint John the Baptist in the Desert (San Giovanni Battista nel deserto), by Jacopo da Ponte known as Bassano, 1558, 16th Century, oil on canvas, 114 x 151 cm

Cuba. Havana. Museum of the Revolution. Painted ceiling in one of the halls.

Madonna Palafrenieri, by Merisi Michelangelo known as Caravaggio, 1605, 17th Century, oil on canvas. Italy, Lazio, Rome, Borghese Gallery. Detail. Face holy: saint St Anne elderly: old woman.

An angel playing the lute, 15th century by melozzo da forli. Fragment of a fresco, from the Vatican Museums, Vatican City, Rome.

Ancona (Italia, Marche), Pinacoteca Civica Podesti. Francesco Podesti, Il Gioramento degli Anconetani, olio su tela, 1844-1847

Decoration of the Camera degli Sposi (Camera Picta), by Mantegna Andrea, 1465 - 1474, 15th Century, fresco and dry tempera. Italy: Lombardy: Mantua: Ducal Palace. Detail of the vault. Oculus two women veil vase flowers balcony balustrade/banister sky

Inspiration', 1902. Artist: Carlos Schwabe. Carlos Schwabe (1866-1926) was a Swiss Symbolist painter and printmaker.

JUICIO FINAL - DETALLE ANTES DE LA RESTUARACION. Author: Michelangelo. Location: MUSEOS VATICANOS-CAPILLA SIXTINA. VATICANO. JESUS.

Heraclitus, Hendrick ter Brugghen, 1628

Elijah Taken Up in a Chariot of Fire. Dated: c. 1740/1755. Dimensions: overall: 174.6 x 264.8 cm (68 3/4 x 104 1/4 in.) framed: 207 x 302.3 x 10.1 cm (81 1/2 x 119 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GIUSEPPE ANGELI.

The Labours of the Months: July by Italian master / National Gallery, London/ c. 1580/ Italy, Venetian School/ Oil on canvas/ Mannerism/ 13,6x10,6/ Genre

Last Supper, detail, fresco, Domenico Ghirlandaio, 1480, refectory, Convent of the Ognissanti, Florence, Tuscany, Italy, Europe

The Fall of the Titans, The lost epic Titanomachy tells of the battle of the Titans between the Olympians, the Hekatoncheirs and a number of Titans, in which they are finally defeated after a hard struggle and driven into the depths of the underworld, the Tartarus, 1588-1590, Painting by Cornelis Cornelisz van Haarlem, Historic, digitally restored reproduction from an original of the time

Head of Saint John the Baptist, c. 1550-1650. Spain or Northern Italy, mid 16th - mid 17th century. Oil on canvas; framed: 80.6 x 104.8 x 7.6 cm (31 3/4 x 41 1/4 x 3 in.); unframed: 50 x 75.2 cm (19 11/16 x 29 5/8 in.).

Domenico Zampieri (or Domenichino) (1581-1641). Italian baroque painter. Head of St John the Baptist, ca.1630. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain.

The Conversion of Saint Paul, a 1600 painting by the Italian artist Caravaggio.

A portrait by Andrea del Castagno titled 'Saint Sebastian', 1457. Sebastian was a Christian saint and martyr, who is said to have died under the persecution of Christians by the Roman emperor Diocletian in the 3rd century. From the collection of the Metropolitan Museum of Modern Art, New York, USA.

LOS APOSTOLES FELIPE, BARTOLOME Y MATIAS - SIGLO XV - TECNICA MIXTA/TABLA - 25 x 40 cm - NP 2971 - ESCUELA HISPANOFLAMENCA. Author: PACULLY MAESTRO DE LA COLECCION SIGLO XV. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. Philip The Apostle. SAN MATEO APOSTOL Y EVANGELISTA. SAN BARTOLOME APOSTOL / NATAEL / NATANAEL.

RETABLO DE LA RESURRECCION. Author: GASPAR BECERRA (1520-1570). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN. CRISTO RESUCITADO.

Saint Roch 1730-35 Oil On paper; mounted on canvas Giovanni Battista Tiepolo Italian (active Venice; Wurzburg; and Madrid) Born 1696; died 1770

Hieronymus Bosch (1450-1516). Netherlandish painter. Saint John the Baptist in Meditation, ca.1495. Detail. Lazaro Galdiano Museum. Madrid. Spain.

National art gallery: saint rock end the angel by palma il giovane, 1400, ferrara, italy

Second Floor, Northwest Pavilion. Mural of Science in the Pavilion of Art and Science by William De Leftwich Dodge. Library of Congress Thomas Jefferson Building, Washington, D.C.

South corridor, first floor. Mural depicting Hercules from The Greek Heroes series by Walter MacEwen. Library of Congress Thomas Jefferson Building, Washington, D.C.

Abraham. Vatican Museum. Rome. Italy.

The Wrath of Elihu, circle of John Linnell, 1792-1882, British, after William Blake, 1757-1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm), gesturing, listening, night, Old Testament, rebuke, religious and mythological subject, sitting, stars, watching, wrath

Relief Auditus, Hearing Sense, Splendid Facade Decoration on the House to the Broad Hearth, Detail, Renaissance, Erfurt, Thuringia, Germany, Europe

Head of an Angel. John La Farge (1835-1910). Gouache and pastel on paper laid on paper. 61.9 x 48.6cm

Portrait of a Poet, by Palma Vecchio, circa 1516, National Gallery, London, England, UK, GB, Europe

Ceiling painting by Barthold Conrath, 1704, 1961 extensively restored, one of the most important Baroque paintings in Schleswig-Holstein, St. Lawrence's Church, Tonning, Eiderstedt, Schleswig-Holstein, Germany, Europe

Vitruvian Man - by Leonardo da Vinci circa 1487. The hands from the Creation of Adam by Michelangelo, circa 1511 to 1512.

Italy, Pisa. Statue inside the cemetery

Muse by Raphael, Fresco, 1508, 1483-1520, Vatican, Apostolic Palace, D 180

Frescoes in the Castello del Buonconsiglio, Trento, Trentino, South Tyrol, Italy, Europe

Ugolino della Gherardesca (ca. 1220-1289). Count of Donoratico. Aristocrat and naval commander of the Italian city of Pisa. Condemned to death during a revolution in 1289. He was imprisoned in the Muda (Torre dei Gualandi), together with his sons Gaddo and Uguccione, and his grandsons Nino "the Brigand" and Andelmuccio. After nine months they died of starvation. Count Ugolino in the tower. Oil on canvas by the Italian painter Giuseppe Diotti (1779-1846). Museo Civico Ala Ponzone. Cremona. Lombardy. Italy. Author: Giuseppe Diotti (1779-1846). Italian painter.

St. Augustine. Date/Period: Ca. 1487/88 (). Painting. Tempera on panel Tempera on panel. Height: 1,407 mm (55.39 in); Width: 395 mm (15.55 in). Author: Carlo Crivelli.

Caius Marius Amid the Ruins of Carthage, Vanderlyn, John, 1807.

Murals of Christopher Columbus' story were painted by Vazquez Diaz and displayed at the 15th-century Franciscan Monasterio de Santa María de la Rábida, Palos de la Frontera, a Heritage of Mankind Site in the Huelva Provence of Andalucia and Southern Spain, the seaside spot where Christopher Columbus planned and departed from the Old World to the New World in August 3 of 1492 - the Birthplace of America

Marble Tomb of Duke Charles of Vieuville and his wife Marie Bouhier by French sculptor Gilles Guerin (1606-1678). Dated 17th century.

Study for David and Goliath. Paul Cadmus (1904-1999). Acrylic on canvas. Painted in 1971. 124.4 x 134.6cm.

Battle painting with ships, painting in the Sala dello Scrutinio, interior, Doge's Palace, Palazzo Ducale, Venice, Veneto, Italy, Europe

JOSE GUTIERREZ SOLANA. PINTOR Y ESCRITOR ESPAÑOL . MADRID 1886-MADRID 1945. " EL OSARIO ". FUNDACION CULTURAL MAPFRE-VIDA.MADRID. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

SAN ROQUE. Author: PEDRO ROLDAN (1624-1669) EL MOZO. Location: HOPITAL DE LA CHARITE. Sevilla. Seville. SPAIN.

Decoration of the Camera degli Sposi (Camera Picta), by Mantegna Andrea, 1465 - 1474, 15th Century, fresco and dry tempera. Italy: Lombardy: Mantua: Ducal Palace. Vault. The open oculus on a cloudy sky ringed with female figures and flying putti looking down. Detail. Putto laying a wreath of blue leaves on his head

Joven con cesto de fruta (detalle de fruta). Museum: GALERIA BORGHESE ROMA ITALIA. Author: CARAVAGGIO.

LA SONRISA DE LA GIOCONDA - 1503-6 - O/T - 77x53 cm - RENACIMIENTO ITALIANO. Author: LEONARDO DA VINCI. Location: LOUVRE MUSEUM-PAINTINGS. France.

Man with an Infirmity of 38 Years James Tissot (1836-1902 French)

Seville, 12/02/2021. Inauguration of the Valdés Leal exhibition at the Museum of Fine Arts. Detail of the painting dedicated by Valdés Leal to Miguel de Mañara. Photo: Rocío Ruz. ARCHSEV.

In Greek mythology Medusa (Greek: dsa, 'guardian, protectress') was a Gorgon, a chthonic monster, and a daughter of Phorcys and Ceto. Gazing directly upon her would turn onlookers to stone. She was beheaded by the hero Perseus, who thereafter used her head as a weapon until he gave it to the goddess Athena to place on her shield. In classical antiquity the image of the head of Medusa appeared in the evil-averting device known as the Gorgoneion.

Medusa, detail, 1598-9

Saint Jerome Michelangelo Merisi da Caravaggio (1571-1610 Italian)

Saint Sebastian, paintings by Liberale di Verona, Renaissance, Pinacoteca di Brera, Milan, Lombardy, Italy, Europe

Fiorentini; Winemaker, Jerzy (1892-1928); around 1922 (1917-00-00-1927-00-00);

The Vision and Inspiration (Joan of Arc series: I). Dated: c. 1907-early 1909. Dimensions: overall: 75.57 × 168.91 cm (29 3/4 × 66 1/2 in.) framed: 98.43 × 193.04 × 10.16 cm (38 3/4 × 76 × 4 in.). Medium: oil and gold leaf on canvas. Museum: National Gallery of Art, Washington DC. Author: LOUIS MAURICE BOUTET DE MONVEL.

Medusa. Date/Period: From 1597 until 1598. Painting. Oil on canvas. Height: 60 cm (23.6 in); Width: 55 cm (21.6 in). Author: CARAVAGGIO.

Photomontage, Coronavirus transmission, Michelangelo, Creation of Adam, Fresco

Hope, from Heart, by Edmondo De Amicis, drawing

fallas from Valencia popular fest figures sculpture over black night sky in Spain

Europe. Italy. Umbria. Province of Perugia. Bevagna. Gaite Market. Workshop of the Painter

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