Biblical Illustrations

Detailed prints depicting significant biblical events, showcasing dramatic scenes with figures like Paul and Silas, emphasizing themes of faith, sacrifice, and community.

Dircksz, Barend, Northern Netherlands, Baptism of the Anabaptists, 1535, Meeting of the Anabaptists in a house where Anabaptism is practiced. Print cut out of the book. Without the verse below the image., print, picture, history print, prints, pictures, Frederik Muller History plates, height 214 mm, width 169 mm, print maker, printmaker, 1612 - 1614, first quarter 17th century, paper, engraving, engraving (printing process), 1500 - 1566

Paulus and Silas in Filippi; Acts of the Apostles; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. Paul heals a young slave who could predict the future. Behind him is possible one of her owners, who was furious, because he could no longer earn money with her gift. In the background, Paul and Silas are submitted on behalf of the city drivers, who were tipped by the owners of the slave. Under the show a two-legged text in Latin. This print is part of an album.

Mother shows warsmen the remains of her child's child during the famine in Jerusalem.

Stefanus for the high priest; Acts of the Apostles; Acta Apostolorum. Stefanus is guided for the high priest. The apostle accuses him and the other scribes to have murdered Christ. Stefanus is shutdown and stoned in the background by the Jews. At the top of the clouds the vision of Christ and God the Father. In this copy of Visscher, God is replaced by the Tetragram. The print has a Latin caption and is part of a 35-part series with the actions of the apostles as the subject.

Company to a banquet. There is a party to a festive banquet in a richly decorated room. A peacock is served on a large scale. A spiritual expandes to be in the foreground over an unwell woman. On the right shoot two men. Print at the top right labeled: Tom. I. PAG. 302.

Mother shows warriors the remains of her eaten child during the famine in Jerusalem, Jan Luyken, 1704 print Amsterdam paper etching starvation, famine. cannibalism Jerusalem

Moses and Aaron for the Pharaoh; Biblical themes. Moses and Aaron stand for the Pharaoh on his throne. On the ground the snakes that emerged from the staff of Aaron and the Egyptian wizards present. Above and below the image References to the Jesa Bible texts. 54:15 and ex. 7: 8. Leged numbered "1".

Dircksz, Barend, Northern Netherlands, Baptism of the Anabaptists, 1535, Meeting of the Anabaptists in a house where Anabaptism is practiced. Print cut out of the book. Without the verse below the image., print, picture, history print, prints, pictures, Frederik Muller History plates, height 214 mm, width 169 mm, print maker, printmaker, 1612 - 1614, first quarter 17th century, paper, engraving, engraving (printing process), 1500 - 1566

The host is administered to the sick, 2; The miracle of Amsterdam, 1345; Amstelredams Honor Ende Up Cums through the Deckwaerdighe Miraklen Aldaer happened by the H. Sacrament des Altaers in 1345. The priest needs the dying in bed the sacrament of dying. To the bed kneel spectators, left a table with burning candles. PRENT No. 2 from the series of 16 performances of the Miracle of Amsterdam, to the events on March 15, 1345. Under the show two six-line verses in Latin and Dutch.

Laatste Avondmaal.Christ breaks the bread at the table in the middle of his apostles. The space is illuminated by a hanging oil lamp. At the top right state: p .: 102.

Wedding ceremony in a church in Lapland, Jan Luyken, 1682

Jacques Callot, Christ Disputing with the Doctors, 1635 Christ Disputing with the Doctors

David is anointed by Samuel; History of David; Patientiae Davidis Regis et ProThetae in Israel: Fons et Scatvrigo Psalterii. David is kneeling and is fired by the prophet Samuel to king. Around them the brothers and family of David. The print has a Latin caption with an explanation and right in the corner a verse from Psalm 88.

Jozef is familiar with his brothers, Anonymous, After Gerard de Lairesse, 1668 - 1702 print Joseph is familiar with his brothers in his palace in Egypt. The brothers kneel for Joseph and ask him for forgiveness. Under the show the title in Latin, a verse in Dutch and a reference to the Bible text in Gen. 45. Amsterdam paper engraving / etching Joseph reveals his identity and in tears forgives his brothers' past misdeed

Abdis and Death, Rudolph Meyer, 1650 print An abbess runs out of a building, rosary in the hands. Next to her death as a skeleton, with winged hourglass in hand. Behind her a second skeleton and a nun with raised arms. paper etching abbot. dance of Death; Death together with one or more human beings. personifications of Death; 'Morte' (Ripa)

Interior with a group of clergymen (small variant), Bernard Picart (workshop of), 1718 print A group of clergymen watches how a young altar boy from the priest's biretta takes a paper. Amsterdam paper etching / engraving organization, functionaries and dignitaries in Roman Catholic church; clergy in general. head-gear

Similar to the way and foolish virgins. .

Northern Netherlands, Gossaert, Jan, Frisius, Simon, Gregoriusmis, verso - handwritten, Saint Gregory praying on his knees, while Christ and the instruments of the passion appear above the altar., print, prints, verso lower left - stamped, series of numbers, height 390 mm, width 538 mm, 1575 - 1628, print maker, printmaker, 1595 - 1628, paper, papier, etching, etchings, Work conception, Southern Netherlands, 1478 - 1532

A young woman sits opposite her parents in a room. A young man (Christ) speaks to her. Christ as guest of a family, print maker: Frans de Bakker, (mentioned on object), Amsterdam, 1736 - 1767, paper, etching, h 140 mm × w 82 mm

Marriage of Karel Christiaan van Nassau-Weilburg to Princess Carolina, 1760, 1760 print Marriage of Karel Christiaan van Nassau-Weilburg with Princess Carolina in the Grote Kerk in The Hague, March 5, 1760. The pastor addresses the couple. Northern Netherlands satin etching / engraving marriage ~ Protestant service

Gijsbrecht II van Amstel and De Graaf van Gelder wounded to the chapter in the election of a new bishop, 1227, Reinier Vinkeles (I), After Jacobus Buys, 1786 print Gijsbrecht II (or Gijsbert) van Amstel and De Graaf van Gelder, were injured during the Battle of Ane on July 27, 1227, are brought to the chapter on stretchers to cast their vote in the election of a new bishop as successor to The bishop Otto II killed at the battle. Amsterdam paper etching bed. archbishop, bishop, etc. (Roman Catholic) Netherlands

Wedding ceremony in a church in Lapland; Getting married of Laplanders. Print at the top right labeled: second book fol. 123.

Family around the father's death bed; The man dies.

Stefanus for the high priest; Acts of the Apostles; Acta Apostolorum. Stefanus is guided for the high priest. The apostle accuses him and the other scribes to have murdered Christ. Stefanus is shutdown and stoned in the background by the Jews. At the top of the clouds the vision of Christ and God the Father. The print has a Latin caption and is part of a 34-part series with the actions of the apostles as the subject.

Duyfken is welcomed by king in Heavenly Jerusalem; Duyfkkens and Willemynkens Pilgrimagie to Haren Loved within Irevsvsis ..

Filip II, 1598, Jan Luyken, 1699 print An interior of a church with the corpse of the Spanish king Philip II. The box is on an elevation in a church. A man gives a speech for the crowd. In the foreground two men with candles. Amsterdam paper etching funerary ceremonial

Proclamation of the file between Spain and the United Netherlands, 1609; Publication des Still Stilltes Zwischen Spanien und Hollandt Ao. 1609. Allocation of the file between Spain and the United Netherlands, April 1609. From a stage it is announced that the file is signed. For stage, two men bow to each other, on the right, the crowded audience, the pekons are already prepared in the distance.

. A man invites the arms and moors to enter his home and sit down at a table where people serves food for them.

Elisabeth, Landgränin von Thuringia, saints.

Presentation of Christ in the temple; MEMORABILIVM NOVI Testaments in TemploVM ICONES Trodecim Elegantissimi AC Ornatissimi. In the temple there is a group of people around the altar. The high priest Simeon holds the child in his arms. Maria is on the other side of the table. In addition to her, a woman is busy opening a bird cage with two young pigeons. In the background you can see how Maria walks to Simeon with the child in her arms.

Christ Disputing with the Doctors. Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Monogrammist SP (18th century), Hogenberg, Frans, Sacred kinship, bottom center in the margin - engraved, Holy Family with Anna, Elisabeth and John the Baptist as a child, sitting in the middle of a room. On the right Christ as a child, with a dove in his hands, in front of a high priest. In the foreground a woman sitting on the ground with a swaddled baby in her arms and a child with a textbook on her lap. On the left a mother is breastfeeding a child, two children are eating and a child is being listened to., print, prints, Franciscus Hogenbergus sculpsit, bottom center - engraved, SP, bottom right in the margin - engraved, Puer natus est nobis filius.... eius nascetur., height 170 mm, width 285 mm, Dutch, German, 1540 - 1590, print maker, printmaker, paper, papier, etching, etchings, Publication (Event), Publication, French, publisher

Administration of the design in the church at the Begijnhof in Amsterdam, 1792; Operation of the H. Sacrament des Kinders, in the R.C. Church, on 't Begijnhof in Amsterdam; The 10 June, 1792. View in the interior of the church at the Begijnhof in Amsterdam where Cesare Brancadoro, Archbishop of Nisibi, administer the Vormsel to the Begijnen, 10 June 1792.

Gheyn, Jacob de (II), Nederlanden, Baudous, Robert de, Grotesque cartoon on the Roman church (center plate), Grotesque and extensive cartoon on the Roman church, ca. 1560. Middle panel of a triptych. View between three columns into the interior of a Catholic church where all kinds of grotesque and deformed people and monsters perform and attend Catholic ceremonies. On the left, money is made from the trade in various kinds of indulgences and a priest in front of an altar that is hung with ex-votos. On the right, some of the seven sacraments. In the foreground, a procession. With a caption of 3 columns of 3 lines each in Latin. The legend for the numbers in the representation is missing., print, prent, cartoon, prints, Frederik Muller Historieplaten, height 440 mm, width 477 mm, 1574 - 1659, print maker, printmaker, 1605 - 1605, first quarter 17th century, paper, papier, engraving, engraving (printing process), Publication (Event), Publicatie, 1565 - 1629-03-29, publisher

Reading a broadcast letter for a large crowd Christians.

Presentation of Christ in the Temple, c. 1572 print In the temple there is a group of people around the altar. The high priest Simeon keeps the child in his arms. Maria is on the other side of the table. In addition to her, a woman is busy opening a bird cage with two young pigeons. In the background you can see how Maria walks with the child in her arms to Simeon. Antwerp paper engraving / etching presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

In a room of a palace, the emperor stands before the weeping empress, pointing to an object in his hand. Behind them, servants listen in. In the foreground a servant with folded hands is kneeling in supplication before the emperor. Print marked top left and right: I. Part. - Page 158, Emperor and weeping empress with servants in a room, print maker: Adolf van der Laan, (mentioned on object), Adolf van der Laan, (mentioned on object), 1730, paper, etching, h 141 mm × w 81 mm

Requirement of Saint Antonius, Pieter Balthasar Bouttats, After Cornelis Joseph D'Heur, 1676 - 1755 print Saint Antonius kneels in front of a crucifix in a cave and prays to redeem him from the devils and demons who request him to walk the bad path. All kinds of Boschian devils gather around Antonius, as well as two ladies who represent vanity, lust and greed. Under the print a Dutch caption: 'O Heylighen Anthonius Through Uwen Strijt us Vestraeck and help in the charm'. Antwerp paper engraving the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig. temptations of St. Antony Abbot. the erotic visions of St. Antony Abbot: he is tempted by (naked) women, but drives them off by praying, or by showing them a crucifix

Sultan on the throne is listening to its state ministers (visors); Title page for: Munsi Sayk Sardar, History of the Sultane of Persian, and of the VisiNen. or very pleasant Turkish stories, Den Bosch 1744; History of the sultane of persien, and from the visi rings. or very pleasant Turkish stories. Two pages with on the first sheet The half title of the edition and when open from the blades is listened to the right of the Sultan on the throne to its state ministers (visibly) visible and links six verses of four rules describing the show.

A death-bed scene of man being read his last rites surrounded by his family, the priest and courtiers. Etching.

Jacques Callot, The Presentation of the Virgin, in or after 1630 The Presentation of the Virgin

L'audience de l'Empereur chinois (The audience of the Chinese Emperor), from Chinoiseries after 1743 Jacques Gabriel Huquier French. L'audience de l'Empereur chinois (The audience of the Chinese Emperor), from Chinoiseries 414259

Abraham Bosse, Gentry Visiting a Prison Gentry Visiting a Prison

Wedding ceremony in a church in Sápmi (Lapland), Jan Luyken, 1682 print Print at the top right marked: second book fol. 123. Amsterdam paper etching Europeans: Sami. civil marriage ceremony. interior of church Sápmi

Great Britain George I Death Bed; On den 22 Iuny, George Lodewyk is King of Groot Britt. On the Rys of London after Hanover, by a ray colics affected the Nags 2 hours to Osnabrug in the 13 Iaar of his Government Schielyk. A priest embraces the dying or deceased George I of Great Britain on his deathbed. Rent of hovel races. At the bottom left of a five-line text in Dutch with an explanation of the performance and to the right a comparable, six-line explanation in Latin.

Prince and Princess are offered the crown / prince and princess crowned king and queen, Jan Luyken, 1690 print Print at the top right marked: p. 110. Amsterdam paper etching offering ruler's position: presentation of crown or other symbols of authority (before coronation). coronation of a ruler

The Start Lady / is still hanging out the same day at the door of the chapel where Mr Rousse is in- / halted ...

Farmer and Farmer to the death penalty; Zanck Zwischen Gott und Dem Teufel.

Judgment of Solomon, Solomon sits on his throne and orders one of his soldiers to cut the disputed child in two. One of the mothers begs for mercy and proves that she is the real mother. The other mother (on the right) stands beside a dead child who was hers, points to the living child and demands his death (1 Kings 3:23). The print has a Hebrew, Latin, French, English, German and Dutch caption., The true mother objects to Solomon's verdict, Gilliam van der Gouwen (mentioned on object), 1728, paper, etching, w 443 mm × h 358 mm

The Industrious 'Prentice Performing the Duty of a Christian: Industry and Idleness, plate 2 September 30, 1747 William Hogarth British. The Industrious 'Prentice Performing the Duty of a Christian: Industry and Idleness, plate 2 398595

Last Supper, Jan Luyken, 1687 print Print at the top right numbered: 307. Print Maker: Amsterdamprinter: Utrecht paper etching Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Tranking of Stefanus; Acts of the Apostles; Acta Apostolorum. Stefanus is buried in a shroud. The print has a Latin caption and is part of a 34-part series with the actions of the apostles as the subject.

The pope and the emperor exchange privileges. Pope and emperor and their court are collected in a palace. The emperor gives the pope a role with privileges, the pope gives the emperor in exchange for the privileges. Due to the window, Sint-Pietersplein can be seen in Rome. With an explanation of the scene in French.

Church Penitence, Bernard Picart (workshop of), 1722 print Leaf with six performances of over penalty in the Roman Catholic Church. Up to the top left: Buyers present themselves to the bishop. At the top right: The bishop gives the penitents a mantle of horsehair. In the middle: the penitents are turned off the church. Right in the middle: the penitents kneel at the door of the church with their extinguished candles. Bottom left: The penitents are led into the church by hand. At the bottom right: the penitents kneel when the litany are sung. Numbered at the top right: No. 47. Amsterdam paper etching / engraving organization, functionaries and dignitaries in churches and in related institutions. penitence, repentance; 'Penitenza', 'Pentimento', 'Pentimento de'peccati', 'Purgatione de peccati' (Ripa). litany

Priest blesses a kneeling prince.A Priest Skeling on a Pillow is Blessed by a Priest.

The Wise and Foolish Virgins, plate five Made 1635 France. Abraham Bosseís Wise and Foolish Virgins is a sincere evocation of the joys of domesticity. These dutiful and industrious women embody the wisdom of moderation by staying indoors while their wilder, foolish counterparts run amok outside. In the New Testament parable that Bosse updates, it is only the wise virgins who are invited to a wedding feast (and by implication, into heaven), while the foolish ones are left outside in the graceless cold.. Engraving and etching on ivory laid paper . Abraham Bosse

Aaron with the headgear for priests (Mitznefet), Jan Luyken, 1700 print In the foreground Aaron. Two priest crowned him with the Mitznefet, a turban for the Jewish high priest. Left Moses blessing him. At the top of a separate list the parts the turban. Amsterdam paper etching head-gear of high priest ~ Jewish religion. Aaron and his four sons are ordained by Moses (Leviticus 8)

Twelve -year -old Christ in the temple, c. 1572 print In a corner of the temple, Christ sits among the scribes and explains the Scripture. Christ makes a gesture. The other men look for something in their books or also talk to each other. Joseph enters the temple and finds his son among the scholars. Antwerp paper engraving / etching Christ's dispute with the doctors in the temple; he counts his arguments on his fingers

Rich dressed woman surrounded by a crowd of curious people, Jacob Folkema, 1702 - 1767 print A richly dressed woman stands between a group of nuns and a young man. The latter took his hat for the woman and grabbed her hand. A curious crowd has gathered in the background. Print at the top right marked: Tom. i. p. 208. paper etching nun(s). crowd, mob

Salome at the banet of Herod. Salome and a young man dancing () For a long table, to which several people are, including Herod. Left a man holds a barrel. The blindfolded John joins the Baptist for a man with a raised sword. Under the show a six-line, Latin text with an explanation of the scene.

Return of the Lost Son, Abraham Bosse, 1636 - 1637 print Paris paper etching / engraving the parable of the prodigal son (Luke 15:11-32). the prodigal son returns home, where his father awaits him. the prodigal son kneels before his father who takes him in his arms

Cardinal Montalto turns up after being elected Pope and throws his baton away., Sixtus V, Jan Luyken, Amsterdam, 1697, paper, etching, h 142 mm × w 91 mm

Martyrdom of Saint Mathias, plate eleven from The Martyrdoms of the Apostles. Jacques Callot; French, 1592-1635. Date: 1612-1635. Dimensions: 71 × 45 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

God's judgment with a glowing iron rod, Caspar Luyken, 1700 print A man accused of heresy stands in a church in front of the altar. With an iron tongs, the priest hands him a glowing iron rod from a fire. Utrecht paper etching Heresy; 'Heresia' (Ripa). priest (Roman Catholic). interior of church. minerals and metals: iron. administration of justice, trial

Christ on the wedding in Kana.

Holy monk on audience at a German emperor. A sacred monk, accompanied by a fellow brother, on audience with a German emperor. Possible design for a print.

Last Supper, Crispijn van de Passe (I), After Joos van Winghe, 1594 print Christ and his students sit around a table. Christ holds the bread and makes a blessing gesture. In the background on an altar are the tables of the law. The show is caught in an oval frame with an edge writing in Latin. Cologne paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38). institution of the Eucharist, i.e. Christ showing or blessing bread (host) and/or wine (Matthew 26:26-27; Mark 14:22-23; Luke 22:19-20; John 13:26; 1 Corinthians 11:23-25)

Paul sees how Agabus binds himself to his belt, Jan Luyken, 1700 print A performance in a cartouche of leaves. The prophet Agabus ties his hands and feet to Paul's belt. He thus predicts Paul's fate in Jerusalem. Amsterdam paper etching the arrest of Paul in Jerusalem is foretold by Agabus, who binds his own hands and feet with Paul's girdle. ornament ~ cartouche

The Marriage of the Virgin. Dated: in or after 1630. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

In a corner of the temple Christ sits among the scribes and explains the writing to them. Christ makes a speaking gesture. The other men look something up in their books or talk to each other as well. Joseph walks into the temple and finds his son among the scholars, Twelve-year-old Christ in the temple Memorabilivm Novi Testamenti in templo gestorvm icones tredecim elegantissimi ac ornatissimi (series title)., print maker: Lucas van Doetechum, Gerard van Groeningen, publisher: Gerard de Jode, Antwerp, c. 1572, paper, engraving, etching, h 200 mm × w 285 mm

Christ lays his hand on the crooked woman, anonymous, after Jan Luyken, 1712 print Amsterdam paper etching healing of a woman 'bent over' (Luke 13:10-17)

A Dominican presents a book to King Charles VII. (IT)

The sacrifice of Zacharias, after 1595 - c. 1612 print View of an altar in a round temple. Zacharias kneels for the altar and waves with an incense barrel. On the left is an angel who makes him the prediction of the birth of John the Baptist. Many bystanders look at the scene. Under the show a verse in Latin and quotes from Bible books. paper engraving annunciation of the birth of John the Baptist to Zacharias: while he is offering incense in the temple an angel (Gabriel) appears to him

The foolish and wise virgins; Biblical themes. Presentation of the similarity of the manner and foolish virgins. Above and below the image References to the Bible texts Matt. 25 and COR. 10:15. Legal under numbered "2".

Mordechai wilts an attack on King Ahasveros; History of Ester. Mordecai hears by accident how two bodyguards of the king are planning an attack. Right at the back at a door, Mordecai tells what he has heard of Queen Ester. In the background on a gallery, Ester warns ahasveros for bodyguards.

Genezing of Christ on Sabbath, Jan van Orley, c. 1685 - Before 1700 print Christ is on Sabbath in the temple to teach. A possessed woman comes to him and is healed by Christ. The disciples and scholars in the temple enter into discussion about healing sick on the day of rest. Under the image a Latin verse from Luc. 13. Brussels paper etching / engraving healing of a woman 'bent over' (Luke 13:10-17)

CREANT OF JOZEF I to King of Hungary, 1687, Jan Luyken, 1689 print Print at the top right marked: fol. 568. Print Maker: Amsterdamprinter: Utrecht paper etching coronation of a ruler

Salome receives the head of John the Baptist.

Celebration of Ash Wednesday and Eucharist in the Roman Catholic Church, Bernard Picart (workshop of), 1724 print Leaf with two performances of meetings in the Roman Catholic Church. Upstairs: On the fast day of Ash Wednesday, the believers receive an ashkruisje on the forehead. Below: a woman receives the sacred host during the celebration of the Eucharist. Men wear burning candles behind her. Numbered at the top right: No. 38. Amsterdam paper etching / engraving Communion ~ Holy Mass. Ash Wednesday

Filippo Neri founded the brotherhood of the pilgrims, 1630 - 1641 print Filippo Neri founded the brotherhood of the pilgrims (Santissima Trinità dei Pellegrini) in 1548. Prent no. 6 in a series of 44 prints with scenes from the life of Saint Filippo Neri. paper engraving the founder of the Congregation of the Oratory (Oratorians) Philip Neri; possible attributes: lily, rosary

Judgment of Pluto, Bernard Picart, 1727 print Pluto, the god of the underworld, sits on his throne to judge the souls of the deceased. A procession of deceased historical people - including Erasmus - has gathered for him. In the background the Tartarus, the part of the underworld where the damned people are punished. Amsterdam paper etching / engraving Pluto as king of the underworld. Tartarus (and the condemned assigned there)

Outpouring of the Holy Spirit; Acta Apostolorum; Acts of the Apostles; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. The Holy Spirit appears in the form of a pigeon and is poured out over Maria and the apostles that are together in a top hall. Tongues of fire appear on the heads of them. Under the show a reference in Latin to the Bible text in hand. 1:14. This print is part of an album.

. Sheet with six representations of dedicated bishops in the Roman Catholic Church. Top left: the upcoming bishop presents itself to a bishop. At the top right: the bishop explains the oath. At the bottom left: the bishop throws itself at the altar on earth. Right middle: the bishop is anointed. Bottom left: The hands of the bishop are anointed. At the bottom right: the bishop receives the bishop's staff.

Amsterdam, Greve, Isaac, Northern Netherlands, D' Waare Image of the Holy Sacrament of a Miracle Happened in Amsterdam at the Holy City in the year 1345., Miracle of Amsterdam, 1345, The miracle of Amsterdam, March 15, 1345. In the middle the sick man who is given the host by the priest in bed, on the right in the background the man vomits up the host and the host is thrown into the fire thrown. On the left, believers kneel next to the bed, in the background the sacrament procession. Below the print a verse in four verses of two lines., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 180 mm, width 262 mm, print maker, prentmaker, 1720 - 1740, first quarter 18th century, eerste kwart 18e eeuw, second quarter 18th century, tweede kwart 18e eeuw, paper, papier, etching, etsen, Publication (Event), Publicatie, 1677-11-17 - 1757-10-04, publisher

The Feast Celebrating the Return of the Prodigal Son. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

Parable of the workers in the vineyard.

Bed with the bride of Christ; Hooglied van Solomon; Canticum CanticoRum; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Christ's bride (the church) in a bed with a canopy. The canopy is worn by the cardinal virtues. At the foot end a representation of the judgment of Solomon. Above the head of the bride Christ in a cloud. Around the bed figures from the Old Testament. In the background through a doorway, the bride of Christ can be seen in the city looking for her sweet. Under the show a reference in Latin to the Bible text in Hoesl. 3: 1. This print is part of an album.

Rebecca and Eliezer at the Well, Jan Luyken, Pieter Mortier, 1703 - 1762

Celebration of the Sabbath at a Jewish family; Plants of the Jewoden on the Sabbath day. A Jewish family at the dining table. The mother puts a candlestick with six kernels. The man blesses the meal with the traditional kidoes.

Baptism of betters, 1535. Meeting of the reciprocates in a house where the better is applied. Without the verse. Print cut out of the book, with text on Verso.

Print made by David Allan, 1744-1796, British, born in Scotland, Pilgrims Paying Their Devotion in St. Peters at Rome, between 1773 and 1775. Etching on moderately thick, rough, cream laid paper.

Jacques Callot, Christ before Pilate, c 1631 Christ before Pilate

Marriage of a man and his second wife while his first wife is buried, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing second marriage (of widow or widower). marriage, married couple, 'matrimonium'

Amsterdam, Ram, Johannes de, Northern Netherlands, The Bible on the Scales, ca. 1560. In an interior, the Bible is weighed on a large scale against the weight of the symbols of the Roman Church. On the side of the Bible, on the right, are the group of church reformers including Jan Hus, Martin Luther and John Calvin. On the left are the representatives of the Catholic Church: pope (Alexander), cardinals, bishop, priest, nun, altar boy and pilgrim. Two monks try in vain to tip the scales to their side. With a caption of 4 columns, each with six lines, in Dutch. Reduced copy in the same direction. Cartoon on the Roman Church, theme from ca. 1560., print, prints, Frederik Muller History plates, height 243 mm, width 323 mm, print maker, printmaker, 1660 - 1693, fourth quarter 17th century, paper, engraving, engraving (printing process), Publication (Event), Publication, 1648-06-18 - 1693-05-15, publisher

King Scheldt the non -Marking servant his debts, Anonymous, 1585 print A servant kneels for his king and begs him to be patient with him, so that he still has some time to pay his fault of ten thousand talents. Two creditors point to the man. The king, sitting behind a table, gets pity and scolds him his fault. Under the performance a reference in Latin to the Bible text. Antwerp paper engraving the unmerciful servant: the king forgives him his debts ~ parable of Christ (Matthew 18:23-35)

Lodging Pilgrims possibly 1635 Abraham Bosse French. Lodging Pilgrims 385966

Jewish circumcision, ca. 1720-1725. The circumcision (Briet Mila or Berit Milah) from a boy in a Jewish family, ca. 1720-1725. Part of a series of illustrations of religious use.

Baptism of Prince Willem V, 1748; Baptismal of Willem, Erf-Prince of Orange and Count of Buren etc. on April 11, 1748. Baptismal of Prince Willem V in the Grote Kerk in The Hague, 11 April 1748. William IV holds the child while baptizing, Looks left The princess with ladies.

Two representations on one slide. Above: the apostle John flees with some friends from the baths at Ephesus, when he notices the heretic Cerinthus among the bathers. Below: a woman is burned as a heretic because she did not respond to the advances of a clergyman. The executioner lights the funeral pyre with a torch, John and the heretic Cerinthus in the bathhouse and the burning of an innocent woman The Apostle John from the bath Running because he saw Cerinthus come in / A young woman burned as a heretic because she would not please a churchman in his onkuysheyd , print maker: Jan Luyken, (mentioned on object), publisher: Jacobus van Hardenberg, bookseller: Barent Visscher, Amsterdam, 1701, paper, etching, h 274 mm × w 158 mm

Salome at the banet of Herod. Salome and a young man dancing () For a long table, to which several people are, including Herod. Left a man holds a barrel. The blindfolded John joins the Baptist for a man with a raised sword. Under the show a six-line, Latin text with an explanation of the scene.

Frontispiece for ecclesiastical news / year 1739. (IT)

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