Biblical Landscapes and Narratives

Engravings depicting biblical scenes set in lush landscapes, featuring figures like Abraham and Christ surrounded by nature.

Holy Geneviève leaves with her child, Philips Galle (workshop or), c. 1575 - c. 1600 print Wide hilly landscape. In the foreground, Sacred Geneviève goes out with her child. A man says goodbye. Part of a series of six landscapes with scenes from the life of Saint Geneviève, patron saint of Brabant. paper engraving female saints (with NAME)

Abraham nourishes the three angels; Landscapes with the story of Abraham. Landscape with abraham left that brings three angels (Gen. 18: 5). Sara is hidden in the doorway.

Landscape with Christ and the chief of Kafarnaüm, Julius Goltzius, after Hans Bol, c. 1560 - 1595 print The chief of Kafarnaüm is on his knees before Christ and begs for the healing of his servant. Around them five disciples and five soldiers. A village in the background. The print is part of a four -part series of landscapes with scenes from the old and New Testament. Antwerp paper engraving the centurion of Capernaum, kneeling before Christ, begs him to heal his paralytic servant (or son) (Matthew 8:5-13; Luke 7:1-10; John 4:46-54). outskirts of village

Holy Geneviève leaves with her child, Philips Galle (workshop or), c. 1575 - c. 1600 print Wide hilly landscape. In the foreground, Sacred Geneviève goes out with her child. A man says goodbye. Part of a series of six landscapes with scenes from the life of Saint Geneviève, patron saint of Brabant. paper engraving female saints (with NAME)

Etching and copper engraving by Pieter Bruegel the Elder from 1555-1556 showing Christ and disciples on the way to Emmaus, depicting figures, gestures, and landscape.

God curses the snake; Consilium Abconditum; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. In the midst of the animals and at the tree of knowledge of good and evil, God curses the snake. Adam and Eva are adjacent (Gen. 2:14). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Daniel in the lion's owl / Daniel destroys the temple of Call / Daniel and the dragon; AB Integerate Securitas; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. Daniel is trapped in the lion's owl with seven lions. An angel brings the prophet habakuk to the lion's owl with food for Daniel. On the right the dragon with arrow-shaped tongue, takes place in whose ergented mushroom scoops. Behind that the temple and the image of the God bell are beaten to pieces. With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Healing of a leper, 1653 - 1654 print Landscape with a river mouth. On the left a leper on his knees before Christ praying for healing. Christ puts his hand on the man's head and heals him. Behind Christ are apostles and other spectators (Mat. 8: 1). The print is part of an album. paper etching healing of one leper, who kneels before Christ (Matthew 8:1-4; Mark 1:40-45; Luke 5:12-16). river. city-view, and landscape with man-made constructions

Sacrifice of Noah / Covenant between God and Noah; Fudus Instauratum; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. Noah kneels at a sacrificial altar. There are different animals on it. In the background the rainbow that God shows as a sign of his promise to never destroy the earth with a flood (Gen. 9:13). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Jacob rolls the stone's stone; Arcanorum detectrix probitas; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Landscape with a river. Jacob and men of the nearby place Haran remove the stone of the well for Rachel, the daughter of Laban, so she can let her fathers herd drink. On the left comes Rachel with the herd (Gen. 29:10). The print is part of an album.

Four extremes; LUX INTER TEEBRAS; Emblemata novi testamenti; Emblemata sacra è praecipuis UtriRIQUE Testamenti Historiis Concinnata (New Testament); Imagines and Figurae bibliorum. Christ appeals to his disciples on the olive mountain. In the background the four extremes depicted: death, judgment, heaven and hell (matte. 24). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

The chief of Capernaum is on his knees before Christ, begging for the healing of his servant. Around them five disciples and five soldiers. In the background a village. The print is part of a four-part series of landscapes with scenes from the Old and New Testaments., Landscape with Christ and the Headman of Capernaum Landscapes with Scenes from the Old and New Testaments (series title), print maker: Julius Goltzius, Hans Bol, publisher: Johannes Janssonius, (mentioned on object), Antwerp, c. 1560 - 1595, paper, engraving, h 114 mm × w 172 mm

Jacob and Laban; Inefficax Calliditas; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. Jacob is in secret to Canaan and takes his wives, children and possessions. On the left in the background, Jakob informs his women Lea and Rachel about their departure. Laban put in the pursuit and searches all possessions. Jacob and Leban are talking to each other in the foreground. Rachel is on the ground in a tent. Her father in addition to her asks where the terafim or god figures are hidden that she has stolen (Gen. 31:22). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

June: Christ does not learn the apostles to attach too much value to earthly goods; Emblemata Evangelica. In the mid top The sign of the zodiac lobster. In the foreground on the right, Christ is with three apostles that he learns not to attach too much value to earthly goods. On the left an old man sitting under a tree and a few boars for a farm. Roofers are busy laying the thatched roof.

October: Christ tells the apostles the parable of the angry vineyarders; Emblemata Evangelica. In the middle of the Scorpio zodiac sign. Left front is Christ with two men. He points to the scene to the right where the Son of the Lord is murdered by the angry vineyards. Within the fence the vineyard where the lord's servants are beaten with sticks. Hilly landscape in the background. Under the show four lines of Latin in two columns (matte. 21). The print is part of an album.

Worship of the Golden Calf, 1653 - 1654 print At the top left, Moses receives the Tables of the Law on Mount Sinai. The Tetragram symbolizes God the Father. In the meantime, the Israelites dance to a pedestal with the Golden Calf. When Moses returned and saw their idolatry, he broke the dining with anger (ex. 32: 1). The print is part of an album. paper etching Old Testament. Moses receives the tables of the law from God. the people dance around the golden calf ~ Exodus. on seeing the idolaters Moses breaks the tables of the law. tetragram (in Roman or Hebrew script) ~ symbol of God the Father

Third creation day: separation of land and water; Creation of the world; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. A coastal landscape with central God the Father in the form of a tetragram. On the third day of creation, God separated the land and water. Under the show a reference in Latin to the Bible text in Gen. 1: 9. This print is part of an album.

Healing of a leper, 1613 Landscape with a river mouth. On the left a leper on his knees before Christ, praying for healing. Christ puts his hand on the man's head and heals him. Behind Christ are apostles and other spectators (Mat. 8: 1). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching Landscape with a river mouth. On the left a leper on his knees before Christ, praying for healing. Christ puts his hand on the man's head and heals him. Behind Christ are apostles and other spectators (Mat. 8: 1). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching

Elisa by children mocked, Nicolaes Ryckmans, after Pieter de Jode (I), 1646 print Elisa is scolded by children on the way to Betel because of his bald head and he curses them. Two bears then devour the children in the background. Under the show a reference in Latin to the Bible text in 2 Kon. 2:23. This print is part of an album. paper engraving the cursing of the children: when Elisha is on his way some children mock him for his baldness; Elisha curses them (2 Kings 2:23-25). two bears come out of the woods and tear the children who were mocking Elisha to pieces

Application of ADAM and EFTA; Malorum caput superbia; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. Adam and Eve between the animals in paradise. Eva presents Adam, sitting on a rock, a fruit of the tree of good and evil. The snake in the tree has a head and arms like a human (Gen. 3: 6). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Landscape with Christ and the disciples in the Korenveld, Jan van Londerseel, after David Vinckboons, 1601 - 1652 print Forest -rich landscape in which Christ tells the Pharisees that his disciples did not pay the Sabbath if they drove themselves out of the field with grain to satisfy their hunger. In the field the disciples of corn. On the far right, a farmer's couple with dog looks from a distance. Amsterdam paper engraving disciples pluck ears of corn on Sabbath, and eat (Matthew 12:1-8; Mark 2:23-28; Luke 6:1-5)

Christ blesses the children; Simplicitas Innocua; Emblemata novi testamenti; Emblemata sacra è praecipuis UtriRIQUE Testamenti Historiis Concinnata (New Testament); Imagines and Figurae bibliorum. Hilly river landscape with in the foreground Christ that blesses children. Some apostles try to keep children away from Christ (Mat. 19: 13). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Landscape with the temptation of Christ, 1613 Boom -rich river landscape with the temptation of Christ. In the foreground, the trial points to a number of stones on the ground and challenges Christ to turn them into loaves. At the top of the mountain he promises Christ all the kingdoms of the world (Matt. 4: 1-11). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching Boom -rich river landscape with the temptation of Christ. In the foreground, the trial points to a number of stones on the ground and challenges Christ to turn them into loaves. At the top of the mountain he promises Christ all the kingdoms of the world (Matt. 4: 1-11). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etchin

Meeting of Jakob and Esau; The encounter of Jacob and Esau. Jakob encounter and Esau with their families and effect. Jacob kneels for his brother Esau, who helps him up.

Moses strikes water from the rock; Fides omnipotens; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. Moses strikes with his staff on the rock, so that water flows out. The people fill the jugs (num. 20: 1). Right drink two goats. With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Wonderful retirement; Animae corporisq. refectio vivida; Emblemata novi testamenti; Emblemata sacra è praecipuis UtriRIQUE Testamenti Historiis Concinnata (New Testament); Imagines and Figurae bibliorum. Landscape with a city in the distance. On the right in the foreground, Christ multiplies five loaves and two fish. On the hillside, his disciples share the food to the people (Mar. 6:38). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

The Temptation of Christ, Hans Bol, ca. 1550 - ca. 1650

Healing of a blind one, 1653 - 1654 print Cityscape with the healing of a blind by Christ. There is a blind man with his dog under a tree. The twelve apostles watch how Christ Slijk rubs on the man's eyes. The man is healed when he has washed the mud out of the eyes (John 9: 1). The print is part of an album. paper etching healing of a man born blind: Christ touches his eyes with an 'ointment' of dust and spittle (John 9). the man born blind washes his eyes in the pool of Siloam, and throws away his stick

Calling from Zacheus; UT Dominum Videats Scandit Zachaeus in Altum, Illius Hospitio Limina Christ Adit; Spacious bible. A crowd has gathered around Christ in a forest. Christ sees Zacheüs in a tree and calls him down. A castle on the left background. Under the show the title in Latin, four four-line verses in Dutch and a reference to the Bible text in Luc. 19.

Moses shows the dining of the law to the people; Discite Justitiam Moniti; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. At the top left of the Sinai mountain, Moses receives the dining of law. At the bottom of the mountain Moses shows the dining to the people. His face is covered with a cloth (ex. 34:29). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Miraculous food, 1653 - 1654 print Landscape with a city in the distance. On the right in the foreground, Christ multiplies five loaves and two fish. On the hill on the left, disciples are the food to the people (Mar. 6:38). The print is part of an album. paper etching multiplication of loaves and fishes for a multitude of four or five thousand people (Matthew 14:13-21, 15:32-39; Mark 6:32-44, 8:1-10; Luke 9:10-17; John 6:1-14). city-view, and landscape with man-made constructions

Landscape with the baptism of Christ, Gabriel Perelle, 1673 - 1695 print publisher: ParisFrance paper etching baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends. landscapes

Holy Wolfhardus as a recluse, Johann Sadeler (I), After Maerten de Vos, 1600 print A river landscape. In the foreground the H. Wolfhardus of Augsburg, a recluse from the twelfth century AD. He is praying on his knees and carries chains around his body. A boat sails on a river in the background. Venice paper engraving river. one person praying. anchorite, hermit. male saints (with NAME). tools, aids, implements ~ crafts and industries: chain

Christ replies the students of John the Baptist; Ubi Rerum Testimonia Adsunt, Non Opus Est Verbis; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. River landscape. On the left, John is the Baptist in prison. John belongs about the performance of Christ and sends two of his students to him with the question whether he is the Messiah (matte. 11: 2). The print is part of an album.

Ceremony after the funeral of a Hottentot, Jan Caspar Philips, 1727

Healing of a blind one, 1613 Cityscape with the healing of a blind by Christ. There is a blind man with his dog under a tree. The twelve apostles watch how Christ Slijk rubs on the man's eyes. The man is healed when he has washed the mud out of the eyes (John 9: 1). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching Cityscape with the healing of a blind by Christ. There is a blind man with his dog under a tree. The twelve apostles watch how Christ Slijk rubs on the man's eyes. The man is healed when he has washed the mud out of the eyes (John 9: 1). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching

Chiwwites pass Joshua with list to peace treaty; List of Gibeoniten about Josua. The chiwwites are dressed in rags and with old bread and broken wine bags for Joshua. They claim to get far and ask him for a peace treaty. The performance is among the performance in six different languages.

Landscape with the healing of the blind, Hendrick Hondius (I), after Josse van Liere, 1623 - 1650 print A tree -rich hilly landscape with on the left in the foreground Christ that touches the eyes of one of the blind men, who kneels on the ground for him. In the middle a road with a man with a stick over his shoulder. Two lines in Latin under the performance. Amsterdam paper engraving healing of a man born blind: Christ touches his eyes with an 'ointment' of dust and spittle (John 9). landscapes in the temperate zone

Jefta is welcomed by his daughter, Anonymous, After Hans Bol, after Gerard de Jode, 1579 print Jefta returns after the victory over the Ammonites and is festively welcomed by his daughter and musician women. Jefta, on horseback, looks up desperately, for he had promised God that if he won the victory, he would sacrifice the first person he would come across. Jefta is followed by his army. Under the show a reference in Latin to the Bible text in Ri. 11. Antwerp paper engraving Jephthah's daughter dances with tambourines to meet her father on his return from the battle; Jephthah rends his clothes in despair

Pilgrims at Onze Lieve Vrouwe ter Nood in Heiloo, 1637, in or after 1637 print The pilgrimage site Onze Lieve Vrouwe ter Nood in Heiloo with the ruin of the Catholic Chapel, destroyed in 1573, and the statue of Mary found in the ruin in 1637. Pilgrims walk around the ruin. The chapel was built in 1409 next to a well, the Runxputte, which was considered medicinal. At the top hangs a roll of paper with a representation of what the chapel looked like before the destruction and a map. In the caption one verse of three times two lines in Dutch. print maker: Northern Netherlandsprinter: Amsterdam paper etching / engraving pilgrimage, pilgrim(s) under way. person with a physical disability Heiloo

Christ in debate with the Pharisees on the tax on the emperor, 1613 Landscape with city and river. In the foreground Christ is in debate with the Pharisees. Behind him are his students. A Pharisees shows him a currency and asks Christ if it is permitted to pay taxes to the emperor (Mat. 22). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching Landscape with city and river. In the foreground Christ is in debate with the Pharisees. Behind him are his students. A Pharisees shows him a currency and asks Christ if it is permitted to pay taxes to the emperor (Mat. 22). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

Isaac graves the wells open; Vivi fontes refossi; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. In the foreground, the Israelites dig the water wells open that the Philistines had rather shut out of jealousy. On the left in the background, Sanship of Sansches affect a source with clear water. Isaac is on a stone and discusses one of the shepherds whose source found (Gen. 26:18). The print is part of an album.

Isaac blessed Jacob; Pietatis praerogativa; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. The old and blind Isaac bless Jacob disguised as his brother Esau. Jacob kneels at the bed. Left is his mother Rebekah. On the right a river landscape with Esau that returns from hunting (Gen. 27:18). The print is part of an album.

. Hagen sequences outside Antwerp, 14 June 1566. Calvinist meetings in the forests, in the distance the city of Antwerp. In the foreground a preacher speaks under a tree. There are some armed Calvinist order supervisors among the audience. Print at the top left Signed: Tom: I. No. 2.

Wonderful retirement; Quaerentibus Ante Omnia Regnum Celorum Adiiciuntur Caetera; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Landscape with a city in the distance. On the right in the foreground, Christ multiplies five loaves and two fish. On the hillside, his disciples share the food to the people (Mar. 6:38). The print is part of an album.

Landscape with Moses that hits water out of the rock, Isaac Major, 1586 - 1630 print Moses hits water from a rock so that the Israelites, who stand around him with bowls and jugs, can drink. paper engraving Moses striking water from the rock (Exodus 17:1-7; Numbers 20:2-13)

. Hosea is next to the road and looks at the underlying landscape. In addition to him his oldest son who rend into fish in a stream. Left in the foreground The adulterous woman with the other two children of Hosea (Hos. 1). Left in the middle three believers who worship a saints figurine in a tree. The print has a Latin caption with explanation.

Party procession in Pegu. A parade with elephants and the king and queen of Pegu during the Sapan Giacy holiday. Under the show a caption in French.

Sacrifice of manoach; History of Simson; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Manoach and his wife rejected at the altar, where Manoach sacrificed a goat. The Archangel Gabriel, who announced Manoach and his wife the birth of a son, sails in the flames of the sacrifice. Under the show a reference in Latin to the Bible text in RI. 13. This print is part of an album.

Mountain landscape with the temptation of Christ, Jan van Londerseel, after David Vinckboons, 1580 - 1625 print Mountain landscape with Christ and the Devil in the form of an old man in monks. The devil offers Christ a stone that he has to turn into a bread. In the margin a caption in Latin, Bible reference to mat. 4. paper engraving 'command these stones to become loaves of bread' ~ temptation of Christ in the wilderness. mountains

Print in upper right numbered: 112., Women at Ramla mourning at a grave, print maker: Jan Luyken, Amsterdam, 1698, paper, etching, engraving, h 297 mm × w 394 mm

Tobias and the angel in a landscape with rainbow and shepherds; Iunior Tobias Raphaele Angelo Committee Ragam Mediae Proficiscitur; Spacious bible. Tobias and the angel walk over a bridge. Tobias keeps the fish under the arm, his dog runs out for him. In the foreground shepherds. A rainbow in the sky. Under the show the title in Latin, four four-line verses in Dutch and a reference to the Bible text in Tobit 6.

Healing from a blind; Ex Caligine videbott oculi caecoum; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Cityscape with the healing of a blind by Christ. Under a tree is a blind man with his dog. The twelve apostles look at how Christ rubs the man's eyes. The man is cured if he has washed the mud from the eyes (John 9: 1). The print is part of an album.

Tobias returns home; History of Tobias. Landscape with right in the foreground The return of Tobias and the angel. Tobit falls around his son, in the doorway Anna is told. A little further in the background is Tobias'woman Sara on the back of a donkey. On the left arrive the slaves and the cattle, which has received Tobias from his father-in-law Raguel. Under the show an explanatory text in Latin. This print is part of an album.

Crowds have gathered around Christ in a forest. Christ sees Zacchaeus in a tree and calls him down (Luke 19). In the left background a castle. The print has a Latin caption and a Dutch poem, Calling of Zacchaeus., print maker: anonymous, Nicolaes de Bruyn, (rejected attribution), David Vinckboons (I), (mentioned on object), Rotterdam, publisher: Amsterdam, 1679 - 1702, paper, engraving, w 524 mm × h 415 mm

Landscape with Abraham and the three angels; Divinia Operatio; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. In a hilly landscape, Abraham kneels for three angels. Left in the background, for a house, the three angels sit at the table. Abraham comes with a scale in his hands (Gen. 18: 2). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Landscape with Christ Tempted by the Devil n.d. Aegidius Sadeler II Netherlandish. Landscape with Christ Tempted by the Devil 415892

Calling of James and Johannes, 1660 print Christ is flanked by Andreas and Peter on the banks of Lake Galilee. He speaks to the fishermen James and Johannes, who land. Their father Zedema is in the rowing boat. In the background a mountainous landscape with a bridge. This print is part of an album. paper etching calling of James and John, the sons of Zebedee (Matthew 4:21-22; Mark 1:19-20; Luke 5:10-11)

Kruisoprichting, Jacques Callot (Possible), After Jacques Callot, 1619 - 1624 print Christ is nailed to the cross in a circle of spectators. This print is part of the unfinished press series 'The Great Passion', consisting of 7 scenes from the suffering story. print maker: Florenceprint maker: France paper etching / engraving the erection of the cross: Christ is nailed to the cross which lies on the ground

Samson carries the gates of the city of Gaza on his shoulders. In the background the city of Gaza. Below the depiction a reference in Latin to the Bible text in Ri. 16, Samson carries the gates of Gaza History of Samson Thesaurus sacrarum historiarum veteris testamenti , print maker: Antonie Wierix (II), Jan Snellinck (I), publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 214 mm × w 293 mm

Lot leaves Sodom; Adhaeren Pravitati Lutum; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. Lot leaves the city of Sodom with his daughters. They are accompanied by two angels (Gen. 19:17). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Face on the mountain tabor and the transfiguration of Christ; Topographical images of the Middle East. View of the mountain tabor on the left. On top of the mountain the apostles Peter, John and James that kneel before Christ, whose body radiates light (Matteus 17: 1-13). On the right the valley around the mountain tabor.

Landscape with the temptation of Christ. Forest landscape with a port city and the sea in the distance. On the left, the devil is tempted by asking him to make stone bread. The devil carries a hat from which roots grow. He holds two stones in his hand and walks with a stick. Under the show a Latin Bible verse from Matthew 4: 4.

Jonah under the wonder tree; History of Jonah; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Jonah sits on a rock above the city of Nineve and waits for God to destroy the city. God has growing a wonder tree for him so that he can sit in the shade. But the next day the tree is suspended, the leaves hang limp, and Jonah is caught by the heat. He holds his cloak above his head against the burning sun. Jonah is angry about the plant and about the fact that God does not destroy the city. He speaks about it with God, who appears on the clouds in the form of tetragram. Under the show a reference in Latin to the Bible text in Jonah 4: 6. This print is part of an album.

Picking of choirs on the Sabbath, Adriaen Collaert, After Hans Bol, 1582 - 1586 print Landscape with a cornfield. Central tells Christ to the Pharisees that his apostles did not perceive the Sabbath if they act with Korenaren from the field to satisfy their hunger. The apostles pick grain in the background. The print has an ornamental list of flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving disciples pluck ears of corn on Sabbath, and eat (Matthew 12:1-8; Mark 2:23-28; Luke 6:1-5). discussion with Pharisees about the plucking of corn. cultivated land. rodents: squirrel (+ ornamental variants of animals). ornamental birds. flowers ~ ornament. other mammals: mole (+ ornamental variants of animals)

Leclerc, Sébastien (II), Miraculous feeding, verso - stamped, Christ has the loaves and fish of the little boy, who is standing next to him, distributed among the crowd. The disciples carry and distribute the baskets of bread two by two., print, prints, height 151 mm, width 261 mm, print maker, printmaker, 1686 - 1813, paper, etching, hand coloring, Work conception, French, 1676-09-29 - 1763-06-29

Saints Romualdus and Marinus (from Oraculum Anachoreticum,20). Artist: Johann Sadeler I, Flemish, 1550-1600 After: Maarten de Vos, Flemish, 1532-1603

Set and eno; History of the family of set / about good and bad judgments; Bonorum et Malorum consensio. Set and his son enos are collecting trees to pruning and wood. On the left the wife of set makes the food ready while the rest of the family takes care of the animals. The print has a Latin caption.

Return from Tobias; Landscapes with scenes from the story of Tobias. Upon returning home, Tobias falls his father Tobit in the poor. His mother Anna watches from the doorway. Archangel Rafael points towards a procession slaves, cattle, sheep, packed camels and baskets with stuff, which had given a raguel for them. At the bottom of the margin an explanatory, murdered text in Latin.

An itinerant medicine vendor selling his wares on stage as part of a performance to a small audience. Etching by D. Deuchar ().

Creation of the earth, Johann Sadeler (I), After Maerten de Vos, 1639 print A coastal landscape with central God the Father in the form of a tetragram. On the third day of creation, God created the earth, the sea and the plants. The print has a Latin caption. after design by: Antwerppublisher: Amsterdam paper engraving gathering of the waters below the firmament; dry land appears and produces all kinds of plants. tetragram (in Roman or Hebrew script) ~ symbol of God the Father. coast

Landscape with Abraham and the three angels; Divinia Operatio; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. In a hilly landscape, Abraham kneels for three angels. Left in the background for a house, the three angels sit at the table. Abraham comes with a scale in his hands (Gen. 18: 2). The print is part of an album.

Landscape with the temptation of Christ; Landscapes. Mountainous landscape on a water. On the left Satan opposite Christ. Right Christ and Satan standing on a mountain top. Under the show one line Latin text. This print is part of a series of six (in one after) numbered prints with landscapes.

Korach, Datan and Abiram and their families are swallowed by the earth; Korah, Damhan and Abiram punished. Korach, Datan and Abiram and their families revolve in the desert against Moses and Aaron. God punishes them. Datan, Abiram and their families and possessions are swallowed by the earth. Korach and his family, who sacrifices were burned by sun rays (num. 16: 31-35).

June: Christ teaches the apostles not to attach too much value to earthy goods, 1585 In the middle of the sign of the zodiac lobster. In the foreground on the right is Christ with three apostles that he learns not to attach too much value to earthly goods. On the left an old man, sitting under a tree and a few pigs in front of a farm. Roofers are installing the thatched roof. Antwerp paper engraving In the middle of the sign of the zodiac lobster. In the foreground on the right is Christ with three apostles that he learns not to attach too much value to earthly goods. On the left an old man, sitting under a tree and a few pigs in front of a farm. Roofers are installing the thatched roof. Antwerp paper engraving

Abraham receives the three angels, Herman van Swanevelt, 1629 - 1641 print In a hilly landscape with a ruin, Abraham and the three angels are shown for Abraham's house on the right in the foreground. Rome paper etching the visit of the three angels (three men) ~ story of Abraham (Genesis 18)

Landscape with martyrdom of Saint Stefanus. Landscape with martyrdom of the Holy Stefanus being stoned by a crowd that chases him. At the bottom left Bible text in six lines of Latin from Acts 7:55.

Meeting on road; Landscapes with mythological and biblical performances. Two travelers meet on a road at a tree. One wears a bag, the other is dressed in a long mantle and hat. The man with the hat shows the other way.

Arrival of Daniël Raap in hell, 1754. Arrival of Daniël turnip in hell. Cartoon on the death of the merchant and Orangist Daniël Raap on January 15, 1754 in Amsterdam. Rapes with his co-distinct tips in hell standing for the devil on his throne. Details in the show numbered 1-5 but a legend is missing.

Landscape with church and procession; Landscapes to Marco Ricci. Landscape with a procession of people walking from a church to a village.

Face on the olive mountain; Topographical images of the Middle East. View of the olive mountain with the different churches and graves. In the foreground a few hikers. The print has a Dutch caption with references to buildings and places on the print.

Landscape with Christ and the healing of the blood -flowing woman, Simon Frisius, 1599 - 1649 print print maker: Northern Netherlandspublisher: The Hague paper etching the good Samaritan (Luke 10:30-37)

Pastors in four continents. Four circular representations of preaching pastors in the continents: Europe, Asia, Africa and America.

Third Creation Day: Divorce of Land and Water, 1646 print A coastal landscape with central God the Father in the form of a tetragram. On the third day of creation, God separated the land and water. Under the performance a reference in Latin to the Bible text in Gen. 1: 9. This print is part of an album. paper engraving gathering of the waters below the firmament; dry land appears and produces all kinds of plants. tetragram (in Roman or Hebrew script) ~ symbol of God the Father. coast

. Cebes table. Allegorical representation of the path of life as the passage by concentric rings to the temple of happiness on a mountain in the middle. Detailed show with countless persons and allegorical figures with inscriptions. Under the show a legend with 22 referrals; Links in Latin, right in Dutch.

Wedding party on a village square.

Jungle with Indian temples, Bernard Picart (workshop or), After Bernard Picart, 1729 print Jungle with Indian temples and fakirs who champes themselves in various way. At the bottom of the margin a legend. Numbered at the top right: 109. Amsterdam paper etching / engraving asceticism ~ Hinduism, Buddhism, Jainism

Return of the scouts from Canaan, Anonymous, Maerten de Vos, 1646 print Two of the scouts, who had sent Moses to Canaan, return with a large grapesros on a branch. In the background a landscape in which the other scouts run. Under the performance a reference in Latin to the Bible text in Num. 13: 2. This print is part of an album. paper engraving the spies take away some of the fruits of Canaan and return, usually carrying a large bunch of grapes on a pole

Eliezer and Rebekah at the source; Spiritis affinitas; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. At the source, Rebekka releases eliezer from her jug. Ten camels left. In the distance, three women come with jugs (gene. 24: 4). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Exodus of the Remonstrant Pastors, 1619. Cartoon at the exodus of the remonstrants from the 's-Gravenhage on July 6, 1619 after the conviction by the synod.

Passage through the Red Sea, Jacques Callot, 1629 print In the foreground are Moses and Aaron, the former with a staff in the lifted left hand. Before they pass the Israelites between the waves of the Schelf Sea (a spur of the Red Sea) and further through the mountains. On the left in the background you can see how the Pharaoh is swallowed up with his entourage by the returning water. Under the show two lines of Latin text. print maker: Nancypublisher: Paris paper etching with his people safe on the shore, Moses raises his hands and causes the water to return; Pharaoh's army perishes in the water (Red Sea)

Hosea and the adulterous woman in a landscape, Anonymous, After Nicolaes de Bruyn, after Gilles of Coninxloo (II), 1630 - 1656 print Hosea is sitting next to the road and looks at the behind landscape. Next to him his eldest son rods to fish in a stream. In the foreground, the left are adulterous woman with the other two children of Hosea. On the right a few believers who worship a statue of saints in a tree. Under the show the title in Latin, a reference to the Bible text in HOS. 12 and three four -line verses: one in Latin, one in Dutch and one in German. Amsterdam paper engraving Hosea and the adulteress (Hosea 3). mountains (+ landscape with figures, staffage)

Landscape with two penitent men in prayer, Marco Ricci, 1730 print Landscape with two penitent men in prayer. Assignment in the end margin. Italy paper etching landscapes. renouncing the world ~ penitent sinner

. View of Shric Hill and our dear Church. Believers hiking from the city in a procession to the Mariabeeld. Four men kneel in worship for the Virgin Mary.

unknown, Leiden, Hondius, Hendrick (I), The Hague, John the Baptist identifies Christ as the Lamb of God, verso - stamped, wide rocky landscape with a river on the left and trees and a rock along a road on the right. A group of men are standing on the country road. One of them, John the Baptist, points to Christ and identifies him as the Lamb of God., print, prints, height 247 mm, width 334 mm, Noord-Nederlands, 1573-06-09 - 1650-10-25, print maker, printmaker, 1599 - 1649, paper, papier, engraving, engraving (printing process), Publication (Event), Publicatie, publisher, uitgever, verlener

Lapland gods; Jumala Divinité des Lapons (...). Leaf with four performances of Laplandse Gods. Top left: worship of the God Jumala. At the top right: worship of the God Wirku-Acha. Reindeer in the foreground. Bottom left: An animal is sacrificed for God Thoron. Bottom right: worship of the God Stor-junkare.

Landscape with Christ and the disciples on the way to Emmaus.

Pilgrimage on the way to Our Lady of Scherpenheuvel The Netherlands, Jan Caspar Philips, 1737

Saint Paul, Premier Hermit, and Saint Antoine (Bartsch 110) Herman van Swanevelt (1600-1655). St. Paul, Premier Hermit, and Saint Antoine (Bartsch 110). Floor, 17th century.

Fifth Day of Creation: God creates fish and birds; From creation to expulsion from paradise. Fifth Day of Creation: God creates fish and birds so that the water flies from the living creatures and flying along the sky-vibrant birds. In medallion with a letter text in Latin from Genesis 1, within rectangular frame.

Etching by Jan Luyken from 1721-1778 showing the leaf hut festival, including figures, decorations, huts, and communal activities.

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