Biblical Landscapes and Parables

Engravings showcasing biblical landscapes featuring narratives like the Prodigal Son and scenes with angels, captured in serene natural settings.

In a vast, wooded landscape, in the foreground in the center, the prodigal son kneels before his father who embraces him Two servants stand to their right In the background shepherds with their flock near a castle, Homecoming of the Prodigal Son Parable of the Prodigal Son , print maker: Hendrick Hondius (I), (mentioned on object), Hendrick Hondius (I), (mentioned on object), unknown, (mentioned on object), The Hague, 1620, paper, engraving, h 295 mm × w 425 mm

Landscape with Abraham and De Drie Engelen, Johann Sadeler (I), After Hans Bol, 1580 - 1600 print A landscape with a village in the background. Abraham kneels in the foreground for the three angels and welcomes them. The print is part of an eight -part series of landscapes with scenes from the old and New Testament. unknown paper engraving the visit of the three angels (three men) ~ story of Abraham (Genesis 18). village

In a vast, wooded landscape, in the foreground in the center, the prodigal son kneels before his father who embraces him Two servants stand to their right In the background shepherds with their flock near a castle, Homecoming of the Prodigal Son Parable of the Prodigal Son , print maker: Hendrick Hondius (I), (mentioned on object), Hendrick Hondius (I), (mentioned on object), unknown, (mentioned on object), The Hague, 1620, paper, engraving, h 295 mm × w 425 mm

Home of the lost son; Parable from the lost son. In a wide and tree-growing landscape kneels, in the foreground in the middle, the lost son for his father embracing him. Two servants are on the right of them. In the background shepherds with their herd at a castle.

Landscape with Christ and the chief of Kafarnaum; Landscapes with scenes from the old and New Testament. The chief of Kafarnaum sits on his knees before Christ and begs around the healing of his servant. Around them five disciples and five soldiers. In the background a village. The print is part of a four-part series of landscapes with scenes from the old and New Testament.

Herman van Swanevelt, Balaam and the Ass Balaam and the Ass

Landscape with Christ with lamb on his shoulders, Adam Perelle, 1673 - 1695 print publisher: ParisFrance paper etching Christ as Good Shepherd

July: Christ as the good shepherd; Emblemata Evangelica. In the mid top the sign of the zodiac. Lion. In the foreground Christ with a lamb on his shoulders; A herd of sheep behind him walking to the stable. Farms and hilly landscape in the background. Under the show four lines of Latin in two columns (John 10). The print is part of an album.

Christ and the Samaritan woman, Gabriel Perelle, 1660 print publisher: ParisFrance paper etching Christ and the woman of Samaria: sitting at Jacob's well he asks her for a drink from her jug

Landscape with JeroBeam and the Prophet Achia, Jan van Londerseel (attributed to workshop or), After David Vinckboons, After Hans Collaert (I), After Ambrosius Francken (I), 1601 - 1652 print Mountain landscape with a city in the distance. In the foreground are the prophet Ahias and JeroBeam. Ahias she tears new cloak into twelve pieces and gives ten pieces to Jerobobeam; JeroBeam will become King over ten of the twelve tribes of Israel. In the margin a caption in Latin, with Bible reference to 1 Kon. 11:29. Amsterdam paper engraving meeting of Jeroboam and the prophet Ahijah; Ahijah rends his garment in twelve pieces, ten of which he gives to Jeroboam. story of Jeroboam, king of Israel (1 Kings 12:20, 12:25 - 14:20). mountains

Samuel omits Saul to King; Primus Hebraorum Saulus Rex Ungitur, Impar Viribus, HUC Samuel Regia (...); Spacious bible. Water-rich landscape in which Saul is anointed by Samuel to King. Samuel leaves a jug of oil above the head of Saul. Under the show the title in Latin and a reference to the Bible text in 1 Sam. 10: 1.

Priest passes the injured traveler; Praetereunt Aegum Que Sacerdos Atque Leuita; Parable of the merciful Samaritan; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. In a wooded river landscape the wounded traveler is under a tree. A priest with a opened book in his hand passes the injured and offers no help. Right two figures in a rowing boat. A chapel is in the background. To the Bible story in Luc. 10: 25-37. This print is part of an album.

Landscape with Christ and the disciples on the way to Emmaus, Cornelis Galle (I), After Gabriel Perelle, 1586 - 1650 print Southern Netherlands paper etching the journey to Emmaus: two disciples (Cleopas and Peter) under way

. Soldiers of Herod killed all the boys younger than two years in the wider area of Bethlehem. Mothers resist and mourn this deed. Herod looks sitting on his horse from a distance and Elisabet escapes with the little John the Baptist in her arms.

Creation of man; Adumbrata Humanitate Divinitas; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Landscape with animals and the creation of man (gene. 2: 7). The Tetragram symbolizes God's father. The print is part of an album.

Sébastien Bourdon, The Pharisees Complain to Our Lord The Pharisees Complain to Our Lord

Landscape with martyrdom of Saint Stefanus, Boëtius Adamsz. Bolswert, after Gilles from Coninxloo (II), 1634 print Landscape with martyrdom of the Holy Stefanus where he is stoned by a crowd that follows him. Bible text left in six lines Latin from Acts 7:55. Netherlands paper engraving the stoning of Stephen; the witnesses lay down their clothes at Saul's feet

Landscape with the temptation of Christ, 1653 - 1654 print Boom -rich river landscape with the temptation of Christ. In the foreground, the trial points to a number of stones on the ground and challenges Christ to turn them into loaves. At the top of the mountain he promises Christ all the kingdoms of the world (Matt. 4: 1-11). The print is part of an album. paper etching 'command these stones to become loaves of bread' ~ temptation of Christ in the wilderness. 'all these will I give you' (= the glory of the world) ~ temptation of Christ in the wilderness. water course. forest, wood

Landscape with a man kneeling for a cross, Paul van Somer (II), 1670 print Landscape with a man with rosary, who is kneeling in front of a cross with Christian statue. In the foreground a ruin of a temple with classic columns. On the water, a fishing man argues with a woman standing next to him. paper etching / engraving venerating the cross. aids for prayer, e.g. rosary. quarrel, argument. landscape with ruins - II - ideal landscapes

William Woollett (1735-1785). "Saint John near Madeleine", after Anibale Carrache (1560-1609). Engraving (etching). Museum of Fine Arts of the City of Paris, Petit Palais. 74202-6 Bible, chisel, catholicism, classicism, evangelist, woman, holy story, landscape, biblical character, holy character, biblical story, biblical scene, classical style, 18th 18th 18th 18th 18th 18th 18 century, engraving

Offer from Isaak, 1612 - 1655 print Landscape with on the left in the foreground the sacrifice of Isaac. Isaac is on the sacrifice block against a stack of firewood. Abraham has pulled his sword. The angel appears from a cloud above them. On the left in the bushes is a ram. On the right in the background a bridge with two shepherds and a donkey. paper etching when Abraham has his hand raised to kill Isaac, an angel restrains Abraham's hand

Pelagia Mima van Antioch; Pelagia Mima Antiochena; Female hermits; Solitvdo Sive Vitae Foeminarvm Anachoritarvm. Pelagia Mima van Antiochie kneels in front of a crucifix in the wilderness. In the background a city. The print has a Latin caption and is part of a series of twenty-four prints with the subject of female hermits.

Landscape with Christ in the Hof van Gethsemane, 1580 - 1625 print Wide landscape with oak and palm trees. On the left, the angel appears in the middle of light rays on the kneeling Christ. The three apostles are sleeping. On the right, a group of soldiers with torches, preceded by Judas. paper engraving Christ's prayer in the Garden of Gethsemane during the night

Separation between Abraham and Lot; Beati Pacifici; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. On the left on a rock represents Abraham to Lot to separate. They look out over a valei with the cattle in the foreground and the shepherds who argue about the shortage of land (Gen. 13: 8-12). The print is part of an album.

Man praying with a sacrificial altar; Scenes from Vergilius poetry bundle Bouncerca. Illustration for virgilius ecloga x. A man kneels for a sacrificial altar. The altar is on the shore of a river. On the other side a castle can be seen on a hill. Near the altar is a woman in the grass. She talks to a Roman soldier.

Christ in the Hof van Getsemane, Gabriel Perelle, 1673 - 1695 print publisher: ParisFrance paper etching Gethsemane, Mount of Olives, 'Oelberg' (Matthew 26:36-56; Mark 14:32-52; Luke 22:39-53; John 18:1-12). landscapes

Joseph helps Maria van de Ezel; Flight to Egypt. In a mountainous landscape with tree arties, Jozef Maria van de Ezel helps, while an angel holds the head of the donkey. Behind the donkey a second angel was raised about Christ, which is wrapped in a cloth on the ground.

Offer from Cain and Abel / Cain beats Abel, 1613 In the midst of a landscape with animals, Cain hits Abel with a raised piece of jawbone, lying on the floor (Gen. 4: 8). On the left in the background the two sacrificial altars. The smoke of Käin's sacrifice does not go up. Abel's sacrifice is accepted by God. The light of God shines on Abel, who kneels his arms to heaven. With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching In the midst of a landscape with animals, Cain hits Abel with a raised piece of jawbone, lying on the floor (Gen. 4: 8). On the left in the background the two sacrificial altars. The smoke of Käin's sacrifice does not go up. Abel's sacrifice is accepted by God. The light of God shines on Abel, who kneels his arms to heaven. With a motto in Latin above the performance and a four -line caption in Latin under the print.

Landscape with Jakobs Ladder, 1653 - 1654 print Landscape with a river. In the foreground on the left the sleeping Jacob with a stone as a pillow. He dreams about a ladder that reaches into heaven and about angels who climb up and down. In the clouds, a tetragram replaces the image of God the Father. God promises the land to Jakobs offspring. On the left in the background, Jacob devotes the stone that he used as headrest by pouring oil over it. He called the place Betel, House of God (Gen. 28:11). The print is part of an album. paper etching Old Testament. the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder. Jacob awakes, anoints the stone and names the place Bethel. river. landscapes. tetragram (in Roman or Hebrew script) ~ symbol of God the Father

Landscape with the temptation of Christ; Stulta Arrogantia; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Boomy river landscape with the temptation of Christ. In the foreground, the battle points to a number of stones on the ground and challenges Christ to change them in loaves. At the top of the mountain he promises Christ all Kingdoms of the world (Matt. 4: 1-11). The print is part of an album.

Creation of the earth; Creation of the world. A coastal landscape with central God the Father in the form of a tetragram. On the third day of creation, God created the earth, the sea and the plants. The print has a Latin caption.

Stenigen van Stefanus; Stephanus staining. After Stefanus has told about his vision of Christ, he is thrown out of the city and stoned by the furious crowd. Illustration for the New Testament, Hand. 7, 58.

Jacob and Laban; Irriti Conatus; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Jacob is in secret to Canaan and takes his wives, children and possessions. On the left in the background, Jakob informs his women Lea and Rachel about their departure. Laban put in the pursuit and searches all possessions. Jacob and Leban are talking to each other in the foreground. Rachel is on the ground in a tent. Her father in addition to her asks where the terafim or god figures are hidden that she has stolen (Gen. 31:22). The print is part of an album.

Arrival of Christ in Jerusalem; Exulta Sijon, Rex Tuus Venit, Insidens Asino; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Christ gives two of his students the assignment to get donkey foal that is tied in the nearby village. Right Christ drives on a donkey towards Jerzulem, while people put their coats on the floor for him (Mar. 11: 1). The print is part of an album.

Bootless Mary Magdalene in the wilderness; Landscapes with penitent saints. Maria Magdalena is located in front of a cave. In addition to her, a skull and a cross can be seen, her attributes. Two musicing angels kneel on a cloud above her. The left angel plays a harp and the straight angel. The surrounding landscape is upholstered with many tree arties.

Landscape with Golgota and the Crucifixion, Isaac Major, 1586 - 1630 print paper engraving the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Reconciliation of Jakob and Esau, 1653 - 1654 print River landscape with the reconciliation of Jakob and Esau on the foreground. Right behind Esau is his army. On the left the women, children and caravan of Jakob (Gen. 33: 1). The print is part of an album. paper etching Old Testament. Jacob and Esau are reconciled (Genesis 33). river. city-view, and landscape with man-made constructions

Public sermon in the field, 1566, 1782 - 1784 print Public sermon in the field, 1566. Hagenpreek outside the city: a pastor speaking under a tree, listeners sitting on the ground. Northern Netherlands paper etching sermon ~ Protestant service

View of Bethany. View of the village of Bethania, the only place on earth where Christ was welcome. On the left are houses on and at the foot of a hill, right a setting sun.

Landscape with Christ in the Hof van Gethsemane, Jan van Londerseel, after David Vinckboons, 1580 - 1625 print In a wide landscape, Christ prays kneeling on the Mount of Olives and looks at heaven where an angel appeared in a vision. On the ground behind Christ, the three disciples Peter, James and John are sleeping. Judas is approaching on the right, followed by a group of soldiers. paper engraving Christ's prayer in the Garden of Gethsemane during the night

Prayer for a Maria Chapel, Hendrik Jozef Franciscus van der Poorten, 1799 - in Or Before 1841 print paper etching / drypoint Mary devotion. public road in village

Landscape with the baptism of Christ. A wide river landscape with a settlement. In the foreground Christ is baptized in the river (the Jordan) by John the Baptist. In addition to Christ two angels on a cloud.

Entry of Christ in Jerusalem, 1653 - 1654 print Christ instructs two of his students to get the donkey foal that is tied up in the nearby village. On the right Christ drives a donkey towards Jerzulem, while people put their coats on the ground for him (Mar. 11: 1). The print is part of an album. paper etching entry into Jerusalem: people spreading their clothes before Christ on the ass, and waving palm branches (Matthew 21:1-11, 21:14-16; Mark 11:1-11; Luke 19:28-40; John 12:12-19). sending for the ass ~ Christ's entry into Jerusalem. the disciples take the ass along after initial protests of its owner ~ Christ's entry into Jerusalem

Third Creation Day: Divorce of Land and Water, 1643 print A coastal landscape with central God the Father in the form of a tetragram. On the third day of creation, God separated the land and water. Under the performance a reference in Latin to the Bible text in Gen. 1: 9. This print is part of an album. Amsterdam paper engraving gathering of the waters below the firmament; dry land appears and produces all kinds of plants. tetragram (in Roman or Hebrew script) ~ symbol of God the Father. coast

Abraham receives the three angels; Oudtestament representations. In a hilly landscape with a ruin, Abraham and the three angels for Abraham's house are displayed on the right in the foreground.

God carries Noah to build the Ark; Divinae punitionis praeparatio; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. On the right on a hill God is wearing Noah to build an ark. The ark is being built on the left. Noah gives instructions to one of his men (Gen. 6:22). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

ERMELINDIS; Hermelindis; Female hermits; Solitvdo Sive Vitae Foeminarvm Anachoritarvm. The local holy Ermelindis van Meldert prays in a small chapel. Her body is discovered and buried in the background. On the left she is in conversation with an angel. The print has a Latin caption and is part of a series with the subject of female hermits.

. A river landscape. In the foreground The H. Wolfhardus of Augsburg, a hermit from the twelfth century after Christ. He is praying on his knees and carries chains around his body. A boat is sailing on a river in the background.

Sébastien Bourdon, Jesus and the Samaritan Jesus and the Samaritan

Landscape with juda and tamar; Iudas et Thamar Coeunt Promittitur Hoedus Annulus, Armillae, Atque Pedum Pro Pignore Dantur; Spacious bible. Mountain landscape with a castle surrounded by water. Left in the foreground is the veiled Tamar with her father-in-law Judah, who does not recognize her and thinks she's a prostitute. He gives her his signet ring and staff as collateral for the goat bug with which he will pay her. Under the show the title in Latin, four four-line verses in Dutch and a reference to the Bible text in Gen. 38: 6.

Meeting of Jakob and Esau, Jan Luyken, 1708 print The meeting of Jakob and Esau with their families and consequences. Jakob kneels for his brother Esau, who helps him stand up. Amsterdam paper etching the meeting between Esau and Jacob

God blessing Jakob and calls him Israel, 1613 Hilly landscape with a river. God reveals himself to Jakob in Betel. He gives Jakob the name Israel and promises him the land of Abraham and Isaac. Jakob then sets up an altar and dedicates it by pouring oil over it (Gen. 35:14). A tetragram here replaces the image of God the Father. With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching Hilly landscape with a river. God reveals himself to Jakob in Betel. He gives Jakob the name Israel and promises him the land of Abraham and Isaac. Jakob then sets up an altar and dedicates it by pouring oil over it (Gen. 35:14). A tetragram here replaces the image of God the Father. With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterp

Rotswslandschap met de Heilige Jerome, Giles Sadeler (2), after Jan Brueghel (1), 1580 - 1629 print Rock landscape with the saint Hieronymus, praying on his knees for a crucifix. His lion is next to him. unknown paper engraving St. Jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'Vanitas' symbols), sometimes a scorpion and a snake beside him. rocks

Christ attempted by the demon (Bartsch 35) Herman van Swanevelt (1600-1655). Christ attempted by the demon (Bartsch 35). Etching. 17th century.

Flight to Egypt; Landscapes with biblical and mythological scenes. Landscape with a water mill at a river. On the left on the path of Maria and Jozef on the flight to Egypt. Maria keeps Christ in her arm and drives a donkey. Joseph wears a hat and a stick and holds Marias hand. Print from a series of 13 landscapes with biblical and mythological scenes.

Village view with the healing of a lame; Landscapes with scenes from the life of Christ.

Christ preaching from a boat.

Saint Philip baptising the eunuch. Engraving by J. Browne, 1772, after J. Gresse after J. and A. Both.

Abraham and the king of Sodom; HIC Murus Aheneus Esto; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. The king of Sodom meets Abraham in the Saw Valley, or the Konings Valley (Gen. 14:22). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Netherlands, Everdingen, Allaert van, The church on a hill, Landscape with church on a mountain, Rocky landscape with water in the foreground. Next to bushes stands a bent over figure next to a seated person. In the background a church., print, prints, height 75 mm, width 107 mm, Noord-Nederlands, 1621-06-18 - 1675-11-08, print maker, printmaker, 1631 - 1675, paper, papier, etching, etsen

Isaac blessed Jacob; Pietatis praerogativa; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. The old and blind Isaac bless Jacob disguised as his brother Esau. Jacob kneels at the bed. Left is his mother Rebekah. On the right a river landscape with Esau that returns from hunting (Gen. 27:18). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

The cottage and chapel at the bottom of the mountain (Hollstein 76) Anthonie Waterloo (1609-1690). The cottage and the chapel at the bottom of the mountain (Hollstein 76). Floor, mid-17th century.

Separation of the sheep and the goats / last judgment, 1613 A shepherd separates the sheep from the goats. On the left in the background some buildings with a gate. Christ travels on the clouds and the last judgment. The dead are led to heaven or led to hell by angels (Matt. 25). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching A shepherd separates the sheep from the goats. On the left in the background some buildings with a gate. Christ travels on the clouds and the last judgment. The dead are led to heaven or led to hell by angels (Matt. 25). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

Bomen en specerijen; Plantes des Indes, etc / Indiaensche kruyden, etc; Les Indes Orientales et Occidentales et autres lieux.Landscape with trees and spices in East and West Indies, such as the pepper tree, cinnamon tree, nutmeg tree and fig tree. In the front floor on the left, a Dutchman gives instructions to some local residents of the country. They have bags with sticks or arrows. On the right is a man on a camel. With a legend in French and Dutch. The print is part of an album.

Trekkuit at Portuguese-Jewish cemetery Beth Haim in Ouderkerk aan de Amstel; Begreennis der Jews Buyten Amsterdam. View of the Portuguese-Jewish cemetery Beth Haim in Ouderkerk aan de Amstel. In the foreground a drawing trickle with a graffiler and funeral players has arrived. Of the three central tombs, the middle of Isaac Uziel and the left of Elia Montalto. On and for the cemetery, mourning men. A banderole in the middle with the title.

Landscape with church on a mountain; The church on a hill. Rock landscape with water in the foreground. In addition to scrub, a prosperous figure is a seated person. A church in the background.

Holy family on foot on the flight to Egypt, Cornelis Galle (II), 1638 - 1678 print Mary and Joseph and the Christ child walk through a landscape with Roman ruins on their way to Egypt. Antwerp paper engraving the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

God bless Jacob and calls him Israel; Grati Animi Monumentum; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Hilland landscape with a river. God reveals to Jacob in Betel. He gives Jacob the name Israel and promises him the country of Abraham and Isaak. Jacob then raises an altar and dedicates it by casting oil (Gen. 35:14). A tetragram here replaces the image of God the Father. The print is part of an album.

Mourning men on the Portuguese -Jewish Cemetery Beth Haim in Ouderkerk aan de Amstel, Romeyn de Hooghe, 1675 - c. 1695 print View of the Portuguese-Jewish cemetery Beth Haim in Ouderkerk aan de Amstel. Various grieving men among the graves. In the middle the tomb of Isaac Uziel with on the right, less visible, that of Elia Montalto. In the background the church of Ouderkerk. A banderole with the title at the top in the middle. paper etching / engraving churchyard, cemetery. Jewish mourning customs. 'Sephardim' ~ Jewish communities. death and burial ~ Jewish customs Beth Haim

Procession in Montmartre.

Proclamation to the shepherds; Italian and German landscapes. Landscape with the proclamation to the shepherds. The print is part of a 40-part series of prints with performances of Italian and German landscapes.

Bird of bird view of ancient Jerusalem with on the left the crucifixion of Christ, Anonymous, Petrus Laicksteen, Gerard de Jode, 1550 - 1560 print paper engraving / etching map with Jerusalem as centre. Christ is nailed to the erected cross - DD - three crosses Jerusalem

Allart van Everdingen, Swine Herd near a Chapel, probably c 1645 1656 Swine Herd near a Chapel

Samaritan provides the wounds of an injured man; Similarity of the Merciful Samaritan.

God is wearing Noah on the Ark, 1653 - 1654 print On the right on a hill, God Noah is wearing an ark. The Tetragram symbolizes God the Father. The Ark is built on the left. Noah gives instructions to one of his men (Gen. 6:22). The print is part of an album. paper etching Old Testament. God announces a flood and commands Noah to build an ark. the building of the ark, and the embarkation (Genesis 7:5-9). tetragram (in Roman or Hebrew script) ~ symbol of God the Father

A priest and a Levite walk past the wounded traveler, Crispijn van de Passe (I), After Hans Bol, 1588 - 1589 print The priest and the Leviet walk on a forest path and watch the wounded naked traveler on the path. They do not offer help. From the forest, the merciful Samaritan is approaching a horse. In the margin a rule in Latin. Aken paper engraving a priest and/or a Levite passing by without attending to the wounded man ~ parable of the Good Samaritan

Moses is addressed by God on Mount Horeb, Nicolaes de Bruyn, 1633

Prayer for a Maria Chapel, Hendrik Jozef Franciscus van der Poorten, 1799 - in Or Before 1841 print Antwerp paper etching / drypoint one person praying. Mary devotion. public road in village

Easter Island, Religious Festival', 1872. Artist: Louis Marie Julien Viaud. Louis Marie Julien Viaud(1850-1923) was a French naval officer and novelist, known for his exotic novels and short stories.

Chapel near Trons, Disentis in the canton of Graubunden, 1876, in front of an ancient maple tree, Switzerland, digitally enhanced reproduction of a 19th-century original, historical, exact date unknown.

God appears to Moses in a smoke column, Orazio Borianni, After Rafaël, 1615 print God appears to Moses as a smoke column in a tent camp. Moses is kneeling in front of his tent. Print Maker: ItalyaFter Painting by: Vatican City paper etching God comes down in the pillar of cloud at the door of the Tabernacle and rebukes Aaron and Miriam

Bolswert, after Gilles from Coninxloo (II), 1590 - 1633 print Landscape with martyrdom of the Holy Stefanus where he is stoned by a crowd that follows him. Bible text left in six lines Latin from Acts 7:55. Netherlands paper engraving the stoning of Stephen; the witnesses lay down their clothes at Saul's feet

. View of the partially ruined choir of the church in Velsen. In the foreground a pond and a few figures.

Abraham invites the three angels to enter his house (Bartsch 66) Herman van Swanevelt (1600-1655). Abraham invites the three angels to enter his house (Bartsch 66). Floor, 17th century.

Odilia van de Alsace, Adriaen Collaert, After Maerten de Vos, 1570 - 1618 print The holy Odilia of Alsace in the wilderness. She has a wrong challenge. In the background she prays to her knees and gets a vision. In the right background, a monastery is built on the site of the vision, Niedermünster. The print has a Latin caption and is part of a series with the subject of female hermits. Antwerp paper engraving anchorite, hermit. vision. abbey, monastery, convent ~ Roman Catholic church. building-site Regensburg

Cross instration. Landscape with Christ, wearing the cross. The procession draws from Jerusalem towards Golgota.

Holy family on foot on the flight to Egypt. Maria and Joseph and the Christind walk through a landscape with Roman ruins on the way to Egypt.

The Prophet of Judah (Hollstein 133) Anthonie Waterloo (1609-1690). The Prophet of Judah (Hollstein 133). Floor, mid-17th century.

Balthasar Moncornet, The Flight into Egypt The Flight into Egypt

Landscape with the sacrifice of Isaac, 1613 Landscape with a river in a valley. On the left are Abraham and Isaac on the mountain where Isaac must be sacrificed. Isaac carries the wood for the altar fire. On top of the mountain, Abraham lifts his knife around his son, but an angel keeps him from it. Next to Abraham is the ram that is sacrificed instead of Isaac (Gen. 22:10). At the bottom of the mountain, two men with shepherds watch. With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching Landscape with a river in a valley. On the left are Abraham and Isaac on the mountain where Isaac must be sacrificed. Isaac carries the wood for the altar fire. On top of the mountain, Abraham lifts his knife around his son, but an angel keeps him from it. Next to Abraham is the ram that is sacrificed instead of Isaac (Gen. 22:10). At the bottom of the mo

Allegory on the death of Joan Derk van der Capellen to Den Pol, 1784. Allegory on the death of Joan Derk van der Capellen to Den Pol, June 6, 1784. A group of bataves points to a verse on the deceased on the cover stone of a hunebed . The grieving Dutch virgin is located under the rock. Lightning from the clouds. Design for a print.

Bedelaars en stervenden langs de weg; Les miseres et les malheurs de la guerre; De gruwelen van de oorlog (groot).On a road lined by houses and straps depleted soldiers and war victims. They begging at the villagers around an alms. In the foreground left and right, a few are exhausted against bales of hay. The right is a spiritual one dying. Under the show a blank margin. This print is part of a series of 17 (18 incl. Title Print) prints with performances of various types of misery that warfare entails.

Religious exercise at the Batavians. Religious exercise at the Batavians.

Abraham with the angels in a landscape; Abraham Invitat Angelos; Landscapes with Christian stories. Landscape with central to the foreground Abraham greeting the three angels (Gen. 18: 2). In addition to him a pyramid and a tomb. In the background, Abraham gives the angels to eat. The city of Sodom is on fire in the distance. The print is part of a series of landscapes with Christian stories as a theme.

Prayers 1816 Paris. Lithograph in black on ivory wove paper . Pierre Antoine Mongin

Forest landscape with the temptation of Christ, Anonymous, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving 'command these stones to become loaves of bread' ~ temptation of Christ in the wilderness. forest, wood

John the Baptist in the wilderness. John the Baptist sits with a cross in his hands under rocks at a stream.

Hearders with John the Baptist; The preaching of John den Dooper. In a rolling landscape with trees, people have gathered to listen to John the Baptist, depicted with staff in the background. Under the show a line Latin. John. 1.

Jonah under the wonder tree; From the prophet ionas; History of Jonah; Den Grooten Figuer Bibel (...). Jonah sits on a rock above the city of Nineve and waits for God to destroy the city. God has growing a wonder tree for him so that he can sit in the shade. But the next day the tree is suspended, the leaves hang limp, and Jonah is caught by the heat. He holds his cloak above his head against the burning sun. Jonah is angry about the plant and about the fact that God does not destroy the city. He speaks about it with God, who appears on the clouds in the form of tetragram. Under the show a reference in Latin to the Bible text in Jonah 4: 6. This print is part of an album.

Landscape with the Holy Antonius; Salve Antoni; Landscapes with Christian stories. Landscape with the holy Antonius in the foreground. He studies a Bible. Besides him his pig. A valley with a city in the distance in the background. The print is part of a series of landscapes with Christian stories as a theme.

Procession of shepherds with animals in landscape; Landscapes and ruins in Rome; Paysages et Ruines de Rome. A landscape with a woman with a child on horseback and a camel in the foreground. They walk behind a tone of shepherds with goats, cows and horses a hill.

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