Biblical Narrative Illustrations

Artistic engravings depicting notable biblical stories and characters set in detailed landscapes, representing themes of faith and morality.

Judah and Tamar. In a landscape, the veiled Tamar with her father-in-law Judah, whose signet ring and staff it has received. Judah does not recognize her and thinks she is a prostitute. Tamar becomes pregnant and can prove to her child's father through the jewelry that Judah has given her. To the Bible story from Gen. 38: 1-26. At the bottom of the margin two two-year texts in Dutch and Latin.

Tobias, Tobit and the angel; The story of Tobias. In a hilly landscape, Tobit states that his son Tobias relies to the angel. Numbered as 1.

Landscape with the vision of Eustachius. Eustachius appears on the way in the forest a deer with a crucifix in the antlers. Eustachius is wearing the clothing of a Roman soldier. He steps from his horse and knees in worship for the deer.

Judah and Tamar. In a landscape, the veiled Tamar with her father-in-law Judah, whose signet ring and staff it has received. Judah does not recognize her and thinks she is a prostitute. Tamar becomes pregnant and can prove to her child's father through the jewelry that Judah has given her. To the Bible story from Gen. 38: 1-26. At the bottom of the margin two two-year texts in Dutch and Latin.

River landscape with two monks on a mountain path near a chapel, Jan van de Velde (II), after Gerard van der Horst, 1628 print River landscape with two monks walk on a mountain path near a chapel. On the mountain slope travelers and two riders. Third print from a series of five. Northern Netherlands paper etching river. mountains. mountain climbing, mountaineering. church (exterior) - QQ - small church, chapel. monk(s), friar(s)

Tobias heals his fathers blindness; The story of Tobias. Tobias heals his fathers blindness with the bile of a fish. In addition to him the angel Rafael and Anna, the mother of Tobias. Left below numbered as 4.

Collecting the manna. The Israelites collect the manna in baskets and jugs. Young and old is on the move to collect the manna. At the front right, a man's manna points to a tree.

Punishment of the children who mock Elisa; Spacious bible. Elisa is called on the way to Betel by children because of his bald head and he curses them. Two bears then devour the children. To the Bible text in 2. 2: 23-24.

Alliance between David and Jonatan. In the foreground David kneels for Jonatan, because Jonatan has fulfilled his promise. In the background Jonatan arrows shoot towards the cave where David hides. A young servant picks up the arrows. Due to this promotion, David knows that Saul wants him to death. In the undermaster twice a four-line German and Latin text.

Elia fed by the Raven; Spacious bible. Elia is under a tree on a river, where the raven comes to bring it bread and meat. To the Bible text in 1. 17: 6. At the bottom of the margin two two-year texts in Dutch and two two-key texts in English.

Elijah and the angel; Oudtestament representations. In a rocky landscape with tree artets and a water feature, a angel is shown on the left in the foreground that wakes up the kneeled Ellia and pointing to a piece of bread and a jug with water.

Jakob struggles with the angel, Anonymous, After Nicolaes Pietersz Berchem, 1630 - 1702 print Jakob is struggling with the angel, with the angel disrupting his hip. Left goats and sheep. In the background a river over which a fee is sailing. Under the show the title in Latin, a four -line verse in Dutch, French, German and English and a reference to the Bible text in Gen. 32:24. Amsterdam paper engraving Jacob wrestles with the angel (or man) till daybreak; Jacob's thigh is put out of joint

Landscape with Christ healing a blind; Optata excussis nunc uti luce tenebris das misero christian o lux veneranda mihi; Spacious bible. Christ strokes over the eyes of a blind man, who is sitting along the way to heal him. Disciples and bystanders watch. In the background a village at a river. Under the show the title in Latin, four four-line verses in Dutch and a reference to the Bible text in John. 9: 1.

Landscape with the vision of Eustachius. Eustachius appears on the way in the forest a deer with a crucifix in the antlers. Eustachius is wearing the clothing of a Roman soldier. He steps from his horse and knees in worship for the deer.

Sadeler, Raphael (I), Johann (I), Vos, Maerten de, München, Sylvae Sacrae Monumenta, Male anchorites and hermits, Guido of Pomposa as the hermit, verso lower left - stamped, Guido of Pomposa, a Benedictine abbot of Ravena and Pomposa, as a hermit in a forest landscape. He is kneeling in prayer before a hut with another hermit., print, prints, height 166 mm, width 200 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1594 - 1594, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever, Publicatie, 1560

Eulogius of Egypt, holy.

Marriage of Isaac and Rebekka (magazine 1). Left sheet of a representation of the marriage of Isaac and Rebekka, consisting of four blades printed of four plates.

Elogius de Kluizenaar, Johann Sadeler (I), After Maerten de Vos, 1583 - 1588 print Elogius the hermit in the wilderness. He reads a Bible. A landscape with a village with hermits in the background. Antwerp paper engraving saints. anchorite, hermit

Landscape with the H. Onuphrius. Saint Onuphrius prays in the wilderness for a crucifix. He holds a rosary in his hand.

Landscape with the vision of Eustachius. Eustachius appears on the way in the forest a deer with a crucifix in the antlers. Eustachius is wearing the clothing of a Roman soldier. He steps from his horse and knees in worship for the deer.

Landscape with St. Hieronymus, Cornelis Cort, After Girolamo Muziano, 1774 print Hieronymus, praying for a crucifix in a landscape, books next to him and a skull. Two lions in the background. Rome paper engraving martyrdom, suffering, misfortune, death of St. Jerome

Louis XIII (king of France), Paris, Henriet, Israel, Nancy, Callot, Jacques, The penitent saints, S. Magdalena, The penitent Mary Magdalene, verso lower left - stamped, In a rocky setting, Mary Magdalene prays, kneeling on a rock, a cross and a book on the ground next to her. A caption in Latin below the image. This print is part of a series of six prints, consisting of a title print and five representations of penitent saints., print, prints, height 63 mm, width 43 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1632 - 1632, second quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1590 - 1661, publisher, 1601-09-27 - 1643-05-14, granter of privilege

Apollonius de Kluizenaar, Johann Sadeler (I), After Maerten de Vos, 1586 - 1588 print The early Christian recluse Apollonius is kneeling in a forest landscape. He keeps the arms crossed over the chest and looks up to a beam of light from the clouds. On the floor next to him a crucifix, a Bible and a rosary. Antwerp paper engraving saints. anchorite, hermit. forest, wood

Moses and the burning bush, Andries van Buysen (Sr.), After Gerard Hoet (i), c. 1711 - c. 1720 print God appears for Moses in the form of an angel in a burning bush bush. He tells Moses that he is destined to release the Israelites from the hands of the Egyptians. Illustration for the Old Testament, Exod. 3: 2-10. Under the show a title in Hebrew, English, German, Latin, French and Dutch. Amsterdam paper etching / engraving a burning bush attracts Moses' attention

Baptism of Chamberlaing; Acts of the Apostles. Philippus plays an eunuch on the way from Jerusalem to Gaza. Three figures wait behind the chamberlick at its carriage. Under the margin a two-person caption in Latin.

River View with Christ Tempted by the Devil Aegidius Sadeler II Netherlandish. River View with Christ Tempted by the Devil 415720

Flight to Egypt, François Perrier, 1609 - 1649 print France paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

. The Saint Francis receives the Stigmata. He is kneeling in a mountain landscape at a waterfall, accompanied by a praying monk. At the top right, in the sky the cross of Christ.

Apollo hiking with a young woman; Landscapes with mythological and biblical performances. A young man with arrow sleeve on his back, probably Apollo, walk with a young woman and a dog by a landscape.

Men look for fruits at a tree, Jan Luyken, 1712 print Amsterdam paper etching good tree bears good fruit; corrupt tree bears evil fruit ~ proverbial saying of Christ (Matthew 7:17-18, 12:33; Luke 6:43)

Reconciliation from Jakob and Esau; Spacious bible. Esau and Jacob embrace each other. Left, behind Esau is his army. On the right the kneaded women and children of Jacob. Under the show the title in Latin, four four-line verses in Dutch and a reference to the Bible text in Gen. 32: 1.

Franciscus receives the Stigmata. The Saint Francis receives the Stigmata of Christ. He is kneeling in a mountain landscape at a waterfall and is accompanied by a praying monk with a book. Top right, in the sky, the cross of Christ.

Sacrifice of manoach; History of Simson; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Manoach and his wife rejected at the altar, where Manoach sacrificed a goat. The Archangel Gabriel, who announced Manoach and his wife the birth of a son, sails in the flames of the sacrifice. Under the show a reference in Latin to the Bible text in RI. 13:19. This print is part of an album.

Jozef helps Maria van de Ezel, Herman van Swanevelt, 1650 - 1655 print In a mountainous landscape with tree parties, Joseph helps Maria van de Ezel, while an angel holds the head of the donkey. Behind the donkey, a second angel takes care of Christ, wrapped in a cloth on the floor. Paris paper etching rest on the flight into Egypt

Jozef helps Maria van de Ezel, Herman van Swanevelt, 1623 - 1655 print In a mountainous landscape with tree parties, Joseph helps Maria van de Ezel, while an angel holds the head of the donkey. Behind the donkey, a second angel takes care of Christ, wrapped in a cloth on the floor. paper etching rest on the flight into Egypt

Boetish Maria Magdalena, Wenceslaus Hollar, after Pieter van Avont, 1644 - 1652 print Maria Magdalena praying for a crucifix at a cave. Her arm supports a skull. While praying, Maria Magdalena has focused her gaze on a cross behind her, which is held up by angels in the air. paper etching the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

The Angel near Hagar and Ismaël in the desert, Johannes Valdor (II), After Herman van Swanevelt, 1644 print Hagar with an empty water jug and Ishmael under a bush. The angel hears the groan of the child and Hagar points a well to give her child to drink. Shutter paper etching / engraving Hagar and Ishmael in the wilderness

. The Saint Antonius in the wilderness. He makes a cross sign when seeing a man with the head and legs of a donkey.

Guido from Pomposa as the hermit; Male hermits and renewal; Sylvae Sacrae Monumenta. Guido from Pomposa, a Benedictine ABT from Ravena and Pomposa, as a hermit in a forest landscape. He has been kneeling to pray for a cabin with another hermit.

Balaam and the donkey with the angel; Oudtestament representations. In a hilly landscape with tree-artiches, balaam has been displayed on a recruiting donkey on the left. In his right hand he holds a sword and for him is an angel who pulls a sword out of the sheath.

May: Christ and the Samaritan woman; Emblemata Evangelica. In the middle of the Zodiac Twin sign. In the foreground Christ at the Source of Jacob. His students question him about the Samaritan woman who has just left. River landscape in the background. Under the show four lines of Latin in two columns (John 4). The print is part of an album.

Sadeler, Raphael (I), Johann (I), Vos, Maerten de, Antwerp, Solitudo Sive Vitae Patrum Eremicolarum, Male Hermits, Hilarion the Great as a Hermit, verso lower left - stamped, St. Hilarion the Great as a young hermit, praying before his hut in the wilderness with a bible and a rosary., print, prent, prints, height 168 mm, width 198 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1583 - 1588, paper, papier, engraving, engraving (printing process), 1560, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, South Netherlands, publisher

Saint Friardus from Nantes as a hermit; Male hermits and renewal; Sylvae Sacrae Monumenta. The H. Friardus of Nantes, a hermit from the sixth century, in a cabin in a forest. He is on the floor and prays to God. In the background the devil tries to tempt him.

Landscape with hermits, Boëtius Adamsz. Bolswert, 1590 - 1633 print Landscape with a hermit that delves into seclusion in the Bible. Little scenes illustrate in which a good Christian must believe. In an interior of a chapel, believers kneel and receive a host from a priest. A believer kneels for a cross with passion tools from Christ. Hardly visible between the foliage of the trees, the Ascension of Christ is shown. The inscription refers to the Bible text: I am like a pelican in the desert (Psalms 102) and this is illustrated with the symbol for the suffering Christ, the pelican see her boy feeds with her own blood. In the scenes there are letters related to an explanatory text. Low Countries paper engraving anchorite, hermit. symbols of Christ ~ animals. aids for prayer, e.g. rosary. the instruments of the Passion and the five wounded limbs. the book of Psalms (with BOOK CHAPTER:VERSE)

Joseph helps Maria van de Ezel; Flight to Egypt. In a mountainous landscape with tree arties, Jozef Maria van de Ezel helps, while an angel holds the head of the donkey. Behind the donkey a second angel was raised about Christ, which is wrapped in a cloth on the ground.

Saint Martius of Auvergne as a hermit; Male hermits and renewal; Sylvae Sacrae Monumenta. H. Martius van Auvergne, an early Christian recluse, for a cave in a mountainous landscape. He strikes a rock with a scyth.

Balaam and the donkey; History of Balaam; Thesaurus Sacrarum historiarum Veteris Testamenti (...). Balaam mowing his donkey to ride and beat her with a club, but she is stopped by an angel with a sword. There are three fighters in the landscape behind Balaam. Under the show a reference in Latin to the Bible text in Num. 13.

Temptation of Christ. In a wooded landscape, Christ is approached on the right in the foreground by Satan in the form of an old man with a wooden leg. He offers Christ a stone with his right hand.

Copres van Egypt as hermit, Johann Sadeler (I), After Maerten de Vos, 1583 - 1588 print The H. Copres van Egypt as a recluse in a garden. He is reading a Bible while resting from work in the garden. There are all kinds of vegetables next to him on the floor. There are hermit's hut in the background. Antwerp paper engraving male saints (with NAME). anchorite, hermit. vegetables

Balaam and the donkey with the angel; Oudtestament representations. In a hilly landscape with tree-artiches, balaam has been displayed on a recruiting donkey on the left. In his right hand he holds a sword and for him is an angel who pulls a sword out of the sheath.

Landscape with Mary Magdalene; Landscapes with saints. The penitent Maria Magdalena kneels in a landscape at a cave and looks up to heaven. There she sees an angel appearing with a laurel wreath. Under the show a reference to the Bible text in 1 Petr. 4 in Latin. This print is part of an album.

. In an Italian landscape for a tree, Christ is requested to change a stone into bread by the devil. In the background a river with two people in a rowing boat and someone on the shore. On the right in the background a city.

Print, Christ's Entry into Jerusalem; Print Maker: Michel Lasne (French, ca. 1590 - 1667); France; engraving on paper; 11.8 × 15.1 cm (4 5/8 × 5 15/16 in.); 1896-31-21

Landscape with Maria Magdalena, 1573 - 1600 print Maria Magdalena is kneeling in a landscape with a crucifix in one hand and an open book in the other hand. This print is part of an album. paper engraving the penitent St. Mary Magdalene (often before a cave, possibly at La Sainte-Baume hill): her long hair covers her (naked) body, she reads, meditates or raises her tear-filled eyes towards heaven

Moses saves an Egyptian. .

Landscape with hermits; Similis Invovs SVM Pellicano Solitvdinis. Landscape with a hermit that deepens into the Bible in isolation. Illustrate small scenes in which a good Christian must believe. In an interior of a chapel, believers kneel and receive a host of a priest. A believer kneels in front of a cross with passion tools of Christ. Barely visible between the foliage of the trees is the Ascension of Christ shown. The inscription refers to the Bible text: I am like a pelican in the desert (psalms 102) and this is illustrated with the symbol for the suffering Christ, the pelican see her boy feeds her own blood. Letters are related to an explanatory text at the scenes.

Christ on the olive mountain; Scenes from the Bible; Biblia Sacra. Book illustration at the story of Christ on the olive mountain (Luke 22:39). Christ on the olive mountain, surrounded by his apostles. The print contains a caption with a reference to the accompanying Bible passage.

Christ and the Personified Soul in a Storm, Jan Luyken, 1714 print Amsterdam paper etching Christ and the Soul

Ceres; Compendium Operum Virgilianorum. A shepherd surrounded by animals, kneels for Ceres, the goddess of agriculture. A vineyard in the background. In the margin a four-line caption, in two columns, in Latin.

Mary Magdalene; Female hermits; Solitvdo Sive Vitae Foeminarvm Anachoritarvm. Mary Magdalene in the wilderness. She prays to God for a crucifix. In the background three angels that make music in a stable while other angels perform domestic tasks. The print has a Latin caption and is part of a series with the subject of female hermits.

Germany offerscene, Simon Frisius, 1616 print Offer scene with a bull. A priest gives a liquid in the fire. On the right, four figures pray in the foreground. Northern Netherlands paper etching sacrifice ~ Germanic and Scandinavian religions

Eulogius Jan Sadeler (1500-1600). Eulogius. Burin, 17th century.

Elia fed by the Raven; Story of Elia; Spacious bible. Elia is under a tree on a river, where the raven comes to bring it bread and meat. There is a big book next to him. To the Bible text in 1. 17: 6. At the bottom of the margin two two-year texts in Dutch.

Raising of Lazarus 1645-1650 Giovanni Benedetto Castiglione (Il Grechetto) Italian This print conveys Castigliones distinctive technique, including a rich tenebrism (suggestion of darkness) inspired by the etchings of Rembrandt. The subject is the Biblical miracle in which Jesus revives Lazarus of Bethany, who has been dead and buried for four days. Castigliones method skillfully complements his conception of the remarkable event. The torch held by onlookers is outshone by the radiance of Christ at right, but a dim light also appears around Lazaruss outstretched hands as he returns to life.. Raising of Lazarus 335670

Rebekka and Eliezer at De Put, Bernard Picart, 1683 - 1733 print Rebekka lets Eliezer, the servant of Abraham, drink from a jug at the well. His camels on the right in the background. Numbered at the top right: 56. paper etching Rebekah offers Eliezer a drink from her pitcher

The angel near Hagar and Ismaël in the desert, Anonymous, After Herman van Swanevelt, 1644 - 1716 print Hagar with an empty water jug and Ishmael under a bush. The angel hears the groan of the child and Hagar points a well to give her child to drink. Paris paper etching / engraving an angel appears and reveals a well of water to Hagar

Landscape with John the Baptist. Sloping river landscape with praying John the Baptist. In addition to the kneeling figure is a lamb.

Death of St. Peter Martyr, Lefebvre, Valentin, ca. 1642-ca. 1682

Landscape with Abraham begging the three angels to spare Sodom, Water-rich landscape with houses in the distance and a church. In the foreground Abraham kneels before the three angels to beg them to spare Sodom. To the Bible text in Gen. 18: 16-33, Abraham kneels before the angels, landscapes with waters, waterscapes, seascapes (in the temperate zone), Jan van Londerseel (mentioned on object), Amsterdam, 1614, paper, engraving, h 360 mm × w 468 mm

Rebekah and Eliezer at De Put. Rebekka allows Eliezer, the servant of Abraham, from a jug of a jug at De Put. On the right in the background his camels. At the top right numbered: 56.

David and Abigaïl, Anonymous, After Nicolaes de Bruyn, 1618 - 1706 print When a stingy farmer refuses to help David and his men, they threaten to punish him. Abigaïl, the farmer's wife, kneels for David and offers him and his soldiers eat and drink. Behind her some servants and three donkeys packed with drinks and food. The print has a Latin and Dutch caption with Bible place 1 Sam. 25: 4 print maker: Antwerppublisher: Amsterdam paper engraving meeting of David and Abigail, who kneels before him. farm (building). castle. dale, valley (+ landscape with figures, staffage)

Mutius de Hermitaar, Johann Sadeler (I), After Maerten de Vos, 1583 - 1588 print Mutius, an early Christian hermit, in a forest. A hermits' staff in his hands. In the background a village with a stream. Antwerp paper engraving saints. anchorite, hermit

Lamech and his family; History of the family of set / about good and bad judgments; Bonorum et Malorum consensio. Lamech is sitting with a rake under a tree. In addition to him, his wife sleeps and plays the young Noah with a hoop. In the background a village festival with dancing and musicing men and women. The print has a Latin caption.

Moses meets Jetro; Thronus Justitiae. Jetro, the father-in-law of Moses, visits him in the desert and gives him advice on the organization of the case law. The two embraces each other. Jetro has taken Moses' woman, his daughter Sippora, and her two sons. They are right. Links speaks of Moses right over the people of Israel. Under the show two four-line verses in Latin and a reference to the Bible text in ex. 18.

Antwerp, Collaert, Adriaen, Kiliaan, Cornelis, Vos, Maerten de, Solitvdo sive vitae foeminarvm anachoritarvm, Female hermits, Dympna hyberniae regis filia, Saint Dympna of Geel, verso middle - stamped, Saint Dympna, daughter of the Irish king Damon, prays on her knees before a small chapel in the wilderness. Her father and some soldiers attack her, but she is protected by the priest Gerebernus. In the background, Dympna is murdered by her father. Her body is carried to a church in a procession. The print has a Latin caption and is part of a series on the subject of female hermits., print, prints, 279, recto lower right - written, height 178 mm, width 223 mm, South Netherlandish (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1570 - 1618, paper, papier, engraving, engraving (printing process), Work conception, South Netherlandish, 1532 - 1603-12-04, after a design by, 1530 - 1607-04-15, writer, Publication (Event), Publication, publisher

Zenon of Antioch, Saint.

Christ appears to the Holy Women, Antonie Wierix (II), After Bernardino Passeri, 1593 print Christ appears to the holy women on a path in the forest. They all kneel in worship for him. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ appearing to the holy women, usually the three Maries

. Tobias and the angel Rafaël persecuting their journey, Tobias wears the fish captured by him. Third print from a series of four over the Bible story of Tobias.

A woodcut by Meister IB mit dem Vogel from the first third of the 16th century depicts Saint Hieronymus, showing the saint, attributes, and religious composition.

Landscape with the return of the scouts from Canaan. The scouts, who had sent Moses to Canaan, return with large grape fees. Left in the landscape The tent camp of the Israelites. On the right a forest. Under the show a reference in Latin to the Bible text in Num. 13. This print is part of an album.

Johannes the Baptist in the wilderness, Nicolaes de Bruyn, after Jacob Savery (I), 1581 - 1656 print Forest landscape with the invalid figure of John the Baptist kneeling at the foot of a tree with a lamb lying next to him. In the margin under a verse in Latin that refers to the Bible story. paper engraving John the Baptist in the wilderness, usually accompanied by a lamb

. The H. Antonius de Great in a mountain landscape. He is in front of a crucifix and reads in a Bible. A farm in the background.

Martyrdom of St Peter of Verona

Titian, Saint Francis Receiving the Stigmata, c 1530 Saint Francis Receiving the Stigmata

David caught by soldiers from King Saul; Third book; David and Saul. David, on the run for King Saul who wants to kill him, is caught by soldiers. His arms are tied to each other with ropes.

Christ on the Mount of Olives. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: GIULIO CARPIONI.

Copper engraving by Cornelis Cort depicting St. Hieronymus translating the Bible in the wilderness, created in 1573.

Holy Disibodus as a recluse, Raphaël Sadeler (I), After Maerten de Vos, 1594 print The Holy Disibodus, an Irish bishop from the eighth century AD who founded the Disibodenberg monastery in Germany. Disibodus is reading in a forest. Three monks at work in the background. München paper engraving anchorite, hermit. forest, wood. male saints (with NAME). monk(s), friar(s)

. In the foreground the devil is behind a wall with in his hands a cord that is attached to a safety net. In the background, people run towards a globe with all kinds of resources. People are not aware of the safety net that is tense around the globe. World's wealth is the bait the devil used to catch people.

Marcus de Hermit; Male hermits and renewal; Sylvae Sacrae Monumenta. Marcus, an early Christian hermit, in a cave in a forest landscape. He copies the Bible. A frog in the left corner.

The Meeting of Moses and Jethro, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 1 1605-6 Willem van Swanenburg Netherlandish This print is from a set of 13 plates depicting "pictures of justice", with scenes from the Bible, history, and legend. The prints are executed by Willem Swaneburg after designs by Joachim Wtewael. The prints were first published by Christoffel van Sichem in 1606.. The Meeting of Moses and Jethro, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 1 650800

Pass through the Red Sea. Almost all Israelites have reached the coast of the Red Sea, while Moses lames the Pharaoh with his army by the waves.

Holy Francis receives the Stigmata, Titian, Nicolò Boldrini (attributed to), c. 1530 print The Holy Francis of Assisi receives the cross wounds. On the right a companion. print maker: VeniceItaly paper stigmatization of St. Francis of Assisi: in retreat on Mount Alverna, he beholds a vision of Christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of Christ. city-view, and landscape with man-made constructions

Maria Magdalena in the wilderness, Raphaël Sadeler (I), After Maerten de Vos, 1583 print Maria Magdalena in the wilderness. She reads a Bible for the cave in which she lives. A mountainous landscape in the background. Antwerp paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge - apotheosis, glory, triumph of female saint. mountains

De Israelieten vluchten uit Egypte.A group of Israeli men, women and children on the run. They all carry an urn. On the right is the old Moses to indicate his right hand. A woman has been kneeling for him.

Nancy, Callot, Jacques, Saint Amond preaching in the forest, verso lower left - stamped, In an open spot in a forest a bishop (probably Saint Amond, but also identified with Severinus and Nicolaas) preaches to a group of women, men and children. In the background on the left a simple church., print, prints, height 200 mm, width 283 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1621 - 1627, first quarter 17th century, second quarter 17th century, paper, etching, engraving, engraving (printing process)

Creation of the earth; Creation of the world. A coastal landscape with central God the Father. On the third day of creation, God created the earth, the sea and the plants. The print has a Latin caption.

Flight to Egypt. The holy family on the flight to Egypt. Maria and Joseph walking along a child that lies on the roadside. An angel takes care of the child.

Landscape with Driving School and Christ with his disciples, Sébastien Bourdon, 1626 - 1671 print paper etching landscapes. Christ explaining his doctrine to the apostles and disciples

Baptism of Christ.

Bootless Mary Magdalene in the wilderness; Landscapes with penitent saints. Maria Magdalena is located in front of a cave. In addition to her, a skull and a cross can be seen, her attributes. Two musicing angels kneel on a cloud above her. The left angel plays a harp and the straight angel. The surrounding landscape is upholstered with many tree arties.

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