Biblical Narratives in Print

Prints illustrating biblical stories, especially the Prodigal Son, rich in symbolism and historical artistic techniques, capturing significant moral themes.

Netherlands, Anthonisz., Cornelis, Allegory of the Prodigal Son, The Return of the Prodigal Son, verso bottom center - stamped, One of a series of six. Son (Filius Prodigus) kneeling and embraced by father (Pater). Around them Love (Dilectio), Truth (Veritas), Hope (Spes), Repentance (Poenitentia) trampling on despair (Desperata conscientia), and Trust (Fides). Sun in the sky with the word God in Hebrew, Greek and Latin letters., print, prent, prints, prenten, height 267 mm, width 211 mm, 1499 - 1553, print maker, prentmaker, 1535 - 1545, second quarter 16th century, paper, papier, houtsnede

Idolatry of Solomo, Georg Pencz, 1529 - 1533 print Solomon kneels for an altar with a pagan image, behind him are women from his harem. paper engraving Solomon's idolatry

Depicts 'The Scourge' by Monogrammist WH, created as a copper engraving print in the last quarter of the 15th century, showing figure and whip.

Pietro Soderini. Dated: 1619. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques Callot after Matteo Rosselli.

Cambyses warns the son of the unfair judge, Remoldus Eynhoudts, after Peter Paul Rubens, 1636 - 1680 print In the presence of soldiers and civilians, Cambyses, King of Persia, focuses his scepter on the newly appointed judge Otanes. Otanes succeeds his father, Sisamnes, after he was skinned alive as a punishment for adding smear. As a warning, the skinned skin of the unfair right hangs above the seat of Otanes. Antwerp paper etching judgement of Cambyses: he appoints Sisamnes' son to succeed his father, whose skin is nailed onto the judgement-seat (possibly flaying of Sisamnes visible)

Company in a garden, Anonymous, Hans Schäufelein, 1541 print paper letterpress printing private festivities, merry company - AA - in the open air, 'fíªte champíªtre'

Copper engraving by Albrecht Dürer from 1519 depicting a market builder with his wife.

Woodcut by Albrecht Altdorfer depicting the beheading of John the Baptist, created around 1512-1517, showing a historic and religious execution scene.

Scaevola voor Porsena.

Print at the top left of marked: foli 114.

Man at the age of ninety, Crispijn van de Passe (I), 1574 - 1637 print An old man with a walking stick is guided by a boy. The boy points to a church. In the background the death that Violin plays. In the foreground an owl. In the frame an edge in Latin. Ninth print from a series of ten with the ten ages of man. unknown paper engraving 80-90 years. old man. Death as skeleton (+ Death with musical instrument)

Leonhard Beck, Assembly of Four Kings, in the foreground Four Men, 1514 1516 Assembly of Four Kings, in the foreground Four Men

Christ Sermonizing on the Bread from Heaven. Artist: Daniel Hopfer (German, Kaufbeuren 1471-1536 Augsburg). Dimensions: sheet: 8 3/4 x 6 1/4 in. (22.2 x 15.9 cm). Date: ca. 1520. Museum: Metropolitan Museum of Art, New York, USA.

De Marskramer and Death, Wenceslaus Hollar, After Abraham van Diepenbeeck, After Hans Holbein (II), 1651 print A Marskramer is attacked by two fragments. A lion runs between his legs. 24th print from a series of 30 death prints; With a frame with time and eternity. paper etching dance of Death; Death together with one or more human beings. Father Time, man with wings and scythe. Eternity, 'Aeternitas'; 'Eternití','Eternití o Perpetuití' (Ripa). pedlar

Imperial Court, Spranger, Bartholomeus, Sadeler, Aegidius, Hercules and Omphale, verso lower left - stamped, Hercules spins yarn with the distaff. He wears a dress. The Lydian queen Omphale sits next to him. She wears Hercules' lion skin and holds his club. Cupid flies above them and covers himself with a cloth., print, prent, prints, engravings, height 416 mm, width 315 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process), Work conception, 1546-03-21 - 1611-08, after a design by, granter of privilege

Ecce Homo. Dated: c. 1513. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

The Flagellation Artist's working dates 1465-1503 Germany. Prolific engraver and copyist Israhel van Meckenem produced this original Passion series without recourse to prints by contemporaries such as Martin Schongauer or Master E. S. Although these prints are compositionally complex, his figures remain rooted in the Gothic style. This sensibility is particularly evident in the violence of the Flagellation scene, in which Christís torturers wield their implements vehemently. A much-collected series, The Passion survives in at least 40 complete sets, some hand colored and some even gilded.. Engraving in black on cream laid paper . Israhel van Meckenem, the younger

Conversation between Albert of Austria and Charles VI, Jan Ruyter, 1741 - 1744.

Jacques Callot (1592-1635). "Notre-Dame de l'Annonciade de Florence miracles", "Francesco". Thirty-sixth number of a suite of 42 pieces (Lieure 113, Meaume 295). Froz, 1615-1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99594-21 Burin, Gravure

Saint Christopher 1511 Albrecht Dürer German. Saint Christopher 389050

The Great Passion: The Flagellation. Albrecht Dürer (German, 1471-1528). Woodcut;

Leonard Gaultier, Illustration for Luke XVII, 1576-80, engraving on laid paper.

Virgil Suspended in a Basket, copy 1541-1600 Germany. Engraving in black on ivory laid paper . Georg Pencz

Herod appears before the Hyrkanus right chair. The print is part of an album.

Woodcut by Hans Schäufelin showing a company in a garden, including a verso woodcut printed in 1620, originally created in 1541.

'Design of a Stained-Glass Panel with the Coat of Arms of the Town of Reynaw'. Switzerland, 1585. Dimensions: 49,8x36 cm. Museum: State Hermitage, St. Petersburg. Author: Daniel Lindtmayer.

Meeting of merchants, 1758. Engraving.

ECONOMIA DEL S. XVIII. REUNION DE COMERCIANTES EN EL AO 1758. Grabado. Biblioteca de la Universidad de Barcelona. CataluÒa.

R. V. Först, Beheading of John the Baptist, 1598-1800, engraving on paper.

Lucas Cranach the Elder, Pilate Washing His Hands, in or before 1509 Pilate Washing His Hands

Merciful Samaritan pays the innkeeper; Parable from the Merciful Samaritan. The merciful Samaritan sitting on his donkey, the innkeeper pays two denarie. The robbered man is in a bed in the inn and is provided by a woman. Under the show the text: Samaritanus Proficisceus Stabulario Duos Obtulit Denarios Ut Hominis Curam Haberet Lu 10. Fourth prints from a series of four.

History of Ammon and Thamar N � 3: Ammon repudie Thamar (Hollstein 24) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). History of Ammon and Thamar N � 3: Ammon repudie Thamar (Hollstein 24). Burin, 1540. Museum of Fine Arts in the city of Paris, small palace.

The Scourging of Christ, from Life of the Virgin and Christ 1480-1500 Francesco Rosselli Italian. The Scourging of Christ, from Life of the Virgin and Christ 625680

Albrecht Dürer (1471-1528). "The little passion: the Last Supper (B 24)", 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 51448-2 Apoter, Catholic, Cene, Christian Christian, disciple, son God, New Testament, Petite Passion, Religious, Meal, Biblical Scene, Engraving

The return of the lost son, Lucas van Leyden, 1508 - 1512 print For the parental home, the poorly dressed son is welcomed by his father in the presence of many bystanders. Hilly landscape with river and slaughter of the calf in the background. paper engraving the prodigal son returns home, where his father awaits him

Mordecai is an attack on King Ahasveros, Philips Galle, After Maarten van Heemskerck, 1564 print Mordecai hears by accident how two bodyguards of the king plan an attack. Mordecai tells what he has heard of Queen Ester on the right at a door. In the background in a gallery, Ester Ahasveros warns against the bodyguards. Haarlem paper engraving Mordecai prevents King Ahasuerus' assassination (Esther 2:21-23)

Idol Vitzliputzli (Huitzilopochtli). Mexican idol. Engraving. "Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional, conocida por el nombre de Nueva Espana" (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solis y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume I. Edition published in Barcelona and divided into two volumes, 1771. King's printer: Thomas Piferrer. Historical Military Library of Barcelona. Catalonia, Spain.

Return home of the lost son, Wierix (Rejected Attribution), After Bernardino Passeri, 1593 print The lost son returns home. He is met there by his father, who warmly welcomes him. He has a calf slaughtered for a feast to celebrate his son's return. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving the prodigal son kneels before his father who takes him in his arms. festive reception of the prodigal son

Saint George Liberating the Princess. Lucas van Leyden; Netherlandish, 1494-1533. Date: 1503-1513. Dimensions: 161 x 114 mm (image); 162 x 116 mm (plate); 164 x 118 mm (sheet). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Christ before Pilate. Martin Schongauer; German, c. 1450-1491. Date: 1470-1481. Dimensions: 162 x 115 mm (sheet trimed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Amsterdam, Luyken, Jan, King David receives his harp, verso - stamped, print, prints, height 127 mm, width 73 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

The Beheading of St. John the Baptist. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: sheet: 15 15/16 x 10 15/16 in. (40.5 x 27.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

Mankind must learn everything, Philips Galle, 1563

HOMER Blind Greek poet: angels celebrate his Iliad and Odyssey Date: 9th - 8th Century BC

Flagellation of Christ, from The Passion, #6 in a series of 12engravings. Artist: Hendrick Goltzius, Dutch, 1558-1617

Judgment of Cambyses, Cornelis van Dalen (I), 1645 print In the front, Cambyses, king of the Medes and Persians, mentions the bending Otanes as judge. In the background is the chair of the right, which is covered with the skin of Otanes 'father Sisamnes, Otanes' predecessor. Sisamnes was skinned by the corrupt case law by order of Cambyses. print maker: Amsterdampublisher: Utrecht paper engraving judgement of Cambyses: he appoints Sisamnes' son to succeed his father, whose skin is nailed onto the judgement-seat (possibly flaying of Sisamnes visible). juridical examples; exemplary judges; 'Gerechtigkeitsbilder'

Jonadab advises his nephew Amnon to take to his bed sick and ask for Tamar's presence. Front left: Jonadab and Amnon in conversation. Back right, David comes to visit his son Amnon who is sick on his bed. Jonadab advises Amnon History of Tamar and Amnon , print maker: Philips Galle, (mentioned on object), Maarten van Heemskerck, (mentioned on object), publisher: Hieronymus Cock, (mentioned on object), print maker: Haarlem, publisher: Antwerp, 1559, paper, engraving, h 204 mm × w 246 mm

Holofernes and the power (Fortitudo); The seven parents and their human counterparts. Allegory on the power and weakness. Right force (Fortitudo): Woman with a blasted breast, sitting to the left, with part of column in the arm. For her holofernes with sword and shield. Right right ruins of antique buildings. At the left behind the tent camp where Holofernes by Judit, who derived her strength to her godliness, has been killed. The print has a Latin, French and Dutch caption and is part of a series about the seven virtues.

The afternoon, Jan Saenredam, Cornelius Schonaeus, Gerard Valck, 1670 - 1726

Saints Maximilian, Stephen, and Valentine, 1514, woodcut on laid paper, sheet (cut to block): 24.3 × 17.9 cm (9 9/16 × 7 1/16 in.), Hollstein, no. 25, State ii/ii, Wolf Traut (artist) German, c. 1486 - 1520

After Lucas van Leyden, Potiphar's Wife Accusing Joseph, engraving on laid paper.

A Legation before a King, near Him Two Women Standing. Dated: 1514/1516. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Leonhard Beck.

Woman makes an inventory of antique inscriptions; Title page for: Marquardus Gudius, Antiquae Inscriptions. A woman in antique clothing is between antique remains and records the inscriptions of the stones. She gets help through a number of women's figures and two putti. Women whisper the text. Minerva as a protective woman of history and the arts is there. Father time revealed the entire scene by pulling a curtain on side.

The Departure of the Prodigal Son. 1540. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Arrest of Cardinal Wolsey, 1902. Artist: Patten Wilson

Cambyses kills the son of Prexaspis / Iron Henry, Duke of Holstein, between the lions, Jan Luyken, Johannes Boekholt, 1687

Meister HL's 'The Beheading of St. Barbara' (1533) is a copper engraving depicting the martyrdom of Saint Barbara, showing her execution scene with detailed figures, architectural background, and religious symbolism.

Story with representations of murder and death penalty (F. 618.), Abraham Dircksz. Santvoort, 1667 print Story in eight scenes with some performances of murder and death penalty. Among other things of a man who is in bed and a man who is stabbed in the dark. At the bottom right, two figures are beheaded. At the top left: F. 618. print maker: Netherlandspublisher: Amsterdam paper etching death penalty, execution. murder. fighting

Jael Killing Sisera, without ornamental frame (copy). Artist: After Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: sheet: 9 11/16 x 6 7/8 in. (24.6 x 17.5 cm). Date: early 16th century. Museum: Metropolitan Museum of Art, New York, USA.

The Parable of the Laborers in the Vineyard. 1509. Graf, Urs, approximately 1485-approximately 1527. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

. .

Luyken, Caspar, Amsterdam, Title page for: J. Schotanus, Friesche Atlas, 1698, Frisia en Geografia, verso - stamped, Frisia (Friesland) sitting with liberty cap on a lance and the portrait of stadtholder Hendrik Casimir II in the hand. She looks up at Geografia next to her, at her feet lies the Dutch Lion. Portraits of Prince William I (left) and Prince William III (right) are shown against two curtains pushed aside in the background. On the left and right are paintings with scenes from the Roman period in the Netherlands. Below this main scene are two smaller images. Left: The beheading of a condemned man on the scaffold, right: The landing of Prince William III at Torbay., print, title page, prints, height 434 mm, width 270 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception

The martyrdom of Johannes de Evangelist, Albrecht Dürer, 1511 print For a man on a throne, John the Evangelist is sitting with his hands folded in a kettle that stands on a fire. A man keeps the fire high with a bladder ball, another man pours over John with a large spoon of boiling oil. Many bystanders watch. On Versozijde Latin Bible text in Gothic script in two columns. Nuremberg paper letterpress printing martyrdom of John in front of the Porta Latina: he is put in a cauldron of boiling oil, but remains unharmed

St. George Liberating the Princess ca. 1508 Lucas van Leyden Netherlandish. St. George Liberating the Princess. Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). ca. 1508. Engraving. Prints

Joseph and Potiphar's Wife (copy). Artist: After Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: sheet: 5 x 6 3/4 in. (12.7 x 17.1 cm). Publisher: Clement de Jonghe (Dutch, Brunsbüttel (Landkreis Dithmarschen) 1624/1625-1677 Amsterdam). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

The Betrothal of Mary of Burgundy from the Triumphal Arch of Emperor Maximilian I 1515 Albrecht Dürer German. The Betrothal of Mary of Burgundy from the Triumphal Arch of Emperor Maximilian I 396912

Amsterdam, Luyken, Jan, De Pop, Three girls playing on the street with a doll, recto - manuscript in brown ink, print, prints, etching, verso - stamped, 24, height 97 mm, width 86 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etchings

Copper engraving by Marcantonio Raimondi depicting a proclamation scene, created in the first half of the 16th century.

Dancing Peasants, Print made by Bernard Lens, 1659-1725, British, after David Teniers, 1610-1690, Flemish, undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 4 15/16 × 3 1/2 inches (12.5 × 8.9 cm) and Image: 4 3/4 × 3 7/16 inches (12.1 × 8.7 cm)

Bacchus with wine with farmers, Jacob Matham, after David Vinckboons, 1616 print Bacchus presents wine to farmers. On the left, after he has been beaten by drunk farmers, Icarus is turned into a constellation. Book illustration for: Lof-Sanck van Bacchus, 1616. Amsterdam paper engraving / letterpress printing Icarius changed into a constellation: after having been slain by angry farmers, Icarius is changed into a constellation (Ovid, Metamorphoses X 450). (story of) Bacchus (Dionysus), Liber. farmers

Lucas Cranach the Elder (German, 1472 - 1553), The Reformers Luther and Hus Giving Communion to the Princes of the House of Saxony, woodcut

Sebald Beham, Two Street Players and a Girl Two Street Players and a Girl

Small wedding dancers: three musicians (Hollstein 152) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). The small wedding dancers: three musicians (Hollstein 152). Burin, 1551.

Dancing couple, Heinrich Aldegrever, 1551 print Man and woman opposite each other, dancing hand in hand. Man with right leg off the ground and looking over his right shoulder. From a series of eight prints with dancing wedding guests. Germany paper engraving dancing at wedding feast. one pair dancing; man and woman dancing as a couple

Buys, Jacobus, Northern Netherlands, Vinkeles, Reinier (I), Frederik Hendrik is greeted as a general in the French army, 1635, Stadholder Frederik Hendrik is greeted as a general in the army camp of the French army, May 1635., print, picture, history print, prints, pictures, Frederik Muller History plates, height 184 mm, width 114 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1786 - 1786, fourth quarter 18th century, paper, papier, etching, etchings, 1724-11-19 - 1801-04-07, intermediary draughtsman

Petrus Heals Andeas, Philips Galle, After Maarten van Heemskerck, 1582 print The apostle Petrus heals the paralyzed Andeas in Lydda. He blesses him and orders him to get up in bed. The print has a Latin caption and is part of a 34-part series on the subject of the actions of the apostles. print maker: Antwerpafter design by: Haarlempublisher: Antwerp paper engraving Peter in Lydda heals Aeneas, who had been confined to his bed for eight years (Acts 9:32-35)

Judge Herkinbald Cutting the Throat of his Nephew 1553 Heinrich Aldegrever German. Judge Herkinbald Cutting the Throat of his Nephew 399026

Man ties his laces, Thomas Wijck, 1626 - 1677 print A group of men on the street. One of them, seen on the back, leans with his foot on an elevation and ties his laces. paper etching lace

Christ is condemned to death and taken away. Pilate washes his hands. In front of servants and soldiers he washes his hands in a bowl of water. The scene is framed in an ornamental frame decorated with animals and plants, Pilate washes his hands in innocence Passion of Christ (series title), print maker: Antonie Wierix (II), (mentioned on object), Maerten de Vos, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), print maker: Antwerp, publisher: Amsterdam, 1582 - 1586, paper, engraving, h 188 mm × w 148 mm

Ontvangst van Cornelis de Bruyn als nieuw lid van de Bentvueghels.The initiation of Cornelis de Bruyn as a new member of the Bentvueghels, the group of Dutch artists in Rome, on December 22, 1674. In the foreground the Bruyn will be received by a seated man with a laurel wreath on the head. Behind it there are men and figures with artist attributes around an image of Bacchus. Right above A numbered.

Amsterdam, Visscher, Claes Jansz. (II), Broeck, Crispijn van den, History of Tobias, Tobit and Anna with the goat, verso - stamped, In addition to her wages, Anna is rewarded with a young goat to take home. Anna stands with the goat under her arm in front of her blind husband Tobit, who thinks she has stolen it. Around the image a marginal inscription in Dutch and Latin., print, prints, diameter 164 mm, Work conception, Southern Netherlands, 1524 - 1591, after a design by, 1601 - 1652, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Jacques Callot (1592-1635). "Notre-Dame miracles of the Annunciade de Florence", "Accursio". Twenty-first number of a suite of 42 pieces (Lieure 98, Meaume 281). Froz, 1615-1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99595-19 Burin, Gravure

Cartoon on the Actionists of 1720, Cornelis Anthonisz., 1720 print Cartoon on the Actionists or Windhandel of 1720. Weelde, Sorgheloos, and Ghemack sit around the table on which are coins, cards and dice. Aermoede, poor and light fortune stand next to the table and sectors. Text in Dutch in five columns under the show. Originally part of the series entitled The story of Sorgheloos. paper dice-games. card games. Carelessness. Lust, Luxury, 'Luxuria'; 'Lussuria' (Ripa) ~ personification of one of the Deadly Sins. Poverty; 'Povertí', 'Povertí del doni', 'Povertí in uno ch'habbia bell'ingegno' (Ripa)

Lot prevents violence between the inhabitants of Sodom, Heinrich Aldgrever, 1555 print Lot in front of his house in Sodom, stands between two angry men and the two angels. The men from the city want to chase the two unknown guests (angels) from Lot. Second print from a series of four with the story of Lot (Genesis 19). Germany paper engraving Lot tries to pacify the mob

Visscher, Claes Jansz. (II), Bruegel, Pieter (I), Antwerp, Wierix, Johannes, The pig must go into its coop, verso - stamped, As punishment for his drunkenness, a farmer (with a rope tied to his ankle) is a group of men and women pushed into a pigsty., print, prints, P. Brueghel invet, lower left - engraved, C.J.Visscher excudebat, 1568, diameter 190 mm, Southern Netherlands, 1549 - 1618, print maker, printmaker, 1568 - 1568, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, 1525 - 1569-09-05, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Hearing, Anonymous, 1600 - 1670 print A man gets up and singing. There are spectators around him. Under the show a two -way verse in Dutch. The print is part of a series of five prints with the five senses. Netherlands paper etching hearing, listening (one of the five senses). vocal popular music. vocal music, singing - CC - out of doors

Bacchus presents wine to farmers. On the left is Icarus, after being beaten dead by drunken farmers, changed in a zodiac sign. Book illustration for: praise of bacchus, 1616.

Christ Presented to the People, page 73 from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1491. Dimensions: 250 x 176 mm (image/block/sheet); 442 x 300 (album sheet). Woodcut on cream laid paper with letterpress on verso, laid down on album page. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Amnon drains Tamar; History of Amnon and Tamar. Amnon standing at the door, pushes away the crying tamar with his right hand. Above a cartouche with text in Latin. Third print from a series of seven with the story of Amnon and Tamar.

The angry devil; Book illustration for Simon de Vries, Seven Duyvelen ruled and serving the Hedendaeghsche service, Amsterdam, 1682.A maid is arguing with her lady. On the ground are shards of cruises and a decreased bucket of water. Between their capable of a devil with a burning torch.

Wierix, Hieronymus, Amsterdam, Sichem, Christoffel van (II), The Childhood of Our Lord Jesus Christ, Youth of Christ, Christ Child Blowing Soap Bubbles, verso lower left - stamped, In a room the Christ Child is blowing soap bubbles together with two angels. His parents and grandparents are watching. Mary measures a piece of cloth., print, engraving, prints, engravings, height 86 mm, width 68 mm, Northern Netherlands, 1581 - 1658-07-02, print maker, printmaker, 1617 - 1658, paper, papier, houtsnede, Work conception, Southern Netherlands, 1553 - 1619-11-01

De Leviet with his bijwoman is offered overnight in Gibea, Abraham Delfos, after Gerbrand van den Eeckhout, 1779 drawing paper. chalk. pencil brush the Levite and his concubine in a street in Gibeah are offered lodging by an old man

Musscher, Michiel van, Amsterdam, Baptist, Jacobus, Title page for De wanhebbelyke liefde, kluchtspel, Amsterdam 1704, Group of six actors on the street, verso middle - stamped, The six actors playing the leading roles in the farce De wanhebbelyke liefde, on a canal in Amsterdam., print, engraving, title page, prints, height 130 mm, width 87 mm, Noord-Nederlands - 1704-05-20, print maker, printmaker, 1704 - 1704, first quarter 18th century, paper, papier, etching, etchings, engraving (printing process), Noord-Nederlands, 1645-01-27 - 1705-06-20, intermediary draughtsman

Copper engraving by Israhel van Meckenem from the late 15th century depicting a couple seated on a bed in an interior setting, showing attire and posture.

Golden seven-armed candelabrum or menorah Chandelier d'Or , print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1705, paper, etching, h 142 mm × w 84 mm

Jacques Callot (1592-1635). "L'Avoration des Magi" (Lieure 671, Meaume 92). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99591-25 Etching, engraving

The presentation of Jesus to Simeon in the temple, after Dürer. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 11 7/16 × 8 1/8 in. (29 × 20.7 cm). Series/Portfolio: Life of the Virgin. Date: ca. 1500-1534. Museum: Metropolitan Museum of Art, New York, USA.

Léonard Gaultier, The Servant Begging for Mercy from His King, probably c 1576 1580 The Servant Begging for Mercy from His King

The Brown and White Party Asking Mercy from the Old White King, from Der Weisskunig printed 18th century Hans Burgkmair German Der Weisskunig (the white king) is a loosely biographical account of the life of Emperor Maximilian I. The text, composed by Maximilian's secretary Marx Treitz-Sauerwein, is accompanied by illustrations by Burgkmair, Leonhard Beck, Hans Schäufelein, and Hans Springinklee, with the proofs completed between 1514 and 1516. However, they remained unpublished until the blocks were rediscovered in 1775, at which point they were published as a book by Hoffstätter in Vienna. The first edition was published again in 1799 by S. Edward in London with the French title, "Tableaux des principaux evénemens de la vie et du regne de l'empereur Maximilien I." It includes 236 woodcut illustrations.. The Brown and White Party Asking Mercy from the Old White King, from Der Weisskunig 431197

of 4