Biblical Narratives in Print

Prints illustrating biblical stories, especially the Prodigal Son, rich in symbolism and historical artistic techniques, capturing significant moral themes.

Netherlands, Anthonisz., Cornelis, Allegory of the Prodigal Son, The Return of the Prodigal Son, verso bottom center - stamped, One of a series of six. Son (Filius Prodigus) kneeling and embraced by father (Pater). Around them Love (Dilectio), Truth (Veritas), Hope (Spes), Repentance (Poenitentia) trampling on despair (Desperata conscientia), and Trust (Fides). Sun in the sky with the word God in Hebrew, Greek and Latin letters., print, prent, prints, prenten, height 267 mm, width 211 mm, 1499 - 1553, print maker, prentmaker, 1535 - 1545, second quarter 16th century, paper, papier, houtsnede

De verloren zoon ontvangt zijn erfdeel.The youngest son receives his father's part of the heritage. On the left in the background he leaves per horse. With various elements from the show are letters. The print is part of an album.

Netherlands, Anthonisz., Cornelis, Allegory of the Prodigal Son, The Return of the Prodigal Son, verso bottom center - stamped, One of a series of six. Son (Filius Prodigus) kneeling and embraced by father (Pater). Around them Love (Dilectio), Truth (Veritas), Hope (Spes), Repentance (Poenitentia) trampling on despair (Desperata conscientia), and Trust (Fides). Sun in the sky with the word God in Hebrew, Greek and Latin letters., print, prent, prints, prenten, height 267 mm, width 211 mm, 1499 - 1553, print maker, prentmaker, 1535 - 1545, second quarter 16th century, paper, papier, houtsnede

How the young white-know learns black art. Bl. 23: The white-kunig / a narrative of the that emperor Maximilian of the first; Released from the manuscripts of the Kaiserl. Royal. Hof library. 1775 Dresden: Slub S.B.103

Arsace let Theagenes come for her, Michel Lasne, 1623 print Paris paper engraving / letterpress printing throne. sphinx (lion/woman); 'Sfinge' (Ripa)

Het Wonder Van Domenico, Jacques Callot, after Antonio Circignani, 1614 print A half -naked man crawls from a hole or grave in the floor of a church building. Bystanders look surprised. Under the performance three lines of Latin text. Florence paper engraving interior of church. raising from the dead

Albrecht Dürer, Christ Crowned with Thorns, 1512 Christ Crowned with Thorns

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), André gives view to a blind. Eighty number of a sequence of 20 pieces (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

A woodcut by Leonhard Beck from 1514-1516 depicting Maximilian I as a young king learning the Burgundian language, showing teaching and instructional scenes.

At the siege of a city, a general wants to kill the entire population The women beg the general to let their men live In exchange for the men's lives, they must give the general all their jewelry, Misfortune of the Women The Misfortune of the Women , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 252 mm × w 156 mm

Copper engraving by Marcantonio Raimondi depicting an encounter at the Golden Gate, created in the first half of the 16th century.

Print at the top right numbered: 177.

. Lot at the city gate of Sodom, in conversation with two angels. He invites them to eat and overnight. First print from a series of four with the story of Lot (Genesis 19).

Ecce Homo ca. 1435-91 Martin Schongauer German. Ecce Homo 366996

In the lower margin four lines of Dutch and three lines of French text, Three drunks in oriental dress, Dry Dronkaerts who, having drunk their fill of the drink they call Sorbet, or having eaten their Opium, pass through the city, weeping (title on object), print maker: Antoni van Leest, Pieter van der Borcht (I), publisher: Willem Silvius, Antwerp, 1576, paper, letterpress printing, h 168 mm × w 94 mm

The Crowning with Thorns, from The Passion of Christ 1597 Hendrick Goltzius Netherlandish Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucass prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltziuss famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltziuss own lifetime and well bey

Man at the age of sixty; Ten ages of man. In an oval frame decorated with ornaments a representation of an older man who gives an alms to a beggar. A church in the background. The print has a Latin and French caption.

The Holy Kunigunda proves her innocence, Johann Mathias Kager, 1585 - 1634 drawing The Holy Kunigunda proves her innocence to adultery by walking for her husband H. Hendrik van Germany about red -hot plow shears. Design for a print. paper. ink pen / brush the trial by ordeal of St. Cunegunda: accused of marital infidelity, she walks over red-hot ploughshares unharmed; usually her husband King Henry II present

Four men at a house, Anonymous, Hans Weiditz (II), 1514 - 1531 print Print is part of an album. paper letterpress printing being welcomed ~ travelling

Lavinia's hair on fire, Pieter de Jode (II), After Abraham van Diepenbeeck, 1662 print The long hair of Lavinia, the daughter of King Latinus, is on fire. King Latinus sits on his throne, under a canopy, and watches. In the foreground various spectators. In the background a statue of Saturn who eats one of his children. At the top right: 7. Illustration from the seventh book by Virgillius' Aeneas. Antwerp paper engraving / etching Lavinia's long hair catches fire during a sacrifice. Saturn devouring his children

The Beheading of Saint John the Baptist 1510 Albrecht Dürer German. The Beheading of Saint John the Baptist 388381

Wittenberg, Cranach, Lucas (I), Foot Washing, Christ kneels on the ground at a basin of water and washes the feet of the apostle Peter, who raises his hand in protest. The other apostles look on. Book illustration with a rectangular frame of fine ornaments. The print is printed from multiple wood blocks., print, book illustration, prints, height 121 mm, width 95 mm, height 186 mm, width 157 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1521 - 1522, first quarter 16th century, paper, woodcut

David Tearing His Clothes in Grief, from The Story of Amnon and Tamar. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 4 3/4 × 3 1/16 in. (12 × 7.7 cm). Date: 1540.David, seated on a throne at right tears at his cloak, while Jonadab and a servant stand at left. Based on 2 Samuel 13:31. Plate 7 from a series of seven plates with the Story of Amnon and Tamar. Museum: Metropolitan Museum of Art, New York, USA.

Marcus Atilius Regulus vertrekt uit Rome.The Roman army leader regulus returns, loyal to his given word, back to the enemy Carthago after he advised the Roman Senate to not negotiate with the Carthagers. There he will wait a torture death.

Amsterdam, Jonghe, Clement de, Waes, Aert van, The five senses, Hearing, verso - stamped, A man stands on a stool singing. Around him are spectators. Below the image a two-line verse in Dutch. The print is part of a series of five prints with the five senses., print, prints, Ay gives doch wat horen, en let wat grobbe singht, Wat dunckie kome floor, dat stemmetje dat klinght, middle bottom in the margin - engraved, 2, middle bottom - engraved, height 205 mm, width 144 mm, print maker, printmaker, 1640 - 1670, second quarter 17th century, third quarter 17th century, paper, etching, etchings, Northern Netherlands, 1620 - 1664, Publication (Event), Publication, 1624 - 1677, publisher

Lucas van Leyden, The Poet Virgil Suspended in a Basket, 1525 The Poet Virgil Suspended in a Basket

Albrecht Dürer, Ecce Homo, probably c 1509 1510 Ecce Homo

The Passion: Ecce Homo, 1597. Hendrick Goltzius (Dutch, 1558-1617). Engraving;

Four Doctors of the Church ca. 1540-1550 Domenico Beccafumi Italian. Four Doctors of the Church. Domenico Beccafumi (Italian, Cortine in Valdibiana Montaperti 1484-1551 Siena). ca. 1540-1550. Chiaroscuro woodcut in two blocks in light green. Prints

Allegorical representation with portraits of Louis II and Armand de Bourbon-Condé at the palace of eloquence, Grégoire Huret, 1641 print Mercury brings the Duke of Enghien and the Prince De Conty to the palace of eloquence. Apollo and Minerva fight ignorance and other vices. paper engraving historical persons. prince. (story of) Apollo (Phoebus)

Engraved copies of The Little Passion n.d. After Albrecht Dürer German. Engraved copies of The Little Passion 388857

De Hertog and Death, Wenceslaus Hollar, After Abraham van Diepenbeeck, After Hans Holbein (II), 1651 print A woman comes with her child at the Duke. The duke rejects her; Death with floral wreath on his head is next to him. Tenth print from a series of 30 death prints; With a frame with Minerva and Hercules. paper etching dance of Death; Death together with one or more human beings. (story of) Hercules (Heracles). (story of) Minerva (Pallas, Athena). emperor

Virginius Killing His Daughter. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Georg Pencz.

The Pope and Death, Wenceslaus Hollar, After Abraham van Diepenbeeck, After Hans Holbein (II), 1651 print A pope crowns a secular leader, behind him is death in the form of a skeleton. Fifth print from a series of 30 death prints; With a frame with Minerva and Hercules. paper etching Death dancing with one person. kissing the pope's feet. (story of) Minerva (Pallas, Athena). (story of) Hercules (Heracles)

Germany, Aldegrever, Heinrich, Potiphar's wife accuses Joseph, verso bottom center - handwritten, Potiphar's wife kneels before her husband, Joseph's cloak in her hands. Potiphar, holding a staff in his hands, turns to her., print, engraving, prints, engravings, 4, height 141 mm, width 193 mm, German, 1502 - 1561, print maker, printmaker, 1512 - 1560, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, papier, houtsnede

Papal Court, Florence, Fiorentino, Rosso, Rome, Alberti, Cherubino, Adoration of the Magi, verso - stamped, Mary, Joseph and the Christ Child sitting in a ruin. Around the ruin are a crowd of people, among whom are the kings who have come to adore the Christ Child. In the background on the right are the camels of the kings and a barn., print, prent, prints, prenten, height 363 mm, width 268 mm, 1553 - 1615, print maker, printmaker, 1574 - 1574, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1494-03-08 - 1541-11-14, after a design by, granter of privilege

Italy, Raimondi, Marcantonio, Germany, Dürer, Albrecht, Passion of Christ, Expulsion from the Temple, Numbered lower right: 7., print, prent, prints, prenten, height 135 mm, width 104 mm, Work conception, German, 1471-05-24 - 1528-04-05, after a design by, 1511 - 1534, paper, papier, engraving, engraving (printing process), Italian, 1482 - 1534, print maker, printmaker

The Porselyn. Woman points two others on the porcelain on the cupboard for them.

The lost son says goodbye to his father, Philips Galle, After Maarten van Heemskerck, 1562 print The lost son looks around and waves his father and brothers who stand on a bridge in front of the parental home to say goodbye to him. The lost son drives his horse over the bridge, a page accompanies him. paper engraving the parable of the prodigal son (Luke 15:11-32). leave-taking and departure of the prodigal son

David Playing the Harp Before Saul 1503-1513 Netherlands. According to the Book of Samuel, an ìevil spirit from the Lordî plagued King Saul, making him agitated and fearful of persecution. Because music was thought to have a therapeutic effect, the king summoned the hero and warrior David, who was renowned for his skill with the harp. In this scene of intense psychological drama, David tries to soothe the troubled king. Lucas van Leyden reveals Saulís fragile mental state by portraying him sitting stiffly hunched in a chair, tightly clenching a spear in one fist and arching his right foot over his left. Davidís pleasing performances would eventually lead to him succeeding Saul as the king of Israel.. Engraving in black on ivory laid paper . Lucas van Leyden

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, The Batavian of the Old Dutch War against the Romans, The Batavian Revolt, Cerialis gives mercy to defected soldiers, 69-70, Cerialis gives mercy to defected Roman soldiers. Print number 26 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, author Othone Vaenio Lugdunobatava = The Batavian or old Dutch war against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. Without text on the back., print, picture, history print, prints, pictures, Frederik Muller History Plates, height 167 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

Workshop of Hendrick Goltzius, after Karel van Mander I, The Scales of Marriage, c 1592 The Scales of Marriage

Antwerp, Galle, Theodoor, Sterre, Johannes Chrysostomos van der, Cornelis (I), Meeting between Saint Norbert and Pope Calixtus II, Saint Norbert kneels before Pope Calixtus II and kisses his feet. The print has two Latin inscriptions: one above and one below the image., print, book illustration, prints, height 152 mm, width 93 mm, Southern Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1622 - 1622, paper, engraving, engraving (printing process), 1591 - 1652, writer, Publication (Event), Publication, 1571 - 1633, publisher

The Pope, from the Dance of Death. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 2 15/16 × 2 1/16 in. (7.5 × 5.2 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: Dance of Death, after Holbein. Date: 1651.The Pope seated on a canopied throne on the left, with Death behind, about to crown a kneeling man whose sword and orb lie beside him; ecclesiastics and a skeleton on right. After Holbein. Museum: Metropolitan Museum of Art, New York, USA.

Young woman rejects old freer; Turpe Senex Miles, Mage Turpe Senilis Amator; Emblemata Saecularia, 1596. Moving the love assault of an old man for a young woman. The young woman is half on a four-poster bed and rejects the old man. This touches in its substantial money pouch. Amor is on the bed and breaks his bow in half, a reference to the fact that the old man fails to seduce the woman. For the bed a dog. In the background a bordes on which two figures, overlooking a bell tower. Emblem no. 17 in Emblemata Saecularia, 1596 and No. 38 in the second edition of 1611.

Klacht van de Zuidzee-Compagnie, 1720; De Zuidzé Compagnie door wind in top gerezen / Beklaagt nu haar verlies met een bekommerd wezen; Het Groote Tafereel der Dwaasheid.Complaint from the Zuidzee-Compagnie, 1720. The female personification of the South Sea Company with its children lying between books with debts on a sofa. A background with books referred to as: library of a sad promotionist. With small scenes of other failed enterprises, top left are a man breakdown by a man. Under the show a caption with a verse in three columns printed from a separate plate. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartriders at the 1820 wind trade or action trade.

Esau sells his first birthright to Jakob, 1643 print Esau has returned hunger from hunting. His hunting dogs are next to him. He sells his first -birth law to his younger brother Jakob for a plate of lentils that he already has in his hands. Jakob and Rebekka are sitting at the table. Under the performance a reference in Latin to the Bible text in Gen. 25. This print is part of an album. Amsterdam paper engraving Esau, returning hungry from the hunt, sells his first birthright to Jacob for a pottage of lentils

Jacques Callot after Matteo Rosselli, Lionardo, 1619 Lionardo

Albrecht Dürer, The Flagellation, probably c 1509 1510 The Flagellation

Almanac for the year mdclxxxvi (IT)

The young Louis XIV, king of France, is on the throne. For him a nobleman who bends. Different hovelings in the background.

Antwerp, Galle, Theodoor, Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Parable of a Wedding Feast, Third pretext: newly married, The king's messenger comes to the third guest and invites him to the wedding feast. The guest excuses himself with the pretext that he is newly married. He points to his bride. The print has a Latin caption and is part of a six-part series on the parable of a wedding feast., print, prints, height 208 mm, width 250 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1558 - 1559, paper, papier, engraving, engraving (printing process), etching, Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1571 - 1633, publisher

King Saul sits on his throne and orders his soldiers to kill the priests and other inhabitants of Nob Around the throne, the soldiers attack bystanders with daggers The print is part of a series on the story of David and Saul, Saul has the priests and inhabitants at Nob killed Fourth Book David and Saul , print maker: Simon Fokke, (mentioned on object), Simon Fokke, (mentioned on object), Amsterdam, 1766, paper, etching, h 198 mm × w 153 mm

The Story of the Prodigal Son, from a series of 6prints. Artist: Nicolaes de Bruyn, Flemish, 1571-1656 Publisher: Ahasuerus van Londerseel, Dutch, 1572-1635

List of love, Charles Ange Bowly, After Benjamin Samuel Bolomey, 1748 - 1813 print A man kneels in front of his lover's bed. The two are surprised by her husband. Title illustration for part 4 of a book about the troubles of love. Netherlands paper etching interrupted meeting, lovers caught by surprise. partner deceived

Bishop. Dated: 1651. Medium: etching with border "Minerva and Hercules" (Pennington 233B). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

Sarah presenting Hagar to Abraham, who sits at the foot of a bed, from the series 'The Story of Abraham'. Artist: Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Dimensions: sheet: 1 15/16 x 3 1/4 in. (4.9 x 8.2 cm). Series/Portfolio: The Story of Abraham. Date: ca. 1543. Museum: Metropolitan Museum of Art, New York, USA.

Verheyen, Philips Stecher: Devel, Pieterverlag: T'Serstevens, Gebr.

Germany, Altdorfer, Albrecht, The Holy Family with Anne, verso lower left - stamped, The Holy Family, Mary Joseph and the Christ Child, seated at a table opposite Saint Anne. To the right sit two men, possibly two of Anne's three husbands., print, prent, prints, prenten, height 122 mm, width 96 mm, 1480 - 1538, print maker, prentmaker, 1506 - 1538, first quarter 16th century, second quarter 16th century, paper, papier, houtsnede

Illustration to Jean Desmarets' "L'Ariane". Dated: published 1639. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Abraham Bosse after Claude Vignon.

Jael Killing Sisera, ornamental frame. Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: sheet: 13 1/2 x 9 1/8 in. (34.3 x 23.2 cm). Date: ca. 1517. Museum: Metropolitan Museum of Art, New York, USA.

Award of an Academic Grade, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing Master with students' ~ university. Receiving Doctor's Degree

Susanna and the elders, Anonymous, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1650 - 1700 drawing Precise signed copy to the print of Dirck Volckertsz Coornhert to Maarten van Heemskerck. Susanna is approached by two elders when bathing. They try to seduce her. The scene is part of a four -part series about the story of Susanna and the elders. paper. ink pen / brush the elders making advances towards Susanna

Scenes from the life of Saint Boniface, plates I and II, ca. 672-754; Scenes from the life of Saint Boniface. Scenes from the life of Saint Boniface, plates I and II. Episodes from his youth. Second print in a series of prints about the life of Saint Boniface, consisting of a large image of the saints followed by 8 plates with two smaller numbered performances among each other.

Return of the Lost Son, Hans Sebald Beham, 1540 print Bovene de Voorstelling Staat Een latijse Bijbeltekst shipped Het Boek Lucas: Filivs Mevs Mortvvs was, and again, and inventvs is lvce 15 paper engraving the prodigal son returns home, where his father awaits him

Joseph and the wife of Potifar, Heinrich Aldegrever, 1532 print Joseph in the sleeping room, runs away from Potifar's wife. She grabs his cloak. Second print of three with the story of Joseph. Germany paper engraving Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

Léonard Gaultier, The Birth of John the Baptist, 1576 The Birth of John the Baptist

David Tearing His Clothes in Grief 1540 Heinrich Aldegrever German David, seated on a throne at right tears at his cloak, while Jonadab and a servant stand at left. Based on 2 Samuel 13:31. Plate 7 from a series of seven plates with the Story of Amnon and Tamar.. David Tearing His Clothes in Grief 428354

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Bridal Pair, 1651 Bridal Pair

Artist: Hieronymus Wierix, Flemish, 1553-1619, Temptation of SaintAnthony, before1619, Engraving, image: 7.8 × 5.9 cm (3 1/16 × 2 5/16 in.), Made in Flanders, Flemish, 16thcentury, Works on Paper -Prints

Plate 26: Cerialis Pardons and Relieves Roman Soliders who had Helped Civilis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome); After Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: Sheet: 6 3/8 × 8 1/8 in. (16.2 × 20.7 cm). Date: 1611. Museum: Metropolitan Museum of Art, New York, USA.

A rich couple, dressed in expensive clothing, is addressed by an elderly couple (their parents) in the presence of their three children in an urban environment. The old man stretches out his hand to the woman in a questioning gesture. Behind the young couple with the children is Death in the guise of an old man with an hourglass on his head and a scythe in his hand. Above the performance two lines, below the performance five lines of Dutch text, with the phrase 'parents, don't give away too much of your money to your children, because before you know it you'll suffer from poverty when you're old', Poor Parents, Rich Children Poor parents meet their rich children., print maker: Jacob de Gheyn (II), (rejected attribution), print maker: Pieter de Jode (I), (possibly), publisher: Hans Jacops, (mentioned on object), print maker: Netherlands, print maker: Antwerp, 1580 - 1634, paper, engraving, h 210 mm × w 310 mm

Roman emperor on a throne, Christiaan Hagen, 1667 print A Roman emperor in classical armor and with laurel wreath on the head, sitting on a throne, with a hat in his right hand. Two men with books left and right. On the steps of his throne the title in three lines in Latin. Behind him a landscape with the nine muses and two figures under a tree on Mount Helicon. Behind it Pegasus on a cloud. At the bottom two lines with data about the publisher in Latin. Amsterdam paper engraving / etching crowning with laurel. armour. book. musician - CC - out of doors. Pegasus, the winged horse. Helicon, sacred to the Muses Helicon

Solomon has the temple build; Story of Solomon. Solomon is sitting on his throne. At his feet are the building plans for the temple that he lets. For him there is a man with different measuring instruments. Behind them build the temple and provide a few men the columns of Cannelures. At the bottom of the margin a single-line caption in Latin.

Amsterdam, Arentsz, widow Pieter (II), Luyken, Jan, 't Wil zo nood', in den Dood, Three persons at a sickbed, behind the sick Death has appeared, verso - stamped, print, book illustration, prints, height 91 mm, width 77 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1689 - 1689, paper, papier, etching, etchings, Publication (Event), Publication, publisher

Wachters at Graf of Christ, Wenceslaus Hollar, After Claudine Stella, 1670 print London paper etching sleeping soldiers at the tomb of Christ

While Alva lives with the whore of Babylon, the economy of the country falls into disrepair, ca. 1572, 1572 print The Duke of Alva sex with the whore of Babylon and the economy of the country falls into disrepair. Merchants, Marskramer and Schippers are unemployed, the ships are in the ports. Both above and below the performance 2 verses of 3 lines in Dutch and French. Numbered: 3. Low Countries paper engraving the scarlet woman, the whore of Babylon; she is usually sitting on a scarlet beast with seven heads and ten horns. unemployment

Jacques Callot (1592-1635). "The little passion, Jesus appeared before Caiche: seventh number of a suite of 12 pieces" (Lieure 543, Meaume 25). Etching. 1624-1625. Museum of Fine Arts of the City of Paris, Petit Palais. 99589-20 Etching, engraving

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Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Parable of the royal wedding feast, Third pretext: the man who had just married, A servant of the king comes to the third guest and invites him to the wedding feast. The guest apologizes with the excuse that he is newly married. He points to his bride. Below the image a reference in Latin to the Bible text in Luke 14. This print is part of an album., print, album leaf, prints, height 206 mm, width 247 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1558 - 1558, paper, engraving, engraving (printing process), Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1518 - 1570-03-10, publisher

Judith with the head of Holofernes, Anonymous, After Christoffel van Sichem (I), After Hendrick Goltzius, 1600 - 1610 print Judith puts the head of Holofernes in the bag that keeps her maid open for her. Right behind them, in his tent, the mutilated body of Holofernes. At the top left 'L' and 'Z'. print maker: Netherlands (possibly)after print by: Amsterdam paper etching Judith and Holofernes (Judith 8-16)

Woodcut by Albrecht Dürer, circa 1503, showing Marien in the temple with detailed figures and architectural interior, part of Marienleben series.

Sadeler, Johann (I), Sustris, Frederik, München, Manus manum lavat, Allegory of marriage, verso lower left - stamped, Cupid pours water over the hands of a man and a woman standing opposite each other. At the back right of the room a four-poster bed. On the left through the window a ploughing farmer can be seen. The print has a Latin caption with a Bible quotation about marriage (Eph. 5)., print, prent, prints, height 239 mm, width 312 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1588 - 1595, paper, papier, engraving, engraving (printing process), Italian, Northern Netherlands, 1540 - 1599, intermediary draughtsman, after a drawing by, writer

The Return of the Prodigal Son. 1540. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Bearing of the Cross, from The Large Passion Made 1498-1499 Germany. Woodcut in black on ivory laid paper . Albrecht Dürer

Abraham Bosse (1602-1676). "History of the prodigal child, the return (dutuit page 63)". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 100773-2 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Wandelaar, Jan, Warmond, Title page for: C. Linnaeus, Hortus Cliffortianus, 1738, Various allegorical figures in the garden of George Clifford, Allegorical title page with in the middle the 'earth mother' Cybele, seated on a lion and a lioness, with the keys to the garden in her hand. At her feet a pot with Cliffortia ilicifolia and next to it a map of the garden of the Hartekamp. On the left an African woman offers her an Aloe from Africa, a woman with a turban brings her a plant of the Coffea arabica from Asia and an Indian offers Hernandia from America. On a pedestal with the title in Latin, a bust of George Clifford(). On the right a banana plant in bloom, and Apollo, who holds a torch in his left hand and lifts Diana's veil with his right hand. With his feet he tramples the dragon of untruth, a reference to the fake Hydra in Hamburg that Linnaeus had exposed as a fraud on his journey to Holland. On the right in the foreground two putti with a thermometer and a spade., print, engra

Cook Der Koch , print maker: Caspar Luyken, (mentioned on object), anonymous, Amsterdam, 1698, paper, etching, h 135 mm × w 86 mm

Jacques Callot after Matteo Rosselli, Niccolo, 1619 Niccolo

Poor Parents, Rich Children, 1580 - 1634 print A rich couple, dressed in expensive clothing, is approached by an old couple (their parents) in the presence of their three children in a city environment. The old man stretches his hand to the woman in a questioning gesture. Behind the young couple with the children, death is in the form of an old man with an hourglass on the head and a scythe in his hand. Above the performance two lines, under the performance five lines of Dutch text, with the scope 'parents, do not give too much of your money to your children, because before you know it you will suffer poverty when you are old'. print maker: Netherlandsprint maker: Antwerp paper engraving poor parents, rich children (absence of filial love). Death as old man

A Capucin bringing thanks of the King of Bavaria. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

The pope makes his superiority about the emperor and shifts him to the city, Lucas Cranach (I), 1521 - 1522 print The pope makes his superiority about the emperor and waste him the way to the city. Book illustration in rectangular frame with fine ornaments. The print is printed with multiple logs. Wittenberg paper representants of the Church (Christians in general, laymen, monks, etc.) in strife with each other or with opponents. archbishop, bishop, etc. (Roman Catholic). emperor

Bride. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history LXXV. The judge Nicholas from St. Lepida stands with his trousers around his ankles in the courtroom. Bystanders look and point., print, engraving, book illustration, prints, engravings, height 75 mm, width 79 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, after own design by

The Spanish marriage: Philip De Schone marries Johanna van Castile; Triumphal arch of Emperor Maximiliaan I. For a curtain, Maximilian stands by his son Philip the clean and his daughter-in-law Johanna van Castile, who together hold a coat of arms. Left next to Maximilian, a coat of arms is still visible, and one still at Philip's feet. Detail of the triumphal arch of Emperor Maximiliaan I.

Orange only visits the rebellious Ghent, approx. 1579; Held Willem, Current Hiefs was approached, / Find citizens and soldier by gate and wall met ;; Scenes from the life of Prince Willem I, 1568-1584. Orange only visits the rebellious Ghent, approx. 1579. At the city gate in conversation with furious soldiers. Twenty-fourth vocals.

Lucas van Leyden, The Poet Virgil Suspended in a Basket, c 1512 The Poet Virgil Suspended in a Basket

The Tribute Money. Dated: c. 1523. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

Man flee into a house during a chase, Jan Luyken, 1685 print Print on top left marked: Foli 114. Amsterdam paper etching flight, running away; pursuing

Weigel, Christoph, Nuremberg, Luyken, Caspar, Dorstigen laven, verso - stamped, print, prints, height 251 mm, width 197 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Constantijn appoints new knights; Constantinus Max: Imperator Equities Cruce Signatos Creat; Isagogia Historia De Constantino Max: Imperatore Instatuta Militie Angelicae Aureatae Constantinianae Sub Titulo Magni Martyris S Georgii; History of the Order of the Holy Joris. Constantijn sits on a throne and names new knights. A dog runs in the foreground.

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