Biblical Narratives

Copper engravings illustrating biblical stories with strong gestures and dramatic settings, rich in detail and allegorical significance.

Copper engraving and etching by Bernard Baron depicting Achilles being trained as a rider under the guidance of the centaur Cheiron, created in 1724.

Title print for the stories of the Nibelungen, Karl Barth, after Peter von Cornelius, 1817 print View of a space surrounded with columns and arches to six scenes of the Nibelungensenagen. paper etching bed. archbishop, bishop, etc. (Roman Catholic). riding a horse, ass, or mule; rider, horseman. 'Nibelungenlied'

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Portrait of Henrdrik Verschuring, Etienne Ficquet, After Requirements, 1753 - 1764 print France paper engraving / etching historical persons. portrait, self-portrait of painter. portrait, self-portrait of graphic artist. ornament ~ medallion

Generosity, Cornelis Cort, after Frans Floris (I), 1560 print The personification of the generosity is like a queen, with crown and scepter, on a lion. This print is part of an album. paper engraving Generosity, Liberality; 'Generosita', 'Liberalita' (Ripa) (+ clothed)

Amsterdam, Egmont, Heirs of the Widow Jacobus van, Birth of 's waerelds Heyland, verso - stamped, Sheet with 8 scenes from the life of Christ, including the birth of Christ, the circumcision and the flight into Egypt. Below each scene an accompanying Bible text. Numbered top left: No. 106., print, prent, volksprent, prints, prenten, volksprenten, height 411 mm, width 326 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1761 - 1804, paper, papier, houtsnede, letterpress printing, boekdruk, print maker, prentmaker

Orpheus enchants the animals with his music, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Orpheus playing the lyre: trees and rocks move, beasts and birds are enchanted

Figures in a peat area with peat at work. .

Antiochus Epifanes ascends the Temple of Jerusalem, Johannes Wierix, after Gerard van Groeningen, 1585 print After his victory over Egypt, Antiochus moves to Jerusalem with a large army. There he robes the temple and turns on a massacre among the inhabitants. Under the show a reference in Latin to the Bible text in 1 bubble. 1. This print is part of an album. paper engraving Antiochus IV Epiphanes robbing the temple of its treasures (1 Maccabees 1:21-23)

D'Alton beated balgen; Course-Patriotique des Reverberes; Brabant Review, 1787-1790. Cartoon in which the Austrian General d'Alton running across a square is seen by the Brabant lion and running bolgen with boots and fish hooks. Numbered at the top right: 43. Part of a large group of prints relating to the events of the Brabant Review and the period 1787-1790.

Fountain with a cartouche and buildings, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688-1776, Etching on off-white paper, Fountain desing in a form of cartouche and showing buildings in the background, France, 1700-1775, architecture, Print, Print

Leaf M: Twentieth and twenty-nine float, 1767. Leaf M with the twentieth and twenty-first float and the eighteenth and nineteenth animal. Twentieth float with the Africa's continent. Eighteenth animal: rhino. Twenty-nine float with the America's continent. Nineteenth animal: tiger. Signature: m / 38-41. Part of the procession at the celebration on May 30, 1767 of the 700-year anniversary of the Saint Macarius, pattern of the city of Ghent and patron saint against the plague.

Woman picks fruit from a tree / young man tied to tree trunk, Battista Franco, 1520 - 1561 print Leaf with two prints. Left: A young woman (Eva) In Roman costume stands on a stone with one foot, while she picks fruit from a tree. Right: a young man tied to a tree trunk. Left in front, a man leaning on a stick. In the background a man with a fire bowl. Possibly a sacrificial scene. Venice paper engraving picking fruit. human sacrifice ~ Roman religion

Verhaal met voorstellingen van moord en doodstraf (F. 393.).Story in eight scenes with some performances of murder and death penalty. Among other things from men who drown a river, a battle in the forest, a decapitation and of a person on a stake. Top left: F. 393.

Copper engraving by Jérôme David from the 17th century depicting Saint Sebastian, showing the figure, arrows, and martyrdom scene.

Livre de Moresques, title page (recto) 1546 Designed by Cornelis Bos Netherlandish This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrinos designs were reordered and presented in compressed form in the Livre de Moresque, which appears to have been published first by Cornelis Bos in Antwerp in 1543. Gormont subsequently published the book in Paris in 1546, possibly with the consent of Bos, whom had spent some time in Paris after his expulsion from Antwerp in 1544, and had settled in Ger

Studies of Figures for the Apotheosis of Bodoni. Giuseppe Bossi (Italian, 1777 - 1815)

Raimondi, Marcantonio, Delessert, Benjamin, Marc Antoine Raimondi, Statue équestre de Marc-Aurèle, Photo reproduction of an engraving of an equestrian statue of Marcus Aurelius by Marcantonio Raimondi, photograph, photo, reproduction, page, photos, photographically illustrated books, height 208 mm, width 140 mm, French, 1817 - 1868, photographer, 1848 - 1853, photographic paper, photo paper, salted paper print, salt print, Work conception, Italian, 1482 - 1534

Keizer Constantijn hands over Rome to Pope Silvester I and the Seleucid Judgment, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Two performances. Left: Keizer Constantijn is kneeling for Pope Silvester I and hands him a tiara. Left: The Seleucidy judgment. A man sits on a throne in the midst of a group of men. Title in the end margin. print maker: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving Ruler, Sovereign

Copper engraving by François de Poilly the Elder from 1640-1693 depicting Jean-Baptiste Colbert, showing the French statesman in formal attire.

St. Ferreolus; St. Januarius; St. Eustachius & his Children; Sts. Fausta & Evelasius. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

King Romulus and his twelve bodyguards and a hundred senators, 1572 - 1573 View in a palace with Romulus on his throne. Next to him are his bodyguards with spears. For Romulus are the senators he chosen. The print is part of an album. Italy paper etching View in a palace with Romulus on his throne. Next to him are his bodyguards with spears. For Romulus are the senators he chosen. The print is part of an album. Italy paper etching

Presentation from the history of Henry VIII, Christian Gottlieb Geyser, After Daniel Nikolaus Chodowiecki, 1796 print With caption in German and French. Numbered at the top right: 6. paper etching History. ruler, sovereign. deathbed

The smiling aesopus at Het Koolmaal when saying goodbye to the action monkeys, 1720, 1720 On the left is the smiling Aesopus, Bombario in Harlekijnpak, with a group of monkeys that eat cabbage (the victims of the wind trade). On the right, wolves hunt on sheep. In the clouds Mercury, the Dutch lion and father time. In the caption a verse in four columns. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving On the left is the smiling Aesopus, Bombario in Harlekijnpak, with a group of monkeys that eat cabbage (the victims of the wind trade). On the right, wolves hunt on sheep. In the clouds Mercury, the Dutch lion and father time. In the caption a verse in four columns. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving

Emperor Joseph I opposite Pope Clemens XI and King Louis XIV, 1708, 1708 print Cartoon in which Emperor Joseph I from an angel is given the sword of revenge. Opposite him, King Louis XIV blows from France with a bladder ball in the ear of Pope Clemens XI. In the background Rome. Inscriptions and verses in the plate in Dutch. Part of: The Palmhof of allies, a series of 9 unnumbered cartoons on the French in the year 1708 of the Spanish Succession War. Part of the print work published under the collection title 't Lust-Hof of Momus with the bundled series of cartoons during the years 1701-1713 of the Spanish War of Succession. Amsterdam paper etching political caricatures and satires

Orlando points to his dead horse in the distance, Louis Wilhelm Chodowiecki, After Daniel Nikolaus Chodowiecki, 1771 - 1772 print Bottom left in mirror image numbered: 10. paper etching (scenes from) specific works of literature: Ariosto, Orlando Furioso. Orlando. horse

Plate 31 of 38 from Oeuvres de J. B. Huet. Jean Baptiste Huet; French, 1745-1811. Date: 1796-1799. Dimensions: 480 × 350 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: JEAN BAPTISTE HUET.

Copper engravings and etchings by Dominicus Custos depicting Tyrolean rulers with heraldic and portrait elements, created in the 16th to 17th century.

Corpse of Willem IV, 1752, plate 30, 1754 - 1755 Members of the States General. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on 4 February 1752. Numbered at the top right: 30. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft Members of the States General. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on 4 February 1752. Numbered at the top right: 30. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft

How is this clean troubled 'cared for, by virgins and by boys! / A single, (who is sickly,) is sleeping at the foot, 1806 - 1830 print Leaf with 2 performances of the Free and Free Tree. Left: a tree full of women, where men can sort out a freight. Right: a tree full of men, where ladies can "pick" a potential freer. Under each image an eight -line verse. Numbered at the top right: No. 185. Print Maker: Netherlands Publisher: Zaltbommelsneek paper letterpress printing shaking lovers out of a tree, with cudgel - CC - pursuit of a man

The Virgin and Child with Saint John the Baptist 1722 Anton Maria Zanetti the Elder Italian By trading the harmony of brown and yellow for the clash of red and green, Zanetti explored the impact of color on the appearance of his prints. The ochre inks in the work on the LEFT depict the shading of figures, drapery, and architecture within a narrow range of colors that evokes the restraint of a monochromatic image. The translation into red and green yields an unnatural palette that gives the scene an unsettling air. Such effects were easy to investigate with chiaroscuro woodcutsimages formed by successively printing multiple woodblocks, each in its own color.. The Virgin and Child with Saint John the Baptist. From an album assembled by Zanetti. Anton Maria Zanetti the Elder (Italian, Venice 1680-1767 Venice). 1722. Chiaroscuro woodcut, with dark brown line block and medium brown and mustard yellow tone blocks. Prints

Karel IX hears the bell ring, Daniel Nikolaus Chodowiecki, 1790 print Berlin paper etching hearing, listening (one of the five senses). bell ~ musical instruments Paris

Design for Three Panels for a Library 1745-85 Giovanni Battista Cipriani Italian. Design for Three Panels for a Library 362995

Collage of cut out prints stuck on album magazine of Blauw Paper, c. 1585 - c. 1700 print. collage One of seventeen collages from cover. paper collage

Wonderful fishing, Pieter Claesz. Soutman, after Peter Paul Rubens, 1616 - 1657 print Six of the apostles try to pick up their set fish nets. There is so much fish in the nets that they have difficulty dragging them into the boat (Luke 5: 1-11). Two verse lines in Latin under the image. paper etching the miraculous draught of fishes (before the Resurrection) on the Lake of Gennesaret (Sea of Galilee); James and John helping to bring in the nets (Luke 5:1-11)

Poor children dance for an inn, anonymous, after Cornelis de Wael, 1629 print A group of people stands for an inn. They look at poor children who dance to the music of a violin player. In the margin a caption in Latin. paper engraving inn, coffee-house, public house, etc.. the poor. dancing. violin, fiddle - CC - out of doors

Etching by Hubertus Quellinus created in 1665 showing mythological subjects with figures in dynamic poses and classical iconography.

Alexander the Great and his courtings dance naked around the grave of Achilles, Leonaert Bramer, c. 1655 - c. 1665 Alexander the Great and his courtings, according to old use, dance naked around Achilles's grave. Numbered at the top right: 16. Drawing is part of an album. paper. ink. deck paint pen / brush Alexander the Great and his courtings, according to old use, dance naked around Achilles's grave. Numbered at the top right: 16. Drawing is part of an album. paper. ink. deck paint pen / brush

Terrors of the wilderness , Fires, Fighting. The Massachusetts WPA Federal Art Project Photograph Collection

Recüeil de figures antiques, Pl. 5. Oppenord, Gilles-Marie, 1672-1742. Prints. 1769. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Antiquities in art

View of a garden where two men view oranges, Jan Luyken, 1711 print Amsterdam paper etching / letterpress printing fruits. garden

Bas-relief with an angel and a held Sater; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Bas-relief with different figures. In the middle an angel, which holds a Sater with a man. Down river gods. On the relief The coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Bliżej Kultury unknown

Promotiatrists en route to Vianen, 1720; The Malle promotionists to Vianen or 't Peperland; The great scene of foolishness. A car with promoters leaves Amsterdam at the Muiderpoort and drives towards Vianen and Culemborg. The trailer is straightforward by a jester, a monkey rides a banner with bombario, the horses are led by a devil. In and around the car promotionists or wind dealers. In the caption a text in three verses. Print in the bound fourth edition (304 B 11) of the great scene of foolishness with cartriders at the wind trade or action trade of 1720.

A Youth with Two Old Men. Artist: Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore).In Mariette Album, folio 10, top first. Museum: Metropolitan Museum of Art, New York, USA. Author: Parmigianino (Girolamo Francesco Maria Mazzola).

Allegorical representation of Glass Art, Anonymous, 1679 print Germany paper etching glass-maker. other handicrafts ~ glass

Bacchic Procession, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743, Plate, 21, a fold out, follows p. 138 and precedes p. 139 in tome 8, part 2.

Elderly and children, Pieter Hendricksz. SCHUT, 1628 - 1650 print Three old people and three children stand together. In the background, a woman wears a child in a sling and at the same time keeps two children on her hand. Amsterdam paper etching human life and its ages (young, adult, old, etc.)

Portrait of Pietro Barbarigo and the personnifications of sincerity and immortality; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On the front a medallion with the portrait of Pietro Barbarigo, procurator of the Basilica of San Marco in Venice. There is a group of senators for the Doge of Venice on the back. The pedestal is flanked by the female personification of the sincerity with pigeon and heart. On the right is immortality: a woman with wings and a golden circle. The print is part of an album.

Two dwarfs for the month of February, 1720, J. van Kralingen, 1718 - 1720 Two dwarfs for the month of February (SPRAKKELMENT). Masked couple at a carnival party. In the caption verses in German, French and Dutch. Part of part III (a series of the twelve months) in the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Two dwarfs for the month of February (SPRAKKELMENT). Masked couple at a carnival party. In the caption verses in German, French and Dutch. Part of part III (a series of the twelve months) in the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving

This 1909 etching with drypoint by Rudolf Jettmar depicts a view of old Vienna on gray paper.

Vlijeness, Daniel Nikolaus Chodowiecki, 1784 print Numbered in the top right: 7. paper etching Good and Bad Behaviour, Moral Qualities

From the history sheets, raid on the city of Herzogenbosch on January , Frans Franz Hogenberg -, Copper Engraver

Meeting between Huon de Bordeaux and Sybille, Daniel Nikolaus Chodowiecki, 1782 print Up to the top left: 9. paper etching drawbridge ~ fortified city. monument, statue. agricultural implements: scythe. doorkeeper, house-guard (inanimate). adolescent, young woman, maiden

Graftombe of Kapitien Cornelis Jansz de Haen, 1633, 1633 - 1699 print Graftombe of Kapitien Cornelis Jansz de Haen in the Nieuwe Kerk in Amsterdam. Sea officer killed on April 19 in fighting the hijackers of Dunkirk. Taken from a book, printed on the back with text in Dutch. Northern Netherlands paper engraving grave-building, monumental tomb New church. Dunkirk

Bassa takes his love of Adelheid into consideration in the garden, Daniel Nikolaus Chodowiecki, 1783 print Numbered at the top right: 5. paper etching Literature. plan, map of garden. gate, entrance. head-gear: turban

Pegasus Crowned by a Muse ca. 1543-46 Etched by Andrea Schiavone (Andrea Meldola) Italian In Mariette Album, folio 42, top middle. Pegasus Crowned by a Muse 366374

How to "be cared for, through virgins and knons! / A sole, (which is delight is disease,) to sleep at the foot. Leaf with 2 representations of the freemen and freest roll. Left: a tree full of women, where men can choose a release. Right: a tree full of men, where ladies can "pick" a potentile freeman. Under each image a eight-line verse. Numbered at the top right: No. 185.

Caroline is shocked by her future husband, Daniel Nikolaus Chodowiecki, 1786 print In the top left numbered: 2. Berlin paper etching Literature. betrothal and marriage. flight, running away; pursuing

King David plays Harp, 1625 - 1647 print King David sits on a throne and plays harp. The print is part of an album. paper engraving David (not in biblical context); possible attributes: crown, harp

Bas-relief with putti showing a medalia with Romulus and Remus; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Bas-relief with putti showing a medalia. On the medallion Romulus and Remus that are sought by the Wolf. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Allegorical performance with Dutch Virgin, Freedom, Time and Poveness, Simon Fokke, in or after 1788 print The Dutch Virgin sitting on a throne with a coat of arms with seven arrows, accompanied by freedom, father time and piety. On the right, as a personification of courage, Hercules hits the personifications of coercion and violence. On the left the explanation of the title page. paper etching / letterpress printing personifications of countries, nations, states, districts, etc.. Freedom, Liberty; 'Libertà' (Ripa). Father Time, man with wings and scythe. devotion, piety; 'Divotione' (Ripa) Netherlands

The Tree of Jesse. Artist: Sir Edward Burne-Jones .

The Tree of Jesse Artist: Sir Edward Burne-Jones, Stained Glass, Religion, ChristianPre-Raphaelite, Design, Parabola Japan

Apollo en marsyas en het oordeel van midas, Melchior Meier, after Francesco Salviati, 1581 print Apollo in the middle, with the knife in the right hand with which Marsyas has just been skinned, whose skin Apollo has stuck in its left hand. Marsyas itself hangs on the tree without skin. On the right the kneeling midas with the donkey ears. Some saters and soldiers in the background. paper engraving punishment of Marsyas: he is flayed by Apollo

Maria Theresia, Roman-German Empress Riding Image Maria Theresias with allegoric figure and beige. Copper engraving by Gottfried Bernhard Götz

An etching by Jost Amman depicting a large council hall, showing interior architecture and spatial arrangement, created in the second half of the 16th century.

A wind trader sits on a bag of shares that are only kept high by the wind, 1720, 1720 A wind trader with a windmill on his head sits on a bag of shares that are only kept high by the wind, 1720. On the left in the tree a monkey with binoculars, a cat with balloons on his legs flies through the air. In the caption verses in Dutch and French. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching A wind trader with a windmill on his head sits on a bag of shares that are only kept high by the wind, 1720. On the left in the tree a monkey with binoculars, a cat with balloons on his legs flies through the air. In the caption verses in Dutch and French. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching

Love of a child, Daniel Nikolaus Chodowiecki, 1793 print Berlin paper etching History. father with son(s) (father-love). clock. money

Cut heads for a prince on a throne, Arnold Houbraken, 1699 print On a throne there is a prince under a canopy with a guard on the right and a figure that blows on a horn. Left kneels grewing women and a man with a helmet shows two cut heads on the figure on the throne. In front of the throne are two more severed heads on the ground. On the left in the foreground the personalized envy, with snakes on her head and in her hand and a torch and before that a second figure with a mask in front of her face that puts her hand in a treasure chest. In the background a warlord on a column. Eight rules in Dutch on the print. Perhaps Caesar, to whom Pompey's head is handed over, is depicted here. Title print of (the second edition of) a book by Lambert van den Bos with a total of twenty prints by Arnold Houbraken. Rotterdam paper etching head of a beheaded person. Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins. ruler, sovereign

Collection of Humorous Leftovers (Kokkei zansai bukuro 稽残菜嚢), vol., mid February 1882, Kawanabe Kyōsai, Japanese, 1831 - 1889, 7 3/16 × 4 13/16 × 1/4 in. (18.26 × 12.22 × 0.64 cm), Woodblock printed book; ink and color on paper, Japan, 19th century

Cartoon on the loss of Menen and the arrival of the Duke of Vendôme from Italy, 1706; Mr.'s first triumph The Vendome after his Second Coming from Italien, to ignore Meenen, and the Governor, the Carremans Baas to save / Le Premier Triomphe de Mr. The Vendome Retourné d'Italie (...); 19. The Venus game, close by Meen; Bycup to the Koninglyke Almanach, called the Gulde-Year of Allies, 1706 / 't Lusthof by MoMus. Cartoon on the loss of Menen and the arrival of the Duke of Vendôme from Italy to Brabant, 1706. Carremans, the commander to be believed, standing on a tower complains the surrender of the city on August 22, 1706. Vendôme in a chariot drawn by French Roosters. In the plate 3 columns in Dutch and French. Leaf no. 19 (numbered at the top right) in the series of 25 sheets entitled: Bycup to the Koninglyke Almanach, called the Gulden-Year of Allies, 1706. Part of the print work issued under the collective title: 't Lust-Hof van Momus, with The bundled Series of spot prints during th

Nudes driven by Amor, c. 1589 - c. 1595 print A naked man and woman (possibly Adam and Eva) are chained to a cart with Amor with a flaming sword. On the right a worried figure in a group of bodies of people who have committed suicide. Next to one of the bodies is a dagger and another body falls down a rock wall. Italian fresh in the lower margin. print maker: Low Countriesprint maker: Low Countriesprint maker: Italy paper engraving seeking death, suicide. chariot, triumphal car. (story of) Cupid, Amor (Eros)

Red tile with image of captive capturing by Romans, found in the Waal below Nijmegen; Roode mop stone. Found on a sand plate in the River Waal, below Nymegen. Red tile with two battens capturing imprisonment by two Roman soldiers found in the Waal below Nijmegen.

Badende Psyche, Venetian Agostino, After Michiel Coxie (I), 1500 - c. 1536 print Psyche sitting on the edge of a bath, with three nymphs around her that are invisible to her. On the right a glimpse to Psyche lying in her bed. Italian text in two cartouches in STUDMARGE. Twice numbered bottom left: 7. paper engraving other scenes from the story of Cupid and Psyche. taking a bath

Catinque de Sainte Genevieve, 1827 - 1894 print Leaf with a large performance by Genoveva van Brabant. In the lower margin a French text in six columns. Numbered in the top left: 71. Schaerbeek paper letterpress printing Genoveva

Copper engraving by Crispin van de Passe showing sibyls with gestures, drapery, and landscape elements, created between 1584 and 1670.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Arc, Jeanne d '.

Portret van beeldhouwer Baccio Bandinelli, Nicolò Della Casa, After Baccio Bandinelli, 1538 - 1552 print Italy paper. ink engraving / pen portrait, self-portrait of artist. portrait, self-portrait of sculptor. sculptor making a model, bozzetto

Pope Leon and Attyla; Volpato, Giovanni (1740-1803), Rafael (1483-1520), Nocchi, Bernardino (1741-1812); around 1781 (1777-00-00-1786-00-00);

Speaker a woman reaches a letter, Jan Luyken, 1711 print Amsterdam paper etching / letterpress printing oral announcement (of death), undertaker's man

Queen of Seba brings Solomon Gifts, Orazio Borianni, After Rafaël, 1615 print King Solomon is on an elevation. In front of him are the queen of Seba and her servants who offer him gifts. Print Maker: ItalyaFter Painting by: Vatican City paper etching Solomon and the queen of Sheba (1 Kings 10:1-3; 2 Chronicles 9:1-9)

Johannes Scultetus, Armamentarium chirurgic

Thenot and Colinet; ILLUSTRATIONS OF IMITATION OF ECLOGUE I. Title page of "The Pastorals of Virgil". Thenot and Colinet, the figures from the second poem, during sunset with a herd of sheep. Above the performance the title of the chapter, under a five-line text in English about the artist Blake.

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