Biblical Scenes

Classic depictions of biblical events featuring figures such as Jesus and apostles in historical settings, displaying themes of faith and spirituality.

Jesus and St. Peter, Santa Maria in Traspontina church, Rome, Lazio, Italy, Europe

CRISTO ENTREGANDO LAS LLAVES A SAN PEDRO - SIGLO XVII - BARROCO ESPAÑOL. Author: FRANCISCO DE ZURBARAN. Location: CATEDRAL-INTERIOR. Sevilla. Seville. SPAIN. JESUS. APOSTLE PETER.

The Crown of thorns placed on his head. (John 19:2). Engraving. Bible Illustration by Gustave Dore. 19th century.

Holy Mount of The Sant'anna From Montrigone Sanctuary. Borgosesia. Italy

The Raising of Lazarus, 1857, by Leon Bonnat (1833-1922), oil on canvas, 112x145 cm.

The Shade of Samuel Invoked by Saul. Date/Period: Ca. 1650 - 1656. Painting. Oil on copper. Height: 610 mm (24.01 in); Width: 864 mm (34.01 in). Author: Bernardo Cavallino.

Jesus and St. Peter, Santa Maria in Traspontina church, Rome, Lazio, Italy, Europe

The Maesta, front, by Duccio di Buoninsegna, 1308 - 1311, 14th Century, tempera on panel. Italy: Tuscany: Siena: Cathedral. Back, panel with event of Christ in front of Herod, Christ with blue cloak/mantle, red cloth golden halo/aureole in front of Herod in throne with red cloak/mantle and golden crown, in architectonic context with characters and soldiers

New Testament. Gospel of John. Chapter XIX. Jesus presented to the people. Gustave Dore's drawing. Engraving by Jonnard. 19th century. Colored.

The Pieta, detail from the predella of the Sacred Conversation, 1479, by Domenico Ghirlandaio (1449-1494), tempera on wood.

VIA DOLOROSA - SIGLO XVII - BARROCO ESPAÑOL. Author: ALONZO CANO. Location: CATEDRAL-INTERIOR. SPAIN. JESUS. VIRGIN MARY. SAN JUAN EVANGELISTA Y APOSTOL.

New Testament. Life of Jesus. Engraving, 19th century. Color.

Jesus preaching the sermon on the mount. From The Holy Bible published by William Collins, Sons, & Company in 1869. Chromolithograph by J.M. Kronheim & Co.

Joseph made known to his brethren

England, London, Trafalgar Square, National Gallery, Portrait of Christ Healing the Paralytic at the Pool of Bethesda by Bartolome Esteban Murillo dated 1667

Bible. Exodus. Moses demands the release of the Israelites. Engraving, 19th century. Author: Julius Schnorr von Carolsfeld.

Christ Raising Lazarus, painting by Peter Paul Rubens, 28 June 1577, 30 May 1640, he was a Flemish artist, Historic, digital reproduction of a 19th century original

Jesus Drives Them out of the Temple Julius Schnorr von Carolsfeld (1794-1872 German)

The Transfiguration (La transfiguration) James Tissot (French, 1836-1902). The Transfiguration (La transfiguration), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 9 1/2 x 6 1/16 in. (24.1 x 15.4 cm). In the passage illustrated here, Jesus again retreats to a mountaintop, with his disciples Peter, James, and John, to pray. He is transformed before the eyes of his companions in the course of his prayers; his robes emit a blinding white light. Moreover, the Old Testament prophets Elijah and Moses suddenly appear to converse with him. In Tissots rendering, one apostle shields his eyes from the brilliant glow, while another covers his ears as Gods supernatural voice declares Jesus his beloved Son. European Art 1886-1896

St Joseph's church. Way of the cross. Station 13. Jessu is taken down from the cross. Singapore.

New Testament. The Lesson of the Windo's mite. Engraving, 19th century.

Painting in the Visitation church in Ein Kerem, the wedding at Cana

The Maesta, front, by Duccio di Buoninsegna, 1308 - 1311, 14th Century, tempera on panel. Italy. Tuscany. Siena. Cathedral. Back, upper fascia, detail fourth panel of Crucifixion, the crowd of men dressed with bright colors among which red is dominating, golden background

Joseph (son of Jacob and Rachel) is sold into slavery in Egypt by his brothers. Engraving by Gustave Dore_. 19th century. Colored.

Entry into Jerusalem Julius Schnorr Von Carolsfeld (1794-1872/German)

The renewal of God's Covenant. Booko of Exodus. Author: Julius Schnorr von Carolsfeld.

The Sacrifice of the Poor Widow, Historical Steel Engraving from 1860

The Last Supper, by Gustave Wegener, 1817-1877

The boy Jesus debating with priests and teachers in the temple. From The Holy Bible published by William Collins, Sons, & Company in 1869. Chromolithograph by J.M. Kronheim & Co.

The Death of Mary / Vogel v.Vogelstein

New Testament. Render unto Caesar the things that are Caesar's, and unto God the things that are God's. Engraving, 19th century.

Scene from the biblical story, The Interrogation of Jesus by the High Priest, authentic reproduction of a school mural, historical, around 1900

The Walk to Emmaus Joseph Feuhrich (1800-1876 German)

Jesus, Mary Magdalene, and Martha at Bethany (Jésus à Bethanie, Marie, Madeleine et Marthe) James Tissot (French, 1836-1902). Jesus, Mary Magdalene, and Martha at Bethany (Jésus à Bethanie, Marie, Madeleine et Marthe), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 7 15/16 x 11 3/16 in. (20.2 x 28.4 cm). Invited to Bethany, where the siblings Lazarus and Martha reside, Jesus finds respite from his ministry and peace to converse with friends. Intent on listening to Jesus, the Magdalene takes a place at his feetmuch to the frustration of Martha, who expects her help with the guests, Tissot relates. The Magdalene’s devoted discipleship proves unflagging throughout the narrative from the ministry to the Passion and the Resurrection; and, accordingly, her posture here at the feet of Christ finds echoes in later episodes. European Art 1886-1894

The Sermon on the Mount - Carl Bloch, 1877

The Holy Spirit descended upon the apostles, illustration from the New Testament, end of the 19th century, engraving by Bequet, Delagrave edition, Paris.

Sacred mount: chapel, fresco, statues, st. francis life, orta, Italy

Jesus and Disciples at Emmaus by Christen Dalsgaard, (1824-1907)

The Maesta, front, by Duccio di Buoninsegna, 1308 - 1311, 14th Century, tempera on panel. Italy. Tuscany. Siena. Cathedral. Verso, predella panel. All of Resurrection of Lazarus. Jesus with a gesture of his hand raises Lazarus from the dead. The man, wrapped in linen strips, comes out of the grave. Dialogue between Jesus and Martha. Mary falls down at Jesus' feet. Assistants remove with difficulty the stone of the sepulcher. The figures cover their face because of the odour emanating from the to

Aix en Provence cathedral. The Incredulity of Saint Thomas. Painting by Louis Finson 1613. Aix en Provence. France..

8th Stations of the Cross,Jesus meets the daughters of Jerusalem, Carthusian monastery in Pleterje, Slovenia 8th Stations of the Cross,Jesus meets the daughters of Jerusalem, Carthusian monastery in Pleterje, Slovenia Copyright: xZoonar.com/ZvonimirxAtletix 20738467

Jesus advises his disciples to love one another. Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853

The Tribute Money - Detail #2 (From The Life Of St. Peter Cycle) 1425-28 Masaccio (1401-1428 Italian) Fresco Cappella Brancacci, Santa Maria del Carmine, Florence, Italy

Light image with religious motifs. The passion games in Oberammergau in 1900.

Illustrated Bible. New Testament. Gospel of John. The Judas Kiss. Drawing by Gustave Dore and engraving by Pannemaker. 19th century. Later colouration.

Historisches Palästina, Grab von Joseph von Arimathea, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem frühen 19. Jahrhundert, Aufnahmedatum unbekannt / Historical Palestine, Tomb of Joseph of Arimathea, Historical, digitally restored reproduction from an early 19th century original, date unknown

The Maesta, front, by Duccio di Buoninsegna, 1308 - 1311, 14th Century, tempera on panel. Italy. Tuscany. Siena. Cathedral. Verso, lower fascia, seventh panel at the top of Christ Accused by the Pharisees. Group of men with hands and arms raised accusing Jesus. Column and Pilate. Red background.

Stained glass windows from Mariawald, Germany 16th century

Judgement of Solomon, 1st. Book of Kings, chromolithograph from a home bible, 1870

Christ After the Flagellation Contemplated by the Christian Soul - 17th century - 165,1x206,4 cm - oil on canvas - Spanish Baroque. Author: DIEGO VELAZQUEZ (1599-1660). Location: NATIONAL GALLERY. LONDON. ENGLAND.

The Corner Stone James Tissot (1836-1902 French) Jewish Museum, New York

The Preaching of St Stephen After the fresco painting by Fra Angelico From Science and Literature in The Middle Ages by Paul Lacroix published London 1878

A converted British family sheltering a Christian missionary from the persecution of the Druids, ca 1849, by William Holman Hunt (1827-1910), oil on canvas, 111x141 cm.

The First Shall Be Last James Tissot (1836-1902/French)

The Last Supper of Jesus Christ

Biblical History, The Circumcision of Jesus, Historical Steel Engraving from 1860

Brémond, Jean-François (n.1807-09-09-D.1868-03-02), Saint Paul in Ephesus (main title). Black pencil, charcoal and colored pencils, white gouache enhancements on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Joseph's Bloody Coat Brought to Jacob by Novoskoltsev, Alexander Nikanorovich (1853-1919)/ State Art Museum, Nizhny Novgorod/ 1880/ Russia/ Oil on canvas/ Russian Painting of 19th cen./ 179x227/ Bible

Antoni Viladomat / 'Primera caída de Jesús', s. XVIII, Capilla de los Dolores, Basílica de Santa María, Mataró.

Christ's Appearance to Mary Magdalene after the Resurrection. Date/Period: 1835. Painting. Oil on canvas Oil on canvas. Height: 2,420 mm (95.27 in); Width: 3,210 mm (10.53 ft). Author: ALEXANDER ANDREYEVICH IVANOV.

The Disciples at Emmaus Philippe de Champaigne (1602-1674 Danish)

Colored skiolet icon with religious motifs.

A Holy Woman Wipes the Face of Jesus (Une sainte femme essuie le visage de Jésus) James Tissot (French, 1836-1902). A Holy Woman Wipes the Face of Jesus (Une sainte femme essuie le visage de Jésus), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 9 1/8 x 7 in. (23.2 x 17.8 cm). As Jesus continues on his route to Calvary, a woman now known as Saint Veronica approaches to offer momentary respite. Kneeling before Jesus, she gives him linen to wipe his face of the sweat and blood from his exertions and wounds. Taking the cloth in both hands, he presses it to his face, leaving a likeness of his features, which Veronica cherished as a memorial to him. In his commentary, Tissot notes that this relic was later taken to Rome for safekeeping by the Church. European Art 1886-1894

The Washing of the Feet (Le lavement des pieds) James Tissot (French, 1836-1902). The Washing of the Feet (Le lavement des pieds), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 9 3/4 x 16 11/16 in. (24.8 x 42.4 cm). After the disciples dine together, the company passes into another chamber, the artist notes, where Jesus washes the feet of his followers, an act of selflessness and humility that presages his later sacrifice for the sins of mankind. Although Peter, sitting at center with his hands at his head, protests his unworthiness, Jesus insists on the physical and spiritual necessity of the cleansing act. Hinting at his knowledge of his future betrayal by Judas, by saying that not all of his apostles are clean,” Jesus nevertheless includes Judas in this rite. In Tissot’s image, Judas sits at the extreme left, his body uncomfortably twisted as he awaits his turn. European Art 1886-1894

SAN JUAN BAUTISTA. Location: CATEDRAL. Palma. MALLORCA. SPAIN.

Jesus Christ lies dead between the Virgin Mary, Saint John and Mary Magdalene. Painting of Fra Bartolomeo (Baccio della Porta) 15th century. Old 19th century Color lithography illustration from Jesus Christ by Veuillot 1881

SANTIAGO PREDICANDO EN GRANADA - SIGLO XVII - BARROCO ESPAÑOL. Author: PEDRO ATANASIO BOCANEGRA (1638/1689). Location: ABADIA DEL SACROMONTE. GRANADA. SPAIN. Apóstol Santiago el Mayor.

Christ On His Way to Golgotha Wilhelm Schadow (1788-1862 German)

The Woman of Samaria, C. 1880, (School of) Heinrich Hoffmann

Raising of Jairus' Daughter - Ilya Repin, circa 1871

Wszyscy Święci w MNK Unknown, Doré, Paul Gustave (1832 1883)

The Last Supper by Anton Laurids Johannes Dorph, (1831-1914)

The Appearance of Christ Before the People (Apparition of the Messiah); 1857. oil painting on canvas, measuring 540 cm × 750 cm, by the Russian painter Alexander Andreyevich Ivanov (1806-1858); . took 20 years to complete (1837-1857); . The narrative of the painting alludes to several stories in the Bible. In the center of the painting John the Baptist, wearing an animal skin, is standing on the banks of the River Jordan. He points towards a figure in the distance, approaching the scene. To the

LA PURIFICACION O PRESENTACION DE LA VIRGEN EN EL TEMPLO EN EL ALTAR MAYOR, 1654, O7L, 451x252. Author: ALONZO CANO. Location: CATEDRAL-INTERIOR. GRANADA. SPAIN. VIRGIN MARY.

The Holy Women at the Sepulchre - Peter Paul Rubens, circa 1613

Stoning of St Stephen, 1603-1604, by Adam Elsheimer (1578-1610), oil on copper, 34.7x28.6 cm.

Paul Jourdy (1805-1856). "Sketch for the Sainte-Elisabeth church: the seven sacraments". Oil on canvas. 1844-1844. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, religious art, sketch, holy history, Christian iconography, religious iconography, saint

New Testament. Jesus and the woman of Samaria. John, 4:9. Engraving by Gustave Dore, 19th century. Later colouration.

The Feast in the House of Simon 1608-1614 Spain. Oil on canvas . Domenico Theotokópoulos, called El Greco

Deposition of Christ in the tomb, ca 1516, by Lorenzo Lotto (1480 ca- 1556), oil on panel, 50.9 x 96.8 cm.

Terracotta figures, Jesus' prayer on the Mount of Olives, Chapel VI, Sacred Mount of Varese Pilgrimage, Baroque, UNESCO World Heritage, Varese, Lombardy, Italy, Europe

Saint Peter Following Saint John as He Heals the Sick With His Shadow 1426-82 Masaccio (1401-1428 Italian) Fresco Cappella Brancacci, Santa Maria del Carmine, Florence, Italy

The Last Supper by Juanes, Juan de (c. 1507-1579) / Museo del Prado, Madrid / ca 1562 / Spain / Oil on wood / Bible / 116x191 / Renaissance

Gentile da Fabrinao (1370-1427). Italian painter. Presentation of Christ in the Temple, 1423. International Gothic. Detail. Two women elegantly dressed in fashion 15th century. Louvre Museum. Paris. France.

fine arts, religious art, persons, Jesus Christ, way of crucifixion, ""The Stone of Anointing"", painting by James Tissot (1836 - 1902),

Christ Appearing to His Disciples After the Resurrection. Dated: c. 1795. Dimensions: overall: 43.2 x 57.5 cm (17 x 22 5/8 in.). Medium: color print (monotype), hand-colored with watercolor and tempera. Museum: National Gallery of Art, Washington DC. Author: William Blake.

Sketch for the Saint -Severin church: Pope Saint Cl�ment sending missionaries in Gaul. The angels remove from the sea the body of Saint Cl�ment. Pierre-Auguste Pichon (1805-1900). Sketch for the Saint -Severin church: Pope Saint Cl�ment sending missionaries in Gaul. Angels remove from the sea the body of Saint Cl�ment. Black pencil and oil on canvas. 1857-1857.

Jesus and the chief tax-collector at Jerico. Zacchaeus. New Testament. Engraving. Color.

Stations of the Cross by an unknown artist in the handling of the Catholic pilgrimage church to the Holy Trinity in Kappl, Waldsassen, Tirschenreuth County, Upper Palatinate, Bavaria, Germany. 11 Station - Jesus is beaten to the cross / Kreuzwegstationen eines unbekannten Künstlers im Umgang der katholischen Wallfahrtskirche zur Heiligsten Dreifaltigkeit in Kappl, Waldsassen, Landkreis Tirschenreuth, Oberpfalz, Bayern, Deutschland. 11 Station - Jesus wird ans Kreuz geschlagen.

Healing lame, Blind and possessed

The Shadow of Death, Hunt, William Holman, 1873

Finding Jesus in the Temple- Detail1851William Holman Hunt (1827-1910 British)Oil on canvasBirmingham City Gallery & Museum, England

The return of Jacob and his meeting with Esau, illustration from the Old Testament, the end of the 19th century, engraving by Bequet, Delagrave edition, Paris.

Painting titled 'Christ in the House of Simon'. Dated 16th Century

Last Supper, colour post card from a Uvatypie template, Oberammergau Passion Play 1930, Upper Bavaria, Bavaria, Germany, Europe

LA ULTIMA CENA - 1302-1305 - FRESCO - TRECENTO ITALIANO - ESCUELA FLORENTINA. Author: GIOTTO DE BONDONE (1266-1337). Location: CAPILLA DE LOS SCROVEGNI. Padua. ITALIA. JESUS. JUDAS ISCARIOTE (3 ac-30 dc).

Europe. Carolingian empire. 8th century. Emperor Charlemagne visiting the schools. Chromolithography, detail. "Historia Universal" (Universal History), by César Cantú. Volume IV. Published in Barcelona, 1881.

Stations of the Cross, the Crucifixion, oil on canvas by Paolo Gamba di Ripabottoni (1712-1782), Church of San Francesco, Larino, Molise. Italy, 18th century.

Last Judgment, Fresco, detail, Orcagna , 1354-57, Cappella Strozzi, Strozzi Chapel, Basilica di Santa Maria Novella, Church of Santa Maria Novella, Florence, Tuscany, Italy, Europe

Christ riding into Jerusalem on an ass. 'Bible' New Testament: Mark VI. Chromolithograph c1860

Biblical story, Joseph and his brothers, chrome lithograph from a house bible, ca 1870

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