Biblical Scenes and Allegories

This cluster showcases various etchings and engravings of biblical narratives, featuring figures like David, saints, and allegorical representations in intricate styles.

Etching by Gérard Audran depicting the death of Clorinda, a character from classical literature, produced between 1680 and 1703, showing a dramatic narrative scene in French Baroque engraving.

Ferrantes Rosatti's 1649 etching 'David with the Head of Goliath' depicts the biblical scene of David holding Goliath's head, showcasing his engraving skills and religious themes.

Copper engraving and etching frontispiece titled 'Allegory' by Bernard Picart, created in 1732 using dotting technique.

Etching by Simone Cantarini da Pesaro from 1640 depicting Saint Antonius of Padua, showing the saint in traditional religious pose with detailed features.

Etching by Elisabetta Sirani depicting the beheading of John the Baptist, created in 1657, showing figures, execution scene, and gestures in a biblical narrative.

This copper engraving and etching by Bernard Picart, dated 1706, depicts a portrait of the Duke of Orléans, reflecting aristocratic representation in early 18th-century France.

Etching by Gérard Audran depicting the death of Clorinda, a character from classical literature, produced between 1680 and 1703, showing a dramatic narrative scene in French Baroque engraving.

Etching by Michel Dorigny from 1643 depicting the death of Dido.

Copper engraving and etching by Philipp Galle depicting Sibylla of Delphi, showing figure, gesture, clothing, head, hands, and symbolic attributes, produced between 1550 and 1612.

An etching by Bernhard Rode, created between 1748 and 1797, depicting scenes related to the High Testament, highlighting religious figures and symbolic elements.

Copper engraving and etching by François Forster between 1810 and 1872 depicting Christ in a spring setting.

Etching from the 18th century showing an antique general as an allegorical portrait, depicting uniform, pose, and symbolic attributes.

Copper engraving by Cornelis Galle the Younger portraying St. Mary Magdalene, created between 1627 and 1678.

Etching by Miguel de Sorelló from 1720-1765 depicting Christ in an atrial setting, showing figures, gestures, and religious composition in copper engraving.

Copper engraving by Johann Sadeler the Elder from 1600 depicting Possidio and Symmachus, illustrating two historical or religious figures in detailed 17th-century European style.

An etching by Marcantonio Bellavia from 1668-1670 depicting an allegory of painting and time alongside a portrait of Annibale Carracci, illustrating artistic symbolism.

Etching by Guido Reni created between 1590 and 1600 depicting the burial of Christ, showing religious figures and funerary composition.

Woodcut by Maarten van Heemskerck depicting Tobias and Sarah praying, created around 1550, showing two human figures in a devotional scene.

Copper engraving by Cornelis Galle the Elder showing the title leaf of Oliver Bonartius' ecclesiastical diary, created around 1634, depicting symbolic figures and decorative elements.

Copper engraving by Nicolò Billy around 1700 depicting Mary with the Christ child, holding a globe, with a snake and apple in the composition.

Etching by Bernard Picart from 1734 depicting a seated male figure in a study of human posture and anatomy.

Copper engraving by Pieter de Jode, 1590-1634, depicting allegorical representations of the senses Smell and Taste with figures in symbolic composition.

Schelte Adamsz. Bolswert engraved a copper print between 1600 and 1659 depicting the death of the just, showing figures, gestures, and narrative composition.

Copper engraving and etching by Gaspard Duchange depicting the death of Dido, created in 1719.

Copper engraving frontispiece by Bernard Picart for 'History of the Holy Bible', created between 1693 and 1733, depicting biblical themes with detailed line work and classical engraving techniques.

Engraving by Jan van Somer depicting three men drinking wine, created between 1670 and 1680.

Copper engraving and etching by Bartholomäus Kilian depicting an allegorical representation with symbolic figures conveying philosophical or moral concepts.

Etching by Pierre Scalberge showing Venus and Amor with mythological figures, gestures, and classical setting, created in 1638.

Etching by François Joullain between 1717 and 1778 showing two girls playing in a park and two children constructing a house of cards.

Copper engraving and etching by L. Houdin from the mid-17th to 18th century showing an angel with a Büiser, rendered with religious symbolism.

Etching by Giacopo Giovannini from 1694 depicting St. Benedict performing an exorcism or selling demons, showing religious figures in a symbolic narrative scene.

Copper engraving by Cornelis van Dalen depicting ancient statues, created around 1638.

Copper engraving by Cornelis Bloemaert depicting mythological scenes illustrating the cultivation of citrus plants, created around 1646.

Copper engraving by Johann Sadeler d. Ä. from 1570-1580 depicting John the Baptist with a lamb and the beheading of John, showing figures, gestures, and narrative.

Etching by Jean Baptiste Corneille showing King David observing Bathsheba, created between 1661 and 1695.

Copper engraving by Cornelis Cort depicting the flight into Egypt, created in 1566. The artwork shows Mary, Joseph, and infant Jesus traveling with detailed figures and landscape.

Jacobus Neeffs engraved 'Schäfer and Shepherd' between 1610 and 1660, depicting a shepherd with sheep in a rural landscape using copper engraving and etching techniques.

Reproduction of a drawing, representing Herman and Dorothea on a bench under a tree, Anonymous, After Wilhelm von Kaulbach, after Ludwig Hofmann, c. 1880 - in or before 1885 photomechanical print paper collotype painting, drawing and the graphic arts. literary characters and objects. bench

Copper engraving by Hieronymus Wierix, 1573-1612, depicting the first vision of Daniel with symbolic figures, angels, and detailed narrative elements.

This etching by Bartolomeo Passarotti, 1550-1592, depicts the personifications of Religion and Painting, showing symbolic figures, gestures, and iconographic elements.

Copper engraving by Jacob Matham around 1601 depicting a Vesper scene, showing religious figures, landscape elements, and symbolic religious motifs.

Copper engraving and etching by Edmé Jeaurat from 1722 depicting the mythological figures Acis and Galatea in a detailed composition.

Copper engraving and etching by Jean Massard from 1789-1807 depicting Venus and Amor, illustrating classical figures and mythological composition.

An etching by Jacob de Gheyn III created around 1618 depicting Mars, the Roman god of war, in a sleeping or reclining pose, rendered with detailed line work typical of early 17th-century engraving.

Copper engraving and etching by Jean-Baptiste Blaise Simonet from 1760-1813 depicting pink and colas, showing figures, objects, and composition.

Copper engraving and etching by Bernard Picart from 1716 depicting an allegory featuring the bust of Palladios, executed in dotting manner with symbolic figures and classical motifs.

Copper engraving and etching by Adriaen de Weerdt from 1570-1619 depicting John the Evangelist, showing figure, pose, and religious subject.

Copper engraving and etching by Wolfgang Kilian showing a ruler with a coat of arms, allegorical figures, and symbolic personifications, created in the 16th and 17th centuries.

Copper engraving by Giacomo Valegio depicting Christ in an atrial setting, created in 1575, illustrating the figure of Christ within architectural context.

Etching by Jacques Gabriel Huquier created between 1745 and 1805 depicting a bird dealer with figures and animals.

Copper engraving and etching by Voisard titled 'Innocence inspires tenderness,' created between 1770 and 1810, depicting a sentimental allegorical scene.

An engraving and etching by Jacques Bouillard from 1796 illustrating the first age of love in a classical allegorical scene.

Copper engraving and etching by Jean-Louis Delignon created between 1784 and 1786 depicting a scene from Tasso's The Freed Jerusalem for book illustration, showing figures, architecture, and landscape.

Copper engraving and etching by Jean-Baptiste Tilliard, 1760-1763, depicting a scene titled 'Touch' with figures in detailed composition and ornamentation.

Etching by Giacopo Giovannini showing St. Benedict extinguishing a fire in a monastery kitchen, created in 1694.

Etching by Gerard de Lairesse depicting a drunken Silen from classical mythology, created between 1661 and 1711.

Etching by Maria Anna Angelika Catharina Kauffmann depicting Penelope awakened by Euryclea, created in 1785, showing two figures in interior setting.

Copper engraving by Bernard Picart from 1714 depicting Firmin of Amiens in religious portraiture.

Copper engraving by Lucas Vorsterman depicting the personification of Reason, created between 1630 and 1640.

Etching by Leonaert Bramer depicting the parable of the merciful Samaritan, showing the Samaritan aiding the injured man along a road, with surrounding figures and landscape, dated 1647.

Copper engraving by Raphael Sadeler the Elder from 1570-1632 depicting Venus, Bacchus, and Ceres, showing figures, attributes, and symbolic gestures.

Copper engraving and etching by Pieter van den Berge from 1679-1737 depicting the personification of Spring, showing symbolic figure, flora, and seasonal elements.

Copper engraving by Auguste Gaspard Louis Boucher Desnoyers between 1799 and 1857 depicting Madonna della Postggiola, showing figure, gesture, and composition.

Philip Lambert Spruyt etched a print in 1787 depicting Diana in a bathing scene, showing her figure and surrounding environment.

Etching by Anton Balzer, 1790-1807, depicting three farmers smoking whistles, showing rural figures, gestures, and 18th-19th century European genre scene.

Copper engraving by Lucas Vorsterman depicting 'Lots of Escape', created in 1620, showing a detailed narrative scene on copper plate.

Copper engraving and etching by Harmen Jansz. Muller around 1595 depicting a farmer holding a chicken, showing figure, gesture, attire, and rural setting.

Etching by Pierre Dupin between 1705 and 1751 portraying The Vivandiere in detailed attire and composition.

Woman with scissors, Adamo Scultori, After Michelangelo, c. 1585 Sitting woman with scissors in hand. Next to her a man and naked children. Figure group from Michelangelo's ceiling painting. Numbered below: 73. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Sitting woman with scissors in hand. Next to her a man and naked children. Figure group from Michelangelo's ceiling painting. Numbered below: 73. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Sitting woman with two children, Adamo Scultori, After Michelangelo, c. 1585 Figures from Michelangelo's ceiling painting. Numbered below: 55. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Figures from Michelangelo's ceiling painting. Numbered below: 55. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Profeet Jona, Adam Sculptors, After Michelangelo, c. 1585 The prophet Jonah sitting with the fish and two small figures on the right. One of the prophets of Michelangelo's ceiling painting. Title in Submarga and numbered at the bottom right: 33. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving The prophet Jonah sitting with the fish and two small figures on the right. One of the prophets of Michelangelo's ceiling painting. Title in Submarga and numbered at the bottom right: 33. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Etching by Bernhard Rode from 1748-1797 depicting mythological scenes of Romulus and Remus, illustrating the founding of Rome with detailed figures and classical composition.

Etching by François Perrier depicting Chronos cutting wings and the mythological story of Daedalus and Icarus, created between 1610 and 1650, showing figures, action, and classical motifs.

Etching by Wenzel Hollar depicting a children's bacchanal, showing children dancing, playing musical instruments, and interacting in a festive, playful scene in 17th-century art.

Etching by Paolo Farinato showing St. Peter and Maria Magdalena in a barren landscape. Created between 1539 and 1606, it depicts religious figures with detailed gestures and expressions.

Copper engraving print by Gilles Rousselet showing an allegorical scene with Lorenzo Scupoli, created between 1644 and 1686.

Copper engraving by Hendrick Goltzius, 1586, showing Roman heroes in an allegorical composition highlighting valor and civic virtue.

A lithograph by Adriaen Brouwer depicting village musicians playing instruments, showing gestures, interaction, and musical activity before 1821.

Etching by Andrea Camassei depicting the Holy Family, including an image with the child John, created between 1574 and 1625.

Etching by Adriaen van Ostade depicting a painter at work, created between 1627 and 1685.

Copper engraving by Aegidius Sadeler the Younger around 1600 depicting Bartolomäus Sprangers in an allegorical portrait before his wife's image, including symbolic figures.

Antonie Wierix II created a copper engraving in 1584 depicting the adjoining of the kings with figures in ceremonial attire and symbolic objects.

This engraving by Abraham Blooteling, produced between 1656 and 1690, depicts a grotesque beggar, showing exaggerated facial features, tattered clothing, and a detailed figure.

Etching by Guido Reni depicting the Madonna with the Christ child, created between 1600 and 1640, showing both figures with detailed facial expressions and drapery in a devotional composition.

This copper engraving print by Giorgio Ghisi, created in 1568, depicts an allegorical birth scene with Aurora in the background, emphasizing figures, gesture, and compositional arrangement.

"Copper engraving by Claude Mellan showing an angel kneeling on a pyramid with a cube base, designed for a title page, dated 1642."

Copper engraving and etching by Crispin van de Passe depicting Cephalus and Pro Cephalus, created after 1616, showing mythological figures in a classical scene.

Copper engraving and etching by John Burnet from 1813 depicting a cat, showing the animal in detail within a domestic or natural setting.

Copper engraving and etching by Dominicus Custos depicting the biblical story of Judith beheading Holofernes, showing the figures and the execution scene.

Copper engraving by Johann Sadeler the Elder from the 17th century depicting Elphegus and Gamelbertus, showing historical or religious figures in detailed 17th-century European style.

Copper engraving and etching by Géraud Vidal depicting the mythological figures Venus and Adonis, created between 1765 and 1801.

Print (Germany); etching and engraving on off-white laid paper

Etching by Michel Dorigny from 1646 depicting Time overcome by Venus, and allegorical figures representing Love and Hope, showing gestures and symbolic elements.

A copper engraving and etching by Jacques Firmin Beauvarlet around 1757 showing the biblical story of Lot and his daughters fleeing after the destruction of Sodom.

This etching by Bernhard Schreuder, 1776-1777, shows a crier holding a bell and announcing in a street scene, highlighting posture, attire, and expression.

Etching by Maria Anna Angelika Catharina Kauffmann from 1783 depicting a shepherdess in a pastoral setting with sheep and landscape elements, illustrating 18th-century European etching style and attention to detail.

Jean Baptiste Wicar's copper engraving and etching around 1800 showing relief figures and Kameen, emphasizing classical decorative art.

Copper engraving and etching by Antoine Louis Romanet around 1796 depicting Heloisa on her deathbed, showing figure in repose within a solemn setting.

An etching by Albrecht Dürer depicting Saint Sebastian and the penance of St. John Chrysostomus, showing figures, gestures, and religious narrative after 1700.

Copper engraving and etching by Antoine Louis Romanet from 1765-1807 showing a woman with a fruit basket at a window and a scholar with a circle and globe, depicting figures, posture, attire, and objects.

Etching and copper engraving by Pierre Filloeul depicting the Matron of Ephesus, created around 1736, showing a female figure in classical attire and narrative context.

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