Biblical Scenes and Allegories

Engravings depicting biblical narratives and allegorical themes, including the Prodigal Son, Adam and Eve, and Tobit's healing, characterized by intricate landscapes and expressive figures.

Tobias heals his father's blindness, Moyses van Wtenbrouck, c. 1640 - 1650 print With the bile of a fish, Tobias heals his father's blindness. Next to him the angel Rafaël and Anna, Tobias's mother. Nummered at the bottom left as 4. The Hague paper etching / engraving the healing of Tobit: Tobias puts the gall of the fish on his father's eyes

The Prodigal Son Guarding Pigs (L'Enfant prodigue garde les cochons) ca. 1636 Abraham Bosse French. The Prodigal Son Guarding Pigs (L'Enfant prodigue garde les cochons) 390835

Adam and Eva at work outside of paradise; In Sudore Vultus TUI VESCITOR CIBO, DONEC SURTERARY IN HUMUM, CUM EA DESUMTUS FUERIS. Landscape with Adam, who edited the soil with a shovel. After him, EVA is spinning wool. In addition to her children Cain and Abel. On the right in the background a house between the trees. Under the show the title in Latin, a verse in Dutch and a reference to the Bible text in Gen. 3:19.

Trulla Attacking Hudibras (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 4) 1721-26 William Hogarth British. Trulla Attacking Hudibras (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 4) 396556

Tobias heals his father's blindness, Moyses van Wtenbrouck, c. 1640 - 1650 print With the bile of a fish, Tobias heals his father's blindness. Next to him the angel Rafaël and Anna, Tobias's mother. Nummered at the bottom left as 4. The Hague paper etching / engraving the healing of Tobit: Tobias puts the gall of the fish on his father's eyes

Allegory on the raid of the French and the liberation by William III, Romeyn de Hooghe (attributed to), after Romeyn de Hooghe, 1655 - 1708 print Allegory on the raid of the French and the liberation by William III. A soldier is behind a burnt offering on a hill. Behind him, an eagle (Germany), a lion (the Netherlands) and a unicorn (England). Allegorical figures are in the foreground. A man continues a woman with a burning torch, another killed a man and a boy. On the right a woman with a bag of money. Netherlands paper etching

Pride andHumility. Engraver: Theodor Galle, Flemish, baptized 1571-buried 1633 After: Ambrosius Francken Publisher: Philip Galle, Flemish, 1537-1612

May: A Hunt. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, published 1599. Prints; etchings. Etching

Tobias, Tobit and the Angel, Moyses van Wtenbrouck, Hendrick Hondius (I), 1620.

Title page for the leaflet: the Leuterbol of Diest, the dog and the cock shorts, by the last stuyver, 1702; The Leuterbol of Diest, the Dog and the Pikbroek, by the last stuyver; Esopus in Europe. A Dutch sailor smiles while a Frenchman and a dog is sneaking, scared by a shot from Sas-van-Gent (in the background). Title is on separate text sheet.

Romulus and Remus in battle; ORTO EX GUURS (...) Remus Caeditur; Life of Romulus and Remus. Due to the judgment of the judic, Romulus and Remus are arguing. Romulus and his followers fight against Remus and his followers. The fight ends with the death of Remus. The print is part of an album.

The death of Marcus Atilius Regulus, showng being nailed into a tub by the Carthaginians ca. 1661-62 Salvator Rosa Italian. The death of Marcus Atilius Regulus, showng being nailed into a tub by the Carthaginians 400203

Meeting between Calasiris and some Phoenician merchants during a party, Michel Lasne, 1623 print Paris paper engraving / letterpress printing celebration meal, feast, banquet

Francesco Fontebasso, A Satyr with a Staff and Seven Other Figures, 1744 A Satyr with a Staff and Seven Other Figures

Iron century, Philips Galle, After Gillis Coignet (I), 1573 print In a round list the Iron Century. In the foreground, women are attacked by deception, war, twist and greed. War scenes in the background. Justice hides in the clouds. The print refers to the mythologically inspired idea that during the iron century man was confronted with disaster, greed and malice. The goddess Justitia leaves the world during this era. The print is part of a series about the four eras. Antwerp paper engraving the iron age, 'Aetas ferrea'; characterized by Mars, war and rapine

Judgment of Paris, Crispijn van de Passe (I), After Chrispijn van den Broeck, 1580 - 1588 print Landscape with the judgment of Paris. Paris must judge the three most beautiful goddesses of Olympus on their beauty: Juno (with the peacock), Venus (with amor) and Minerva (with helmet). Paris gives Eris's golden apple to Venus. Mercury looks at heaven where the gods have gathered. In the margin a two -way caption in Latin. paper engraving the Judgement of Paris (Mercury present). assemblies of the gods in the air, possibly on the clouds

Autumn, Jan van Ossbeeck, after Nikolaas van Hoy, after Francesco II Bassano, in or after 1660 print The grapes are harvested. On the left two youngsters cut the bunches off the vine. A woman wears buckets with grapes with a yoke. In the middle a boy who crushes the grapes with his bare feet in a tub. On the right an ox cart with a large tub with grapes. Presentation of autumn in a press series of the four seasons. Brussels paper etching / engraving autumn landscape; landscape symbolizing autumn (the four seasons of the year). vintage, grape harvest

Cassandra, Frontispiece, Vol. 2: 1725 William Hogarth British. Cassandra, Frontispiece, Vol. 2: 396283

Medea helps Jason with her magic; Metamorphoses from Ovid. Medea meets Jason outside the palace and hand over her magic resources, with which he could accomplish the impossible assignments that her father, king aeets, him. In the margin a four-line caption, in two columns, in Latin.

Worn the Ark of the covenant over the Jordan; Paintings in the Loggia of Rafaël. A group of men and soldiers carry the Ark of the covenant. A river god (the Jordaan) is located in the foreground.

Herod is prevented from killing himself, Jan Luyken, 1704 print Amsterdam paper etching / letterpress printing seeking death, suicide - EE - death not certain; wounded person (+ variant)

Elegant company in Tuin, Cornelis de Wael, 1630 - 1648 print An elegant company sits together on a path in a garden. On the right a statue of Venus with Amor. A dog looks up at the image. Italy paper etching / engraving garden. private festivities, merry company. (story of) Venus (Aphrodite). dog

Woodcut by Hans Burgkmair the Elder from 1517 depicting Figure 63 of 'Theuerdank', showing Disfalo leading Theuerdank in full armor to a castle, with water elements and forelets.

Erysichthon kicks the tree from Ceres; Metamorphoses from Ovid. Erysichthon mins the tree from Ceres. As a revenge, Ceres sends a nymph with her dragon wagon to Scythia to ask hunger to punish Erysichthon. In the margin a four-line caption, in two columns, in Latin.

The Virgin, Holding the Child, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

The Parable of the Sower, Michel Lasne, French, ca. 1590 - 1667, Engraing on paper, France, ca. 1650, Print, Print

After Jacques Callot, Flight into Egypt, etching on laid paper.

Landscape with three shepherds, Franciscus de Neve, 1660 - 1666 print A man and a woman lean on a tree branch, while the woman points in the distance. On the left is a shepherd at the sheep on the floor. Rome paper etching pastorals, Arcadian scenes. sheep. index finger forwards, pointing, indicating

. Tobias and Tobit want to thank the travel companion with gifts, on which the angel makes Rafaël known herself and leaves them by increasing. Fourded from a series of four over the Bible story of Tobias.

Etching by Giovanni Lanfranco depicting Moses receiving the tablets of the law, showing him holding the stone tablets with inscriptions in a biblical scene, created in 1607.

Anonymous after Hendrick Goltzius (Dutch, 1558 - 1617). The River God Peneus Surrounded by Other Divinities, ca. 1589. From Metamorphoses. Engraving on wove paper. Plate: 176 mm x 252 mm (6.93 in. x 9.92 in.).

Cain and Abel as farmer and shepherd, Johann Sadeler (I), After Maerten de Vos, 1583 print Cain plows a field with a Trekos. Abel provides a herd of cows and sheep. In the background on the right the hut of Adam and Eva. The print has a Latin caption. Antwerp paper engraving Cain and Abel learn to assist their father; Cain by farming, Abel by herding. declining years and death of Adam and Eve. ploughing. herd, flock

Amsterdam, Mortier, Pieter (I), Haarlem, Luyken, Jan, Jakob ingevecht met de engel, verso lower left - written, print, prent, prints, verso lower middle - stamped, 10, height 104 mm, width 155 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1703 - 1703, paper, papier, etching, etchings, Publication (Event), Publicatie, Frans, 1661 - 1711, publisher

Jozef tells his dreams to his brothers, Orazio Borianni, After Rafaël, 1615 print Jozef explains his dream to his brothers. He says that in his dream the choir sheaves of his brothers bowed for his own sheaf and that the sun, moon and stars also bowed for him. Print Maker: ItalyaFter Painting by: Vatican City paper etching story of Joseph (part I). first dream of Joseph: the eleven sheaves of wheat of his brothers form a circle round Joseph's sheaf and bow down

The Death of Atilius Regulus. Dated: c. 1662. Dimensions: plate: 46.4 × 72.9 cm (18 1/4 × 28 11/16 in.) sheet: 53.4 × 75.7 cm (21 × 29 13/16 in.). Medium: etching with drypoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: SALVATOR ROSA.

People from Divers Pluimage reach to the globe, Jan Luyken, 1710 print Amsterdam paper etching earth, world as celestial body

Marriage of Isaac and Rebekka (page 1), Gijsbert van Veen, after Baldassare Peruzzi, 1599 - 1645 print Left leaf of a performance of the Huweijk van Isaak and Rebekka, consisting of four sheets of four plates. Part of the next sheet is attached to this copy on the right, printed from the second plate. paper engraving marriage of Isaac and Rebekah

Amsterdam, Luyken, Jan, King Hezekiah destroys sanctuaries, verso - manuscript in brown ink, print, prints, verso - stamped, 154, height 112 mm, width 148 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Parable of the Sower and the Kingdom of Hemelen, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching / letterpress printing the sower ~ parable of Christ (Matthew 13:3-9; Mark 4:3-9; Luke 8:5-8)

. Allegorical representation of the independence of America. Personification of America sitting on throne for which a statue of freedom is established. Part of a group of clip art with small allegories on the political situation in the year 1780.

Amsterdam, Fokke, Simon, Adventures of Telemachus, Mentor arrives at the Idomen Army to fair peace, Telemachus in conversation with Mentor, verso - stamped, Telemachus is having a conversation with the lauded Mentor in front of a tent. In the background soldiers are standing at a city gate. Print marked at top left: Page 190., print, book illustration, prints, height 168 mm, width 97 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1775 - 1775, paper, papier, etching, etchings

Pieter van der Heyden after Pieter Bruegel the Elder, The Wedding of Mopsus and Nisa, 1570 The Wedding of Mopsus and Nisa

Grand bacchanal; Faecundi Calices, Amor Immoderatus Edendi, Enervant Vires Corporis Atque Animi. A grand bacchanal with partying saters and nymphs at a lake. In the foreground lies the Drunken Bacchus, a Maenade is standing with him and hits her tambourine. Bacchus is laughed at the right by two nymphs and children, opposite is a Sater who tries to get back with a shepherd flask Bacchus.

Martyrdom of Saint Paul, plate two from The Martyrdoms of the Apostles Artist's working dates 1612-1635 France. Etching on paper . Jacques Callot

Arcas shoots at Callisto; Metamorphoses from Ovid. Arcas shoots at his mother Callisto that has changed through Diana in a bear. In the background, Arcas is pulled up by Jupitor to heaven and changed in a constellation. In the margin a four-line caption, in two columns, in Latin.

Apollo kills Coronis; Ovidius' metamorphoses. Apollo shoots the pregnant Coronis. The raven that had given her adultery flies above the shooter. On the right in the background you can see how Apollo gets the child Asclepius from Coronis' belly; To the left of this is the cremation of Coronis. Under the show twice two lines of Latin text. This print is part of a series of 52 prints that depicting stories from Ovidius' metamorphoses. This series varies in three numbered series: two of 20 prints and one of 12 prints. This print belongs to the second series.

Port with merchants and camel Italian ports (series title) Aliqui Portus (series title), Port with foreign merchants packing a camel. In the left foreground two men and on the right two merchants working with a load. In the background foreign merchants and sailing ships. Seventh print from a series of twelve with Italian ports., Johannes Gronsveld, Amsterdam, 1679 - 1728, paper, engraving, h 154 mm × w 240 mm

Punishment of the children who mock Elisa, Anonymous, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, after Nicolaes Ryckmans, after Pieter de Jode (II), 1630 - 1702 print Elisa is scolded by children on the way to Betel because of his bald head and he curses them. Two bears then devour the children. To the Bible text in 2 Kon. 2: 23-24. Under the show a title in Latin. Amsterdam paper engraving the cursing of the children: when Elisha is on his way some children mock him for his baldness; Elisha curses them (2 Kings 2:23-25). two bears come out of the woods and tear the children who were mocking Elisha to pieces

Event arrives at the tasselles on July 12, 1789, Place Louis XV, Prince Rigbesc at the head of the Royal German Regiment, arises in the Tuileries Garden Jean-Michel Moreau, said Moreau the young (1741-1814). "Event arrived at the tasselles on July 12, 1789, Place Louis XV, Prince Lambesc at the head of the Royal German Regiment, arises at the Tuileries Garden". Forte, 1789.

Remains of Izebel found on the street.

. Print at the top right labeled: fol: 98.

Lairesse, Gerard de, Semiramis is shown two dead lions, verso - stamped, The Assyrian queen Semiramis on horseback in a wooded landscape. She looks at the two dead lions shown to her by a group of hunters. Behind Semiramis, horsemen approach. On the left are dromedaries and a cart laden with spears and swords is drawn by two horses., print, prent, prints, prenten, height 372 mm, width 490 mm, Noord-Nederlands, 1641 - 1711, print maker, prentmaker, 1668 - 1668, paper, etching, etchings

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Amsterdam, Luyken, Jan, Parable of the lost son, recto - manuscript in brown ink, print, prints, verso - stamped, 79, height 118 mm, width 154 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Allegory on the death of Prince Willem IV, 1751. Allegory on the death of Stadtholder Willem IV on October 22, 1751. The city center's burial monument is about to be related to Geniën with the weapons of the seven provinces. In addition to the grave the grieving Dutch virgin. In the background, the young Prince Willem V is received at the entrance to the Temple of Sciences. At the top two angels carry a portrait medallion of Willem IV by the clouds.

Hudibras Sallying Forth (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 1). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden). Dimensions: sheet: 4 13/16 x 2 13/16 in. (12.2 x 7.1 cm) (trimmed). Date: 1721-26. Museum: Metropolitan Museum of Art, New York, USA.

A man is witnessing a dike breach, Jan Luyken, wed. Pieter Arentsz (II), 1689

Job on the Mesthoop, Jan Luyken, 1712 print Amsterdam paper etching Job on the dunghill (Job 2:7-13)

Silver century; Ovidius' metamorphoses. Imagination of life during the silver century: scarcely dressed men's teams and sowing, and build huts. In the clouds the God Jupiter. On the right in the foreground the goddess Ceres with a cornucopia. Under the show twice two lines of Latin text. This print is part of a series of 52 prints that depicting stories from Ovidius' metamorphoses. This series varies in three numbered series: two of 20 prints and one of 12 prints. This print belongs to the first series.

Salmacis and Hermaphroditus; Metamorphoses from Ovid. Salmacis, one of Diana's nymphs, and Hermaphroditus on the edge of the lake in which Salmacis lived. Salmacis fell in love with Hermaphroditus and clip to him so that their bodies melt. In the margin a four-line caption, in two columns, in Latin.

Karel Dujardin (1622-78). The battlefield (Dutuit 28). Eat, 1652. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

The Wisdom of Fools, from Six Proverbs. Artist: Jacques de Gheyn II (Netherlandish, Antwerp 1565-1629 The Hague); after Karel van Mander I (Netherlandish, Meulebeke 1548-1606 Amsterdam). Dimensions: sheet: 9 5/8 x 6 7/8 in. (24.5 x 17.5 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Jacques de Gheyn II. After Karel van Mander I.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Jode, Pieter de (I), Ryckmans, Nicolaes, Den Grooten Figuer-Bibel, History of Elisa, Of Elias and Eliseus, Elisa mocked by children, lower right - handwritten in brown ink, Elisa is scolded by children on the way to Bethel because of his bald head and he cursed them. Two bears then devour the children in the background. Below the image is a reference in Latin to the Bible text in 2 Kings 2:23. This print is part of an album., print, prent, albumblad, prints, prenten, 199, height 215 mm, width 287 mm, 1595, print maker, prentmaker, 1616 - 1636, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1570 - 1634-08-09, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher, uitgever, 1592 - 1656-04

Mercury and Argus, Mercury is about to cut off Argus, who is sleeping on a rock under a tree. On the left the cow Io., Mercury beheads Argus, Jacob Jordaens (I) (mentioned on object), 1652 - 1702, paper, engraving, h 232 mm × w 252 mm

Print marked top right: Tom. 5. Page 281., Don Quixote frees Eugenia, print maker: Caspar Luyken, (mentioned on object), publisher: Pieter Mortier (I), Amsterdam, 1696, paper, etching, h 119 mm × w 67 mm

La rose ou La Fete de Salency. Moreau, Jean-Michel (1741-1814), graphic artist, unknown, draughtsman, cartoonist, Greuze, Jean-Baptiste (1725-1805), painter

Andrea De Leone, Rachel Concealing Laban's Idols, c 1635 Rachel Concealing Laban's Idols

Aeneas decreases the golden branch. Aeneas and his friend are achates in the forest of Proserpina. Aeneas breaks a branch of a tree. A pigeon holds a sprig of that branch in her beak. He needs the branch to hide on his way to the underworld behind that branch.

Houthakker and Death, Anonymous, 1668 - 1740 drawing Design for a print. paper. ink. chalk pen / brush woodgathering, woodgatherer. Death as (rotting) corpse. fables of Lafontaine (with TITLE) : Use 85(...)

The writer Nicholas Boileau-Despr, print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Noach van der Meer (II), (mentioned on object), publisher: Daniël Jean Changuion, Amsterdam, 1772, paper, etching, h 225 mm × w 144 mm

The "Quos Ego", 1632-48. Simone Cantarini (Italian, 1612-1648). Etching;

The Brazen Serpent of Moses 1727 France. Etching on off-white laid paper . Pierre Hubert Subleyras

Copper engraving by Marco Dente depicting God appearing to Isaac, created between 1519 and 1527, illustrating the biblical story of Isaac.

View of a garden where two men look at oranges; The Orange.

Shepherd and shepherd in a fountain. For a fountain there are a shepherd on a donkey and a shepherdess with their sheep and cows. A dog bites the shepherd whip.

The Judgement of Paris. Dimensions: plate: 38.5 x 48.1 cm (15 3/16 x 18 15/16 in.) sheet: 44.4 x 57 cm (17 1/2 x 22 7/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: JACOPO GUARANA.

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Allegorical show with love and death, Bernard Picart, 1719 print Landscape with in the foreground love and death that share their arrows. On the right an old man who seduces a young woman. In the background men and women who were shot with arrows by death, loving couples and a funeral procession. In the air Jupiter on a cloud. Amsterdam paper etching / engraving Death as skeleton. (story of) Cupid, Amor (Eros). Love personified. unequal couple, ill-matched couple. (story of) Jupiter (Zeus). cortege, funeral procession

Jakob Kusten Rachel at the Bron, Caspar Luyken, 1712 print Amsterdam paper etching Jacob kisses Rachel and is moved to tears

Geknielde man bij een vrouw; Gracieuse et Persinet.A man kneels for a woman standing next to a coach with two prestressed deer. Both figures are wrapped in antique clothing. Figures at Fire Scales dance in the background. Print at the top right labeled: no 2. p. 20.

Title page for the Europisch Mercury of 1717. Title page for European Mercury, DL. XXVIII of 1717. Mercury and Europe with a few other allegorical figures, one with a map of Gothenburg.

Amsterdam, Picart, Bernard, Title print for: Les faveurs et les disgraces de l'amour, ou Les amans heureux, trompez et malheureux, 1721, Allegorical representation with couples in love, verso lower left - stamped, Cupid lets his arrows descend from a cloud. He aims them at the hearts of couples in love. In the middle a woman who secretly passes a love letter to her maid. In the background a man jumps out of a window. In the margin a six-line caption in French., print, title print, prints, height 144 mm, width 86 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1721 - 1721, paper, papier, etching, etchings, engraving, engraving (printing process)

Daughters of Reuel at the well, Jan Luyken, Pieter Mortier, 1704

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Theonas as hermit, Johann Sadeler (I), After Maerten de Vos, 1583 - 1588 print The H. Theonas as a recluse in a cave in the wilderness. He is in front of a work table and reads a Bible. A landscape with beggars in the background. Antwerp paper engraving male saints (with NAME). anchorite, hermit. beggar. cave, grotto

Thisbe flight to the lioness, 1615 print Thisbe waited at a source for her beloved Pyramus. Suddenly a lioness popped up, after which Thisbe fled and left her veil. In the lower margin a four -line explanation, in two columns, in Latin. paper engraving Thisbe, fleeing from a lioness, drops her veil (the scene may be situated near a fountain)

Tobias and the angel at a river. Tobias and the angel Rafael cross a river. A dog follows them. In Tobias' hands a large fish. Tobias will use the fish to heal its fathers blindness later. In the background a shepherd and his herd. The print has a Latin caption. To a painting by Adam Elsheimer

Jacob with his family on the way home; Paintings in the Loggia of Rafaël. Jacob is with his family and his cattle on his way to Egypt.

Landscape with hunting party on horseback. Wide landscape with a winding river. Along the river are different buildings and towers. In the background mountains. In the foreground on the left a gentleman and a lady on horseback, surrounded by a pack of hunting dogs.

The Iron Age, Robert de Baudous, After Antonio Tempesta, 1591 - 1659 print The iron era: people wage war. View of a battlefield with a fight, in the background a sea fight and a burning city. Under the print a verse in Latin and Dutch of four lines. Print from a series of four prints with landscapes that represent the eras of the world. paper engraving the iron age, 'Aetas ferrea'; characterized by Mars, war and rapine. war

Jacques Callot, Tavern, c 1622 Tavern

Simson kills the lion; History of Simson. With his bare hands, Simson kills the lion through the jaws of the animal. In the background a landscape with two figures and a city.

Marriage of Isaac and Rebekka (page 4), Gijsbert van Veen, after Baldassare Peruzzi, 1599 - 1645 print Right magazine of a representation of the marriage of Isaac and Rebekka, consisting of four sheets of four plates. paper engraving marriage of Isaac and Rebekah

Man carries the world on his back, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys (II), 1710

Celebration of the midwinter light festival. Landscape with midwinter night celebration with the moon godin in the air.

Amsterdam, Mortier, Pieter (I), Haarlem, Luyken, Jan, Begrafenis van Sara, verso middle bottom - stamped, print, prints, height 110 mm, width 158 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1703 - 1703, paper, papier, etching, etchings, Publication (Event), Publication, French, 1661 - 1711, publisher

Flight to Egypt, Stefano della Bella, 1620 - 1664 print Mary is sitting on a donkey with the Christ child. Joseph continues the donkey. Italy paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Picart, Bernard, Amsterdam, Allegorical title page with various scenes from the Metamorphoses of Ovid and his portrait, verso lower left - stamped, Allegorical representation with various scenes and metamorphoses from the book of Ovid. Among others in the foreground Salmacis and Hermaphroditus, Narcissus falling in love with his own reflection and Leda seduced by Jupiter in the form of a swan. In the middle Vertumnus as an old woman and Pomona, Apollo and Daphne, Pan and Syrinx. In the background Pluto and Proserpina, Perseus and the monster, the fall of Icarus. In the sky on a cloud Venus in her chariot, pulled by a swan. At the top in a medallion under a garland the portrait of the writer Publius Ovidius Naso. Below the representation an empty cartouche., print, prints, height 381 mm, width 255 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1731 - 1731, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process),

Hunting for deer and wild boar in the presence of a lady. River landscape with hunters and hunting dogs hunting on deer and wild boar. On the right a lady on horseback that watches. In the middle of a coat of arms and cartouche with assignment.

Eliezer is on assignment by Abraham to find a wife for Isaac. He stops with his men at a spring to give the camels a drink. A young woman, Rebekah, gives him a drink from her jug., ElIëzer and Rebekah at the well, print maker: Hans Bol, (mentioned on object), Hans Bol, c. 1560 - c. 1593, paper, etching, d 182 mm

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