Biblical Scenes and Caricatures

Artistic interpretations of biblical narratives, featuring dramatic moments like Samson's strength, alongside satirical caricatures of historical figures.

Bismarck, Andrassy, statesmen, the oriental question, At the political horizons title page of Der Floh, Carl von Stur -, caricaturist

Simson destroys the columns of the Temple, Johannes Josephus Aarts, 1881 - 1934 print Simson pulls two columns of the temple of the Philistines, so that the building collapses and all those present, including Samson, are killed. paper Samson breaks the pillars; the temple of Dagon collapses, killing all that are in it. man (showing himself) undressed, quasi-nude

Artist: Albrecht Dürer, German, 1471-1528, Cain KillingAbel, Woodcut, block: 11.7 × 8.3 cm (4 5/8 × 3 1/4in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Idleness, from the series TheVices. Artist: Heinrich Aldegrever, Germany, 1502-1555/61

Bismarck, Andrassy, statesmen, the oriental question, At the political horizons title page of Der Floh, Carl von Stur -, caricaturist

Weaponry. .

Robert Tournay.. text. Advertising, Posters. 1895 - 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Publishing industry, Posters, American, Book & magazine posters

A lithograph by Lovis Corinth from 1916 depicting the vision of John from the Revelation of John, printed on handmade paper, showing symbolic imagery and figure of John.

Rat catcher, Christian Wilhelm Ernst Dietrich, 1731 print Germany paper etching rat exterminator. rodents: rat (+ ornamental variants of animals). head-gear: turban

This early 16th-century drypoint (Caltnadel) by the Master of 1515 depicts a decorative trophy with herme pans.

Christian Rohlfs, Deliberation (Beratung), 1913 Deliberation (Beratung)

Photor production of the drawing Puszcza Z Cyklu Lithuania by Arthur Grottger from the Lithuania series, representing a forest landscape with death with a zeis. .

Here We Make Love (Te Faruru), from Fragrance (Noa Noa) 1893-94 Paul Gauguin French. Here We Make Love (Te Faruru), from Fragrance (Noa Noa) 337877

The 1910 image shows: Rishi (Holy) Tieh Kuai. Painted on silk by Wu-Sian-hien. Original in Temple Myoshinji in Kyoto Japan. Li Tieguai or Li Tieh-kuai is depicted in art as an old man with an iron crutch (tieguai) and often a gourd slung over his shoulder or held in his hand. The gourd served as a bedroom for the night and held medicine, which Li dispensed with great beneficence to the poor and needy. Rishis are believed to have composed hymns of the Vedas. The Post-Vedic tradition of Hinduism regards the rishis as "great yogis" or "sages" who after intense meditation (tapas) realized t

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Symbol of the hyménée." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101779-18 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Louis XIII (king of France), Paris, Delabarre, Pierre, France, Briot, Isaac, Livre de Toutes sortes de feüilles Servant a L'orphevrerie, Bouquet on the back of a peddler, Bouquet for gold and silversmiths with flowers, stylized leaves and legumes., print, ornamental print, prints, ornamental prints, height 302 mm, width 242 mm, 1585 - 1670-03-05, print maker, printmaker, 1635 - 1635, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher, 1601-09-27 - 1643-05-14, granter of privilege

Sint Joris and the dragon and play ban for Herman Heijermans. Draughtsman: Patricq Kroon (signed by artist). Dating: 1919 - 1924. Place: Netherlands. Measurements: h 248 mm × w 324 mm. Museum: Rijksmuseum, Amsterdam.

Vatican City, Papal Court, Rome, Paolo, Giovanni Antonio de, Tempesta, Antonio, Imagini di moltes vergini Rom nel martirio, Roman martyrs, Saint Flaminia and Saint Faustina, verso - stamped, Saint Flaminia and Saint Faustina being beheaded by a soldier with a sword., print, prints, height 73 mm, width 114 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Publication (Event), Publication, publisher, uitgever van privilege

Umbria Terni Gavelli S. Michele9. Hutzel, Max 1960-1990 Exterior views of the 15th-century architecture. Interior views focus on the frescoed niches that line the nave. The frescoes (late fifteenth, early sixteenth centuries) are mainly of various saints: SS. Stefano, Valentino, Bernardino, Antonio, Sebastiano, Filippo, Bordonio, Simone, Macario, Sebastiano, Caterina, Apollonia, Battista, Pietro, Paolo, and Michele. Object Notes: Hutzel photo campaign date: January 7, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sint Joris and the dragon and play ban for Herman Heijermans, Patricq Kroon, 1919 - 1924 drawing A politician like Sint Joris has taken off from his rocking horse and fights a dragon with his sword referred to as 'play ban'. In the foreground two rolls of paper referred to as 'Tooneel Herman Heiermans' and 'Eva Bo' Nheur = 1919. On the back of a leaf a sketch for another cartoon. Design for a political cartoon. Netherlands paper. ink. paint (coating) pen / brush political caricatures and satires. the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword. hobby-horse

DIBUJO- BAJORRELIEVE DE LAS PILASTRAS INTERIORES DEL TEMPLO DE LA CRUZ - PALENQUE - 1789. Author: RICARDO ALMENDARIZ (S XVII). Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

Depicts a Landsknecht soldier, executed as an etching on an iron plate by Sebald Beham in 1520, showing armor, weapons, and clothing.

An arm trophy with flags, a suit of armor, a halberd and a fasces, Arms Trophy 3rd Cahier de Troph, print maker: Etienne Claude Voysard, (mentioned on object), intermediary draughtsman: Pierre Ranson, (mentioned on object), publisher: Esnauts & Rapilly, Paris, 1778, paper, etching, h 280 mm × w 219 mm

. .

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

War 1894 France. Lithograph in black on orange wove paper . Henri Rousseau

Marches Macerata San Severino Marche Duomo Vecchio5. Hutzel, Max 1960-1990 Exterior views of this 14th-century church include a bell tower (11th century), belfry, buttresses, portals, and a cloister walk, well-head, loggia, columns and capitals (13th century). Views of the baroque interior (17th century) include an ornate wooden ceiling with the Papal coat-of-arms in the center, an organ, and an altarpiece with angels. Most views are of intarsia choirstalls (1483-1513) and the frescoes of the story of St. John the Evangelist (or St. Joseph) by the Salimbeni brothers. There are also views of a room containing the sculpted tomb effigies of St. Severino and St. Vittorino, with paintings and mosaics of the life of St. Severino. This room or aisle may be incorrectly identified by Hutzel. Object Notes: Hutzel photo campaign date: April 8, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, r

Master of 1515, Italy, Bust of Pan on column and trophies of arms, verso lower left - stamped, print, prints, height 203 mm, width 142 mm, Italian, print maker, printmaker, 1500 - 1548, first quarter 16th century, second quarter 16th century, paper, engraving, engraving (printing process), drypoint, dry needle, Work conception, after own design by

Two naked men's figures with bubble and candle cover. Two naked, merged men's figures are in a room. The front bears a bell in his left hand and goes out with the candle cover in his right hand.

Oskar Laske's 1950 work depicts a landscape painter looking upward, executed in black feather and watercolor, showing posture and expression.

A 1521 white line woodcut by Urs Graf the Elder featuring Put, illustrating detailed engraving and compositional precision of early 16th-century woodcuts.

Venice, Campen, Jacobus van, Veronese, Paolo, Lefebvre, Valentin, Opera Selectiora, Juno gives the Doge's crown to Venice, verso - stamped, Juno is enthroned in the clouds and showers her treasures, including the Doge's crown, on the personified city of Venice. The print is part of a 53-part series of prints after paintings by Titian and Veronese., print, prints, width 141 mm, height, 391 mm, 1642, print maker, printmaker, 1682 - 1682, paper, etching, etchings, intermediary draughtsman, after a drawing by, Italian, 1528 - 1588-04-19, after, after a painting by, Publication (Event), Publication, publisher

Destruction of Sodom ..

Illustration to the epic poem 'The Knight in the Panther's Skin' by Shota Rustaveli by Kobuladze, Sergo (1909-1978) Private Collection 1937 Lithograph Georgia Book design Mythology, Allegory and Literature Book Art

Atlas De Hemelbol gives Hercules, Claude Mellan (Possible), After Claude Mellan, 1651 - 1661 print France paper engraving Hercules carries the heavens on his shoulders

Tijl owl mirror. Ollie owl mirror, leaning against a table. In his right hand, glasses, in his left hand a candle. On his right shoulder an owl.

DALI Salvador(1904-1989) And still they don't go! Capricho-59 1977 Based on Capricho Francisco Goya's etchings etching 39x31

This is one of a celebrated series of small woodcuts that Holbein designed on the theme of Death. In the words of Christian Rümelin: 'Death is depicted in several guises in these illustrations, ranging from the murderous agent (of the monk, merchant, chandler, rich man, knight, earl and nobleman) to the warning commentator (of the pope, emperor, cardinal, judge, alderman, lawyer, and preacher)'. Members of society are mostly portrayed in a situation designed to criticise a specific type of behaviour 'such as the corruption of the judge, the vanity of the canon, the acquisitiveness of the rich man and the merchant'. The series adapts the tradition of the medieval Danse Macabre (Dance of Death) as the basis for a new and original sequence. It also relates to the imagery of French illuminated Books of Hours and poetical traditions. 'The scenes are the customary illustrations in which Death appears in the form of a skeleton'.

Christian Rohlfs, Deliberation (Beratung), 1913 Deliberation (Beratung)

Resurrection , The resurrection of Ignaz Kuranda, Anton Ritter von Schmerling, Eduard Herbst, Alfred Graf Potocki, Moritz Blagatinscheg Kaiserfeld, Alexander von Bach caricature from Der Floh , Unknown

Masquerading asses being whipped by a man; folio 93 (recto) from the Madrid Album 'B'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 9-1/4 x 5-3/4 in. (23.5 x 14.61cm). Date: 1796-97. Museum: Metropolitan Museum of Art, New York, USA.

Los Chinchillas /The Chinchillas; Board No. 50 from: Los Caprichos Caprices, ed. II, Madrid CA. 1855 Goya, Francisco de (1746 1828)

Attributed to Hans Steidlin (German, 1555 - 1607), Janus, c. 1600, pen and ink over graphite with brown and pink wash and white heightening on laid paper, blackened on verso and incised for transfer

Pan cuts the reed into which the nymph Syrinx has turned; School of Fontainebleau; France; mid-16th century; Pen and brown ink, and brown wash on brown paper, over traces of black chalk, on several joined pieces of paper; framing line in brown ink; squared for transfer; 56.2 x 40.8 cm (22 1,8 x 16 1,16 in.)

Angel with banderol above landscape, Bernard Picart, 1709 drawing Design for a print. paper. ink. pencil pen / brush lower angel(s)

The reproduction of the woodcut in Ava Skoczylas "Janosik" from the sentence: Janosik Imi I will never miss; The National Defense Committee of Spisz, Orawa and Podhale (Kraków; 1919-), Hurkiewicz, Antoni and S-ka (Warsaw; Graphic AD), Skoczylas, W Adys Aw (1883-1934); around 1920 (1920-00-00-1920-00-00);

Sketch of the God of Longevity: Jurōjin. Teisai Hokuba (Japan, 1771-1844). Japan, circa 1840. Drawings. Ink drawing from an album; ink on paper

Amsterdam, Goeree, Wilhelmus (I), Lion of Judah overcomes the dragon, verso - handwritten in ink, The crowned lion of Judah, a symbol of Christ from the Book of Revelation, defeats the dragon. The lion is lauded by two putti. The firmament below the dragon. The whole under an empty cartouche flanked by cherubs., print, engraving, prints, engravings, verso - stamped, 27. pag. 16. A., height 295 mm, width 190 mm, print maker, printmaker, 1690 - 1690, paper, papier, graveren (drukprocedé), Publication (Event), Publicatie, Noord-Nederlands, publisher

Statue of Niobe on Mount Sipylus. Prints, Illustrations. 1842. General Research Division. Turkey, Lydia (Kingdom) , Antiquities, Sculpture, Niobe (Greek mythology), Manisa Ili (Turkey)

Martyrium (Martyrdom). Dated: 1921. Dimensions: plate: 29.6 x 23.6 cm (11 5/8 x 9 5/16 in.) sheet: 47.2 x 35.2 cm (18 9/16 x 13 7/8 in.). Medium: drypoint in black on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Seated Bishop. Dimensions: overall: 25.2 x 19.4 cm (9 15/16 x 7 5/8 in.). Medium: pen and brown ink and chalk with brown wash heightened with white. Museum: National Gallery of Art, Washington DC. Author: Abraham Bloemaert.

Allegorical composition on Felix Meritis with the winged Fame blowing the praise trumpet on the right. On the left Apollo, seated on the clouds, rests with his left arm on the blazon of Felix Meritis also held by a putto., Allegorical composition on Felix Meritis, print maker: Jacques Kuyper, (mentioned on object), Amsterdam, 1784, paper, etching, h 96 mm × w 98 mm

De Drakendooder, c. 1900 - in or before 1946 print Man with a sword on a horse above a dragon -like creature, in the background a female naked near a castle. Japanese paper (handmade paper). printing ink Perseus frees Andromeda of her chains

Henry Somm, Program for Théatres l'Athénée, 1881 Program for Théatres l'Athénée

A robber who is above fire; Skoczylas, W Adys Aw (1883-1934); 1918 (1918-00-00-1918-00-00);

"Sacks of feathers were emptied upon them, then a sackful of live rats, succeeded by a dozen monkeys and some score of young serpents", 1871. Illustration to a short story, "The Coffee-Merchant - a new Arabian Nights' tale". '...the lamps began to get very dim, and a fine shower of rain softly poured down upon them from the galleries above, as if from concealed water-engines, if not by necromancy. At the same time horrible subterranean music was heard, with ringing yells; then the lamps nearly went out; while the rain fell faster, speedily followed by a report like thunder,

Dancers (Apachentänze!) 1911 Moriz Jung Austrian. Dancers (Apachentänze!). Moriz Jung (Austrian (born Czechoslovakia) Moravia 1885-1915 Manilowa (Carpathians)). 1911. Color lithograph. Wiener Werkstätte. Prints

THE BATTLE OF THE ANGELS, BY GUSTAVE DOR. Dore, 1832 - 1883, French. Engraving for Paradise Lost by Milton. 1870, Art, Artist, romanticism, colour, color engraving.

An Attack by a Tiger, 1830. Louis Candide Boulanger (French, 1806-1867). Lithograph;

10th Century picture of a Bulgarian Route from an ancient Slavonian manuscript

Britannia Roused, or the Coalition Monsters Destroyed. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 1/8 x 8 7/16 in. (28.3 x 21.5 cm)Plate: 10 13/16 × 8 3/8 in. (27.4 × 21.3 cm). Published in: London. Subject: Charles James Fox (British, 1749-1806); Frederick North, 2nd Earl of Guilford (British, 1732-1792). Date: February 3, 1784. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Oskar Laske from 1950 depicting a pyramid using pencil, black pen, colored pencil, and watercolor on white deck.

Plan of Koenigswinger in Norway

Godanme, Act five of the Kanadehon Chushingura., Katsushika, Hokusai, 1760-1849, artist, between 1804 and 1812, 1 print : woodcut, color ; 22.3 x 17 cm., Print shows Yoichibei, an old man, returning home after selling his daughter, Okaru, to a brothel to raise money so that his son-in-law, Kampei, can redeem himself. Yochibei is being robbed and murdered by Sadakuro. Kampei, out hunting, is seen in the background asking a traveler for a fire to light the wick of his musket. Scene from act fi

'Defeat of Porus by the Macedonians', 1890. Creator: Unknown.

Allegorical composition by Felix Meritis, Jacques Kuyper, 1784.

'The Famous History of Tom Thumb'' Tom equipped to take part in a tournament at King Arthur's court. Late eighteenth century woodcut.

Arthur-Joseph Guéniot (1866-1951). Young woman at her window in front of five pots of flowers (front); Woman with folded arm (back). Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Val Van de Giganten, Bartolommeo Coriolano, After Guido Reni, 1638 print The giants who stormed heaven to overthrow Jupiter are buried under stone. At the top of the furious Jupiter with eagle and lightning bolts. At the top left the coat of arms of Francesco I d'Este. Bologna paper the Giants buried beneath volcanoes. giants, colossi. battle of the Giants against the gods: gigantomachy

Figurehead: Hercules. Dated: c. 1937. Dimensions: overall: 28.8 x 22.9 cm (11 5/16 x 9 in.). Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Virginia Richards.

A drawing by an anonymous artist depicting Archangel Michael pushing Lucifer into the abyss with a lance, executed with feather on gray-green paper.

Affiche pour la publication des 'oeuvres de Rabelais'.. Chéret, Jules, 1836-1932. text. Prints, Posters. 1898. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

illustration of English tales, folk tales, and ballads.

Lazio Viterbo Tarquinia Palazzo Vitelleschi0. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the high

And on the Tawny Sands and Shelves/Trip the pert Fairies and the dapper Elves.. Rackham, Arthur, 1867-1939. Milton, John, 1608-1674. Illustrations. 1921. Spencer Collection. Elves, Fairies

PORTINARI, Càndido (1903-1962). Composition, the dead child. 1945. Allegory of the evils of war. (FNAC 20015). Neorealism. Oil on canvas.

Anonymous, Eden-theater/ Rue Auber Prés Opera/ Every evening/ At 8 a.m. Pantomimes/ Varies shows/ Entrance 3 francs (registered title (letter)), 1884. Color lithography. Carnavalet museum, history of Paris.

Venus and Cupid 1766 Jean Claude Richard, Abbé de Saint-Non French. Venus and Cupid 394767

Mai 1871 , Rebellions, Shouting, Flags. Théophile Alexandre Steinlen (1859-1923). Lithographs

Sakata Kintoki killing the monstrous spider / Minamoto no yorimitsu no shitennō tsuiji no zu Utagawa, kuniyoshi (1797 1861)

The Isenheim Altarpiece. Right wing: The Temptation of Saint Anthony by Grunewald, Matthias (ca 1470-1528) / Musee díUnterlinden, Colmar / 1506-1515 / Germany / Tempera on panel / Bible /Renaissance

La Lune de Miel, George Montbard, French, 1841 - 1905, Etching in black ink on mulberry paper, A winged female figure floating in air with three putti and butterflies. Behind her, the moon, below, the sea. Inscribed, lower right: 'G. Montbard'., France, 1870, Print, Print

Departure from Charlot for the states of the Pope. (IT)

Bacchus astride a wine barrel ca 1890-1910 José Guadalupe Posada. Bacchus astride a wine barrel. José Guadalupe Posada (Mexican, 1851-1913). ca 1890-1910. Metal plate engraving. Prints

Portada de la revista Pensat y Fet, editada en Valencia, marzo de 1928.

The Great Triumphal Chariot of the Emperor Maximilian I Albrecht Dürer (German, 1471-1528). The Great Triumphal Chariot of the Emperor Maximilian I, 1522, begun 1518. Woodcut from eight blocks on eight sheets of laid paper, 16 x 95 in. (40.5 x 241.3 cm). Albrecht Dürer revolutionized the techniques of woodcut and engraving, and was the first artist to achieve fame through his work as a printmaker. In 1512 the Holy Roman Emperor Maximilian I, who recognized how useful the new medium of printmaking would be for spreading his fame and burnishing his image, commissioned Dürer to create in his honor a gigantic, multipart woodcut inspired by imperial processions of antiquity. The emperor died before the ambitious work was completed, but the entrepreneurial Dürer published the last eight-block section of the procession as a tribute to him. Maximilian is depicted as a latter-day Roman emperor, riding in an elaborate chariot whose four wheels express in Latin his renown (gloria), dignity (dign

La Vivandière à la Grecque. Benigno Bossi (Italy, Arcisate di Como, 1727-1792). Italy, 1771. Prints; etchings. Etching

Turkish military leaders and soldiers from the time of the siege of Vienna in , Freeches in the Wienerwald, Albert von Camesina -, Lithographer, after, Hans Guldenmund T, Woodcutter, After, Erhard Schön, Drawer

ORLA CALIGRAFICA QUE REPRESENTA A FELIPE IV - GRABADO - 1624. Author: PEDRO DIAZ MORANTE (1565-). FELIPE III HIJO. MARGARITA DE AUSTRIA HIJO. AUSTRIA MARGARITA HIJO. FELIPE IV REY DE ESPAÑA.

Standard Bearer. Dated: c. 1617. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Death in battle, 1881 - 1934 wood (plant material)

TheMermaid. Artist: Frederick Stuart Church, American, 1842-1924

A baroque sculpture forming an allegory of dentifrice at the entrance to an international toothpowder exhibition. Drawing by A. Oberländer, ca. 1900.

Urs Graf: Standard bearer 1527; woodcut

The dance of death at Basel: death and the jester. Lithograph by G. Danzer after H. Hess.

Nicola di Maestro Antonio d'Ancona (1472-1510). "Tarot card" Sola-Busca ", Nenbroto. (Passavant 20, volume 2, page 129)". Chisel. 1491-1525. Museum of Fine Arts of the City of Paris, Petit Palais. 123053-9 Chisel, card to play, card game, tarot, 16th 16th 16th 16th 16th 16 CENTURY

Serbian destiny

Design for illustration in De Amsterdammer: Hercules at the crossroads for the choice between War and Peace (12 May 1917). Draughtsman: Johan Braakensiek. Dating: 1917 - before 12-May-1917. Measurements: h 294 mm × w 458 mm. Museum: Rijksmuseum, Amsterdam.

Robbing procession and; Skoczylas, Władysław (1883-1934); 1915 (1915-00-00-1915-00-00);

Belphagore. Jean-Baptiste Oudry (French, 1686 - 1755)

Tamara's Dance. Illustration to the poem 'The Demon' by Mikhail Lermontov by Vrubel, Mikhail Alexandrovich (1856-1910)/ State Tretyakov Gallery, Moscow/ 1890-1891/ Russia/ Watercolour on paper/ Symbolism/ 50x34/ Mythology, Allegory and Literature

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