Biblical Scenes and Family Life

Depictions of biblical narratives and domestic life, showcasing emotions and interactions, with a focus on family and storytelling.

An old woman, in the light of a fire in an interior, bakes pancakes for a number of children., Pancake Maker, print maker: Jan van de Velde (II), Northern Netherlands, 1603 - 1652, paper, engraving, h 170 mm × w 128 mm

Night, Pieter van den Berge, 1702 - 1726.

Joseph Telling His Dreams, 1638, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 4 3/8 x 3 5/16 in. (11.1 x 8.4 cm) (sheet), Etching, The Netherlands, 17th century, His hair still tousled from sleep, young Joseph can't wait to share his dream, which foretells that his father and brothers will bow down to him (Genesis 37:5-11). Commanding center stage, he is too lost in his tale to notice his father's disbelief and his brothers' disdain. As their remarkably varied expressions imply, the brothers are moving ever closer to ridding the household of the precocious 'dream-master.'

Joseph's Coat Brought to Jacob, Rembrandt van Rijn, c. 1633 print paper etching Joseph's blood-stained coat is brought and shown to Jacob

Interior with a sitting woman feeding her child, Claude Henri Watelet, 1767 print France paper etching interior of the house. feeding a baby. cat

Weaponsmid on Het Work, Reinier Craeycatcher, 1822 - 1880 print A weapon mith sits on a chair for an anvil and works with a hammer an object that he holds in a tongs. There are parts of a harness next to the anvil. Behind him a fireplace. On the right his wife is in his arms with a child. Amsterdam China paper etching handicrafts ~ metal. forging (industrial process). mother and baby or young child. smith, blacksmith (+ indoors; in laboratory, factory, barn, etc.). armour

Sibille. A sibille sitting with the head supporting in her hand. In addition to her an inkwell with a writing spring.

An old woman, in the light of a fire in an interior, bakes pancakes for a number of children., Pancake Maker, print maker: Jan van de Velde (II), Northern Netherlands, 1603 - 1652, paper, engraving, h 170 mm × w 128 mm

Painting. Artist: After François Boucher (French, Paris 1703-1770 Paris); Marie Madeleine Igonet (French, active Paris, 1744-60). Dimensions: sheet: 14 5/16 x 9 5/8 in. (36.4 x 24.5 cm). Date: 1752. Museum: Metropolitan Museum of Art, New York, USA.

A rat-catcher and his young assistant standing at a doorway are having their services refused by an old man; the rat-catcher holds a long stick with a cage on top containing rats, on his right shoulder sits a rat. Etching by F.J. Crome, 1817, after Rembrandt van Rijn, c. 1632.

Domestic scene with guitar playing man surrounded by his family, Claude Augustin Duflos, after Johann Eleazar Schenau, 1769 print print maker: Francepublisher: Paris paper etching / engraving making music; musician with instrument. education. family, relationship, descent

Francisco de Goya (Spanish, 1746-1828). Esto si que es leer. (That certainly is being able to read.), 1796-1797. From Los Caprichos, no. 29. Etching, aquatint, and drypoint. Plate: 214 mm x 146 mm (8.43 in. x 5.75 in.).

Ornament for a dish rim. Upper half: Jacob and Esau sit on the ground in front of a house. Esau is eating his plate of lentil soup, selling his first-born right to his brother Jacob. Caption in Latin in cartouche, Esau sells his birthright The History of Jacob and Esau (series title)., print maker: Cornelis Cort, (mentioned on object), Frans Floris (I), publisher: Julius Goltzius, print maker: unknown, publisher: Antwerp, after 1563 - before c. 1601, paper, engraving, h 132 mm × w 221 mm

Rijn, Rembrandt van, The Entombment, verso lower left - stamped, print, engraving, prints, engravings, height 211 mm, width 160 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1656, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, Work conception, Northern Netherlands, after own design by

Return of the Prodigal Son, 1636. Rembrandt van Rijn (Dutch, 1606-1669). Etching; sheet: 16.4 x 14.4 cm (6 7/16 x 5 11/16 in.); platemark: 15.5 x 13.3 cm (6 1/8 x 5 1/4 in.).

The Strolling Musicians, Anonymous, After Rembrandt van Rijn, After 1635 print paper etching more than one musician with instrument

Four theologians are discussing the punishment of heretics, Caspar Merian, after Hans Holbein (II), after Ambrosius Holbein, 1676 print paper etching / letterpress printing Folly, Foolishness; 'Pazzia', 'nonsense', 'Staltitia' (Ripa). Heretic

Simple living room with peasant family during daily activities. The farmer's wife is caring for her youngest child while a boy at the table eats from a bowl and the farmer cuts a slice of bread. Another boy is playing with a dog. The room is filled with household objects and furniture. Print from a series of eight prints after depictions by A. van Ostade, Peasant Family in Interior Caprice (series title)., print maker: Abraham Bloteling, (possibly), Adriaen van Ostade, (mentioned on object), publisher: Abraham Bloteling, (mentioned on object), Amsterdam, 1655 - 1690, paper, etching, h 132 mm × w 105 mm

Standing woman grabbed by man, other man watches in inn; A man carving the innkeeper.

Bernard, Michel and Alvin-Beaumont, Rijn, Rembrandt van, The pancake maker, verso center bottom - pencil, print, prints, Rembrandt f. 1635, middle bottom, Coppier, height 109 mm, width 79 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1635 - 1635, second quarter 17th century, third quarter 19th century, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Two drunk men in a window opening, Cornelis Dusart, 1685 print paper etching drinking. drunkenness

The Flight into Egypt: a Night Piece 1651 Rembrandt (Rembrandt van Rijn) Dutch By the light of Joseph's lantern, the Holy Family journeys through a nighttime landscape (Matthew 2:13-15). In the 1650s Rembrandt created a number of night pieces-dark prints that allowed him to explore the various ways in which single sources of light illuminate otherwise pitch-black scenes. In this earliest experiment in creating dark prints, Rembrandt left ink on the surface of the printing plate, as though he were painting the etched copper plate anew with each impression. As a result, he created impressions of the same print that are unique in their treatment of light and dark. Here, the Virgin atop the mule is bathed in shadow, yet she stands out against an inky black landscape; Joseph steps through a play of shadows created by the brilliance of the lantern, the windows of which are the only spot where Rembrandt allowed the original white of the paper to remain visible.. The Flight into Egypt: a Night

Family at the table for the meal; Prayer for meals. Copy to the print of Adriaen van Ostade with a performance displayed.

Brouwer, Adriaen, Amsterdam, Visscher, Cornelis (II), Haarlem, Violin player, Hearing, verso - stamped, In an inn three men and a woman are sitting by the fire singing. They are accompanied by the violin player in the foreground. This print is possibly a depiction of the sense 'Hearing'., print, prints, height 268 mm, width 195 mm, Northern Netherlands, 1629 - 1658-01-16, print maker, printmaker, 1638 - 1658, paper, engraving, engraving (printing process), etching, Southern Netherlands, 1606 - 1638-02-01

Inn interior. Draughtsman: Jan Josef Horemans (I). Dating: 1692 - 1759. Measurements: h 236 mm × w 193 mm. Museum: Rijksmuseum, Amsterdam.

The Quack 1610-85 Adriaen van Ostade Dutch. The Quack 396316

Rijn, Rembrandt van, Christ and the scribes: small plate, verso lower left - stamped, print, prints, height 89 mm, width 68 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1630, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Paris, Duchesne, Veuve, Schenau, Johann Eleazar, Scenes from childhood, Boy feeding girl grapes, verso - stamped, print, prints, height 135 mm, width 79 mm, German, 1737-11-07 - 1806-08-23, print maker, printmaker, 1765 - 1765, paper, papier, etching, Work conception, after own design by, Publication (Event), Publication, French, publisher

Clarinetles, Christiaan Josi, after Jan Havicksz. Steen, 1821 print Interior with two men, one of them plays clarinet. The other teaches him. On the table in front of them lies open sheet music. North Netherlands paper etching Clarinet, Bassoon, Oboe, Shawm (+ Music)

Six peasants carousing in a barn as a seventh man vomits in the corner. Etching by J. de Visscher, 17th century, after J. Danckerts.

. Rembrandt has here rendered an intimate scene of the Virgin caressing her child while Joseph looks on through the window. The carefully measured application of surface tone creates a warm and gentle light effect in the depiction. A snake crawls out from under the Virgins skirt.This is no accidental motif: in Protestantism this was understood as presaging the Christ Childs ultimate triumph over the devil.

The Adoration of the Shepherds: With the Lamp. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1648-1659. Dimensions: 105 x 128 mm (image/plate); 108 x 132 mm (sheet). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

The Hundred Guilder Print: the ass, the camel and the wheelbarrow, Rembrandt van Rijn, 1775 - 1800 print Fragment of cut plate. Japanese paper etching / drypoint Christ preaching in the open

Rijn, Rembrandt van, Joseph's coat is shown to Jacob, Joseph's coat brought to Jacob, verso - stamped, print, prints, height 106 mm, width 81 mm, print maker, printmaker, 1633 - 1633, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Mother with sleeping child, print maker: Louis Bernard Coclers, 1756 - 1817

Gustave Brion (1824-1877). Illustration of the complete works "Les Misérables" by Victor Hugo. "The Bastille elephant". Gilmer photograph. Albumin paper draw. 1862. Paris, house of Victor Hugo. 100147-17 Illustration, Romanesque character, portrait, 19th 19th 19th 19th 19th 19th century

Netherlands, Weissenbruch, Isaac, Interior with several figures and a man in bed visited by Death, print, prints, height 105 mm, width 107 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

. In a room there is a richly dressed lawyer for the fireplace with a desk, for which a gesturing man is standing. At the man there is a boy who looks in the direction of the spectator and has a ham and sausage. The man may ask the lawyer who makes the man with a hand gesture clear that board costs money. In the background there is a bookcase with two busts and behind a fence, the silhouette of a figure is visible at a desk.

Singing figures in a window, Anonymous, 1650 - 1800 print Three men and a woman sing in a window. The woman sings from a leaf while one of the men touches her chest. On the windowsill a pipe, tobacco and a jug. paper singing lullabies. pipe ~ tobacco

A generic scene in the interior according to Conrad Bockmann. A clipping probably from a German magazine. unknown, Bockmann, Conrad (n.n.)

A Woman Sewing Made 1855 France. Etching in bistre ink on ivory wove paper . Jean François Millet

Handicling woman in an interior, Romain Looymans, After Henri de Smeth, 1890 print paper etching / drypoint sewing

Man shows a key to an old man in bed, Reinier Vinkeles (I), 1803 print Amsterdam paper etching / engraving key. bed. map of the world

Woman Sewing, 1855. Jean-François Millet (French, 1814-1875). Etching;

The peasant paying his ecot (Bartsch 42) Adriaen van Ostade (1610-1685). The peasant paying his ecot (Bartsch 42). Water and dry point, 1647-1653

Daniel kneeling for a window is spied ..

. .

Les marchandes d'oeufs (2nd plate) , Merchants, Eggs, Baskets, Alphonse Legros (1837-1911)

In a barn, three men, a woman and two children are having their meal. One of the men raises his glass. Meal in a barn, print maker: Jacob Hoolaart, Dordrecht, 1723 - 1789, paper, h 198 mm × w 237 mm

Interior with peasant family, print maker: Pieter Leonard Delfos, intermediary draughtsman: Cornelis Pietersz. Bega, 1776 - 1782, paper, etching, h 288 mm × w 243 mm

Etching by Rembrandt van Rijn circa 1629 showing the blind Tobias at a doorway, highlighting figure, gesture, and architectural details.

Rhine, Rembrandt van, The pancake maker, verso lower left - stamped, print, prints, Rembrandt f. 1635, center lower, height 109 mm, width 78 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1635 - 1635, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

La femme aux gourdes , Squashes, Alphonse Legros (1837-1911)

Abraham Casting Out Hagar and Ishmael, Léopold Flameng, Rembrandt van Rijn, 1859 print paper etching the banishment of Hagar and Ishmael (Genesis 21:9-21)

Young Communards in Prison (Les Fédérés à la Conciergerie). Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: Overall: 10 3/16 x 6 1/2 in. (25.9 x 16.6 cm). Date: 1871.The intensity of Courbet's political views landed him in prison in 1871. As a leading dissident of the liberal Paris Commune, he was held responsible for the destruction of the Vendôme Column and was locked up in the stables of Versailles. Later, he was sentenced to six months at the prison of Sainte-Pélagie in Paris. To judge from an attached inscription, Courbet must have been at Versailles when he made this drawing of fellow jailed Communards; he sent it to the magazine L'Autographe, where it was published. The artist evidently wished to emphasize that among those held under dreadful, terrifying conditions were juveniles, some scarcely more than infants. Courbet's gritty illustration shows a graffiti-marked prison cell in which a boy, slumped on the stone floor, and a child crying on a

In 1812, the Grimm brothers, Jacob and Wilhelm, published Children and Household Tales, a collection German fairy tales. This illustration accompanied the tale "Brother and Sister" and shows the sister who has become a queen, the deer, which is the brother transformed after drinking from a spring bewitched by their evil stepmother, and her baby son. To the right is the evil stepmother who has found out they are all still alive and she is plotting her revenge. This image is from Grimms Eventyr (Grimm's Fairy Tales) by Carl Ewald, published in 1922.

Francisco de Goya (1746-1828), it's hot, 1797-1798

The Birth of Saint John the Baptist. Artist: After Andrea del Sarto (Andrea d'Agnolo) (Italian, Florence 1486-1530 Florence). Dimensions: 10 1/8 x 15 1/2in. (25.7 x 39.4cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

The Embrace Printed 1595-1600 Germany. Engraving in black on pinkish cream laid paper . Master M.Z.

Qual la descañonan!' by Francisco Goya, created in 1799. This visual work is a first edition etching and aquatint, noted for its satirical content. The piece is referenced by a standard number indicating its state

Adriaen van Ostade, Eyeglass Peddlar, probably 1646 Eyeglass Peddlar

"Home!" prints, engravings, works on paper

Bettlers illustration from Vienna and the Viennese, in pictures from life, edited by Adalbert Stifter, Pest , Adalbert Stifter -, Drawer, Adalbert Stifter -, Editor, Carl Karl Mahlknecht -, Steel Engraver

Rosa, Salvator, Amsterdam, Picart, Bernard, The Three Marys at the Tomb, verso lower left - stamped, The three holy women who come to anoint Christ arrive at the tomb. The jar of ointment in their hands., print, prent, prints, enten, height 120 mm, width 95 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1710 - 1733, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, Italian, 1615-06-20 - 1673-03-15, intermediary draughtsman

Nicolaes Pietersz Berchem, The Shepherd Seated on a Fountain and the Spinner, 1652 The Shepherd Seated on a Fountain and the Spinner

Woman on the spinning wheel, Léopold Flameng, After Nicolaes Maes, 1841 - 1910 print paper etching spinning-wheel

Etching by Rembrandt Harmensz. van Rijn on Japanese paper from 1658 depicting Christ interacting with the Samaritan, including a ledge as part of the composition.

Emilia-Romagna Ferrara Ferrara S. Antonio in Polsine9. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (15th century); Baroque interior, choir loft, sculpture (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two women watch the sunset at a sundial.

Les nourrices. Dated: 1780. Dimensions: image: 22.1 x 14.2 cm (8 11/16 x 5 9/16 in.) sheet: 28.4 x 20.3 cm (11 3/16 x 8 in.). Medium: color aquatint and etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-François Janinet after François Boucher.

La famille du fermier. Dated: 1791. Medium: etching (and engraving). Museum: National Gallery of Art, Washington DC. Author: Clément-Pierre Marillier and Antoine Louis Romanet after Jean-Honoré Fragonard.

ebraracy receiving the self in the door; Rijn, Rembrandt Van (1606-1669); 1648 (1648-00-00-1648-00-00);Rehdigerana (collection), genre scenes, ribs (genre scenes)

Three men drinking and smoking stand behind an open window. On the canopy above the window are stones and branches or pieces of antlers. Hanging from the outside of the window are a hat and an image., Three Smokers in a Window, print maker: Nicolaes van Haeften, (mentioned on object), Antwerp, 1673 - 1715, paper, engraving, h 337 mm × w 241 mm

Desolé Mylord on n'en donne plus aux voyagers anglais depuis la farce faite à Duguesclin. -Retournez en Angleterre si vous êtes trop pressé.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1867. Prints; lithographs. Lithograph

Meal in Emmaus, 1661 Zwolle paper. ink. chalk brush Zwolle paper. ink. chalk brush

Bega, Cornelis, work, The cabaret girl is approached (La jeune cabaretière caressée), line etching, graphics, image width 16.5 cm, image height 19.9 cm

Faust ca. 1652 Rembrandt (Rembrandt van Rijn) Dutch. Faust 371738

Lettering man and wife, Wallerant Vaillant, After David Teniers (II), 1658 - 1677 print A man and a woman sit at a table and read a letter together. On the table a pipe, a glass and a jug. paper reading. letter, envelope. interior of the house

Spinster sitting on the threshold of a house in conversation with Man, Anonymous, After Adriaen van Ostade, 1666 - 1745 print paper etching winding of yarn on reels or spools

La lanterne magique (The MagicLantern). Publisher: Jean Ouvrier, French, 1725-1754 After: Johann Eleazar Schenau, German, 1737-1806

De Liefdebrief, Jan Veth, After Johannes Vermeer, 1874 - 1925 drawing parchment (animal material). pencil. chalk one person playing string instrument (plucked). lyre, cithara, psaltery. letter, envelope

The Inn. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Cornelis Bega.

Graphite and brown wash drawing by Abraham van Diepenbeeck depicting toddler Elias being fed with fire, with gray and gray-brown washes and white highlights.

Abraham and Isaac. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1645. Dimensions: 156 x 128 mm (image/plate); 159 x 131 mm (sheet). Etching and drypoint on white laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Estan calientes (They Are Hot), pl. 13 from the series Loscaprichos. Artist: Francisco Goya, Spanish, 1746-1828

Lord and lady with page. A page presents a tray to a lady and a gentleman. The woman drinks from a glass.

Die Heimkehr des Grossvaters vom Markte. Grandfather's return from the market.. Brakelaire. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Children and adults, Birdcages, Older people , Men

Music making company, Jan Gillisz. van Vliet, 1634

David Teniers the Younger depicts three farmers around a fireplace using black chalk, showing figures, composition, and interior details with light brownish dirt.

Figures on a meal in a peasant interior, Charles Emile Jacque, 1823 - 1894 print paper. etching farmers. eating

Woman at a door hatch talking to a man and children., 1641, Netherlands, by Rembrandt van Rijn. Gift of Bishop Monrad, 1869.

Marcolfa finds Bertoldino breeding on an egg, Giuseppe Maria Crespi, 1710 - 1715 print Bertoldino sits between the chickens and granzen and breeds on a number of eggs. Marcolfa looks at him. Under the show a three -faced rhyme in Italian. Print from a series of eight with the regions of Bertoldino, part of a series of twenty prints. Italy paper etching literary characters and objects. animals (+ brooding, hatching). poultry house

Rijn, Rembrandt van, Het sacrifice van Abraham, verso upper right, print, prints, Rembrandt f 1655, lower right, height 156 mm, width 131 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1655 - 1655, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Playing shepherd and spinster, nicolaes pietersz berchem, 1652 print paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. distaff. flute, aulos, tibia. one person playing an instrument

Numbered top right: 48. With caption in French, Vegetable seller at the door of a workers house., print maker: Balthasar Anton Dunker, (mentioned on object), after: Willem van Mieris, (mentioned on object), 1756 - 1807, paper, etching, h 214 mm - w 172 mm

Venantius Fortunatus with the Holy Radegund of Thuringia. Venantius Fortunatus is located in a classicistic interior on a canapé and reads the Saint Radegund of Thuringia and another woman. He wrote the life story of the saint. In margin a picture of the goddess Ceres from Pompeii.

Old Grand Pot (Hollstein 12) Bega, Cornelis Pietersz. Old in the big pot (Hollstein 12). Etching.

Makes music; Hearing; The five senses. In an interior a man is at a musician company. A man on the back seen playing a lute, a man plays a flute and a man sings around a table on which songbooks.

Lievens, Jan, Scholar in his study, verso lower left - stamped, print, prints, height 71 mm, width 51 mm, 1607-10-24 - 1674-06-04, print maker, printmaker, 1625 - 1674, second quarter 17th century, third quarter 17th century, paper, papier, etching, etchings

Figures on the Waterkant, David van der Kellen (1804-1879), 1814 - 1875 print Three piping men, a girl and a dog on the waterfront. Two boats sail on the water and the contours of a city can be seen in the background. paper etching dog. child. pipe ~ tobacco. rowing-boat, canoe, etc.

In a simple interior, four men are positioned around a table. One of the men is standing on a stool smoking his pipe. Another man lies with his head on the table. Four men at a table Promi Magis Qvam condi. Simple interiors , print maker: Jan de Visscher, intermediary draughtsman: Adriaen Brouwer, Northern Netherlands, 1643 - 1692, paper, etching, h 215 mm × w 167 mm

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